Born 1973, San Francisco, USA.

Selected Press

The Brooklyn Rail, Daria Martin: Tonight the World, Tamara Suerez Porras, September 2019
Financial Times
, Can someone else’s dreams ever be compelling? Daria Martin at the Barbican, Simon Ings, 5 February 2019
The Guardian
, Dancing Naked with robots: dreams of Jarman prize winner Daria Martin, Tim Jonze, 27 November 2018
Contemporary Art Society: Friday Dispatch
, Daria Martin: A Hunger Artist at Maureen Paley, London, Caroline Douglas, 7 September 2018
Frieze
, Work in Progress, Daria Martin, 2 March 2017
Art Forum
, Critics’ Pick: Daria Martin, Anna Wallace-Thompson, February 2013

Education

2000

M.F.A., cum laude, University of California, Los Angeles.

1995

B.A., Humanities, magna cum laude, Phi Beta Kappa, Yale University.

Awards and Residencies

2018

Winner of the 2018 Jarman Award

2016

Wellcome Trust Arts Award, London.

2014

AHRC Mid-Career Fellowship, London.

2012

Leverhulme International Network Award, London.

2010

Wellcome Trust Arts Award, London.

2009

Philip Leverhulme Prize, The Leverhulme Trust, London.

2008

Wellcome Trust Arts Award, London.
Artist in residence, Headlands Center for the Arts, San Francisco.

2007

Artist in residence, The Watermill Center, New York.

2002

Artist in residence, Delfina Studios Trust, London.

1999

Artist in Residence, Cite Internationale des Arts, Paris.

Solo Exhibitions

(C) denotes that a catalogue was or will be published in conjunction with the exhibition.

2019

Tonight the World, Curve Gallery, Barbican, London; touring to The Contemporary Jewish Museum, San Francisco, California, USA (C)

2018

Maureen Paley, London, UK
A Hunger Artist, Site Gallery, Sheffield

2017

Subjects and Objects, VISUAL Centre for Contemporary Art, Carlow, Ireland
A Hunger Artist, Schering Stiftung, Berlin, Germany

2016

At the Threshold, Maureen Paley, London, UK

2014

Hiller/Martin: Provisional Realities (Daria Martin and Susan Hiller), California College of the Arts, Wattis Institute, San Francisco, California, USA (C)

2013

One of the Things That Makes Me Doubt, ACCA: Australian Centre for Contemporary Art, Melbourne, Australia (C)
Maureen Paley, London, UK

2012

Syntonization, Galerie Stadtpark, Krems, Austria (C)
Sensorium Tests, Milton Keynes Gallery, Milton Keynes, UK (C)

2011

Daria Martin with Anna Halprin, Galleria Raffaella Cortese, Milan, Italy

2009

Three M Commission: Minotaur, Touring Exhibition. MCA Chicago, New Museum, New York, Hammer Museum, Los Angeles, USA (C)

2008

BP British Art Displays 1500 – 2008, Tate Britain, London, UK
Maureen Paley, London, UK

2007

Continuous Project Altered Monthly, curated by Jens Hoffmann, CCA Wattis Institute for Contemporary Arts, San Francisco, USA
PERFORMA07, New York, USA
S.M.A.K., Ghent, Belgium

2006

Stedelijk Museum, Amsterdam, The Netherlands
Wintergarden, Castlefield Gallery, Manchester, UK

2005

Five Fights, Kunstverein in Hamburg, Hamburg, Germany (C)
Daria Martin, Kunsthalle Zürich, Zürich, Switzerland (C)
Man and Mask, Collective Gallery, Edinburgh, UK.
Cubitt Gallery presents: Daria Martin, Künstlerhaus Stuttgart, Stuttgart, Germany.
Soft Materials, The Showroom, London, UK.

2004

Daria Martin: Closeup Gallery, Hotel, London, UK

2003

Daria Martin: Art Now Lightbox, Tate Britain, London, UK
Closeup Gallery, Analix Forever Gallery, Geneva, Switzerland

2001

Birds, Gallery Two, Andrea Rosen Gallery, New York, USA

Two Person Exhibitions

2014

Hiller/Martin: Provisional Realities, CCA Wattis Institute for Contemporary Arts, San Francisco, CA, USA

2006

A world of pleasures to win, (Daria Martin and Bernd Kraus), curated by Melanie Ohnemus, dreizehnzwei, Vienna, Austria (C).
Choreographic Turn, (Daria Martin and Peter Welz), MIT List Visual Arts Center, Cambridge, UK.

2004

Sophie Macpherson and Daria Martin, Glasgow Sculpture Studios, Glasgow, UK.

Selected Group Exhibitions

2021

Artefact 2021, Wired for Empathy, Stuk, Leuven, Belgium (C)

2020

Artefact 2020: Alone Together, STUK, Leuven, Belgium (C)

2019

The Extended Mind, Talbot Rice Gallery, University of Edinburgh, Edinburgh, UK
CIRCUS, Gammel Holtegaard, Copenhagen, Denmark. (C)
Smoke and Mirrors: The Psychology of Magic, Wellcome Collection, London, UK.
The Palace at 4 a.m, curated by Iwona Blazwick, NEON Foundation, Archaeological Museum of Mykonos, Greece.
Des attentions, le Crédac, Ivry-sur-Seine, France

2018

Strange Days: Memories of the Future, curated by Massimiliano Gioni,180 The Strand, The Store × New Museum London, UK (C)
Film London Jarman Award Touring Programme, touring: The Mac, Belfast; Towner, Eastbourne;
Spike Island, Bristol; Glasgow Film Theatre; Dundee Contemporary Arts; Turner Contemporary, Margate; FACT,
Liverpool; Nottingham Contemporary; Firstsite, Colchester; G39, Cardiff and The Whitechapel Gallery, London
Bauhaus and America, LWL-Museum für Kunst und Kultur, Münster, Germany (C)
Synesthesia, High Line Art, New York, USA
Somewhere In Between, Wellcome Collection, London, UK

2017

Frestas Triennial: Between post truths and events, Sesc Sorocaba, São Paulo, Brazil (C)
Queering the Nonhuman, organised by Kaos GL Association, Abud Efendi Mansion, Istanbul, Turkey.
The Electric Comma, V-A-C+KADIST, V-A-C Foundation, Venice, Italy.
Gwangju Media Art Festival 2017, Gwanju Media Art Platform, Gwanju, South Korea.
APPARAT, Kunstverein Braunschweig, Brunswick, Germany
I Want! I Want! – Art and Technology, Gas Hall, Birmingham Museums
Performer and Participant, Tate Modern, London, UK
Myths of the Marble, ICA Philadelphia, USA (C)
Myths of the Marble, Henie Onstad Kunstsenter, Oslo, Norway (C)

2016

The Promise of Total Automation, Kunsthalle Wien, Austria
The New Human, Moderna Museet Malmö, Sweden, touring to Moderna Museet, Stockholm, Sweden, touring to Moderna Museet, Stockholm, Sweden.

