Born 1971, Breda, The Netherlands.
Lives and works in London, UK.

Selected Press

ArtReview, Reviews: Saskia Olde Wolbers Yes, These Eyes are the Windows, Dominic van den Boogerd, January/February 2017

Education

1996

Chelsea College of Art & Design London MA Fine Art

1990

Rietveld Academy Amsterdam BA Fine Art

1989

Central St Martins School of Art & Design London Foundation course

Solo Exhibitions

(C) denotes that a catalogue was published in conjunction with the exhibition.

2019

Unreliable Biographers, Van Gogh House, London

2017

Pan O’ Rama, 360° BRWNDR, Viewmaster Foundation, Maastricht, Netherlands

2016

Yes, These Eyes are the Windows, Stigter van Doesburg, Amsterdam, Germany
Yes, These Eyes are the Windows, curated by Bice Curiger, Fondation Vincent van Gogh, Arles, France, (C)

2014

Pareidolia, Art Unlimited, Basel, Switzerland.
Yes, these Eyes are the Windows, Artangel commission, 87 Hackford Road, London, UK

2013

Ota Fine Arts, Tokyo, Japan.
Pareidolia, Ota Fine Arts, Singapore.
Kinemacolor, M Museum Leuven, Leuven, Belgium.

2012

Pareidolia, Diana Stigter, Amsterdam.
Pareidolia, Maureen Paley, London.

2011

Wiener Secession, Association of Visual Artists, Vienna, Austria, (C).
Seven Screens Osram, Munich, Germany, (C).

2010

Goetz Collection, Munich, Germany.

2008

Mori Art Museum, Tokyo, Japan, (C).
Art Gallery of York University, Toronto, Canada, (C).
Ota Fine Arts, Tokyo, Japan.
New Media Series, Saint Louis Art Museum, Saint Louis

2007

Maureen Paley, London.
Musée d’Art Contemporain de Montréal.

2006

The Falling Eye, Stedelijk Museum CS, Amsterdam.

2005

Trailer, South London Gallery, London.
Trailer, AGNSW (Art Gallery of New South Wales).

2004

Maureen Paley, London.
Baloize Prize 2003 SMAK, Gent, Belgium.
Now that part of me has become fiction, Kunsthalle St Gallen, (C).

2003

Statements, Art Basel – Galerie Diana Stigter.
Lightbox, Art Now Film & Video Tate Britain.
Now that part of me has become fiction, Museum Het Domein, Sittard The Netherlands, (C).
Placebo, Transmission Lower Floor Gallery, Glasgow.
Interloper, Galerie Diana Stigter Amsterdam.

2002

Büro Friedrich Berlin.
Gallerie Laura Pecci Milan.
Gallery Tydehalle, Helsinki.

2000

Mind-set, Stedelijk Museum Bureau Amsterdam (C).
Cosmos, Institut D’Art Contemporain Geneve.
Day-Glo, Gallery Herold, Bremen.

1999

Huis in Park Ostermann-Petersen, Kopenhagen.

1998

Cross Currents Gallery 291, London.

Group Exhibitions

(C) denotes that a catalogue was published in conjunction with the exhibition.

2020

Towner International, Towner, Eastbourne, UK
Real Time, Seventeen gallery, London
Circular Cultures: Design, Fashion, Crafts, Onassis Stegi, Athens, Greece
Crafting the Future, The Onassis Foundation / British Council, Athens
Beating Around the Bush #6, The Bonnefanten Museum, Maastricht, Netherlands
Cartographies of the Imagination, London, UK

2019

The Collection (1) | Highlights for a Future, Stedelijk Museum voor Actuele Kunst (S.M.A.K.), Ghent, Belgium
Céline Condorelli: Host / Vært, Kunsthal Aarhus, Aarhus, Denmark, touring: Rose Art Museum, Boston, USA
La Pintura un Reto Permanente, CaixaForum Madrid, Madrid, Spain

2018

CITRUS NORTH curated by Susi Gelb, Easy!upstream, Munich, Germany
Women’s Work: Art from Southwark Collections, Morley Gallery, Morley College, London, UK
Out of Time (collection display), S.M.A.K, Gent, Belgium
Resilient Futures, Thessaloniki Center of Contemporary Art, Thessaloniki, Greece
Telling Tales, Liao Jiekai and Saskia Olde Wolbers, Ota Fine Arts, Shanghai, China
Why Art?, Kunsthalle Weishaupt, Ulm, Germany
Known Unknowns, Saatchi Gallery, London, UK (C)
doing identity. The Reydan Weiss Collection, Kunstmuseum Bochum, Germany
Gallery Collection, Ota Fine Arts, Shanghai
Stedelijk Base (collection display), Stedelijk Museum, Amsterdam
Phantom Limb: Art beyond Escher, Fries Museum, Leeuwarden, Netherlands
Citrus North, easy! upstream, Munich, Germany

2017

Celeste Prize final exhibition, Bargehouse, Oxo Tower Wharf, London
Paratoxic Paradoxes, Benaki Museum, Athens, Greece
Offshore: artists explore the sea, curated by Invisible Dust, Ferens Art Gallery and Hull Maritime Museum, Hull, UK

