Tim Rollins, born Pittsfield, ME, USA, 1955 – 2017

Selected Press

Artforum, March 2018
Frieze, October 2017
Elephant, Winter 2016-17

Education

1976

AS University of Maine, Augusta/ME, USA

1978

BFA School of Visual Arts, New York/NY, USA

1980

New York University, Department of Art Education, New York/NY, USA

1982

Founded K.O.S. (Kids of Survival) and the Art and Knowledge

Workshop, Inc., South Bronx/NY, USA

K.o.s. – Current Members

Angel Abreu, born in Philadelphia/PA, USA 1974
Jorge Abreu, born in New York/NY, USA 1979
Robert Branch, born in New York/NY, USA 1977
Daniel Castillo, born in New York/NY, USA 1982
Ricardo Savinon, born in New York/NY, USA 1971

K.o.s. – Former Members

Wilson Acosta, born in New York/NY, USA 1971
Che Addison, born in New York/NY, USA, 1984
Christina Argulla, born in New York/NY 1971
Adalberto Badillo, born in New York/NY, USA, 1970
Aracelis Batista, born in New York/NY, USA 1974
Wesly Martin Berg, born in Minneapolis/MN 1984
Daniel Bocatto, born in Campinas, Brazil 1991
Howard Britton, born 1974
Jose Burgos, born in New York/NY, USA 1971
Brenda Carlo, born in New York/NY, USA 1974
Emanuel Carvajal, born in New York/NY, USA 1981
Felix Cepero, born 1971
Ivania Cordero, born 1983
Richard Cruz, born in New York/NY, USA 1970
Adam DeCroix, born in Chicago/IL 1970
Robert Delgado, born in New York/NY, USA, 1971
Joshua Drayzen, born in Huntington/NY 1984
Ala Ebtekar, born in Berkeley/CA, USA 1978
Luis Feliciano, born in New York/NY, USA 1972
George Garces, born in New York/NY, USA 1972
James Gillian, born 1972
Michael John Gonzales, born 1971
Anel Hernandez, 1978-1993
Pedro Herrera born in Bronx/NY 1990
Ivor Jones, born 1971
Victor Llanos, born New York/NY, USA 1976
William Lugo, born 1972
Richard Lulo, 1971-1998
John Mendoza, born 1971
Nelson Montes, born in New York/NY, USA
Jorge Luis Muniz, born 1971
Joel Nieves, born in New York/NY, USA 1970
Jose Padilla, born in New York/NY, USA 1971
Jose Parissi, born in New York/USA 1968
Roberto Ramirez, born in New York/NY, USA 1970
Alberto Rivera, born 1971
Carlos Rivero, born in New York/NY, USA 1971
Marcus Roberts, born in San Francisco/CA, USA 1983
Hector Rodriguez, born in New York/NY, USA
Roy Rogers, born in Saint Thomas, U.S. Virgin Islands 1971
Anette Rosado, born in New York/NY, USA 1972
Jesus Ruiz, born in New York/NY, USA 1971
Jose Ruiz, born in New York/NY, USA 1971
Darnell Smith, born 1971
Lenin Tejada, born 1979
Gregorio Torres, born 1971
Lissette Torres, born 1970
Miguel A. Valentin, born 1986
Steven Vega, born in Middletown/NY, 1986
Yesenia Velez, born 1972
Benjamin Volta, born in Abington/PA 1979
James Wells, born in Memphis/TN, USA 1984
Bryce Zackery, born in Rochester/MN, USA 1984

Solo Exhibitions

2019

Tim Rollins and K.O.S.: Workshop, Lehmann Maupin, New York, USA

2017

Maureen Paley, London, UK

2016

Unbound: Tim Rollins and K.O.S., Portland Museum of Art, Portland, USA
Art unlimited, Art Basel 47, Basel, Switzerland

2014

Tim Rollins: Rivers, SCAD Museum of Art, Savannah, USA
A Midsummer Night’s Dream (after Mendelssohn), Galerie Chantal Crousel, Paris, France

2013

On the Origin, Lehmann Maupin, New York, USA
Xavier Hufkens, Brussels, Belgium
Maureen Paley, London, UK

2012

Tim Rollins and K.O.S. – On Transfiguration, Museum für Gegenwartskunst, Basel, Switzerland
Tim Rollins and K.O.S. – The Black Spot, Talbot Rice Gallery, Edinburgh, UK.

2011

Tim Rollins and K.O.S. – On Transfiguration, GAMeC – Galleria d´Arte Moderna e Contemporanea di Bergamo, Bergamo, Italy
Tim Rollins and K.O.S., Lehmann Maupin, New York, NY, USA

2010

Songs without words, Galerie Eva Presenhuber, Zurich, Switzerland
From the Mountaintop: Tim Rollins and K.O.S., Sarah Moody Gallery, Universtity of Alabama, Tuscaloosa, AL, USA
Art Unlimited, Art 41 Basel, Basel, Switzerland
What Matters, Worcester Art Museum, Worcester, MA, USA
Tim Rollins and K.O.S.: A History, The Frye Art Museum, Seattle, WA, USA
Two × Two for AIDS and Art, The Rachofsky House, Dallas, Dallas, TX, USA
Tim Rollins and K.O.S., Galerie Xavier Hufkens, Brussels, Belgium

2009

Tim Rollins and K.O.S.: A History, The Institute of Contemporary Art, University of Pennsylvania, Philadelphia/NY, USA
Tim Rollins and K.O.S.: A History, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs/NY, USA
On the Origin of Species (after Darwin), National Academy of Science, Washington/WA, USA
I Dance with camera, A Institute of Contemporary Art, Pennsylvania/PA, USA

2008

Tim Rollins and K.O.S., AMP Gallery, Athens, Greece
Tim Rollins and K.O.S., Lehmann Maupin Gallery, New York/NY, USA
Metamorphosen, Galleria Raucci/Santamaria, Naples, Italy
King and Courage, The Warehouse Gallery, Syracuse University, Syracuse/NY, USA
Let there be light, Picker Art Gallery, Colgate University, New York/NY, USA

2007

Tim Rollins and K.O.S.: 25 Years, Galerie Eva Presenhuber, Zurich, Switzerland

2006

New Works on Music, Galleria Raucci/Santamaria, Naples, Italy
We See the Promised Land – Tim Rollins and KOS in Collaboration with Atlanta Youth, Museum of Contemporary Art, Atlanta/GA, USA
The Creation (after Haydn), The New York Center for Arts and Media Studies, New York/NY, USA
The Creation (after Haydn), Denmark Arts Center, Denmark/ME, USA
Tim Rollins and KOS: Past, Present and Future, Yellowbird Gallery, Newburgh, N.Y. and Beacon Cultural Center Beacon, N.Y., USA

2005

The Creation – Tim Rollins and K.O.S. at Pyramid Atlantic, Pyramid Atlantic Arts Center, Silver Springs, MD, USA
Tim Rollins and K.O.S.: The Creation (after Haydn), Center for Maine Contemporary Art, Rockport/ME, USA
On Music, The Kreeger Museum, Washington/DC, USA
On Music, The Contemporary Art Museum of Virginia, Virginia Beach/VA, USA
The Creation Folio, Edison Gallery, Washington/DC, USA
The Creation Folio, Maryland Art Place, Baltimore/MD, USA
Building the Beloved Community, Youth Art Connection, Atlanta/GA, USA Winter Morning Walks (after Ted Kooser), Heydon Art Center, Lincoln/NB, USA
Freedomworks , Fusebox Gallery, Washington/DC, USA
On the Nature of the Universe, National Academy of Science, Washington/DC, USA

2004

Creation Mythologies , Leonard Pearlstein Gallery, Drexel University, Philadelphia/PA, USA
Tim Rollins and K.O.S.: Large Scale Works 2000 – 2004, The Kalamazoo Institute of Art, Kalamazoo, MI/USA
Let There Be Light, Linda Schwartz Gallery, Cincinnati/OH, USA
Tim Rollins and K.O.S.: Large Scale Works, Carrie Secrist Gallery, Chicago/IL, USA

2003

Tim Rollins and K.O.S.: Agape, Leonard Pearlstein Gallery, Drexel University, Philadelphia/PA, USA
Tim Rollins and K.O.S., University of Virginia Art Museum, Charlottesville/VA, USA
A Midsummer Night’s Dream, University of Georgia Gallery, Athens, Greece
Tim Rollins and K.O.S.: Works on Paper 1983 – 2003, Art Resources Transfer, New York/NY, USA
Tim Rollins and K.O.S.: War of the Worlds, Whitebox, New York/NY, USA

2002

Tim Rollins and K.O.S: Works on Paper, Dishman Art Gallery, Beaumont/TX, USA
Tim Rollins and K.O.S.: Works on Paper, Mills Gallery, Central College, Pella/IA, USA
Tim Rollins and K.O.S. for Lawrence, Kansas – What Happens to a Dream Deferred?, Spencer Museum of Art, University of Kansas, Lawrence/KS, USA New Paintings, Galleria Raucci/Santamaria, Naples, Italy
Tim Rollins and K.O.S. – A Midsummer Night’s Dream, Santa Monica Museum of Art, Los Angeles/CA, USA
Tim Rollins and K.O.S.: New Work, Baumgartner Gallery, New York/NY, USA
Tim Rollins and K.O.S. – 20 Years of Art and Teaching, Jay Etkin Gallery, Memphis/TN, USA

2001

Real Time, Salina Art Center, Salina/KS, USA
Tim Rollins and K.O.S.: Superheroes, Des Moines Art Center, Des Moines/IA, USA
Tim Rollins and K.O.S, Galeria Raucci/Santamaria, Naples, Italy
Tim Rollins and K.O.S.: The Evidence of Things Not Seen, The Cathedral Church of St. John the Divine, New York/NY, USA

2000

Baumgartner Gallery, New York/NY, USA
Wood Street Galleries, The Pittsburgh Cultural Trust, Pittsburgh/PA, USA
The Hyde Collection, Glens Falls/NY, USA
M.H. de Young Memorial Art Museum, San Francisco/CA, USA
Shark Island Contemporary Art Center, Bristol, UK
Crow Shadow Institute, Pendleton/OR, USA
Jay Etkin Gallery, Memphis/TN, USA, Scottsdale Museum of Contemporary Art, Scottsdale/AZ, USA