2015

Mystery Theater Sports Bar, The Machine Project Mystery Theater, Los Angeles, USA.
Tate Liverpool, UK.
14th Istanbul Biennial SALTWATER: A Theory of Thought Forms, Istanbul, Turkey(C).
Exercises in Empathy, Site Gallery, Sheffield, UK
Eppur si muove; Art et technique, un espace partagé, Mudam Luxembourg, Musée d’Art Moderne Grand-Duc Jean, Luxembourg (C)
Exo-Evolution, ZKM | Center for art and media Karlsruhe, Karlsruhe, Germany

2014

How the Tangible Shapes the Mind, Kunstverein Nürnberg, Nürnberg, Germany
10th Shanghai Biennale, Shanghai, China (C)

2013

Man-Space-Machines: Exhibition on the Bauhaus Theatre, Bauhaus Dessau, Foundation, Dessau, Germany (C)
Weird Science, Jack Hanley Gallery, New York, USA (C)

2012

Animism, The Haus der Kulturen de Welt, Berlin, touring to e-flux, New York, USA (C)
Kadist – Pathways into a Collection, Misheng Art Museum, Shanghai, China
In the Holocene, MIT List Visual Arts Center, Cambridge, Massachusetts, USA

2011

Animism, Generali Foundation, Vienna, Austria (C)
Blockbuster, curated by Jens Hoffman, Masin, Museo de Arte de Sinaola, Sinaola, Mexico, touring to Macro, Museo Arte Contemporaneo, Monterrey, Mexico
Dancing Through Life, Centre Pompidou, Paris, France (C)
Move: Art and Dance since the 60s, Haus der Kunst, Munich, Germany, touring to K20 Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany

2010

Animism, Extra City & M HKA, Antwerp, Belgium (C)
Museum of Modern Art, Sao Paulo, Brazil
Move: Art and Dance since the 60s, Hayward Gallery, London, UK touring to Haus der Kunst, Munich, Germany. K20 Kunstsammlung Nordrhein-Westfalen, Dusseldorf, Germany
One Thing Leads to Another, Everything is Connected; Artworks from Stanmore to Stratford, Art On The Underground, London, UK

2009

Art for Art’s Sake 09 – Disharmonic Harmony, Museo della Musica, Bologna, Italy
Le Sang d’un Poet, Saint-Nazaire Biennale, Nantes, France

2008

Manifesta 7, Trentino, South Tyrol, Italy (C)

2007

PERFORMA07, New York, USA (C)
Wolfgang von Kempelen. Man-[in the]-Maschine, ZKM Medienmuseum, Karlsruhe, Germany
Earth?, Galerie Giti Nourbakhsch, Berlin, Germany

2006

ACTION ed., fracpaca, Marseille, France
If it didn’t exist you’d have to invent it: a partial Showroom history, The Showroom, London, UK
Poor Man’s Expression (reading and film projection as part of the group exhibition), Kino Arsenal, Berlin, Germany
Protections, Kunsthaus Graz, Austria
Tate Triennial, Tate Britain, London, UK
Women of Europe, City of St Tropez, France
Uncertain States of America, Touring Exhibition: Bard Art Museum Bard College, New York, Reykjavik Art Museum, Hernig Art Museum, Denmark, Astrup Fearnley Museum of Modern Art, Oslo, Serpentine Gallery, London, 2 Moscow Biennial for Contemporary Art, Moscow (2007), Galerie Rudolfinum, Prague, Czech Republic (C)

2005

The British Art Show 6, The Baltic Centre for Contemporary Art, Gateshead, UK
A Certain Tendency in Representation, Thomas Dane Gallery, London, UK
Emblematic Display, curated by Catherine Wood, Institute of Contemporary Arts, London, UK
U-Move, Galeria Comunale d’Arte Contemporanea di Monfalcone, Italy (C)
Beck’s Futures, touring exhibition: Institute of Contemporary Arts, London, UK, and others (C)

2004

In the Palace at 4 a.m., curated by Catherine Wood, Alison Jacques Gallery, London, UK
100 Artists See God, curated by John Baldessari and Meg Cranston, touring exhibition: Institute of Contemporary Arts, London, UK, and others (C)
Feast of Silenus, Edinburgh College of Art, Edinburgh, UK

2003

The Moderns, Museo Castello di Rivoli, Turin, Italy (C)
Paris is Burning, Entwistle Gallery, London, UK
Bootleg, Spitalfields Market, London, UK
The Fragile Underground, curated by David Thorpe, Bart Wells Institute, London, UK

2002

Al Respecto 7, Rafael Tous Foundation, Barcelona, Spain

2001

Tirana Biennale, National Gallery, Tirana, Albania (C)
Sharing Sunsets, Tucson Museum of Contemporary Art, Tucson, USA
Not at Home, Solitude Gallery, Stuttgart, Germany

2000

Sentimental Education, curated by David Rimanelli, Deitch Projects, New York, USA
And She Will Have Your Eyes, Analix Forever Gallery, Geneva, Switzerland
New School, Works on Paper, Los Angeles, USA
M.F.A. Thesis Show, UCLA New Wight Art Gallery, Los Angeles, USA

1999

Black Dragon Society, Black Dragon Society, Los Angeles, USA

Selected Screenings and Broadcasts

2022

Mimicry—Empathy, La Friche de la Belle de Mai, Marseille, France

2021

Hearing Aids, McEvoy Foundation for the Arts, San Francisco, CA, USA
Gabes Cinema Fen, Gabes, Tunisia

2020

Refuge, Random Acts, Channel 4

2019

Tonight the World – author screening, vila Stiassni v Brně, Brno-střed, Czech Republic
Film-work as Dream-work, Barbican Centre, London, UK
Freud’s Lost Lecture, Regent Street Cinema, London, UK

2018

Mimicry—Empathy, Lajevardi-Foundation, Tehran, Iran
Andrei Tarkovsky Cinema of Dreams, Edinburgh Artists Moving Image, Edinburgh, UK
Technologies of Violence: The Quantified Body, Arsenal – Institute for Film and Video Art in Berlin, Berlin, Germany
Artist Focus: Daria Martin, New York Jewish Film Festival, Film Society of Lincoln Center’s Elinor Bunin Munroe Theater, New York, USA

2017

Object Relations/Special Effects, This Light, Künstlerhaus Stuttgart, Stuttgart, Germany
Box with the Sound of its own making, Salonul de proiecte, Bucharest, Romania
Technologies of Violence: The Quantified Body, La Casa Encendida, Madrid, Spain
Frestas: Art Triennial, São Paulo, Brazil
Sunshine Socialist Cinema, Malmo, Sweden
Uniqlo Tate Late, Tate Modern, London, UK
The Quantified Body, La Casa Encendida, Madrid, Spain

2016

Invocations for Hilma af Klint, Radio Serpentine, London
Fictional Matters, CCA, Glasgow, UK
The Progress Bar: Art after the Posthuman – Boundaries and Relations, Lighthouse, Brighton, UK
Mystery Theater Sports Bar, Museum of Contemporary Art, Denver, USA
Transparency Machines, Centre Arts Santa Mónica, Barcelona, Spain
I See It Feelingly, curated by Amy Budd, Parallel: Art & Cinema Weekend, Arnolfini, Bristol, UK
Eyes on Others, a programme of artist film and discussion with filmmakers, Deptford Cinema, London, UK

2015

Steel Town, Daria Martin & Massimiliano Mollona, Artist Film and Video at Tate Britain, Tate Britain, London, UK

2014

A Paradise Built in Hell, Kunstverein in Hamburg, Hamburg, Germany

2013

Steel Town, Daria Martin & Massimiliano Mollona, Museum of Contemporary Art Detroit, Detroit, USA and Vdrome online platform.