2016

I Prefer Life, Reydan Weiss Collection, Weserburg Museum of Modern Art, Bremen, Germany
Immerse, Kinokino, Sandnes, Norway
Coral North, easy!upstream, Munich, Germany
Our Machines, The Observer Building Gallery, Hastings, UK
Immerse, Kinokino Sandnes Kunst – OG Kulturhus, Norway
Connubial, Gunhild Hammeraasof Garborgsenteret, Bryne

2015

Silence Out Loud, Museum Kranenburgh, Bergen, The Netherlands
Folds in Time: Artists’ Responses to the Temporal and the Uncanny, The Freud Museum, London, UK
A Breathcrystal, a project by Project Arts Centre and Irish Film Institute, Project Arts Centre, Dublin

2014

Anne Lindberg & Saskia Olde Wolbers: Unmade, Contemporary Arts Center, Lois & Richard Rosenthal Center for Contemporary Art, Cincinnati, USA
Story Time: Or Was It?, Helena Rubinstein Pavilion for Contemporary Art, Tel Aviv Museum of Art, Israel
Penetrating Surfaces; Apparitions in Digital Space, Österreichisches Filmmuseum, Vienna
A Rhinestone as Big as the Ritz: RCA Film Night Series, Royal College of Art, London
Twixt Two Worlds, Whitechapel Gallery, London, touring to Towner Museum, Eastbourne
The Surface of The World : Architecture and The Moving Image, MCAD Museum of Contemporary Art and Design, Manila, Philippines (C)

2013

Visceral Sensation, 21st Century Museum of Contemporary Art, Kanazawa, Japan, (C)
Slow Burn, Fundament Foundation, Tilburg, The Netherlands
Wanderlust, Contemporary Art Society, London, UK
Trapping Lions in the Scottish Highlands, Aspen Art Museum, Aspen , USA
Beyond Tradition, Garage Rotterdam, Rotterdam, Holland.

2012

Luminale Midwest Bienale, Detroit, Michigan
Open End, Sammlung Goetz at Haus der Kunst Munich
Through an open window, Art contemporain de la Rabo Art Collection, Institut Neerlandais, Paris
Restless, Adelaide International 2012, Adelaide, Australia, (C).

2011

Monanism, Museum of Old and New Art , Tasmania, (C).
John Kaldor Family Collection, AGNSW, Sydney, Australia, (C).
The Cinema Effect: Illusion, Reality, and the Moving Image, Caixa Forum, Barcelona / Madrid, Hirshhorn exhibition touring exhibition

2010

In What We Trust, Art Miami, (C).
For Real, video art in public space, Hasselt / Maastricht
Dying in spite of the miraculous, Gertrude Contemporary
Melbourne International Arts Festival
A Bluebird in My Heart, The National Gallery of Zimbabwe, Harare, Zimbabwe.
Deception of the Eye. Special Effects in Contemporary Art, Kunsthalle Wilhelmshaven, Wilhelmshaven, Germany, (C).
Dying in spite of the miraculous, Melbourne International Arts Festival, Melbourne, Australia.
Disturbed Silence, Duffel, Belgium.

2009

Manipulating Reality, Centro di Cultura Contemporanea Strozzina, Florence, Italy, (C)
Heaven, 2nd Athens Bienal, Athens, (C)
Automated Cities, San Diego Museum of Art, San Diego, (C)
Stressed Spaces, KW14, s’Hertogenbosch (C)
Virtuoze Zinsbegoochelingen, Stedelijk Museum Schiedam

2008

Four Thursday Nights: Creative Imagination, Aspen Art Museum, Aspen.
The Cinema Effect: Illusion, Reality, and the Moving Image, Part I: “Dreams”, Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Space Now, Space Studios, London.

2007

Genesis: Life at the end of the information age, Centraal Museum, Utrecht.
Love and Politics, in a minor key, Istanbul Modern, Istanbul.
Stop, Look and Listen, Herbert F. Johnson Museum of Art, Cornell University, New York, (C).

2006

Visibilities: Between Facts and Fictions, Edith Russ Site for Media Art, Oldenburg.

2005

“The Plain of Heaven”, The High Line, organised by Creative Time, New York, (C).
The British Art Show 6, Hayward Gallery Touring exhibition. (C).
two by two, FOR AIDS AND ART, Sotheby’s auction, 2005, (C).

2004

Into My World / Recent British Sculpture, Aldrich Museum of Contemporary Art, Connecticut, (C).
WonderHolland. Mercati di Traiano, Rome, (C).
Real World Theatre – encapsulated in life, Wood Street Galleries, Pittsburgh, (C).
Becks Futures, ICA, London, (C).
Another Zero, L’Arte Enterprize Museum, Bergamo, (C).
Bloom Govett-Brewster Contemporary Art Museum, New Zealand, (C).
Vis/Vitalis, Centraal Musem, Utrecht.

2003

Displaced, Armand Hammer Museum Los Angeles, (C).
Fast Forward, Media Art Sammlung Goetz, ZKM, Karlsruhe, (C).
Shine, Museum Boijmans van Beuningen, Rotterdam, (C).
Turbulence, Museum voor Moderne Kunst, Arnehm, (C).
Anti-Pure, Kunsthalle St Gallen / Ursula Blicke Stiftung, (C).
Models en Mavericks, Museum Het Domein Sittard,
Nano, Gallerie Fraich Attitude, Paris, (C).
Wonderland, Artspace, Auckland.