1999

Rhona Hoffman Gallery, Chicago/IL, USA
Hatton Gallery, Colorado State University, Fort Collins/CO, USA
Trinity Christian College, Chicago/IL, USA
Robert Livingston Magnet Junior High School, Albany/NY, USA
The Jewish Museum, San Francisco/CA, USA
Scottsdale Museum of Contemporary Art, Scottsdale/AZ, USA
Berkeley Art Museum, University of California at Berkeley, Berkeley/CA, USA

1998

Tim Rollins and K.O.S.: Kids Across America, University of South Florida Contemporary Art Museum, Tampa/FL, USA
Tim Rollins and K.O.S.: Fifteen Years of Art and Teaching, Ohio University Art Gallery, Athens/OH, USA
Tim Rollins and K.O.S.: I See the Promised Land, John McEnroe Gallery, New York/NY, USA
Tim Rollins and K.O.S.: The Strength to Love, The Greenville College Art Gallery, Greenville/IL, USA
Tim Rollins and K.O.S.: Fifteen Years of Art and Teaching, University Art Museum, SUNY, Albany/NY, USA
Paule Anglim Gallery, San Francisco/CA, USA
Zeum, San Francisco/CA, USA
Grand Arts, Kansas City/MO, USA
Arnolfini Gallery, Bristol, UK, New York State Art Museum, Albany/NY, USA
Berkeley Art Museum, University of California at Berkeley, Berkeley/CA, USA
Utrecht Academy of the Arts, Utrecht, The Netherlands

1997

Tim Rollins and KOS: Fifteen Years of Art and Teaching, Fabric Workshop and Museum, Philadelphia/PA, USA
Prometheus Bound, Academy Theatre Gallery, Utrecht, The Netherlands
Tim Rollins and K.O.S.: The Psalms, Youth Art Connection, Atlanta/GA, USA

1996

Kommos, Olin Art Gallery, Kenyon College, Gambier/OH, USA

1995

Mary Boone Gallery, New York/NY, USA

1994

Southeastern Center for Contemporary Art, Winston-Salem/NC, USA
Grand Central Terminal, New York/NY, USA

1993

Fundacion Para el Arte Contemporaneo, Mexico City, Mexico
Rhona Hoffman Gallery, Chicago/IL, USA
Barbara Krakow Gallery, Boston/MA, USA

1992

Mary Boone Gallery, New York/NY, USA
Crown Point Press, San Francisco/CA, USA
Grand Central Station, New York/NY, USA
Hirshhorn Museum and Sculpture Garden, Washington/DC, USA
Barbara Krakow Gallery, Boston/MA, USA
Le Case d’Arte, Milan; Italy

1991

Rhona Hoffman Gallery, Chicago/IL, USA

1990

Wadsworth Atheneum, Hartford/CT, USA
Museum fur Gegenwartskunst Basel, Basel, Switzerland
Museum of Contemporary Art, Los Angeles/CA, USA Württembergischer Kunstverein Stuttgart, Stuttgart, Germany
State University of New York, College at Cortland, Cortland/NY, USA
Crown Point Press, New York and San Francisco/CA, USA
Center for Photography at Woodstock, Woodstock/NY, USA

1989

Jay Gorney Modern Art, New York/NY, USA
Galerie Johnen & Schöttle, Cologne, Germany
Dia Art Foundation, New York/NY, USA
Interim Art, London, UK

1988

Jay Gorney Modern Art, New York/NY, USA
Walker Art Center, Minneapolis/MN, USA
Institute of Contemporary Art, Boston/MA, USA
Orchard Gallery, Derry, Northern Ireland
Ikon Gallery, Birmingham, UK
Riverside Studios, London, UK
Barbara Krakow Gallery, Boston/MA, USA
Galeria La Maquina Espanola, Madrid, Spain

1987

Lawrence Oliver Gallery, Philadelphia/PA, USA
Rhona Hoffman Gallery, Chicago/IL, USA
Knight Gallery, Charlotte/NC, USA

1986

Jay Gorney Modern Art, New York/NY, USA
Fashion Moda, Bronx, New York/NY, USA
State University of New York, Old Westbury/NY, USA

1985

Prayers to Broken Stone: Five Years of Art Against Arson, Hostos Community College, Hostos Art Gallery, Bronx/NY, USA

1980

Education Building Gallery, New York University, New York/NY, USA

Group Exhibitions

2021

Songs Without Words: The Art of Music, Nassau County Museum of Art, Roslyn, NY, USA
All Together Now: Brighten the Corners: Art of the 1990s from the Tang Teaching Museum Collection, Saratoga Arts, Saratoga Springs, NY, USA
The Artist as Poet: Selections from PAMM’s Collection, Perez Art Museum Miami – PAMM, Miami, FL, USA
Under Construction: Collage from The Mint Museum, The Knoxville Museum of Art, Knoxville, TN, USA

2020

ALL IN ONE, Galerie Eva Presenhuber, Zurich, Switzerland
Affinities and Outliers: Highlights from the University at Albany Fine Art Collections, University Art Museum, University at Albany, Albany, NY
On Whiteness, The Kitchen, New York, USA
Demain Est La Question, Galerie Chantal Crousel, Paris, France

2019

Incursioni D’arte Nella Civiltà, Fondazione Pierluigi e Natalina Remotti, Camogli, Italy
Straying from the Line, Schinkel Pavillon, Berlin, Germany
‘Dot, Point, Period’ a Curated Installation by Joseph Kosuth, Castelli Gallery, NY, USA
Tim Rollins and K.O.S.: Workshop, Lehmann Maupin, New York, USA

2018

Una Cierta Oscuridad, CaixaForum, Barcelona, Spain
Dialogues: Tim Rollins & K.O.S and Glenn Ligon, The Bronx Museum of the Arts, New York, NY, USA
American Landscape, Lehmann Maupin, New York, NY, USA

2017

Other Side: Art, Object, Self, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, NY, USA
40 Years: Part 3. Political, Rhona Hoffman Gallery, Chicago, USA
Blue Black, curated by Glenn Ligon, Pulitzer Arts Foundation, St Louis, Missouri, USA
White Heat, Marc Straus Gallery, New York, NY, USA
If I Had Possession Over Judgement Day: Collections of Claude Simard, The Frances Young Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY, USA
20/20: The Studio Museum in Harlem and Carnegie Museum of Art, Carnegie Museum of Art, Pittsburgh, Philadelphia, USA
Fast Forward: Painting from the 1980s, Whitney Museum of Modern Art, New York, NY, USA
Third Space / Shifting Conversations About Contemporary Art, Birmingham Museum of Art, Birmingham, Alabama, USA

2016

Makeamericagreatagain, Whitebox Art Center, New York City, USA
Summer School, FLAG Art Foundation, New York City, NY, USA
Nightfall, Musee d’Art et d’histoire, Geneva, Switzerland
Unbound Narrative, Cameron Art Museum, Wilmington, North Carolina, USA
Repossession, Lehmann Maupin, New York, NY, USA
The Woven Art, Cooper Gallery of African & African American Art at the Hutchins Center,
Harvard University, Cambridge, Massachusetts, USA
The Tale that all but Shapes Itself, Greene Naftali, New York, NY, USA
Beyond the Veil: Works from the Permanent Collection, Bronx Museum, New York, NY, USA

2015

By the Book, Sean Kelly, New York, NY, USA
Collaborate!, Oriel Sycharth Gallery, Wrexham, Wales, UK
Future Seasons Past, Lehmann Maupin, New York, USA
Wild Noise: Art works from The Bronx Museum of the Arts, El Museo Nacional de Bellas Artes, Havana, Cuba
An Inclusive World, The Queens Museum, New York, USA
Bring in the Reality, the Nathan Cummings Foundation, New York, USA
The Fire This Time, Von Auersperg Gallery, Hess Center for the Arts, Massachusetts, USA
Drawing Biennial 2015, Drawing Room, London, United Kingdom

2014

Literary Devices, Fisher Landau Center for Art, NY, USA
Dark Waters, Galerie Chantal Crousel, Paris, France

2013

Du Bois in Our Time, Museum of Contemporary Art, University of Massachusetts, Amherst, MA, USA
Macho Man, Tell It To My Heart: Collected by Julie Ault, Artist Space, New York, NY, USA
Body Language, The Studio Museum, Harlem, NY, USA
Something About a Tree, FLAG Art Foundation, New York, NY, USA

2012

I Followed You into the Water, Lehmann Maupin, New York, NY, USA This Side of Paradise, Andrew Freedman Home, New York, NY, USA
Wide Open School, Hayward Gallery, London, UK
Paper, Musée d’Art Moderne et d’Art Contemporain, Nice, France

2011

Alice in Wonderland, Tate Liverpool, Liverpool, UK Nothing in the World but Youth, Turner Contemporary, Margate, UK
The Intellectual Work: Enzo Mari with Pavel Büchler, Jason Dodge, Tim Rollins and K.O.S., Tanya Leighton Gallery, Berlin, Germany
A Rocky Road, Crawfort Art Gallery, Cork City, Ireland

2010

Condensations of the Social, Smack Mellon Gallery, New York/NY, USA
En Privado 2. La Opción Desamable – Es Baluard, Palma de Mallorca,Spain
The Page, Kimmerich, New York/NY, USA
NI UNA MAS (Not One More): The Juarez Murders, Leonard Pearlstein Gallery at Drexel University, Philadelphia/PA, USA
A Collections Legacy: Women Donors at the Haggerty, Haggerty Museum of Art, Milwaukee/WI, USA
Permanent Trouble – Aktuelle Kunst aus der Sammlung Kopp, KOG – Kunstforum Ostdeutsche Galerie, Regensburg, Germany
Painting and Sculpture, Lehmann Maupin, New York/NY, USA