2012

Screening, Anna Moderato – In Use, Hackney Picturehouse, London, UK.

2011

Daria Martin: Selected Films, The Western Front, Vancouver, Canada.
Lecture and Screening, Renewing Deren’s Legacy: Daria Martin, part of Maya Deren: 50 Years On, BFI, London.

2010

Forum Expanded, 60th International Berlin Film Festival, Berlin.

2009

HIT, Gottenberg.

2008

Clair-obscur Film Festival 2008, Basel, Switzerland.
NOTHING is exciting. NOTHING is sexy…, Museum Moderner Kunst, Vienna.
“Conversation with Colin Blakemore,” The Material World, BBC Radio 4, 13 November 2008.
Interview, Radio Tania, Resonance FM.
The Young and Evil, film and video selected by Andrea Geyer, William E. Jones, Daria Martin, Carlos Motta, Karol Radziszewski, Bruce Yonemoto and Akram Zaatari, tank.tv, July – September 2008, Tate Modern, 20 September 2008.

2007

Museum of Modern Art, New York.
Never Spill, CCA Glasgow.

2006

Loneliness and the Modern Pentathlon, 59th Locarno International Film Festival.
The Artists Cinema, Frieze Art Fair, London.
Loneliness and the Modern Pentathlon, Tate Modern, London.

2005

Artists’ Cinema, Frieze Art Fair, London.
Daria Martin: Screenings, Casco Projects, Utrecht.
Flesh and Fantasy, (film night curated by Daria Martin), Tate Britain, London.
Ed Ruscha Film Night, Museum of Contemporary Art, Los Angeles.
Describing Form, (screenings curated by Lucy Reynolds for LUX, touring exhibition), The Henry Moore Institute, Tate Britain, London, and others.

2002

Revolver, (a series of short films by artists, curated by Carmen Zita, broadcast weekly on the European arts Channel) Expo 24X7.

Performances

2013

The Unlearning (in collaboration with Theresa Wong and Massimilano Mollona) Roulette, New York, USA.

2010

The Unlearning (in collaboration with Theresa Wong and Massimilano Mollona) Roulette, New York, USA.

2006

Regeneration, (a collaboration with Zeena Parkins), Tate Modern, Turbine Hall, London, UK.
Object Relations, Hayward Gallery, London, UK & Art Basel Miami Beach, USA.
The Wedding will not take Place, Poor Man’s Expression, Kino Arsenal, Berlin, Germany.

2004

Spring is the Future, Concert in the Egg, curated by Emma Robertson And Jo Stella-Sawicka, The Ship, London, UK.

Talks, Symposia & Panel Discussions

2020

Home Cooking: Floodwater: a conversation with Lee Triming, Daria Martin and Marianna Simnett, online conversation

2019

In Conversation: Daria Martin and Laura Mulvey, Barbican Centre, London, UK

2018

Film London Jarman Award Weekend 2018, Whitechapel Gallery, London, UK (talk)
In Conversation: Daria Martin and Sara Cluggish, Abbeydale Picture House, Site Gallery, Sheffield, UK

2017

Daria Martin in conversation with Declan Long, VISUAL, Carlow, Ireland.
Hunger Art: A Disease between Intoxication and Abyss (Symposium and interview with Daria Martin), Leibniz Association, Berlin, Germany.
Mirror-Touch Synaesthesia (book presentation), Worlding the Brain, Amsterdam, The Netherlands

2016

Daria Martin in conversation with Emily Pethick, Maureen Paley, London in collaboration with The Showroom, London.
Fictional Matters, CCA, Glasgow, UK

2015

Thought Forms and Brain Waves—Neuro-Aesthetics and Art, 14th Istanbul Biennial SALTWATER: A Theory of Thought Forms, Istanbul, Turkey.
Mirror-Touch: Thresholds of Empathy with Art, part of ‘We (not I)’ at South London Gallery, London, UK.

2014

Mirror-Touch: Empathy, Spectatorship and Synaesthesia, (symposium convenor), Tate Modern, London, UK.
Daria Martin in conversation with Genine Lentine and Heidi Rabben, CCA Wattis Institute of the Arts, San Francisco, USA.

2012

Boxes, lecture, Royal College of Art, MFA programme in sculpture, London.

2011

Maya Deren: New Reflections, Symposium, Choreography For A Camera: Daria Martin in conversation with Rosemary Butcher, part of Maya Deren: 50 Years On, BFI, London.
Lecture and Screening, Renewing Deren’s Legacy: Daria Martin, part of Maya Deren: 50 Years On, BFI, London.
Lecture and Screening, Séance for Maya Deren, part of Maya Deren: 50 Years On, BFI, London.
Melodrama and Brazilian Telenovela Workshop, Birkbeck, University of London, London.

2010

UCI Graduate Studio Art Lecture Series: Yvonne Rainer and Daria Martin Perfect Lovers, University of California, Irvine.
Daria Martin and Anna Halprin in conversation, Hammer Museum, Billy Wilder Theater, Los Angeles.

2009

Daria Martin In Conversation with Anne Collard, Remaking Anna Halprin, Museum of Contemporary Art, Chicago.
Lecture and Screening, Mapping the Lost Highway: New Perspectives on David Lynch, Symposium, Tate Modern, London.

2008

Lecture and Screening, CCA: California College of the Arts, San Francisco.
MFA Seminar, Translations, (with Ammiel Alcalay and Paul La Farge), key lecture: Synasethesia and the Translations of the Senses, Bard College, New York.
Lecture, Art and Perception, Movement and Stasis, (with Colin Blakemore), University of Bristol, UK.
Lecture, Royal College of Art, MFA programme in photography, 30 October 2008.
Lecture and conversation with Barry Schwabsky, Cambridge University, Art History Department.
Lecture, University of California, Berkeley, Art Department.

2007

Talk and Screening, St John’s College, Oxford.
Lecture, Slade School of Fine Art, University College London.
Lecture, Anthropology Department, Goldsmiths College, University of London.