2002

Reality Check, British Council touring video show Slovenia, Prague, London, Zagreb, Cracow, Riga, (C).
20202, Galerie Diana Stigter, Amsterdam
Prix de Rome Award film & video Montevideo, Amsterdam, (C)

2001

Casino SMAK, Gent, Belgium
Tirana Biennial National Gallery of Albania UK, (C)
New Acquisitions, Stedelijk Museum, Amsterdam
Echt Kunstraum Walcheturm, Zurich
Insider Trading, Mandeville Hotel London

2000

In Your Dreams, FA1 gallery London
Soft City Word Image, Sound House London
Include me out, Provost Space London
I’m Really Sorry, Gallery Luciano Inga-Pin Milan
Nowhere Fast, Century Gallery London

1999

New Work, UK Chisenhale gallery London (installation with Sigalit Landau)
Remote Sensing, The Living Art Museum Reykjavik
Coffee Time, Crowbar London – Bookshow
Huis in Park Ostermann-Petersen, Kopenhagen
Passion, Gasworks, London
Cave, Sali Gia, London

1998

Pandemonium, festival of the moving image, Lux Centre, London
Videonale 8 Bonnerkunstverein Internationaal Video Festival, Germany
Adhocracy, Gallery Herold, Bremen
Home Case Study, Skuc Gallery, Ljublijana, Slovenia
Ladies Smoking, St Pancras, London
20 years of digging, De Begane Grond, Utrecht * Huis in Park Ostermann-Petersen, Amsterdam

1997

Travel Light, Birmingham Art Trust
World Wide Video Fest Volksbuhne, Berlin International Video Festival
First Base Award, ACAVA, London

Screenings

2019

Pfui – Pish, Pshaw / Prr, Cinéphémère at FIAC, curated by Thomas Boutoux, Paris, France
NON DUAL × QDQ: DREAM STATE, Hoxton Cabin, London, UK
Host / Vært, Kunsthal Aarhus, Aarhus, Denmark
Roaming Room presents Six Short Films, Roaming Room, London, UK

2018

VIBRANT MATTER, Kino Arsenal Berlin, Berlin, Germany
THE UNIVERSAL SEA – PURE OR PLASTIC?! Trafóklub, Budapest, Hungary
Housing Complexities, Denver film society, Denver, Colorado, USA

2017

Bio-Baroque, Bio-fiction & Contemporary Art Film Festival, 21st Century Museum of Contemporary Art Kanazawa, Japan

2016

Yes, These Eyes are the Windows, Cinéphèmère curated by Marie Canet, FIAC Paris, France
Yes, These Eyes are the Windows, Caro Sposo series curated by Marie Canet, Cinematheque Robert-Lynen, Paris, France
Say-so, presented by MAP for Glasgow Film Festival 2016, CCA Cinema, Glasgow, Scotland

2015

Yes, these Eyes are the Windows, Art Amsterdam, IDFA, curated by Bart Rutten, Stedelijk Museum
BLACK BOX 2.0 International Art, Film and Technology Festival, part of 41st Seattle International Film Festival, Seattle Art Museum, Seattle, USA
Yes, these Eyes are the Windows, KINO DER KUNST, Munich, Germany
Yes, these Eyes are the Windows, KINO DER KUNST International Highlights, Neues Museum Nurnberg, Germany

2014

A Rhinestone as Big as the Ritz: RCA Film Night Series, Royal College of Art, London

2001

Nuove Scene dall’Olanda, Museo Castello di Rivoli, Italy

2000

Pusan International Contemporary Art Festival
El mes de holanda, Museum of contemporary Art Buenos Aires

1999

Day-Glo, Veemvloer / World Wide Video Festival, Amsterdam (C)
Videarte , Mexico City
Festival do Fim Lisbon
Impakt Festival Utrecht
Homebrew: visions, optics and eye-rotics, Lux Centre, London

1998

Light, De Vaalserberg, Rotterdam
Hedah Cinema Hedah, Maastricht

Solo Publications

2011

Saskia Olde Wolbers, A Shot in the Dark, Secession,

2009

The Saskia Olde Wolbers Files, Phillip Monk, Art Gallery of York University, Toronto Canada.

2008

Saskia Olde Wolbers, Mori Art Museum, Tokyo, Japan.

2003

Now that part of me has become fiction, Artimo,

Group Exhibition Publications

2014

The Surface of The World : Architecture and The Moving Image, MCAD Museum of Contemporary Art and Design, Manila, Philippines

2013

Visceral Sensation, 21st Century Museum of Contemporary Art, Kanazawa, Japan

2012

Restless, Adelaide International 2012, Adelaide, Australia

2011

John Kaldor Family Collection, Art Gallery of NSW / AGNSW Sydney, ISBN 9781741740639
Monanism, Museum of Old and New Art, Tasmania, ISBN 9780980805802

2010

Deception of the Eye: Special Effects in Contemporary Art, Kerber Verlag, ISBN 978-3-86678-379-9
Heaven, 2nd Athens Biennale, Athens, ISBN 9789609889315
In What We Trust, Art Miami