2009

Chelsea Visits Havana, Museo Belles Artes, Havana, Cuba
What Matters, Worcester Art Museum, Worcester/MA, USA
Octet: Codes and Contexts in Recent Art, Visual Arts Gallery, New York City, USA
We Are Sun-kissed and Snow-blind, Galerie Patrick Seguin invites Galerie Eva Presenhuber, Paris, France
I Have a Dream: International Tribute to Dr. Martin Luther King Jr., Rosa Parks Museum, Montgomery/AL, USA
Origins of Species (After Darwin), National Academy of Sciene, Smithsonian, Washington DC., USA
Teresita Fernández/Christian Hellmich/Shirazeh Houshiary/ Tim Rollins and K.O.S., Lehmann Maupin, New York/NY, USA

2008

Party Headquarters: Voting is Just the Beginning, Pratt Manhattan Gallery, New York/NY, USA
Dreams & Portals , Spencer Museum of Art, Lawrence/KS, USA
As Lathar/Off Site, Irish Museum of Modern Art, IMMA, Dublin, Ireland

2007

Stripes, Tang Teaching Museum at Skidmore College, New York/NY, USA
Jubilee Exhibition, House Eva Presenhuber, Vnà, Switzerland
Artists’ Books : Transgression / Excess , Space Other, Boston/MA, USA
30th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago/IL, USA
Only Words, Philadelphia Museum of Art, Philadelphia/PA, USA
Repicturing the Past / Picturing the Present,The Museum of Modern Art, New York/NY, USA
Making and Finding, Foundation to Life Exhibition Space, Mount Kisco/NY, USA
What Is Painting ? , The Museum of Modern Art, New York/NY, USA
Sketch and Detail, Chelsea Clinton Community Health Center, New York/NY, USA
Exhibitionism, CCS Bard Hessel Museum Annadale-on-Hudson, New York, USA

2006

The Gold Standart, P.S.1 MoMA, Long Island/NY, USA
Whitney Biennale 2006, Whitney Museum, New York/NY, USA
The Downtown Show : The NY Arts Scene 1974 – 1984, The Grey Art Gallery, New York, NY, USA
The Downtown Show : The NY Arts Scene 1974 – 1984, The Andy Warhol Museum of Art, Pittsburgh/PA, USA

2005

Flashback, Museum für Gegenwartskunst, Basel, Switzerland
Postcards From the Edge, Robert Miller Gallery, New York/NY, USA
Twenty Five Years Part II, Baumgartner Gallery, New York/NY, USA
Beautiful Dreamer , Spaces Cleveland, OH, USA
LOOKING AT WORDS. The Formal Use of Text in Modern and Contemporary Works on Paper, Andrea Rosen Gallery, New York/NY, USA In Private Hands, The Pennsylvania Academy of Fine Arts Museum, Philadelphia/PA, USA

2004

In the Spirit of Martin, Montgomery Museum of Fine Arts, Montgomery/AL, USA
Monument, Tate Gallery, London, UK
Media.Comm(Unity)/Comm.Medium – divenire comunità oltre il mezzo: l’opera diffusa, Museo Masedu, Sassari, Italy, curated by G.Perretta
Crimes and Misdemeanors, The Cincinatti Museum of Contemporary Art, Cincinatti/OH, USA
The Wild Bunch II, Whitebox Annex, New York/NY, USA
A Show of Hands, Moore College of Art, Philadelphia/PA, USA
Revelation, The Mint Museum, Charlotte/NC

2003

Gallery Artists, Carrie Secrist Gallery, Chicago/IL, USA
Postcards from the Edge, Galerie Lelong, New York/NY, USA
Representing Slavery, Williams College Art Gallery, Williamstown/MA, USA
In the Spirit of Martin (touring),
Missouri historical Society, St. Louis/MO, USA,
Brooklyn Museum of Art, Brooklyn/NY, USA,
Brooks Museum of Art, Memphis/TN, USA,
Frederick R. Weisman Art Museum, Minneapolis/NM, USA,
International Gallery, Smithsonian Institution, Washington/DC, USA

2002

Large Scale, Baumgartner Gallery, New York/NY, USA
In the Spirit of Martin (touring),
Charles H. Wright Museum of African American History, Detroit/MI, USA,
Delaware Art Museum, Wilmington/DE, USA,
Paul Morris Gallery, New York/NY, USA
The Bass Museum of Art, Miami Beach/FL, USA
Collecting Contemporary Art – A Community Dialogue, Ackland Art Museum, Chapel Hill/NC, USA
I’m Amazed, Liebman Magan Gallery, New York/NY, USA
The Blame Show, White Box, New York/NY, USA
Last Forward II, Berkley Art Museum, Berkley/CA, USA
Large Scale, Baumgartner Gallery, New York/NY, USA
Care For All , White Box, New York/NY, USA Plotting, Carrie Sacrist Gallery, Chicago/IL, USA

2001

Selections from the Permanent Collection , Studio Museum in Harlem, New York/NY, USA Selections from the Permanent Collection , The Bronx museum of Art, New York/NY, USA
Selections from the Permanent Collection , Williams Art Museum, Williams College, Williamstown/MA, USA
Parkett Editions , Museum of Modern Art, New York/NY, USA
Almost Warm and Fuzzy: Childhood in Contemporary Art, PS1, Contemporary Art Center, New York/NY, USA
Art as prayer, Cooper Union, New York/NY, USA
Hamilton Gallery, Ontario, Canada
Retorn al pais des mervelles , Funfacio la Caixa, Barcelona, Spain
Le Tribù dell’Arte, Galleria d’Arte Moderna e Contemporanea, Roma, Italy, curated by A. Bonito Oliva

2000

Points of Departure, Main Line Art Center, Lower Merion/PA, USA
Recent Acquisitions, The Bronx Museum of Art, New York/NY, USA
The American Century: 1950-2000, The Witney Museum of American Art, New York/NY, USA
Collective Art Practice, Les Abattoirs, Toulouse, France

1999

Tim Rollins and K.O.S, Williams Art Museum, Williams College, Massachusetts /MA, USA
Dream City, Kunstverein München, Munich, Germany
Almost Warm and Fuzzy: Childhood in Contemporary Art, Des Moines Art Center, Des Moines/IA, USA
Almost Warm and Fuzzy: Childhood in Contemporary Art, The Scottsdale Center for Contemporary Art, Scottsdale/AR, USA
Urban Mythologies, The Bronx Museum of Art, New York/NY, USA
Recent Acquisitions, The Tate Gallery, London, UK
Righteous!, The Jewish Museum, San Francisco/CA, USA
Des Moines Art Center, Des Moines/IA, USA

1998

The Rites of Spring, PPOW, New York/NY, USA

1997

The Hirshborn Collects: Recent Acqisitions 1992-1996, The Hirshborn Museum and Sculpture Garden, Washington/DC, USA
More Than One: Twentieth Century Print Portfolios , Museum of Modern Art, New York/NY, USA
Changing Spaces, Youth Art Connection, Atlanta/GA, USA
The Dual Muse, Washington University Gallery of Art, St. Luis/MO, USA

1996

Imagined Communities, Oldham Art Gallery, Oldham, UK
Bronx Spaces, The Bronx Museum of the Arts, Bronx/NY, USA Deformations: Aspects of the Modern Grotesque, The Museum of Modern Art, New York/NY, USA
Youth Matters, (touring) Castellani Art Museum, Niagara University, Niagara/NY, USA, Centre Gallery, Miami-Dade Community College, Miami/FL, USA
Thinking Print, Museum of Modern Art, New York/NY, USA

1995

Zeichen & Wunder, Kunsthaus Zürich, Zurich, Switzerland
Zeichen & Wunder, Centro Calego de Arte Contemporanea, Santiago de Compostela, Spain
Black Male: Representations of Masculinity in Contemporary American Art, UCLA/Armand Hammer Museum of Art, Los Angeles/CA, USA
Word for Word, Beaver College Art Gallery, Glenside/PA, USA Contemporary Drawing: Exploring the Territory, Aspen Art Museum, Aspen/CO, USA
Celebration of the Spirit, Oklahoma City Hall, Oklahoma City/OK, USA
1994 Malcolm X: Man, Ideal, Icon, (touring), Anacostia Museum, Washington/DC, Nexus Contemporary Art Center, Atlanta/GA, USA, Yerba Buena Center for Contemporary Art, San Francisco/CA, USA
Public Interventions, Institute of Contemporary Art, Boston/MA, USA
Black Male: Representations of Masculinity in Contemporary American Art, The Whitney Museum of American Art, New York/NY, USA
Gewalt – Geschäfte, Neue Gesellschaft für Bildende Kunst, Berlin, Germany

1993

Malcolm X: Man, Ideal, Icon, (touring), Connecticut Museum of Contemporary Art, Connecticut/CT, USA, Icon, Institute of Contemporary Art, Boston/MA, USA, Detroit Institute of Arts, Detroit/MI, USA
Die Sprache der Kunst – The Language of Art, Kunsthalle Wien, Vienna, Austria

1992

Devil on the Stairs: Looking Back on the Eighties, Newport Harbor Art Museum, Newport Beach/CA, USA
Doubletake: Collective Memory and Current Art, Hayward Gallery, London, UK
Drawing Now: New Spaces, The Museum of Modern Art, New York/NY, USA
15th Anniversary Exhibition, Rhona Hoffman Gallery, Chicago/IL, USA
The Power of the City/The City of Power, The Whitney Museum of American Art Downtown at Federal Reserve Plaza, New York/NY, USA
Quotations: The Second History of Art, The Aldrich Museum of Contemporary Art, Ridgefield, Connecticut/CT, USA
Quotations: The Second History of Art, Dayton Art Institute, Dayton/OH, USA
Doubletake: Collective Memory and Current Art, Kunsthalle Wien, Vienna, Austria