2006

Artist’s Talk, (with Peter Welz, moderated by Bill Arnig), MIT List Visual Arts Center, Cambridge.
Lecture and Screening, Secession, Vienna.
Lecture and Screening, Dance and Art in London, Suzanne Dellal Center, Tel Aviv.
Daria Martin, (lecture about the works affinities with Joseph Cornell and Emily Dickinson), Arnolfini, Bristol.
Lecture and Screening, The Royal College of Art, London.
Four Women, a talk on Anna Halprin, Carolee Schneemann, Zeena
Parkins and Nina Fog, part of the symposium Feminist Legacies and
Potentials in Contemporary Art Practice, sponsored by If I can’t dance I don’t want to be part of your revolution, De Appel, Amsterdam.
British Art Talks: Music (lecture and panel discussion with Mark Leckey and Ryan Gander), Tate Britain, London.
Lecture and Screening, Bonniers Konsthall, Stockholm.

2005

Lecture and Screening, Swiss Centre, Paris.
The New Moderns: Second Annual Conference, The Showroom, London.

2004

The New Female Voyeurism (screening and panel discussion), The Institute of Contemporary Arts, London.
bfi and Tate: International Symposium: By Design: Film Fashion Art Architecture (screening and talk), Tate Modern, London.

Solo Publications and Editing

2019

Daria Martin: Tonight the World, Barbican, London, 2019.

2017

Mirror-Touch Synaesthesia: Thresholds of Empathy With Art, Oxford University Press, Volume edited by Daria Martin, 2017.

2013

One of the Things That Makes Me Doubt, ACCA: Australian Centre for Contemporary Art, Melbourne, 2013.

2012

Sensorium Tests, MK Gallery, jrp ringier, 2012.

2009

Minotaur, Museum of Contemporary Art, Chicago, 2009.

2006

Daria Martin, Kunsthalle Zürich and Kunstverein in Hamburg, jrp ringier, 2006.

Books and Catalogues

2020

The Palace at 4 a.m., curated by Iwona Blazwick, NEON Foundation, Archaeological Museum of Mykonos, Greece, pp. 68-71.

2019

Alone Together, STUK, Leuven, Belgium, 2019.

2018

Myths of the Marble, curated and edited by Alex Kelin and Milena Hoegsberg, Sternberg Press, Berlin, 2018.

2017

Witzgall, Susanne, New Materialists in Contemporary Art, in: Susanne Witzgall and Kerstin Stakemeier (Eds.) Power of Material/Politics of Materiality, diaphanes, Zurich-Berlin, 2017,pp. 127-140.

2015

Eppur si muove: Art and Technology, a Shared Sphere, Mudam Luxembourg Editions, p. 192.
Body of Art, Phaidon, p. 285
In the Holocene, MIT List Visual Arts Center and Sternberg Press
Saltwater/Tuzlu Su, A Theory of Thought Forms, 14th Istanbul Biennial 2015, drafted by Carolyn Christov-Bakargiev, p. 366

2012

Valeria Napoleone’s Catalogue of Exquisite Recipes, text by Barry Schwabsky and Valeria Napoleone, Walther König, Köln, 2012.

2011

Animism, (Volume II), Generali Foundation, Verlag der Buchhandlung Walther König, Köln.
Animism. Modernity through the Looking Glass, Edited by Anselm Franke and Sabine Folie, Generali Foundation, 2011, pp.126-129.
Danser Sa Vie, Centre Pompidou, Paris.

2010

Animism, (Volume I), Extra City & M HKA, Antwerp.
Everywhere and All at Once: An Anthology of Writings on Performa 07, Edited by RoseLee Goldberg, JRP Ringier, 2010.

2009

The Bart Wells Institute book, Edited by Luke Gottelier and Francis Upritchard, 2009.
O’Reilly, Sally, The Body in Contemporary Art, Thames & Hudson, 2009.

2008

Formulas For Now, Formulated by Hans Ulrich Obrist, Thames & Hudson, London, 2008, p.110.

2007

Fresh Moves: New Moving Images From The UK, Tank TV, 2007, pp.40-41.
Ice Cream, text by Jens Hoffmann, Phaidon Press, pp 240-243.
Carolee Schneemann (interview with Daria Martin), Pierre Menard Gallery, 2007.

2006

A world of pleasures to win, Essay by Jan Verwoert, Dreizenehnzwei, Vienna, Austria.
Daria Martin, Action ed, 2006.

2005

The British Art Show 6, Hayward Art Gallery, London.
Uncertain States of America, Astrup Fearnley Museum of Modern Art, Oslo, p78 – 79.
The Showroom Annual 2004-2005, The Showroom, London.
U-Move, Galeria Comunale d’Arte Contemporanea di Monfalcone, Italy.
Beck’s Futures, Institute of Contemporary Arts, London, p65 – 75.

2004

100 Artists See God, Independent Curators International, New York, p100 – 101.
Art Now and Then, Tate Britain, London, p56.

2003

I Moderni/ The Moderns, Castello di Rivoli, Turin, p135 – 140.

2001

Tirana Biennale, National Gallery, Tirana, p275 – 275.

2021

Wired for Empathy, Artefact 2021, Stuk, Leuven, Belgium, pp. 28 - 31

Magazines, Periodicals and Web Pages

2021

Gosling, Emily, The nature of desire and the idea of ‘post-digital identities’ are among the themes in this year’s Jarman Awards work, creativeboom.com, 26 July 2021
Jonze, Tim, Jarman award shortlist 2021 tackles and transcends the Covid pandemic, theguardian.com, 22 June 2021
Rohlfs, Stephanie, Videos in ‘Hearing Aids’ Open Door to a Wider Understanding of the Senses, kqed.org, 19 August 2021

2020

Jonze, Tim, Jarman prize shortlist 2020 celebrates vibrant escapism, theguardian.com, 2 July 2020.
Karl, Brian, Daria Martin’s “Tonight the World”, art-agenda.com, 14 January 2020.