2009

Automatic cities, The architectural image in contemporary art, Museum of contemporary art San Diego, Distributed by D.A.P. New York, ISBN 978-0-934418-71-3
Manipulating reality, How images redefine the world, Fondazione Pallazzo Strozi, Florence, ISBN 978-88-96532-04
Stressed Spaces, KW14, s’Hertogenbosch

2008

The Cinema Effect: Illusion, Reality and the moving image, DAN GILES with the Hirshhorn Museum and Sculpture Garden, Washington DC, ISBN 9781904832508

2007

Stop, Look and Listen, Herbert F. Johnson Museum of Art, Cornell University, New York, IBSN 9781934260036

2005

The British Art Show 6, Hayward Gallery Touring, ISBN 9781853322532
“The Plain of Heaven”, The High Line, organised by Creative Time, New York
two by two, FOR AIDS AND ART, 2005

2004

Another Zero, L’Arte Enterprize Museum, Bergamo
Into My World / Recent British Sculpture, Aldrich Museum of Contemporary Art, Connecticut
Real World Theatre – encapsulated in life, Wood Street Galleries, Pittsburgh
WonderHolland. Mercati di Traiano, Rome
Becks Futures, ICA, London
Bloom Govett-Brewster Contemporary Art Museum, New Zealand

2003

Anti-Pure, JRP|Ringier, ISBN 978-2-940271-23-8
Displaced, Hammer Museum, Los Angeles
Fast Forward, Sammlung Goetz, ISBN 9783980806398
Nano, Gallerie Fraich Attitude, Paris
Shine, Museum Boijmans van Beuningen, Rotterdam, ISBN 9789056623081
Turbulence, Museum voor Moderne Kunst, Arnehm

2002

Reality Check, British Council touring video show Slovenia, Prague, London, Zagreb, Cracow, Riga
Prix de Rome Award film & video Montevideo, Amsterdam

2001

Tirana Biennial National Gallery of Albania UK

1999

Day-Glo, Veemvloer / World Wide Video Festival, Amsterdam

Curatorial Projects (Selection Committee)

2015

East Sussex open judge with Jonathan Watkins

2013

RCA Metro Prize judge

2009

New Contemporaries 2009, A Foundation, London, touring to Cornerhouse, Manchester, (C)

2006

Blink, Gasworks, London.

Professional Employment

2007

Associate Lecturer Sculpture BA, Camberwell College of Art & Design

2013

Lecturer in Fine Art BA (Studio Practice) Goldsmiths

Visiting Lecturer / Talks

2019

Saskia Olde Wolbers in conversation with Livia Wang, Van Gogh House, London

2015

Folds In Time, The Anna Freud Centre, London, UK
University of Brighton, Moving Image (BA Hons) Group Crit degree show

2014

Saskia Olde Wolbers in conversation with Gareth Evans, The Type Archive, 100 Hackford Rd, London
Modern Art Notes Podcast: Saskia Olde Wolbers 09 January 2014

2013

Arnolfini Gallery, Bristol
21st century museum Kanazawa, talk
Wimbledon College of Art, BA Time Based Media and Print, lecture and tutorials
Bristol UWE lecture at Arnolfini gallery
Slade School of Fine Art BA sculpture, lecture and tutorials
Royal College of Art & Design Notes to Self exhibition
Group Crit with Catherine Yass, Sarah Jones and Nigel Rolfe

2012

Art & Translation; From one to another, The Showroom, London
Testing Ground: Zabludowic Foundation Masterclass lead by Doug Fishbone for postgraduates lecture Group Crit and tutorials
Line-events; Art & Translation panel talk with linguist prof Neil Smith, The Showroom Gallery London
Ideas Tap mentor for the Arka Group during the production of their short film Ocelli

2011

Camberwell College of Art & Design lecture and tutorial

2010

Saskia Olde Wolbers: Now That Part Of Me Has Become Fiction, Penny Stamps Speaker Series, University of Michigan, USA

2009

Royal College of Art & Design photography. Lecture and tutorials
Westminster University MA Fashion Design and Enterprise, London. Tutorials
Bloomberg New contemporaries 2009. Gallery talk on selected artists
Royal Academy Schools. Lecture and tutorials

2008

Westminster University MA Fashion Design and Enterprise, London. Lecture and tutorials
Royal College of Art & Design, painting, London. Tutorials
De Ateliers Postgraduate Fine Art, Amsterdam, the Netherlands. Lecture and tutorials
Placebo / Talk and Q&A ; Mori Museum Tokyo .