1991

Malcolm X: Man, Ideal, Icon, Walker Art Center, Minneapolis/MN, USA
Reimaging America, Momenta Art, Philadelphia/PA, USA
Words and #s, Museum of Contemporary Art, Wright State University, Dayton/OH, USA
Biennial, The Whitney Museum of American Art, New York/NY, USA
The Library of Babel: Books to Infinity, Hallwalls Contemporary Arts Center, Buffalo/NY, USA
Mute, Solo Gallery/Solo Press, New York/NY, USA
Carnegie International, The Carnegie Museum of Art, Pittsburgh/PA, USA Transpositions, University of South Florida Art Museum, Tampa/FL, USA Connected Past, Barbara Krakow Gallery, Boston/MA, USA
Devil on the Stairs: Looking Back on the Eighties, Institute of Contemporary Art, Philadelphia/PA. USA

1990

Edition Schellmann, Lawrence Oliver Gallery, Philadelphia/PA, USA
Insect Politics: Body Horror/Social Order, Hallwalls Contemporary Arts Center, Buffalo/NY, USA
The Age of Information, Andrea Ruggieri Gallery, Washington/DC, USA Works on Paper, La Casa d’Arte, Milan, Italy
First Tyne International Exhibition of Contemporary Art, Newcastle upon Tyne, UK
The Decade Show, Museum of Contemporary Hispanic Art/The New Museum of Contemporary Art/The Studio Museum in Harlem, New York/NY, USA
Pharmakon ‘90, Nippon Convention Center, Makuhari Messe International Exhibition Hall, Tokyo, Japan
Gallery Artists, Galeria La Maquina Espanola, Madrid, Spain
Language in Art, The Aldrich Museum of Contemporary Art, Ridgefield/CO, USA
Word As Image: American Art 1960-90, Milwaukee, Art Museum, Milwaukee/WI, USA
Word As Image: American Art 1960-90, Oklahoma City Art Museum, Oklahoma City/OK, USA
Word As Image: American Art 1960-90, Contemporary Arts Museum, Houston, TX, USA
Art Meets Science and Spirituality in a Changing Economy , Museum Fodor, Amsterdam, The Netherlands
Benefit for Andrew Glover Youth Program, Josh Baer Gallery, New York/NY, USA
Trans Avant-Garde Gallery, San Francisco/CA, USA
Team Spirit, Independent Curators Incorporated, New York/NY, USA
ACT-UP Auction for Action: Benefit Auction and Exhibit, Paula Cooper Gallery, New York/NY, USA
Jay Gorney Modern Art, New York/NY
Price of Power, Cleveland Center for Contemporary Art, Cleveland/OH, USA
Oh, Those Four White Walls!: The Gallery as Context, Atlanta College of Art, Atlanta/GA, USA
Stripes, Barbara Krakow Gallery, Boston/MA, USA
3 Tage Umhausen,Umhausen, Austria
Felix Gonzales-Torres, Michael Jenkins, Tim Rollins and K.O.S., Jay Gorney Modern Art, New York/NY, USA

1989

Horn of Plenty, Stedelijk Museum, Amsterdam, The Netherlands
Word and Image, Lehman College, Bronx/NY, USA
Allen Memorial Art Museum, Oberlin College, Oberlin/OH, USA
A Good Read: The Book as a Metaphor, Barbara Toll Fine Arts, New York/NY, USA
A Decade of American Drawing, 1980-1989, Daniel Weinberg Gallery, Los Angeles/CA, USA
The Library: Artist’s Books , A/D Gallery, New York/NY, USA
A Perspective on Contemporary Art: Color and/or Monochrome, The National Museum of Modern Art, Tokyo, Japan
Editions Schellmann, The Museum of Modern Art, New York/NY, USA

1988

Romance, Knight Gallery, Charlotte/NC, USA
Longwood Art Gallery, South Bronx/NY, USA
Similia/Dissimilia, (touring)
Kunsthalle Düsseldorf, Dusseldorf, Germany,
Leo Castelli Gallery,
Sonnabend Gallery,
Wallach Art Gallery, Columbia University, New York/NY, USA
Documenta 8, Museum Fridericianum, Kassel, Germany
Artchildren, Artselves, City Without Walls Gallery, Newark/NJ, USA
New York Art Now, The Saatchi Collection, London, UK
Constitution, Temple University Art Gallery, Philadelphia/PA, USA Selections from X, Damon Brandt Gallery, New York/NY, USA
Recent Tendencies in Black and White, Sidney Janis Gallery, New York/NY, USA
The Beauty of Circumstance, Josh Baer Gallery, New York/NY, USA
Art Against AIDS, Jay Gorney Modern Art, New York/NY, USA
Walk Out to Winter, Bess Cutler Gallery, New York/NY, USA
Committed to Print Dublin, ROSC ‘88, The Museum of Modern Art, New York/NY, USA
Lawrence Oliver Gallery, Philadelphia/PA, USA
Aperto ‘88, La Biennale di Venezia, Venice, Italy
The Binational/Die Binationale, Museum of Fine Arts, Boston/MA, USA
The Binational/Die Binationale, Kunsthalle Düsseldorf, Dusseldorf, Germany

1987

Art And Its Double, Sala de Exposiciones de la Fundacion Caja de Pensiones, Madrid, Spain
Out of the Studio: Art with Community, P.S.1., Institute for Art and Urban Resources, Long Island City/NY, USA
Perverted by Language, Hillwood Gallery, Long Island University, Greenvale/NY, USA
Resistance – Anti-Baudrillard, White Columns, New York/NY, USA
The Art of the Real, Galerie Pierre Huber, Geneva, Switzerland
A Different Corner, Definition and Redefinition – Painting in America, I Bienal Internacional de Pintura, Museo de Art Moderna, Cuenca, Ecuador

1986

Liberty and Justice, Alternative Museum, New York/NY, USA
Lawrence Oliver Gallery, Philadelphia/PA, USA
Liberty and Justice, The New Museum, New York/NY, USA
Gallery Artists, Jay Gorney Modern Art, New York/NY, USA
Art And Its Double, Centro Cultural de Barcelona, Spain
Art And Its Double, Rhona Hoffman Gallery, Chicago/IL, USA
Art And Its Double, Brooke Alexander Gallery, New York/NY, USA
Benefit for The Kitchen, Brooke Alexander Gallery, New York/NY, USA
Text and Image, Holly Solomon Gallery, New York/NY, USA
For Encima Del Bloqueo, Centro Wilfredo Lam, Havana, Cuba 1985 20/20, B.K. Smith Gallery, Lake Erie College, Painesville OH, USA
Alarm Clock, Royal-Festival Hall, London, UK
Disinformation, Alternative Museum, New York/NY, USA
Biennial, The Whitney Museum of American Art, New York/NY, (Americana, Installation by Group Material), New York/NY, USA
Public Art, Nexus Art Center, Atlanta/GA, USA
Social Studies, Barbara Gladstone Gallery, New York/NY, USA

1984

New Art of the Decade, Artists Space, New York/NY, USA
Identity and Illusion, Sarah Lawrence College, New York/NY, USA
Ansatzpunkte kritischer Kunst heute, Bonner Kunstverein, Bonn, Germany
Ansatzpunkte kritischer Kunst heute, Neue Gesellschaft für Bildende Kunst, Berlin, Germany
D/Colby College, Waterville/ME, USA
Olympiad, Kantor Gallery, Los Angeles/CA, USA
Art for or Against, Thorpe Intermedia Gallery, Sparkill/NY, USA

1983

Artists’ Call, Brooke Alexander Gallery, New York/NY, USA
Timeline, P.S. 1., Institute for Art and Urban Resources, Long Island City/NY, USA
The War Show, State University of New York at Stony Brook, Stony Brook/NY, USA
The State of the Art: The New Social Commentary, Barbara Gladstone Gallery, New York/NY, USA
Act/React, S.P.A.R.C., Los Angeles/CA, USA
Primer, Artists Space, New York/NY, USA
The 1984 Show, Ronald Feldman Fine Arts, New York/NY, USA

1982

Alternatives, The City Gallery, Department of Cultural Affairs, New York, USA
Atlanta, Group Material, New York/NY, USA
The Atomic Salon, Ronald Feldman Fine Arts, New York/NY, USA
Inaugural Exhibition, Group Material, New York/NY, USA

Teaching

2021

DASER Experiments: The Evolution of Studio K.O.S., Cultural Programs of the National Academy of Sciences, online conversation
DASER Experiments: Studio K.O.S in Conversation with Dr. Samuel K. Roberts, Cultural Programs of the National Academy of Sciences, online conversation

2014

Colby Museum’s Miles and Katharine Culbertson Prentice Distinguished Lecture, Colby College Museum of Art, Waterville, USA

2003

Resident Professor of Art and Education, Drexel University, Philadelphia/PA, USA
Visiting Professor of Art, Literature and Music, Drexel University and Center for the Prevention of School Violence and Martha Washington Elementary School, Philadelphia/PA, USA

1997

School of Visual Arts, New York/NY, USA

1995

Distinguished Visiting Professor, University of California at Davis/CA, USA

1982

I.S. #52, South Bronx, New York/NY, USA 1980 – 1982 Learning to Read Through the Arts Program, New York/NY, USA 1980 – 1981 New York Marxist School, New York/NY, USA

Lectures

2014

Colby Museum’s Miles and Katharine Culbertson Prentice Distinguished Lecture, Colby College Museum of Art, Waterville, USA

Selected Bibliography

2021

Lamitie, Amber, Knoxville Museum Present Under Construction: Mint Museum Collage, illinoisnewstoday.com, 5 August 2021
McGowan, Cara, “Under Construction: Collage From The Mint Museum” Comes To The Hunter, chattanoogapulse.com, 22 January 2021.
Nash, Indiana, On Exhibit: Pieces mirror some concerns of the 1990s, dailygazette.com, 21 July 2021.
Walsh, Brienne, Studio K.O.S. Brings The Invisible Man Back To Life In A New Exhibition, forbes.com, 29 January 2021.
Westall, Mark, Studio K.O.S.: The Continuing Legacy of Tim Rollins and Kids of Survival (Selected Works from 1987 – 2020), fadmagazine.com, 9 February 2021
Wolfe, Rob, Former Portland curator lands job at Boston museum, news.yahoo.com, 13 March 2021
–––, Chief curator leaving Portland Museum of Art, pressherald.com, 19 June 2021
–––, Corrections: Jan. 24, 2021, nytimes.com, 24 January 2021
–––, Join Original Studio KOS Members for a Conversation on Their Evolution as a Collective, hyperallergic.com, 10 March 2021
–––, Knoxville Museum Of Art Presents Under Construction: Collage From The Mint Museum, tntribune.com, 1 August 2021
–––, Knoxville Museum of Art: Under Construction: Collage from The Mint Museum, moretoknoxville.com, 27 August 2021
–––, Saratoga Arts Welcomes Ian Berry to Board of Directors, saratogatodaynewspaper.com, 18 March 2021
–––, ‘The Art of Music’ at Nassau County Museum, theislandnow.com, 13 November 2021

2020

Haden-Guest, Anthony, “Keep The Box In Harlem” is the title of the benefit auction that will begin a twelve day run on December 7, whitehotmagazine.com, 3 December 2020.