2019

Geyer, Nathan, Daria Martin, Tonight the World, thewhitereview.org, March 2019.
Aldridge, Imogen, Tonight the World: Daria Martin explores her grandmother’s dream diaries, nationalstudent.com, 13 March 2019.
Banzetová, Michaela, SNY O PRVOREPUBLIKOVÉM BRNĚNSKÉM SKVOSTU NA VÝSTAVĚ V LONDÝNĚ, ceskatelevize.cz, 6 March 2019.
Blythe, Finn, Into the Psyche: Daria Martin presents a walkthrough of her grandmother’s forgotten dream diaries, hero-magazine.com, 1 February 2019.
Boncza, Michael, Awakening forgotten dreams, morningstaronline.co.uk, 19 February 2019.
Brodbin, Mary, Tonight the World – creating a sense of dread using dream diaries and film, socialistworker.co.uk, 5
February 2019.
Budd, Amy, Daria Martin: Tonight the World, Art Monthly, March 2019, pp29 -31
Frankel, Eddy, Daria Martin: Tonight the World review, Time Out, March 2019.
Frankel, Eddy, Daria Martin Tonight the World review, timeout.com, January 2019.
Gerrie, Anthea, Art: Tonight the World Returning to grandmother’s dream world, 29 January 2019.
Homer, Nicola, Daria Martin – interview: ‘Most people can relate to the feeling of being in exile’, studiointernational.com, 29 January 2019.
Hutchings-Georgiou, Hannah, Daria Martin: Tonight the World at The Curve, Barbican Centre, lucywritersplatform.com, 7 February 2019.
Ings, Simon, Can Someone Else’s Dreams ever be Compelling? Daria Martin at the Barbican, www.ft.com, 5 February 2019.
Jonze, Tim, The Spider-Man of Bolton: Hetain Patel wins Film London Jarman award, theguardian.com, 25 November 2019.
Khan, Tabish, The Top 5 Art Exhibitions to see in London in April, FAD Magazine, 31 March 2019.
Khan, Tabish, The Biggest Exhibitions to see in London right now, londonist.com, 4 February 2019.
Luke, Ben, Daria Martin – Tonight the World review: Terrifying intrusions into a young child’s dreams, 1 February 2019.
Luke, Ben, Daria Martin Tonight the World Review, www.standard.co.uk, 1 February 2019.
Maitland, Hayley, The Best New Exhibitions To Visit In London This Spring, vogue.co.uk, 21 February 2019.
Phanco, Jared, A Good Start to The Year: The Best Things To Do In January, anothermag.com, 2 January 2019.
Suarez Porras, Tamara, Daria Martin: Tonight the World, brooklynrail.org, September 2019.
Wood, Sura, Ominous dreams, ebar.com (Bay Area Reporter), 2 July 2019.
Zuccala, Andrew, Get lost in a dream at Daria Martin: Tonight the world, citymatters.london, 19 February 2019.
–––, Vivid Memories, aestheticamagazine.com, 14 January 2019.
–––, Daria Martin Films Her Grandmother’s Dreams, kqed.org, 16 July 2019.
–––, Daria Martin: Tonight the World, lilith.org, 12 July 2019.
–––, Refuge, goodmenproject.com, 27 November 2019.
––––, The 6 San Francisco Museum Exhibitions You Can’t Miss in 2019, sftravel.com, 12 June 2019.

2018

Banissy, Martin, Some people with synaesthesia feel other people’s sensations of touch – painful and pleasurable, theconversation.com, 21 May 2018.
Baines, Josh, 16mm specialist Daria Martin picks up the £ 10,000 prize at 2018 Film London Jarman Award, itsnicethat.com, 28 November 2018.
Bates, Claire, The doctor who really feels his patients’ pain, bbc.co.uk, 4 April 2018.
Bennett, David, Reviews – Daria Martin: A Hunger Artist, MousseMagzine.it, October 2018.
Berning-Sawa, Dale, Jarman award 2018 shortlist announced, 27 June 2018.
Britton Newell, Laurie, Somewhere In Between at Welcome Collection: 4 major pieces of science that art can help you understand, standard.co.uk, 2 March 2018.
Campbell Johnston, Rachel, Review: Somewhere in Between at the Wellcome Collection, thetimes.co.uk, 16 March 2018.
Casavecchia, Barbara, The Electric Comma, V-A-C Foundation, Venice, Artreview, March 2018, p. 96.
Darblay, Louise, Art Review: Editors Picks: London, artreview.com, 5 October 2018
Douglas, Caroline, Friday Dispatch: Daria Martin: A Hunger Artist at Maureen Paley, London, contemporaryartsociety.org, 7 September 2018.
Eggleton, Lara, Daria Martin: A Hunger Artist, Art Monthly, July-August 2018, pp. 35-36.
Greenberger, Alex, Film London Jarman Award Reveals Shortlist for 2018 Prize, artnews.com, 27 June 2018.
Harris, Miriam, Best art and design exhibitions in 2018, digitalartsonline.co.uk, 22 May 2018.
Jones, Jonathan, Art Weekly: Beuys keeps swinging and Brazil burns bright – the week in art, theguardian.com, 13 April 2018.
Jonze, Tim, Dancing naked with robots: dreams of Jarman prize winner Daria Martin, theguardian.com, 27 November 2018.
Kane, Ashley, Art exhibitions to leave the house for in 2018, dazeddigital.com, 4 January 2018.
Khan, Tabish, 11 Must-See Exhibitions Coming To London In 2018, londonist.com, February 2018.
Khan, Tabish, Artificial Insemination And An Underwater Ballet: Science Meets Art At Wellcome Collection, 8 March 2018.
Lamb, Hilary, Review: Somewhere in Between at the Wellcome Collection, London, eandt.theiet.org, 7 March 2018.
McKinny, Maria, Somewhere in Between: Exploring Art and Science Collaborations, labiotech.eu, 21 July 2018.
Martin, Daria, Daria Martin on ‘Sensorium Tests’ and ‘At the Threshold’, wellcomecollection.org, 22 March 2018.
Moulton, Nicola, ‘Wellbeing’ at the Wellcome — or where art meets healthcare, ft.com, 2 March 2018.
Stern, Melissa, Artists and Scientists Concoct Immersive Projects at the Wellcome, hyperallergic.co, 4 July 2018.
Thompson, Jessie, Art in London 2018: The best exhibitions and art shows to look forward to in the new year, 5 January 2018.
Walsh, Maria, Mirror Touch Synaesthesia: Thresholds of Empathy with Art, ArtMonthly, Art Monthly Foundation, December 2018, p. 40.
Waugh, Rosemary, Somewhere in Between, timeout.com, 15 March 2018.
Westall, Mark, Daria Martin wins the 2018 Film London Jarman Award, fadmagazine.com, 28 November 2018.
––––, Somewhere In Between exhibition opens at Wellcome Collection, irishnews.com, 7 March 2018.
––––, New York Jewish Film Festival 2018, nyblueprint.com, 8 January 2018.
––––, At the Crossroads of Art and Science: ‘Somewhere in Between’ countryandtownhouse.co.uk, March 2018.
––––, The C&TH Guide to the Biggest Exhibitions of 2018, countryandtownhouse.co.uk, February 2018.
––––, Somewhere In Between exhibition opens at Wellcome Collection, dailymail.co.uk, 7 March 2018.
––––, Science and Art: New Solutions, aestheticamagazine.com, 3 February 2018.
––––, Things To Do Today In London: Friday 24 August 2018, londonist.com, 24 August 2018.
––––, DARIA MARTIN WINS 2018 FILM LONDON JARMAN AWARD, artforum.com, 28 November 2018.
––––, Jarman Award 2018: Daria Martin wins annual prize for artists’ moving image work, a-n.co.uk, 27 November 2018.

2017

Moseng, Maria, “Myths of the Marble”. Artforum, May, 2017, p.350.
Eastham, Ben, Reviews: “Myths of the Marble”, art-agenda.com, 30 March 2017.
Martin, Daria, Work in Progress: Daria Martin, frieze.com, 2 March 2017.
––––, (film stills from Minotaur and Sensorium Tests used throughout the magazine) Oberon, Issue 3, September 2017.
––––, Berlin Art Week 2017, eflux.com, 3 September 2018.
––––, Here are the 8 Things You Should Seek Out During Berlin Art Week 2017, news.artnet.com, 4 September 2017.