2007

Royal College of Art & Design, painting, London. Lecture and tutorials

2006

Ruskin School of Art Oxford, BA Fine Art, visiting lecturer (2 terms) Lecture, Group Crit and tutorials
Staffordshire University, Postgraduate Fine Art. Lecture
British Art Show Nottingham University, BA Fine Art. Lecture
Tate Britain British Art Talk: Fantasy and Invented Worlds, 8-02-2006 Lecture

2005

Royal College of Art & Design, painting, London. Lecture and tutorials
Chelsea College of Art & Design, Combined Media MA Lecture and tutorials
Leeds Metropolitan, BA Fine Art. Lecture and tutorials
Newcastle University, BA Fine Art. Lecture and tutorials
Trailer at South London Gallery In conversation with gallery director Margot Heller

2003

Chelsea College of Art & Design, Lecture and tutorials

Selected Bibliography

2020

Hewitt, Phil, Towner International announces artist list and themes for inaugural biennial exhibition, sussexexpress.co.uk, 17 July 2020

2019

Silvia Sgualdini, review: Céline Condorelli Kunsthal Aarhus / Denmark, flash—art.com, 13 June 2019
–––, FVU Recommends: picks of the week, fvu.co.uk, 24 June 2019
–––, Call for Submissions: Cartographies of the Imagination, archdaily.com, 11 December 2019

2018

Jacobsen, Seth, The Saatchi Gallery’s ‘Known Unknowns’ brings 17 artists into the public sphere, 2 May 2018
Tidey, Alice, Saatchi showcases contemporary artists you should know, livingit.euronews.com, 24 June 2018
–––, Known Unknows, Saatchi Gallery, 2018 (C)

2017

Syperek, Pandora, Offshore: Artists Explore the Sea, Journal of Curatorial Studies, Volume 6, No. 2, 2017, pp.263–267.
van den Boogerd, Dominic, Reviews: Saskia Olde Wolbers Yes, These Eyes are the Windows, ArtReview, vol. 69 no.1, January and February 2017, p. 102.
Verhagen, Marcus, Globalisation in Contemporary Art, Flows and Counterflows, Sternberg Press, Berlin, 2017, p102.

2014

Allsop, Laura, A House as Art: Van Gogh’s London Home, anothermag.com, 05 May 2014
Coomer, Martin, Vince woz ‘ere: Saskia Olde Wolbers at 87 Hackford Road, Timeout.com/london, 24 April 2014
Cork, Richard, Artangel installation at Van Gogh house, Brixton, London – review, ft.com, 06 May 2014
Darblay, Louise, Saskia Olde Wolbers: Yes, these Eyes are the Windows, artreview.com, 24 April 2014
Dorment, Richard, Inside Van Gogh’s London home, telegraph.co.uk, 02 May
Douglas, Caroline, Saskia Olde Wolbers, Yes, these Eyes are the Windows, an Artangel commission, www.contemporaryartsociety.org, 03 May 2014
Januszczak, Waldemar,These walls had ears, The Sunday Times, 04 May 2014
Khan, Tabish, Saskia Olde Wolbers Brings An Historic House To Life, londonist.com, 8 May 2014
Kellaway, Kate, Does a house in Brixton hold the key to Vincent van Gogh? The Observer, Sunday 27 April 2014
Luke, Ben, Saskia Olde Wolbers: Yes, These Eyes Are the Windows, Artangel at 87 Hackford Road – exhibition review, Evening Standard, 02 May 2014 p.58
Pes, Javier, Follow Van Gogh’s troubled footsteps, theartnewspaper.com, 01 May 2014
Searle, Adrian, Van Gogh house tour feels like an estate agent’s viewing The Guardian, 03 May 2014 p.1
Sherwin, Skye, This week’s new exhibitions, The Guardian Guide, 03 May, p36

2012

Bohr, Marco, Saskia Olde Wolbers, www.photomonitor.co.uk, 21 February 2012.
Schultz, Michelle, Saskia Olde Wolbers: Visions of Desire and Pathological Lies, dailyserving.com, 22 February 2012.
Gavin, Francesca, Saskia Olde Wolbers: Strange Journeys into Weird Worlds, Dazed & Confused, February 2012, p.144
Johnson, Nicolas, Activating Images: On Saskia Olde Wolbers’ film Pareidolia, michiganquarterlyreview.com, 1 February 2012.
Sack, Emily, Saskia Olde Wolbers and Garder Eide Einarsson, artistsinsight.co.uk, 1 February 2012.
The surreal vision of Saskia Olde Wolbers, visualcultureblog.com, 18 March 2012.
Volpi, Bruna, Saskia Olde Wolbers: Pareidolia, dazeddigital.com, 24 January 2012.

2009

Conway Morris, Roderick, Creating provocative new ‘realities’, International Herald Tribune, 5 December 2009, p.16.
Jasper, Adam, 2nd Athens Biennale, Frieze, November – December 2009, p.134.

2008

Bonetti, David, Short film reveals deception in relationship, St Louis Post, 17 August 2008.
Corkill, Edan, Deceptive Images, deceptive tales, The Japan Times, 8 May 2008.
Green, Tyler, Modern Art Notes; Q&A with Saskia Olde Wolbers, www.artsjournal.com, 19 & 20 February 2007.
Kealoha, Ami, Saskia Olde Wolbers, www.coolhunting.com, 23 April 2008.
Fisher, Alice, Maureen, Fantastic Man, Autumn/Winter 2009, pp.148-155.
Friswold, Paul, The Placebo Effect, Riverfront Times, 7 August 2008.
Fumio, Nanjo, Focus London, Artists Directory: Saskia Olde Wolbers, Flash Art, October 2008, p.96.
Jasper, Adam, 2nd Athens Biennale, Frieze, November-December 2009, p.134.
Kudo, Kiki, Saskia Olde Wolbers, Dazed & Confused Japan, July 2008.
No, Sureally, J Select, 1 April 2008.
Paige, Magarrey, It’s All in the Details, Azure, July 2008.
Placebo, West End Word, 30 July 2008, p.14.
Rawlings, Ashley, Saskia Olde Wolbers, artforum.com, 14 June 2008.
Saskia Olde Wolbers, Art It, 28 May 2008.
Saskia Olde Wolbers, Invitation 7, 1 August 2008.
Saskia Olde Wolbers, M&M, 15 July 2008, p.145.
Stedelijk Museum CS Prospect / retrospect, Stedelijk Museum, Amsterdam, 2008, p.94.
The Art Gallery of York University takes flight with its 20th Anniversary celebration, www.yorku.ca, 10 January 2008.
Topol, Kateryna, Saskia Olde Wolbers’ surrealist video art, Excalibur: Arts, 6 February 2008, p.17.