2019

Abreu, Angel, Tim Rollins and K.O.S., theparisreview.org, 24 May 2019.
Malone, Peter, From a Dot, Joseph Kosuth Finds Infinite Possibilities, hyperallergic.com, 3 July 2019.

2018

Ault, Julie, Passages: Tim Rollins, Artforum, March 2018
Mara De Wachter, Ellen, Review: Tim Rollins and K.O.S. Maureen Paley, London, UK, Frieze No. 192, January–February 2018.
Moffett, Samantha, USFCAM to showcase hidden gems in new exhibition, usforacle.com, 13 June 2018.
Tan, Ken, Making the Transformative Power of Words Concrete, hyperallergic.com, 3 July 2018.
Weisburg, Madeline, In Part: Writings by Julie Ault, brooklynrail.org, 4 April 2018.

2017

Douglas Miller, John, London Round-up: Tintype, Maureen Paley, Parasol Unit, Art Monthly, December-January 2017–18.
Durrant, Nancy, See the best of the Frieze fairs for free, The Saturday Times, 30 September 2017.
Rollins, Tim and K.O.S., Artists’ Statements for Parkett 100/101: Tim Rollins + K.O.S, Parkett No. 100/101, 2017.
—-, Tim Rollins and K.O.S. at Maureen Paley, London, blouinartinfo.com, 13 October 2017.
—-, Tim Rollins and K.O.S: The moonlight was behind them…, myartguides.com 15 September 2017.

2016

Steer, Emily, Tim Rollins and K.O.S, Elephant, Issue 29, Winter 2016-17, pp.102-105.
Smee, Sebastian, In Portland, well met by moonlight, Boston Globe, 23 September 2016

2015

Thorp, Scott, Life is a river, A Conversation with Angel Abreu from Tim Rollins and K.O.S., artpulsemagazine.com, no.21 vol.6 2015
Word by Word, Luxembourg & Dayan, London, 2015, pp. 46-47

2014

Denson, G. Roger, Day without Art: Looking Back 25 Years, huffingtonpost.com, 01 December 2014
Morgan, Tiernan, Novel Takes on a Blue-Chip Art Collection in Queens, 19 December 2014

2012

Budick, Ariella, Spirit of the Bronx at Frieze New York, www.ft.com, 28 April 2012
Dietrich, Nikola, Tim Rollins and K.O.S: On transfiguration, In: Artinside, Frühling 2012

2010

Kunstbulletin, 11/2010, S. 74/75 Kopp, Herbert (ed.), Permanent Trouble. Sammlung Kopp, Köln, 2010

2009

Berry, Ian: Tim Rollins and K.O.S. – A history, New York: The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, 2009
Sholette, Gregory, ‘Tim Rollins and K.O.S.’, in: Artforum, January 2009, p. 111

2008

Kaplan, Cheryl. ‘By the People and for the People: Tim Rollins and his Youth Project K.O.S.: A conversation with Tim Rollins and Cheryl Kaplan‘, DB-Art Magazine, April 2008
http://www.db-artmag.de/2008/2/e/1/589.php
Melio, Cathy, ‘The Artist’s Voice. Interview with Tim Rollins‘, in: www.cmcanow.org, February 2008
C. Drake Naples, Artforum n. 4, December 2008
S. Sambo, Ugo Rondinone/Tim Rollins and K.O.S”, FlashArt n.273, Milan, Dec-Jan 2009
M. De Falco, Tim Rollins and K.O.S./Ugo Rondinone, exibart.com, 31 October
E. Viola, Tim Rollins and K.O.S., Ugo Rondinone, artforum.com, 24 October
L. Stanziano, Tim Rollins and K.O.S., Ugo Rondinone e l’ineluttabilità del concetto di metamorfosi, teknemedia.com, 15 october 2008
A. Tecce, Piombo e sogni, Il Giornale dell’Arte, Turin, n.280, October 2008
Tim Rollins and K.O.S. e Ugo Rondinone, Mousse Magazine, n. 15 October
A. Pepe, E l’arte si fa testo fra impegno ed ironia, Il Roma, Naples, 8 October
R. Caragliano e S. Cervasio, Il silenzio della vita e della guerra , La Repubblica, Naples, 8 October 2008
D. Ricci, Rollins e Rondinone metamorfosi plastiche, Il Mattino, Naples, 2 October 2008
C. Melio, The Artist’s voice – interview with Tim Rollins, www.cmcanow.org, February 2008
By the peolple and for the people, DB Art Magazine, April 2008

2007

Jensen, Lars, ‘Coole Kunst des Überlebens, in: Spiegel Online, December 19, 2007
phi, ‘Galerien II, Kunst und Literatur bei Presenhuber‘, in: NZZ, No. 296, December 20, 2007, p. 53
Kletke, Daniel, ‘Survival heisst Überleben‘, in: artnet.de , December 10, 2007
Jensen, Lars, ‘Die Kunst des Überlebens‘, in: Monopol, No. 12, December 2007, p. 28 – 37
Romaine, J., ‘Constructing a Beloved Community: The Methodological Development of Tim Rollins and K.O.S.’, Dissertation, The City University of New York
Kollak, Ginny, ‘Stripes‘, in: tang.skidmore.edu, August 2007

2006

McNatt, Glenn ‘Twenty Five Years of Experimental Works‘, in: The Baltimore Sun, February 15, 2006
Cullum, Jerry, ‘Literary Agents‘, in: Access Atlanta, March 2
Talasek, J.D., ‘On the Nature of the Universe‘,in: Issues in Science and Technology, Spring
Bradt, Gorge, ‘Kids to Work with Artist‘, in: The Bridgton News, April 20
Bradt, Gorge, ‘They’re on Fire Today ! ‘, in: The Bridgton News, May 4

2005

R. Laine M., ‘T`im Rollins helps youth create their masterpiece,’ in: The Beacon, November 6
J.Dawson, ‘Tim Rollins and K.O.S.’, in: The Washington, April 15
M. O’Sullivan, ‘Tim Rollins’ creative streak’, The Washington Post, April 15
J.Romaine, ‘On a clear nigth I can see the sun: Tim Rollins and K.O.S. Test faith’s Possibilities’, in: Image N° 45
A. Pedula, ‘Fulfilled in your seeing – The life and work of Tim Rollins and K.O.S.’, in: Image N° 45

2004

A. Parks, ‘Big Bang Theorist’, in: Citypaper, February 14
L. Mah. S., ‘Kids crations’, in: Kalamazoo Gazette, January 21

2003

A. De Mao, ‘Students drawn in by Artistic Inspiration’, in: Banner-Herald, October 22
D. Maurer, ‘Their painting are worth Thousands of words’, in: The Daily Progress, July 27
David Deitcher, ‘Tim Rollins talks to David Deitcher’, in: Artforum, April K.Wolfe, J. S. Harrison, ‘Survival Guide’, in: Visual Art Journal
E.Howsare, ‘Beyond Survival’, in: C-Ville Weekly, January 28

2002

G.Smith, ‘An Interview with Tim Rollins’, in: Three Point Seven
C.Adolfsson, ‘Har blir konstenen skola for livet’, in: Gotesborg, January 27
P.Burch, ‘The art of Survival’, in: The Menphis Commercial Appeal, October 10
Rollins and KO.S., ‘Art connecting communities’, in: Chain N°9
R.B. Gambardella, ‘Tim Rollins ed i kids of survival. Berlusconi nel Bronx’, in: La Sentinella, A.II – No. 28/29
C. Marfella, ‘Tim Rollins & K.O.S.’, in: Le Pagine dell’Ozio, No. 9, November
G. Capitelli, ‘Tim Rollins and K.O.S.’, in: exibart.com, October
R. Smith, ‘Large Scale’, in: The New York Times, July 19
E. Schambelan, ‘Tim Rollins + KOS at Baumgartner’, in: Art in America, April
L. Komaiko, ‘Worth 1,000 Words’, The Los Angeles Times, April 3
J. Biles, ‘Artistic Explosion’, in: Lawrence Journal-World Lawrence, February 19
T. Rollins, ‘Helping Kids Grow Through Art’, Parent and Preschooler Newsletter, January
American Visionaires-Selections from the Whitney Museum of American Art, catalogue, New York
Catalogue Raisonné-Collection of Contemporary Art Fundacion `La Caixa’, Catalogue, Barcelona