2016

Grace, Ellen, Daria Martin Soft Materials, coeval-magazine.com, 13 October 2016.
Elmhirst, Sophie, The New Tate Modern: State of Art, Harper’s Bazaar, July 2016. pp. 140-147.
Homersham, Lizzie, Feelings, Art Monthly, July – August 2016, pp. 10-13.
Wallace-Thompson, Anne, Critics’ Pick: Daria Martin, artforum.com, February 2016
Daria Martin: At the Threshold, Mousse, February – March 2016.
Double Take—Daria Martin’s “At The Threshold”, art-agenda.com, 10 March 2016.
—-, Opening this week, Time Out London, 26 January 2016.
Critics’ Pick: Daria Martin, artforum.com, February 2016.
—-, The Promise of Total Automation, 12 March 2016. thisistommorow.info
—-, The Promise of Total Automation, March 2016. e-flux.com
—-, “The Promise of Total Automation” at Kunsthalle Wien, Vienna, May 2016. moussemagazine.it

2015

Scardi, Gabi. Saltwater. Una teoria delle forme pensiero, domusweb.it, 1 October 2015.
Mammi, Alessandra, Biennale di Istanbul: dall’Art work all’Hard work, mammi.blogautore.espresso.repubblica.it, 6 September 2015.

2014

Seaberg, Maureen, Tasting the Universe, Synesthesia from the inside out, psychologytoday.com, 24 January 2014
Valdes, Carolina, Synesthesia and the Bauhaus, Theatre O, 6 Juanuary 2014.
Vasey, George, Hiller/Martin: Provisional Realities, kaleidoscope-press.com, 29 January 2014.

2013

Johnson, Ken, Art in Review: ‘Weird Sceince’, New York Times Online. 25 April 2013.
Martin, Daria, Three Embarrassing Things, PERSONA (edited by Melissa Gordon and Marina Vishmidt), October 2013
Martin, Daria, Petunia #5, May 2013
Banbury, Stephanie, Connecting dreams and consciousness, The Age, 30 May 2013, p.29.

2012

Sutton, Kate, Scene and Herd, artforum.com, March 13 2012.
Bronson, Ellie, The Independent: Calm Joy Amidst Art Fair Claustrophobia, artcritical.com, 8 March 2012.
Dillon, Brian, At the MK, London Review of Books, 9 February 2012.
Herbert, Martin, Daria Martin, Art Review, April 2012, pp.108-109.
Masoero, Ada, Minotauromachia en rose, Il Giornale Dell’Arte, January 2012.
Müller, Dominikus, Animismus, Frieze d/e, Spring 2012, p.125
Nairne, Eleanor, Daria Martin, Frieze, April 2012, pp.142-143
Noble, Kathy, Danser sa vie, Frieze, March 2012, p.145
Sutton, Kate, Walking on Sunshine, artforum.com, 12 March 2012.
Sherwin, Skye, Artist of the week 181: Daria Martin, guardian.co.uk, 15 March 2012.

2011

Martin, Daria, The Gleaners and I (2000), Frieze, September 2011, p.191.

2010

Clarke, Chris, Animism, Art Monthly, May 2010, pp.34-35.
Steverlynck, Sam, Animism, Art Review, April 2010, p.118.
Mackrell, Judith, Rosemary Butcher, guardian.co.uk, 3 October 2010.
Ward, Ossian, The return of the Showroom, Time Out, 24 September 2009, p.47.
Wood, Catherine, Under The Skin, Kaleidoscope, Summer 2010, pp.82-85
Roelstraete, Dieter, The Nude Man’s City, springerin, issue 3/10, 2010.

2009

Bove, Carol, Daria Martin’s In The Palace, Tate etc, Summer 2009, pp.110-111.
Fabbris, Eva, Daria Martin, Kaleidoscope, March 2009, p. 63.
Martin, Daria & Matmos, Meeting of Minds, Modern Painters, March 2009, p.80.
Mclean-Ferris, Laura, London Reviews Marathon: Daria Martin, Art Review, January 2009, p.82.
The Approval Matrix, New York Magazine, 02 March 2009.
Johnson, Ken, From China, Iraq and Beyond, but Is It Art?, The New York Times: Weekend Arts, 20 February 2009.
Ward, Ossian, The return of the Showroom, Time Out, 24 September 2009, p.47.

2008

Bonami, Francesco, Performa 07, Domus, January 2008.
Case Study: Harpstrings and Lava and Minotaur by Daria Martin, Frieze, November-December 2008, pp.158-159.
Keeping Pace with Art Itself: The Three M Project at the New Museum, db-artmag.com, Issue 3, 2008, p.7.
Lack, Jessica, Daria Martin, Guardian Guide, 1st November 2008, p.36.
Mclean-Ferris, Laura, Exhibitionist: What to see this week, guardian.co.uk, 14 November 2008.
Myers, Julian, Pioneers / Passengers, Frieze, January 2008, p.181.
Focus London, Artists Dictionary: Daria Martin, Flash Art, October 2008, p.95.
O’Reilly, Sally, Reviews: Daria Martin, Time Out, 13-19 November 2008, pg. 69.
Temposhark, Daria Martin at Maureen Paley, kctv.co.uk, 24 November 2008.
Walsh, Maria, Daria Martin, Art Monthly, December 2008, pp.33-34.

2007

Auslander, Philip, Previews: Performa07, Artforum, September 2007, p.158.
Buck, Louisa, Daria Martin: just wants to dance, Art Newspaper, 7 December 2007.
Sharpe, Chris, Book: Fresh Moves, Flash Art, October 2007, p.66.
Davies, Lucy C, One to Watch, artkrush.com, 5 September 2007.
Kennedy, Alexander, Never Still, The List, 16 February 2007, p89.
Rees, Simon, 2nd Moscow Biennale, Frieze, May 2007, p. 154.
Map Magazine, March 2007.
Passengers: CCA Wattis Institute for Contemporary Art, e-flux.com, 11 September 2007.
Van de Velde, Paola, Melancholieke tableaus vivants, De Telegraph, 9 November 2007.
Wittocx, Eva, Daria Martin: Harpstrings and Lava, Flash Art, November 2007, p.105.