2007

Fresh Moves: New Moving Images From The UK, Tank TV, 2007, pp.52-3
Basciano, Oliver, Reviews: Saskia Olde Wolbers, Art Review, December 2007, p.126.
Basciano, Oliver, Telling Tales, Wonder Land, October 2007, p.34
Sharpe, Chris, Book: Fresh Moves, Flash Art, October 2007, p.66.

2006

Amsterdam: Summer Exhibition Shortlist, Art Review, August 2006, p.91.
Bokern, Anneke, Saskia Olde Wolbers’ Totally Original Universe, Amsterdam Weekly, 22 June 2006, p6-7, cover.
Eleey, Peter, Emerging Artists, Frieze, January 2006.
Mulholland, Neil, Spotlight, British Art Show 6, Flash Art, Volume XXXIX, Nº246, January – February 2006, p100.
Princenthal, Nancy, Magical Thinking, Art In America, October 2006, p182-185&209.
West, Esme, (editor), New Art on View, Scala, 2006, pp 62-3, 65.
Wewiora, Helen, South London Gallery, Saskia Olde Wolbers: Trailer, contemporary, Nº78, 2006, p77.
Agenda, M – NRC Handelsblad, June 2006.
Agenda, Uitkrant, June 2006.
Agenda, The Art Newspaper, June 2006.
Amsterdam: Summer exhibitions shortlist, Art Review, August 2006, p. 91.
Dagagenda, de Volkskrant, 27 June 2006.
Dagagenda, de Volkskrant, 28 June 2006.
De zonderlinge video’s van Saskia Olde Wolbers, de Volkskrant, 22 June 2006.
Een hoofd vol witte verf, NRC Handelsblad, 5 July 2006.
Een vloeibare, verdovende, NRC Handelsblad, 31 July 2006.
Fishing Line Never Looked So Good, NY Arts, July/ August 2006.
Hallucinate knock-outkunst, Het Financieele Dagblad, 1 July 2006.
Het alleronmogelijkste geloofwaardig maken, Vrij Nederland, 8 July 2006.
New Art on View, Scala, 2006, p.65.
Onderwaterwereld, Identity Matters, June/ July 2006.
Onwaarschijnlijke levensverhalen, Het Parool, 4 July 2006.
Videokunst met literaire kwaliteit, De Telegraaf, 23 June 2006.
Vleesetend visdraad, Museumtijdschrift, July/ August 2006.
Voorkeur Amsterdam, NRC Handelsblad, 6 July 2006.