2001

J. Morgan, ‘Imaginations Bloom Under Artist’s Tutelage’, in: The Daily Sentinel Nacogdoches,
October 26
J. Johnson, ‘Art Educator Shares Vision and dream during lecture’, in: The Daily Sentinel
Nacogdoches,
October 23
J. Morgan, ‘Artist and Educator Working with local students on project’, in: The Daily Sentinel Nacogdoches, October 21
J. Morgan, ‘Rollins’ Program Inspires students through the arts’, in: The Daily Sentinel Nacogdoches, October 19
S. Mansfield, ‘Painting the Pain’, in: The Scotsman, October 16
J. Morgan, ‘Image and Text III’, in: The Daily Sentinel Nacogdoches, October 10
F. Galdieri, Tema Celeste, ‘Tim Rollins and K.O.S.’, Milan, July/September
T. Rollins, ‘Foreword-The Arts, Urban Education…’, in: Education and Urban Society, August
H. Cotter, ‘Black, Red and Green at the Studio Museum in Harlem’, in: The New York Times, August 23
R. Gregg, ‘The Art of Learning’, in: The Seattle Times, August 22
F. Romeo, ‘Tim Rollins and K.O.S.’, in: Flash Art Italia, N° 228, June/July
D. Gilerman, ‘A South Bronx Savior Comes to Ofakim’, in: Ha’aretz, May 22
‘A South Bronx Savior Comes to Ofakim’, Ha’aretz English Edition, The International Herald Tribune, London, 23 May
D. Gilerman, T. De Tora, ‘Tim Rollins and K.O.S.’, in: Segno, N° 178, April – May J. Romaine, ‘The Promised Land: An Interview with Tim Rollins and K.O.S.’, in: CIVA Seen Vol. 1, April
A. Sullivan, ‘Mentoring’, in: The Salina Journal, March 8
J. Romaine, ‘Art as Prayer’, in: International Art Movement and the Center for Faith and Art Fundacio ‘La Caixa’, Exh. Cat., Barcelona
J. Courtney, Points of Departure: Art on the Line, Cat., Main Line Art Center

2000

D. Elliot, ‘An Inspiring Brush with Art’, in: The Commercial Appeal, December 5
‘Dream a Little Dream’, in: The Memphis Flyer, November 23-29
D. Hall, ‘Rollins’ Band’, in: The Memphis Flyer, November 23-29
‘Experiencing the World of Art’, in: The Des Moines Daily Register, October 17
O. Parker, ‘Artists Give Students Style’, in: The Arizona Republic, October 14
C. Dorsey, ‘Superman’s Survival Tools: a Book and a canvas’, in: Portfolio Weekly, October 3
R. Perree, ‘20 Jaar Tim Rollins + K.O.S.’, in: Kunstbeeld, September C. Veltman, ‘Kids on Canvas’, in: The London Telegraph Magazine, September 30
J. Bose, ‘Students Explore the Boundaries of Art’, in: The Ball State Daily News, September 18
R. Placky, ‘On Site: A Residency with Tim Rollins and K.O.S.’, in: Art Education, July
C. Saint Louis, ‘The Gospel According to Tim’, in: The New York Times Magazine, July 16
S. Morris, ‘A’Dream’ Fulfilled’, in: The Times Union Glens Falls, 13 July
R. Gragg, ‘Puck goes to Pendleton’, in: The Sunday Oregonian, July 2
R.Gregg, ‘The Art of learning’, in: The Seattle Times, August 22
M. Thomas, ‘Tim Rollins guides students from survival to success’, in: Pittsburgh Post-Gazette, April 29
A. Winn, ‘Survival Kit’, in: PS – CP, April 19-26
T. Norman, ‘Disciple of ar’, in: Post Gazette, Pittsburgh, March 31
G. Shearing, ‘Rollins Submerges Egos in a shared canvas’, in: Pittsburgh Post-Gazette, March 31
K. Johnson, ‘Tim Rollins and K.O.S. at Baumgartner’, The New York Times, March 10
E. Doss, ‘Witnessing the Beloved Community….’, in: College Art Association, February 25

1998

M. Ferguson, ‘Rollins’ Message Inspires Students’, State College Lions’ Digest, October
J. Strawser, ‘Soldiers of Art’, in: Centre Daily Times, October 24
M. Gayford, ‘Good News from the Battlefield’, in: The London Sunday Telegraph, July
R. Wollheim, ‘Tim Rollins and the Kids of Survival….’, in: Modern Painters, London, March
M. Lisl, ‘Helping Kids Shine’, in: Daily Gazette Albany, 27 March
J. Milani, ‘Art by Community’, in: The Tampa Tribune, January 25
S. Eastman, ‘Doing Art for More Than Art’s Sake’, in: The Tampa Times, Jan 16
J. Ganahl, ‘Opening Young Minds to Art’, in: San Francisco Examiner, Jan 13
M. Fanizza, ‘The Art of Survival’, in: The Oracle, January 12

1997

E. Sozanski, ‘Sophisticated Work from ‘At-Risk’ Students’, in: The Philadelphia Inquirer, June 6
B. Sherman, ‘Out of the Streets and Into the Galleries’, in: The Boston Globe, April 3
K. Thomas, ‘Powerful ‘Kids’ Portrays Art as a Teacher of Survival’, in: The Los Angeles Times, February 28

1996

M. Neill and E. Mc Neil, ‘Escape Route’, in: People, November 25
F. Protzman, ‘Off-Screen Artists’, in: The Washington Post, November 14
J. Cantor, ‘Young at Art’, in: Miami New Times, October 17
E. Rothstein, ‘When Teaching the Arts Becomes Social Work’, in: The New York Times, October 6
R. Dominguez, ‘His ‘Art’ Is in Right Place’, in: Daily News, September 6
J. Maslin, ‘Art Teacher’s Crusade For Vandals with honor’, in: The New York Times, September 6
S. Allen, ‘Critics’ Choise – Film’, in: The Oackland Tribune, April 19
P. Le Draoulec, ‘Documentary depicts Bronx tenns’ surviving through art’, in: Marin Indipendent Journal, April 15
J. Ganahl, ‘Helping kids find a life….’, in: San Francisco Examiner, in: April 12
P. Stack, ‘The Key to Survival In the Bronx is Art’, in: San Francisco Cronicle/Datebook, April 10
C.R. Thompson, ‘Kids give ghetto the brush-off’, New York Daily News, March 3

1995

J. Wilson, ‘Primal Drawing’, in: The Aspen Times, July 29
P. Myoda, ‘Tim Rollins and K.O.S.’, in: Frieze, May
M. Shuter, ‘Innovative Teacher to Share his Method’, in: Savannah Evening Press, March 19
P. Karmel, ‘For K.O.S. the play’s the thing’, in: The New York Times, January 13
C. Lewallen, ‘Tim Rollins + K.O.S.’, in: Contemporary Artists Review (Tokyo), January

1994

C. Vogel, ‘Inside Art’, in: The New York Times, October 7
M. Shearin, ‘SECCA shows art as teaching tool’, in: Triad Style, June 15
T. Patterson, ‘Tim Rollins helps students find identities in art’, in: Winstom-Salem Journal, June 12
A. Lloyd Wilson, ‘Malcolm X: The Artists’ View’, in: Art in America, May
C. Temin, ‘ICA brings public art out in the open’, in: The Boston Globe, April 24
C. Twardy, ‘Art for kids’ sake’, in: Raleigh News and Observer, April 17
C. Hambright, ‘Healing Art’, in: Winston-Salem Journal, March 28
N. Stapen, ‘Tim Rollins + K.O.S.’, in: Art News, January

1993

C. Leggewie, ‘Birder der Kids aus dem Getto’, in: Merian, December
J. Giovannini, ‘Beacon of Hope’, in: Harper’s Bazaar, October
Staff, ‘Public Art With Function: Tim Rollins and K.O.S.’, in. Bliutsu Techo, August

1992

R. Bass, ‘Tim Rollins and K.O.S.’, in: Art News, October
E. Kastor, ‘Kids with the Art of Survival’, in: The Washinghton Post, September 26
I. Lane Groller, ‘Barnyard Full of Big Shots’, in: The Washington Post, September 24
H. Burchar, ‘Politicals Animals on Parade’, in: The Washington Post, September 18
D. Bourdon, ‘Critic’s Diary: Seeing It All, or Six Weeks in Manahattan Galleries’, in: Art in America, September
H. Colsman Freyberger, ‘Tim Rollins and K.O.S.’, in: Rokugatsu No Kaze, August J.L. Barrio Garay, ‘Tim Rollins y K.O.S.’, in: Goya, July
R. Smith, ‘Tim Rollins and K.O.S.’, in. The New York Times, June 19
A. Jinkner Lloyd, ‘Report from Pittsburgh….’, in: Art in America, June
J.L. Barrio Garay, ‘Cronica de Nueva York: La Bienal’, in: Goya, June
Staff, ‘Tim Rollins + K.O.S.’, in: The New Yorker, May 25
B. Carvalho, ‘Garotos do Bronx pintam com sangue….’, in: Folha de S. Paulo, April 23
K. Baker, ‘The 1991 Carnegie International’, in: ArtSpace, January
K. Hixson, ‘Tim Rollins and K.O.S.’, in: Arts Magazine, January