2006

Barrett, David, Tate Triennial, Art Monthly, May 2006.
Bell, Kirsty, Track and Field, Frieze, March 2006, p.126-129.
Burnett, Craig, Show me all your hidden secrets, Art Review, May 2006, p114-117.
Cumming, Laura, Tate Triennial 2006 Observer, 05 March 2006.
Dorment, Richard, Haunted by concepts of the past, Telegraph, 07 March 2006.
Gillian, Melanie, On the Ground: London, Artforum, December 2006, pp. 256-258 & 350.
Sgualdini, Silvia, Fast Forwarding The Avant-Garde, UOVO, Issue 11, 2006, pp. 24-51
Grant, Simon, Periodical tables – Tate Etc, Frieze, June, July, August 2006, p248&249.
Guner, Fisun, Art Review: Uncertain States of America, Metro, 14 September 2006, p36.
Heerma van Voss, Sandra, Persephone is depressief meisje, NRC Handelsblad, 30 October 2006.
Hunt, Andrew and Mulholland, Neil, British Art (does it) Show?, Frieze, Issue 96, January – February 2006, p132-137.
Lafuente, Pablo, Zeena Parkins & Daria Martin: Regeneration, London Tate Modern, Wire, May 2006, p81.
Kenning, Dean, Uncertain States of America, Art Monthly, No. 300, October 2006, p31&32
McQuaid, Cate, Feats (and follies) of technology, Boston Globe, 18 June 2006.
Mulholland, Neil, Spotlight, British Art Show 6, Flash Art, Volume XXXIX, Nº246, January – February 2006, p100.
Plender, Olivia, Greek Myth and the Ghosts of Bexhill-on-Sea, Tate Etc, Spring 2006.
Plender, Olivia, Periodical tables – Untitled, Frieze, June, July, August 2006. p249.
Searle, Adrian, Rebels without a cause, The Guardian, 09 December 2006, pp 18-20.
Schwabsky, Barry, Barry Schwabsky on Daria Martin, Artforum, March 2006, p264-265.
Sgualdini, Silvia, Fast Forwarding The Avant Garde: Daria Martin, Uovo Magazine, Issue 11, 2006, p24 – 51.
Widmann,Tanja, Daria Martin / Bernd Krauss, Springerin, 18 February 2006, p67.
Williams, Eliza, Tate Triennial 2006, Flash Art, May 2006, p63&64.
Don’t miss, Art Review, March 2006.
On the Ground, Artforum, January 2006, p218.
Tate Triennial, Art Review, May 2006, p128.
Tate Triennial 2006, Tate Magazine, April 2006.
The Artists’ Artists, Artforum, December 2006, p119.
Top 100 Artists, Flash Art, October 2006, pp.68-69.

2005

Akbar, Arifa, Anti-Sensation! Artist’s ‘discreet and quiet’ work wins £26,000 Beck’s Futures Prize, The Independent, 27 April 2005.
Akbar, Arifa, Meet the new faces of the UK Art Scene, Independent, 06 June 2005.
Anderson, Hephzibah, Beck’s Futures, Evening Standard, 21 March 2005.
Anderson, James, Brighter Future, Loaded Fashion, 31 March 2005.
Baldon, Diana, Daria Martin interviewed, tema celeste, March – April 2005, p56-57.
Behrman, Pryle, Now you see it…, Galleries, 01 April 2005, p15.
Bussel, David, Daria Martin: The Showroom (review), Artforum, May 2005, p261.
Campbell-Johnson Rachel, Critics Pick & New this week, The Times, The Knowledge, 12 March 2005, p33.
Campbell-Johnston, Rachel, Laugh, cry, or try to get it, but it’s all acreative mess. The Times, 18 March 2005.
Charlesworth, JJ, Beck’s Futures, Modern Painters, May 2005.
Cooper, Emmanuel, Shock and surprise are significant, Tribune, 15 April 2005.
Corrigan, Polly, Celluloid Sensibilities, Telegraph.com, 08 March 2004.
Cumming, Laura, Tales from a shanty town, Observer Review, 27 March 2005.
Darwent, Charles, A Tidy Show Indeed, Independent on Sunday, 20 March 2005, p25.
Davies, Serena, Futures Imperfect, Daily Telegraph, 05 March 2005, p20.
Dhillon, Kim, future fantastic, i-D, Nº55, June 2005, p36.
Gale, Iain, A truly Cosmopolitan affair, Scotland on Sunday, 02 October 2005.
Guner, Flsun, Calling the young at art, Metro, 21 March 2005.
Harrison, Eddie, Opportunity knocks, Metro Scotland, 24 May 2005.
Hacksworth, Nick, Playing to the Gallery, Evening Standard, 22 March 2005.
Herbert, Martin, Artforum, 22 March 2005.
Horlock, Mary, The other art prize: it’s cabaret night for maverick minds, Financial Times, 31 March 2005.
James, Sarah, British Art Show 6, Art Monthly, November 2005.
Januszczak, Waldemar, …Beck’s Futures shows what a mess the ICA is in… The Sunday Times Culture, 20 March 2005.
Jeffery, Moira, Where the creative misfits in Beck’s?, Glasgow Herald, 01 June 2005.
Jinman, Richard, Smell of success: Scented art up for prize. The Guardian, 16 March 2005.
Jones, Jonathan, Visions of ‘emotional landscapes’ seduce Beck’s judges, The Guardian, 27 April 2005, p11.
Kennedy, Alexander, Beck’s Futures, The List, 09 June 2005.
Kent, Sarah, Brewer’s Droop, Time Out, 30 March 2005.
Lafuente, Pablo, Debut: Daria Martin, Art Review, January 2005.
Le Feuvre, Lisa, Daria Martin: The Showroom, (review), Art Monthly, March 2005, p27.
Leitch, Luke, Graveyard with a scent of art’s richest award, Evening Standard, 15 March 2005.
Lubbock, Tom, Instant Culture, The Independent Review, 15 March 2005.
Mottram, Jack, It’s not the winning, it’s the making art, Sunday Herald, 29 May 2005.
Noah, Sherna, Smell of Success for Arts Prize Contender, Scotsman, 15 March 2005.
O’Reilly, Sally, Daria Martin: The Showroom, (review), Modern Painters, April 2005, p110 – 111.
Panting, Lisa, Daria Martin: The Showroom (review), frieze, April 2005, p117 -118.
Searle, Adrian, Say it with flowers, The Guardian, 22 March 2005.
Sanchez, Alberto, Beck’s Futures 2005, Exit Express, March 2005.
Shannon, Sarah, A nose for novelty, Independent, 03 March 2005.
Smell of success for Arts Prize Contender, Press Association, 15 March 2005.
Tufnell, Rob, Eye Robot, Tank, January 2005.
Winslet, Jim, Sleight of Hand, Artists’ work on show for Beck’s Prize, Financial Times, 16 March 2005.
White, Ian, Art and film get spliced, Art Review, October 2005, p61-62.
Art Beat & Hit List, The List., 13 June 2005.
Awards and Shortlists, Art Review, Febuary 2005.
Beck’s Appeal, Design Week, 13 January 2005.
Beck’s Futures 2005, artrepublic,com, 22 March 2005.
Beck’s Futures, ID, May 2005.
Beck’s Futures, Metro Life, 08 April 2005.
Beck’s Futures 2005, Scotland on Sunday, 29 May 2005.
Beck’s Futures, The Times, 09 April 2005.
Brit Art: the Next Generation, The Independent, 1 December, 2005.
Drinks News, Night Magazine, 01 April 2005.
Exploring the concept of form and space, Exmouth Journal, 05 May 2005.
Future Greats, Art Review, December 2005.
In the balance, Art Newspaper, February 2005.
In Pictures: Beck’s Futures finalists, BBC News, 15 March 2005.
Openinmg this week, Metro Life, 18 March 2005.
Pick n Mix, Attitude, March 2005, p106.
Pick of the month, Arena, 01 April 2005.
Six Scent Success in Richest Arts Awards, PA News, 26 April 2005.
£26,000 Prize for Artist who leaves critics ‘baffled’, PA News, 26 April 2005.
When does a sound become art?, Art Review, Volume LVI, May 2005, p74-77.