2005

Adams, Amy, Saskia Olde Wolbers: Trailer, TNT Midweek Magazine, 18 May, p27.
Anderson, Hephzibah, Exhibitions – Sakia Olde Wolbers: Trailer, Metro Life, 13 – 19 May 2005, p31.
Baal, Iphgenia; Leventis Andreas; Somaiya, Ravi, Tales of the unexpected: Saskia Olde Wolbers, Dazed & Confused, May 2005, p198.
Bradshaw, Peter, Trailer, The Guardian, 16 May, p18.
Chavez-Dawson, Jane, radar / visual arts, Flux, May – June 2005.
Dorment, Richard, When Beauty shocks you into silence, Telegraph, 27 September 2005.
Gale, Iain, A truly Cosmopolitan affair, Scotland on Sunday, 2 October 2005.
Gavin, Francesca, Film art at the South London Gallery, bbc.co.uk, 27 May 2005.
Green, Clare, Saskia Olde Wolber: Trailer. The South London Gallery, Flux, May/June.
Güner, Fisun, Captivating fantasy, Metro, 23 May 2005.
Hackworth, Nick, The secret life of plants, Evening Standard, 19 May 2005, p30.
Haddrell, James, Sakia Olde Wolbers: Trailer – South London Gallery, indielondon.co.uk, May 2005, indielondon.co.uk/events/out_south_london_gallery_olde_wolbers.html.
Herbert, Martin, Anti-trust & Saskia Olde Wolbers – Critics Choice, Time Out London, 1-8 June 2005, p68.
Herbert, Martin, Martin Herbert, Artforum, Volume XLIV, Nº4, December 2005, p248-249.
James, Sarah, British Art Show 6, Art Monthly, Nº291, November 2005, p20 – 21.
Jansson, Eva-Lotta, Saskia Olde Wolber’s “Trailer” opens today in London, Artinfo.com, 18 May 2005.
Lack, Jessica, Picks of the week: Trailer, The Guardian, 16 May 2005, p18.
McDermott, Leon, British Art Show 6, Sunday Herald Glasgow, 2 October 2005.
Satz, Aura, saskia olde wolbers, tema celeste, September – October 2005, p83.
Searle, Adrian, Say it with flytraps, The Guardian, 24 May, p12.
Suchin, Peter, British Art Show, Untitled, No. 36, September 2005.
Ward, Ossian, London’s thriving contemporary art scene attracts local and international talent, Royal Academy Magazine, Spring 2005.
A photo On now, on soon – Museum and gallery shows around the world, Flash Art, May-June 2005, p82-84.
Critics’ Choice Art, Time Out London, 8 – 15 June 2005, p56.
Don’t Miss: Saskia Olde Wolbers: Trailer, TNT Midweek Magazine, 18 May 2005, p27.
Five Best Exhibitions, The Independent, 6 June 2005.
News, Flash Art, May 2005, p83.
Saskia Olde Wolbers – Critics Choice Time Out, London June 8-15 2005, p56.
Saskia Olde Wolbers – Placebo, drawnbyreality.info, 2005, http://www.drawnbyreality.info/saskia.html.
Saskia Olde Wolbers – Five Best Exhibitions, The Independent, 6 June.
Saskia Olde Wolbers – London, The Guardian Guide, 14-20 May 2005, p37.
Saskia Olde Wolbers – new this week, The Times (The Knowledge), 14-20 May, p33.
Saskia Olde Wolbers: Trailer, Metro Life, 13-19 May, p31.
Saskia Olde Wolbers: Trailer, southlondongallery.org, 18 May 2005, http://www.southlondongallery.org/docs/exh/exhibition.jsp?id=114.
Saskia Olde Wolbers: Trailer, The Art Newspaper, May, p6.
The Plain of Heaven, Creative Time, 2005, p48-50.
What’s On: United Kingdom, The Art Newspaper, May 2005, p6.
Unlocked Nº 2 – Rabo Art Collection, 2005, p98–99.
Harpers & Queen, January 2005, p48.

2004

Alberge, Dalya, Car crash coma film wins ICA art prize, The Times, 28 April 2004.
Austin, Suzy, Coma film lands £24,000 art prize, Metro London, 28 April 2004.
Badrutt Schoch, Ursula, Grenzerfahrungen im Korridor, St. Galler Tagblatt, 12 May 2004.
Bennett, Oliver, Is it really art? Yes, Actually, The Observer Review, 28 March 2004.
Bennett, Oliver, Mixed messages, Design Week, 25 March 2004, p16-19.
Black, Catriona, Beck’s Appeal, Scottish Sunday Herald, 6 June 2004, p9.
Coomer, Martin, Larger tops – Martin Coomer takes in this year’s Beck’s Futures’ nominees, Time Out London, 7 April 2004.
Cooper, Emmanuel, Blend it like Becks, Tribune, 14 May 2004, p23.
Cork, Richard, New Statesman, 12 April 2004.
Croft, Stuart, Inverted Dream Syndrome, Tank, Volume 3, Issue 10, 2004.
Cornwell, Tim, Artistic Bunch in need of Becks appeal, The Scotsman, 24 March 2004.
Darwent, Charles, Bananas and Fluff: it’s the (Beck’s) future, The Independent on Sunday, 28 March 2004, p20.
Dowling, Tim, Art Show that’s far from uniform, The Guardian, 24 March 2004.
Glueck, Grace, A Softer Generation of British Sculptors With Less Zip, The New York Times, 27 August 2004.
GM, Saskia Olde Wolbers- Now that Part of Me Has Become Fiction, Neue Zürcher Zeitung am Sonntag, 13 June 2004.
Herbert, Martin. Saskia Olde-Wolbers, Time Out, 22-29 September 2004.
Higgins, Charlotte, Ensnared Prize for video artist, The Guardian, 28 April 2004, p6.
Hubbard, Sue, The Independent, 29 March 2004.
Jeffrey, Moira, Space is the artistic frontier, The Glasgow Herald, 26 March 2004.
Jury, Louise, ‘Delusional’ video filmed in a paddling pool wins Beck’s prize, The Independent, 28 April 2004.
Jury, Louise, The face of modern art (drawn on a banana), The Independent, 24 March 2004, p13.
Freedman, Cheryl, Beck’s Futures 2004 – ICA, What’s On in London, 14 April 2004.
Glueck, Grace, A Softer Generation of British Sculptors With Less Zip, New York Times, 27 August 2004.
Leitch, Luke, Becks prize winner hard to fathom, Evening Standard, 28 April 2004.
Lewis-Jones, Huw, Beck’s Futures – A new crop of talent at the ICA, Varsity, 30 April 2005.
Miller, Phil, Video journey takes top art prize, The Glasgow Herald, 28 April 2004.
Mottram, Jack, Beck’s Futures, The List Glasgow, 10 June 2004.
Raphael, Amy, Give me Beck’s, not Becks, The Observer Review, 2 May 2004.
Ribas, João, Great Exptectations, Art Review, June 2004, p25.
Schoch, Ursula Badrutt, Grenzerfahrungen im Korridor, St.Galler Tagblatt, 12 May 2004.
Searle, Adrian, Full steam ahead, The Guardian, 30 March 2004.
Sheffield, Emily, Moving Images, Vogue, September 2004.
Spinelli, Claudia, In der Hoffnung liegt das Off, Weltwoche, May 2004.
Verhagen, Marcus, Saskia Olde Wolbers, Frieze, Nº 87, November -December 2004, p100.
Williams, Eliza, Saskia Olde Wolbers, Art Monthly, October 2004.
Art prize winner collects £24K, Plymouth Evening Herald, 28 April 2004.
Beck’s Futures 2004, In London, May 2004.
CG, Vogue Nippon, November 2004.
Critics’ Choice, Time Out London, 5 May 2005.
Critics’ Choice, Time Out London, 12 May 2004.
Eyes on the Prize, Attitude, March 2004.
Future with Becks – Becks Futures ICA London, Time Out Istanbul, March 2004.
Good Migrations, Art Review, February – March 2004, p16.
Kultur, Videokunst, Tödlicher Liebhaber, annabelle, April 2004, p48.
Odelay! It’s time for Beck’s Futures, Sleaze, April 2004.
Olde Wolbers wins Beck’s Futures, Design Week, 6 May 2004.
Ono and Geldof to Present Art Prizes, Press Association, 27 April 2004.
Saskia Olde Wolbers in der Kunsthalle St. Gallen, kunstmarkt.com, May 2004.
Sakia wins richest art prize, Arts Industry, 7 May 2004.
Schweben im Zwischenbereich, Neue Zürcher Zeitung, 19 June 2004.
The Futures of Art, Blueprint, June 2004.
The Glittering Prizes, The Art Newspaper, January 2004.
The glittering prizes, The Art Newspaper, April 2004.
The glittering prizes, The Art Newspaper, June 2004.
The taste test…Winners and losers, Metro, 10 June 2004, p23.
Video artist wins Futures prize, news.bbc.co.uk, 27 April 2004, http://news.bbc.co.uk/1/hi/entertainment/arts/3663793.stm.
Video art prize, 28 April 2005.
Videos einer preisgekrönten Künstlerin, St. Galler Tagblatt, 7 May 2004.
Videokunst: Tödliche Liebhaber, Annabelle, April 2004.
Video star, The Daily Telegraph, 28 April 2004.
Video wins UK’s richest art prize, Birmingham Post, 28 April 2004.
Yoko and Bob go toe to toe, Daily Record, 28 April 2004.
£24,000 prize for innovative video artwork, Eastern Daily Press, 28 April 2004.