1991

H. Muschamp, ‘Creativity in Design as an Urban Survival Skill’, in: The New York Times, December15
D. Mc Craken, ‘Gallery Scene: Tim Rollins and K.O.S.’, in: The Chicago Tribune, October 25
D. Hershkovits, ‘The Kids Are Alright’, in: Paper, September M. Lasswell, ‘True Colors’, in: New York Magazine, July 29
Staff, ‘South Bronx Art Academy’, in: Art in America, June
D. Struzzi, ‘Art Academy: A Dream Come True?’, in: The Bronx Beat, May 1
A. Decker, ‘The 1991 Whitney Biennial: Provocation an Beauty’, in: Vis A Vis, May ‘The Crown Prints: Meet the press’, in. San Josee Mercury News, April 28
K. Levin, ‘Collective Conscious: Contemporary Sculpture Collaboration’, in: Sculpture, March
C. Kuoni, ‘Arbeiten an der New Yorker Peripherie’, in: Kunstforum International, March
A. Raven, ‘Closing the Gap: Impacting the Culture’, in: Art Papers, March
D. Reisman, ‘Looking Forward: Activist Post-Modern Art’, in: Tema Celeste, January
Staff, ‘Collaborative Spirit’, in: Moma Members Quarterly, January
T. Alden, ’The Library of Babel’, p. 16-17, New York 1990
J. Meinhardt, ‘The Temtation of Saint Antony in Basel and Stuttgagart’, in: Kunstforum, November
C. Jolles, ‘Tim Rollins + K.O.S.’, in: Das Kunst-Bulletin, November I. Graw, ‘Wohitat’, in: Artis, November
H. van Haaren, ‘Overkunsten opvoeding’, in: Cahier 2, November
G. Helfand, ‘Radical Art Survives….’, in: San Francisco Weekly, October 17
K. Baker, ‘Temptation’, in: Artforum, October
A. Renton, ‘Tim Rollins + K.O.S.: An Open Book’, in: Art & Design/New Art International, September
P. Bail, ‘Uber-Lebenshilfe’, in: Stuttgarter Zeitung, August 30
N.B. Forstbauer, ‘Kunstkinder aus der Bronx’, in: Stuttgarter Nachrichten, August 29
W. Fenn, ‘Bilder der Verwesung’, in: Nürnberger Nachrichten, August 2
Staff, ‘Selbsthilfe mit Kunst’, in: Der Bund (Bern), July 18
Staff, ‘Tim Rollins + K.O.S.’, Schweiz/Suisse/Switzerland, July
F. Rose, ‘Last Laugh’, in: New York Magazine, June 25
L. Ariel, ‘Schüler-Künstler in New York’, in: Neue Zurcher Zeitung, June 23
M. Kimmelman, ‘The Force of Convinction Stirred by 80s’, in: The New York Times, May 27
T. Pfeifer, ‘Faszinosum des Amorphen’, in: Basler Zeitung, May 25
R. Schiess, ‘Rollins’ Kids of Survival Uberleben mit Kunst’, in: Basellandschaftliche Zeitung, May 21
Staff, ‘Kunst und Erziehung’, in: Basler Zeitung, May 17
L. Lerch, ‘Tim Rollins + K.O.S.’, in: Programm-Zeitung, May
S. Kaplan, ‘Actualitc/Expositions: Tim Rollins + K.O.S….’, in: Montreal Revue de l’Art Actuel, April
S. Beard, ‘Proust in Five Minutes’, in: Artscribe, March
S. Tallman, ‘Cultural Literacy’, in: Arts Magazine, March
H. Tanaka, ‘Art in New York: Tim Rollins + K.O.S.’, in: HI Fashion Magazine, February
Staff, ‘Tim Rollins + K.O.S.’, in: The New Yorker, January 22
O. Mc Nally, ‘High Art Meets the Streets’, in: The Hartford Courant, January 14
P. Cyphers, ‘Tim Rollins and K.O.S.’, in: Arts Magazine, January
J. Decter, ‘Tim Rollins + K.O.S.: The Workshop has Survived because we love each other’, in: Flash Art, January
C. Lewallen, ‘Tim Rollins + K.O.S.: Interview’, in: View, January
P. Taylor, ‘Bronx Revival’, in: Vogue, January

1989

L. Buck, ‘Survival Art’, in: Arena, December
L.R. Lippard, ‘America, Amerika: Art Against the Odds’, in: Z Magazine, December
A.Brooks, ‘Kids at Work’, in: Interview, December
G. Helfand, ‘AIDS Reality Enters Art’, in: Artweek, November 30
Staff, ‘Self Portrait by Tim Rollins + K.O.S.’, in: The New Yorker, November 20
K. Larson, ‘Coming to Amerika….’, in: New York Magazine, November 20
E. Frank, ‘Art’s Off-the-Wall Critic: Philosopher Arthur Danto’, in: The New York Times Magazine, November 19
M. Sundell, ‘Tim Rollins + K.O.S. at Dia Art Foundation’, in: Seven Days, November 15
H. Kramer, ‘South Bronx Children’s Art at Dia: Buoyant, Cheerful, well Executed’, in: The New York Observer, November 6
R. Smith, ‘Amerika by Tim Rollins and K.O.S.’, in: The New York Times, November 3
L. Nesbin, ‘Drawn from the South Bronx’, in: New York Woman, November
A. Reininghaus, ‘Überleben im Dschungel der Grosstadt’, in: Art, November
A. Wallach, ‘Survival Art, 101’, in. New York Newsday, October 30
Staff, ‘Amerika the Beautiful’, in: Women’s Wear Daily, October 23
K. Heymer, ‘Tim Rollins & K.O.S.’, in: Tema Celeste, October
Staff, ‘Moderne Kunst in New York’, in: Miss Vogue, October
T.R. Myers, ‘Tim Rollins + K.O.S.’, in: Flash Art, October
K. Gookin, ‘Tim Rollins + K.O.S.’, in: Artforum, October
M. Woodruff, ‘Tim Rollins + K.O.S.’, in: Taxi Magazine, October
Staff, ‘Tim Rollins + K.O.S.’, in: Bijutsu Techo, September
K. Levin ‘Studio Visits’, Mirabella, September
G. Faust, ‘Tim Rollins and K.O.S.’, in: Arts Magazine, September
J. Milward, ‘The Teacher from Graffiti to Avant-Garde’, in: Special Report, August
S. Gablik, ‘Making Art as if the World Mattered…’, in: UTNE Reader, July
R. Stumm, ‘Beuys-Preis nach New York’, in: Basler Zeitung, June 24
Staff, ‘Statements: Wonderkids Tim Rollins + K.O.S.’, in: Parkett, June
T. Fairbrother, ‘We Make Art in the Future Tense’, in: Parkett, June
K.O.S. ‘Dialogue 5’, in: Parkett, June
M. Berman, ‘Can These Ruins Live?’, in: Parkett, June
T. Rollins, ‘Collaboration: Tim Rollins + K.O.S.’, in: Parkett, June
M. Campitelli, ‘Tim Rollins + K.O.S.’, in: Juliet Art Magazine, June
K. Levin, ‘Tim Rollins + K.O.S. at Jay Gorney Modern Art’, in: The Village Voice, May 23
M. Mc Fadyean, ‘The Art of Survival’, in: The Guardian, May 13
M. Brenson, ‘Tim Rollins + K.O.S. at Jay Gorney Modern Art’, in: The New York Times, May 12
N. Stapen, ‘The Medium has a Message’, in: Elle Magazine, March
J.M. Adams, ‘Art from the Heart’, in: Seventeen Magazine, March
C. Leigh, ‘Art on the Verge of a Nervous Breakdown’, in: Contemporanea, January 1988 V.C. Cano, ‘Tim Rollins y K.O.S.. El Arte frente a la marginacion social’, in: Vogue Espana, December
L. Nilson, ‘From Dead End to Avant-Garde’, in: Artnews, December
G. Glueck, ‘Survival Kids Transform Classics to Murals’, in: The New York Times, November 13
J. Rankin Reid, ‘Tim Rollins & K.O.S.’, in: Tema Celeste, October
Staff, ‘Kids of Survival’, in: Young Citizen, October
Staff, ‘Tim Rollins & K.O.S. in London Again’, in: Flash Art, October
F.A. Koslow, ‘Tim Rollins & K.O.S.: The Art of Survival’, The Print Collector’s Newsletter, September
Staff, ‘Tim Rollins & K.O.S. Working at Riverside Studios’, in: City Limits, Aug 4
T. Hilton, ‘Kid’s Stuff’, in: The Guardian, August 3
W. Feaver, ‘A Trio of American Dreamers’, in: The Sunday Observer, July 31
L. Bredin, ‘A Touch of Art Class’, in: The Evening Standard, July 28
D. Lee, ‘Classicts from the Streets’, in: The Times, July 27
T. Hilton, ‘Holding Up a Mirror’, in: The Guardian, July 27
A. Graham Dixon, ‘From the Bronx to Hammersmith: Tim Rollins & K.O.S. Beyond Child’s play’, in: The Independent, July 26
D. Cameron, ‘The Art of Survival: A Conversation with Tim Rollins and K.O.S.’, in: Arts Magazine, June
D. Kuspit, ‘Crowding the Picture: Notes on American Activist Art Today’, Artforum, New York, May
C. Temin, ‘Tim Rollins and K.O.S.’, in: The Boston Sunday Globe, April 17
R. Mahoney, ‘Reading Art: Tim Rollins and K.O.S.’, in: New York Press, April 13
R. Smith, ‘Artworks that Strike Up Conversations with viewrs’, in: The New York Times, 1 April
T. Beller, ‘Tim Rollins & K.O.S.’, in: Splash, April
E. Hess, ‘Burning Issues’, in: The Village Voice, March 29
J. Scanlan, ‘Tim Rollins & K.O.S. at Rhona Hoffman’, in: Dialogue, March
J. Kessler, ‘Kids of Survival: Tim Rollins & K.O.S.’, in: Art Paper, February
J. Di Mattia, ‘Tim Rollins’ Survival Course’, in: Artpaper, February
M. A. Martin, ‘Bronx Artist Directs Local Student Efforts’, in: The Star Tribune, January 8
J. Russel, ‘At the Saatchi Collection: A thin Show of NY Art’, in: The New York Times, January 3
‘Just take it step by step – An interview with Tim Rollins and K.O.S. Crew’, in: Radical Teacher Magazine, January
D. Cameron, NY Art Now. The Saatchi Collection, p. 157-164

1987

E.Hess, ‘Graffiri R.I.P.’, in: The Village Voice, December 22
P.White, ‘Show of Children’s Art Tells Tale of Two Cities’, in: The Charlotte Observer, December 21
M.Brenson, ‘Similia/Dissimilia’, in: The New York Times, December 18
L.Pass, ‘Tim Rollins + His Kids of Survival’, in: The Arts Journal, December R.Morell, ‘New York Art Program Visits N.C.’, in: The Charlotte Observer, November 22
A.G.Artner, ‘Kids’ Artistic View of Books a Noble Effort’, in: The Chicago Tribune, November 13
S.Kent, ‘Bronx Break’, in: Time-Out, September 23
W.Januszczak, ‘Artful Dodge in the Bronx’, in: The Guardian, September 22
Allthorpe-Guyton Macjorie, ‘NY art now: The Saatchi Collection’, in: Flash Art, September
D.Cameron, ‘Art and its Double’, in: Flash Art, May
R.Brooks, ‘Tim Rollins and K.O.S. (Kids of Survaival)’, in: Artscribe, May K.Levin, ‘The double Bind’, in: The Village Voice, March 10
‘Tim Rollins and K.O.S. at Jay Gorney Modern Art’, in: Art in America, March B.Nickas, ‘Art and its Double’, in: Flash Art, March K.Power, ‘Art and its Double’, in: Flash Art, March
R. Jones, ‘Tim Rollins and K.O.S.’, in: Flash Art, March
Staff, ‘Los K.O.S., un grupo de muchachos del Bronx que irrumpe en el mercado del Arte Neoyorquino’, in: El Pais, February 11
M.Brenson, ‘Art: Out of the studio community settings’, in: The New York Times, February 6
Fisher, ‘Tim Rollinsand K.O.S.’, in: Artforum, January
K.Lipson, ‘Creativity with the public’s blessing’, in: Newday, February 2
R.W.Walker, ‘The Saatchi Factor’, in: Art News, January D.Cameron, ‘Image and quotation’, in: Artics, January