2004

Brown, Jonathan, Beck’s Futures shortlist abandons the sensational for ‘more serious’ artworks, Independent.com, 17 December 2004.
Bussel, David, Critics’ Picks: Closeup Gallery, Artforum Online, November, 2004.
Edward, Rhiannon, Scot based filmmaker Shortlisted for the Beck’s Future art prize, The Scotsman, 18 December 2004.
Higgins, Charlotte, ICA Unveils art prize shortlist, Guardian.com, 17 December 2004.
Lafuente, Pablo, Daria Martin, Art Review, Volume LIV, December 2004 – January 2005, p102.
Low, Valentine, Corridor Shorlisted for Art Prize, Evening Standard, 17 December 2004.
Miller, Phil, Dark Art of Urquart wins place on Becks prize shortlist, Glasgow Herald, 18 December 2004.
Pethick, Emily, London Picks: In the Palace at 4 am Artforum Online, July, 2004.
Palace Evolution, Time Out, 28 July-4 August 2004.
Plender, Olivia, On Daria Martin, Untitled, Spring 2004, p14 – 19.
Roy, Sanjoy, Moving the Goalposts, Contemporary, issue 66, October, 2004, P32 – 35 and cover.
Becks Futures Shortlist Announced, artforum.com, 17 December 2004.
Jabba slugs it out for £20,000, Metro, 17 December 2004.
Short List for Beck’s Futures 2005 Announced, artdaily.com, 20 December 2004.
Star Wars Inspires Art Shortlist, bbc.co.uk, 17 December 2004.

2003

Bosco, Roberta, Quienes son los modernos? Babelia, 03 May 2003.
astello di Rivoli Museo d’Arte Contemporanea, e-flux, 04 October 2003.
hrietov-Bakargiev, Carolyn, The Moderns, TK_eventi, 16 April 2003.
Cordero, Jacaopo, Tris Espositivo al Castello di Rivoli, culturalweb, 14 March 2003.
Curto, Guido, I Moderni al Castello, Torino Sette Settimanale di spettacolo, cultura e tempo libero, 11 April 2003.
Dyer, Richard, News: London, Contemporary, Nº55, 2003, p14 – 16.
Espanet, Luisa, Labirinti Elettrici,Gulliver, 3 March 2003.
Fanelli, Franco, Moderni si, modaioli no: chi sono gli artisti della generazione post Twin Towers, Il Giornale Dell’ Arte, No. 220, 03 April 2003, p12.
Kedzierski, Roberta, Revelling in Beauty at Rivoli, Hello Milano, May 2003.
Maggiorelli, Simona, La mostra “I moderni al castello di Rivoli, Europa, 05 April 2003.
Milano, Skira, I Moderni / The Moderns, cerca cultura, 07 April 2003.
Passarella, Sabrina, Un salto oltre il modernismo, Luna Nuova, 15 April 2003.
Per Mostre, Andar, Il villaggio dell’arte e aperto, La Stampa, 26 April 2003.
Polla, Barbara, Daria Martin and the Modern Pentathlon, Citizen K, Paris, Winter 2003-2004, p68, 362.
Rangoni, A. Giovanni, I Moderni, Piu…, March 2003.
Roselli, Roberto, La modernita emergente a Rivoli, Mil Ano Arte, 16 April 2003.
Rovera, Valentina, I moderni in mostra, Torino Magazine, No. 58, May 2003.
Scardim, Gabi, Guida al Maniero del futuro, Il Sole 24 Ore, 27 April 2003.
Sgarbi, Vittorio, Per Dimenticare la noia del Post-Modern, Grazia, 20 May 2003.
Viliani, Andrea, Daria Martin, (review), Flash Art International, Milan, October, 2003, p124.
Appuntamenti Torino Always on the Move, May 2003.
Contemporanei? No, Moderni, La Repubblica, Rome, April 5, 2003, p65.
Due Mostre, Ansa, 15 April 2003.
I Moderne / The Moderns, Lettera Dei Musei, 13 April 2003.
‘I Moderni’ in mostra al Castello di Rivoli fra musica e arte, Zero Nove, 14 April 2003.
Il Castello torinese dei Moderni, il Manifesto, 12 April 2003.
In Mostra,Grazia, 04 March 2004.
I Modernio / The Moderns, Go Spark, April 2003.
I Moderni / The Moderns, extrart, 11 February 2003.
L’Arte & Il Sapere, La Gazzetta Web, 19 February 2003.
Lightbox 2, Art Now Tate, 2003.
Castello di Rivoli, tema celeste, March 2003.
Moderni, Arata Isozaki, Janet Cardiff, Giorgia Fiorio, Alessandre Testi, Torino Sette, 23 March 2003.
Rivoli, ExhibArt, 15 May 2003.
“The Moderns” e “Electric Labyrinth” al Castello di Rivoli, Portfolio Italia, 10 April 2003.
The Moderns I Moderni, Torino, March 2003.

2002

Cattelan, Maurizio, curator, Charley 01, New York, Spring 2002.
Lafuente, Pablo, A room of their own, Artreview, London, November 2002.
Pierini, Esther, Birds, frieze, London, April 2002, p103.

2001

Rimanelli, David, First Take: Daria Martin, Artforum, New York, January 2001 , p127.

2000

Cotter, Holland, Sentimental Education (review), The New York Times, New York, July 14, 2000.
Rimanelli, David Top Ten of 2000, Artforum, New York, December 2000, p120.
Saltz, Jerry, Realm of the Senses, The Village Voice, New York, July 6, 2000.

Teaching

2016

Professor, Ruskin School of Drawing and Fine Art, Oxford University, Oxford.

2006

University Lecturer, Ruskin School of Drawing and Fine Art, Oxford University, Oxford.

2008

Mentor, LUX Associate Artists Programme, LUX, London.

2008

Guest Artist, Sculpture Department, California College of Art, San Francisco.

Selected Collections

Tate Gallery, London, UK
The New Museum, New York, USA
The Museum of Contemporary Art, Chicago, USA
The Hammer Museum, Los Angeles, USA
The Arts Council Collection, London, UK
Kadist Foundation, Paris, France
Ringier, Zurich, Switzerland
Whitney Museum of American Art, New York, USA