2003

Fabienne, Stephan, Saskia Olde Wolbers, Anti pure Kunsthalle St Gallen, 2003, p67.
Jury, Louise, Carpet Fluff and a uniform fetish – art prize shortlist outdoes Turner, The Independent, 16 December 2003.
Kennedy, Maev, Schlock horror Radical art prize shortlists guardedly, The Guardian, 16 December 2003.
Miller, Phil, Scottish success is maintained on the short list for major arts prize, The Glasgow Herald, 16 December 2003.
Schwabsky, Barry, Reviews, Saskia Olde Wolbers, Tate Britain, Artforum, November 2003.
Thompson, Susannah, David Musgrave / Saskia Olde Wolbers, The List, 2-16 January 2003.
Carpet fluff sculptor with animal magic is shortlisted for art prize, Aberdeen Press & Journal, 16 December 2003.

2002

Ashton, Edwina, Liquid Light: Saskia Olde Wolbers, Make Magazine, 2002.
Bush, Kate, Kate Bush On Saskia Olde Wolbers, Artforum, January 2002, p122.
Cerizza, Luca, Saskia Olde Wolbers, Artforum, 2002.
Mahoney, Elisabeth, Reality Check, The Guardian, 31 October 2002.
Perra, Daniele, Saskia Olde Wolbers, Galleria Laura Pecci, temaceleste.com, September 2002.
Schlaegel, Andreas, Saskia Olde Wolbers: Placebo, Contemporary, December 2002.
‘Placebo’ – Saskia Olde Wolbers, transmissiongallery.org, December 2002, http://www.transmissiongallery.org/wolbers/wolbers.html.

2001

Beech, Dave, Don’t be ashamed to cry: the narrative video of Saskia Olde Wolbers,
Stedelijk Museum Bureau Amsterdam Website, December 2000 – January 2001
Saskia Olde Wolbers, Casino Smak Catalogue.

Awards

Finalist, Celeste Prize, 2017
Breathing Space Award, 2016
RSA Goldsmiths University award, London 2016
Beck’s Futures, 2004
Baloise Prize, Art Basel, 2003
Charlotte Kohler Award, The Netherlands
Prix de Rome Film & video Basisprijs, The Netherlands
First Base Award, ACAVA, London

Selected Collections

Contemporary Art Society, London, UK
MONA Museum of Old and New Art, Tasmania, Australia
Hirshhorn Museum and Sculpture Garden, Washington, D.C., USA
Goetz Collection, Munich, Germany
Saatchi, London, UK
Stedelijk Museum, Amsterdam, The Netherlands
Margulies Collection, Miami, USA
S.M.A.K. Stedelijk Museum voor Actuele Kunst, Gent, Belgium