1986

E. Hess, ‘Class Conscious’, in: The Village Voice, November 25
‘Art: a collaboration, Tim Rollins and K.O.S.’, in: The New York Times, November 21
A.L.Morgan, ‘New York group show’, in: New Art Examiner, September V.Donohoe, ‘A Palette of 4 fresh talents’, in: The Philadelphia Enquirer, May 30* K.Lipson, ‘Works of art by any means necessary’, in: Newsday, March 18

1985

Staff, ‘The making of America’, in: Figura, September 1984
D.Cameron, ‘Against Collaboration’, in: Arts Magazine, March

1982

K.Howe, ‘The Atomic Salon’, in: Images and Issues, September

Catalogues

2005

The Creation – Tim Rollins and K.O.S. at Pyramid Atlantic, Pyramid Atlantic, Silver Spring

2004

G.Perretta, W.Benjamin, G.Bataille, J.Derrida, J.L.Nancy, M. Foucault, Media. Comm(Unity) / Comm.Medium – Divenire comunità oltre il mezzo: l’opera diffusa, Museo Masedu, Milan

2003

Tim Rollins and KOS – Purple With Love’s Wound, The University of Virginia Art Museum, Virginia Representing Slavery, Williams College Art Museum, Williamstown

2002

Catalogue Raisonne – Collection of Contemporary Art Fundacion ‘la Caixa’, Barcelona
American Visionaries – Selections from the Whitney Museum of American Art, New York Plotting, Carrie Secrist Gallery, Chicago

2001

James Romaine, Art as Prayer ‘ International Arts Movement and The Center for Fait and Art’, Cooper Union, New York
A.Galletta, Le Tribù dell’Arte (figth culb – deniminazione di origineincottrollabile), Museo D’arte Moderna di Roma, Milan, April
Fundacio ‘la Caixa’ Retorn al Pais de Les Meravelles, Barcelona
Courtney Julie, Points of Departure: Art on the Line, Main Line Art Center, Haverford

1999

Patrick Fahey, Linny Frickman, The Art of Tim Rollins and K.O.S. Expanding the Circle: Towards a Democratic Art, Hatton Gallery, Colorado State University 1998 Michael Toombs, Tim Rollins and K.O.S. in Collaboration with Kansas City Youth, Kansas City
Dream City, Siemens Kulturprogramm, Kunstverein München, Munich
Patrick McGrady, Tim Rollins and K.O.S. – A Paper Retrospective’, The Palmer Museum of Art Penn State University, Penn State
‘Almost Warm and Fuzz: Childhood and Contemporary Art’, DesMoines Art Center, DesMoines

1997

Jeanne Siegel, Coming Home Again, School of Visual Arts Gallery, New York

1995

Nicholas Paley (ed.), Finding Art’s Place – experiments in contemporary education and culture, New York Bice Curiger (ed.), Zeichen und Wunder. Niko Pirosmani und die Kunst der Gegenwart, Zürich

1994

Susan Lubowsky Talbott, David Leitner, Tim Rollins and K.O.S. ‘The Red Badge of Courage’, The Southeastern Center for Contemporary Art, Winston-Salem

1993

Roberto Tejada, Tim Rollins and K.O.S., Fundacion para el arte Contemporaneo A.C., Mexico City

1992

Amada Cruz, Tim Rollins and K.O.S. Animal Farm, Hirshhorn Museum of Art and Sculpture Garden, Washington, DC

1991

A.Belli, J.Saltz, American Art of the 80th’s, Electa, Milan
Rossi, Aldo; Rollins, Tim; Heartney, Eleanor, Tim Rollins and K.O.S. and Aldo Rossi, Chicago

1990

Koppelin Dieter, The Temptation of Saint Antony, Museum for Contemporary Art, Basel

1989

Gary Garrells, Arthur Danto, Michelle Wallace, Tim Rollins, Amerika, Dia Center for the Arts and the Museum of Contemporary Art Los Angeles

1988

Lawrence Rinder, Tim Rollins and K.O.S. at the Walker Art Center, Minneapolis Tim Rollins + K.O.S., Riverside Studios, Orchand Gallery, London

Other Publications

2003

The City Arts Centre, ‘The Civil Arts Inquiry – Documents 01-06’, Dublin, Ireland

2002

James Romaine, Objects of Grace: Conversations on Creativity and Faith, Square Halo Books, Baltimore

2000

Erika Doss, Witnessing the Beloved Community: Tim Rollins and K.O.S., College Art Association, New York

1994

Arthur Danto, Embodied Meanings, Noonday, New York

1993

Nicholas Paley, Finding Art’s Place: Experiments in Contemporary Education and Culture’, Routledge
Publications, New York

Public Collections

Les Abbattoirs, Toulouse, France
The Alfond Collection of Contemporary Art at Rollins College, Cornell Fine Arts Museum, Winter Park, USA
The Art Institute of Chicago, Chicago, USA
Aspen Art Museum, Aspen, USA
Bard College, Annadale-on-Hudson, USA
Berkeley Art Museum, University of California Berkeley, Berkeley, USA
The Birmingham Museum of Art, Birmingham, USA
Boston University Art Gallery, Boston, USA
The Bronx Museum of Art, Bronx, USA
The Brooklyn Museum of Art, Brooklyn, USA
The Brooks Museum of Art, Memphis, USA
The Carnegie Museum of Art, Pittsburgh, USA
Castellani Art Museum, Niagara, USA
The Cathedral Church of St. John the Divine, New York, USA
The Chrysler Museum of Art, Norfolk, USA
The Corcoran Museum of Art, Washington, USA
Crow Shadow Institute, Pendleton, USA
Dallas Museum of Art, Dallas, USA
The Department of Cultural Affairs, New York, USA
The Des Moines Art Center, Des Moines, USA
The DeYoung Memorial Art Museum, San Francisco, USA
The Dia Center for the Arts, New York, USA
The Dishman Art Gallery, Beaumont, USA
The Fabric Workshop and Museum, Philadelphia, USA
Fisher Landau Center for Art, Long Island City, USA
Foundation for Contemporary Art, Mexico City, Mexico
Fundacio de Caixa, Barcelona, Spain
General Services Administration, Fargo, USA
General Services Administration, Bangor USA
The Georgia Museum of Art, Athens, USA
Solomon R. Guggenheim Museum, New York, USA
The Hallmark Collection, Kansas City, USA
The Harold Washington Public Library, Chicago, USA
Hatton Gallery, Colorado State University, Fort Collins, USA
The Hirshhorn Museum of Art and Sculpture Garden, Washington, USA
The Hyde Collection, Glens Falls, USA
Institute of Contemporary Art, Portland, USA
Institute of Contemporary Art, The University of South Florida, Tampa, USA
The Irish Museum of Modern Art, Dublin, Ireland
JP Morgan Chase Art Collection, New York, USA
The Kalamazoo Institute of Art, Kalamazoo, USA
Kunstverein München, Munich, Germany
The MacArthur Foundation, Chicago, USA
Mildred Lane Kemper Art Museum, Washington University, St. Louis, USA
The Mills Gallery, Central College, Pella, USA
Milwaukee Art Museum, Milwaukee, USA
The Mint Museum of Art, Charlotte, USA
Multi-A Art Centre, Bristol, UK
The Museum fur Gegenwartskunst, Basel, Switzerland
Museum of Contemporary Art, Frankfurt, Germany
The Museum of Fine Arts, Boston, USA
The Museum of Modern Art, New York, USA
The Museum of Modern Art, Osaka, Japan
The National Academy of Sciences, Washington, USA
The National Gallery of Art, Washington, USA
The Nerman Museum of Contemporary Art, Overland Park, USA
New York State Art Museum, Albany, USA
Nordic Watercolor Museum, Tjorn, Sweden
The Oklahoma Arts Institute, Tulsa, USA
The Oklahoma Museum of Fine Arts, Oklahoma City, USA
Olin Art Gallery, Kenyon College, Gambier, USA
Orchard Gallery, Derry, UK
The Palmer Museum of Art, Pennsylvania State University, State College, USA
The Philadelphia Museum of Art, Philadelphia, USA
The Pittsburgh Cultural Trust, Pittsburgh, USA
The Plains Art Museum, Fargo, USA
Portland Museum of Art, Portland, USA
Salina Art Center, Salina, USA
Santa Monica Museum of Art, Santa Monica, CA
Scottsdale Museum of Contemporary Art, Scottsdale, USA
The Smithsonian American Art Museum, Washington, USA
The Spencer Museum of Art, University of Kansas, Lawrence, USA
Stedelijk Museum, Amsterdam, The Netherlands
The Studio Museum in Harlem, New York, UK
Swiss Graphic Society, Geneva, Switzerland
Talbot Rice Gallery, University of Edinburgh, Edinburgh, UK
Tate Gallery, London, UK
The Telfair Museum of Art, Savannah, USA
The Toledo Museum of Art, Toledo, USA
University Art Museum, SUNY Albany, Albany, USA
University of Maine Art Museum, Bangor, USA
University of Virginia Art Museum, Charlottesville, USA
Utrecht School of the Arts, Utrecht, The Netherlands
The Wadsworth Atheneum, Hartford, USA
The Walker Art Museum, Minneapolis, USA
Washington University Gallery of Art, St. Louis, USA
The Whitney Museum of American Art, New York, USA
The Williams College Museum of Art, Williamstown, USA