Doctor of Laws, honoris causa, McMaster University, Hamilton, Canada

Union Theological Seminary, New York, USA

Doctor of Laws, honoris causa, Concordia University, Montreal, Canada

Doctor of Fine Arts, honoris causa, NSCAD University, Halifax, Canada

The School, Winnipeg, Canada (founder)

School of Architecture, University of Manitoba, Winnipeg, Canada

(C) denotes that a catalogue was published with the exhibition.

A Public Apology to Siksika Nation, Toronto Biennial of Art, Toronto, Canada

Maureen Paley, London, UK
Garten der Lüste, KW Institute for Contemporary Art, Berlin, Germany (part of Berlin Gallery Weekend)
Catch me if you can! – AA Bronson + General Idea, Esther Schipper, Berlin, Germany

AA Bronson, Kunsthalle Wichita, Kansas, USA
AA Bronson & Keith Boadwee – Plaid, Galerie Deborah Schamoni, Munich, Germany

AA Bronson’s Sacre du Printemps, Graz Kunstverein, Graz, Austria
AA Bronson’s Garden of Earthly Delights, Salzburger Kunstverein, Salzburg, Austria
AA Bronson, daad galerie, Berlin, Germany
AA Bronson: Hexenmeister, Maureen Paley, London, UK
Tenderbooks, London, UK
White Flag, Esther Schipper Galerie, Berlin, Germany

AA Bronson: Life and Work, University of Toronto Art Centre, Toronto, Canada
Tent of Healing, Donauer Festival, Krems, Austria

Tent of Healing, Stedelijk Museum, Amsterdam, Netherlands
The Botanica (with Michael Buhler-Rose), Nature Morte Berlin, Berlin, Germany
Invocation of the Queer Spirits (Bolus Head), (with Oisin Byrne), Baillinskellig, Ireland

Who’s Afraid of the Red, White, and Black? (with Ryan Brewer and Elijah Burgher), 1:1, New York, USA

Queer Spirits and Other Invocations…, Esther Schipper Gallery, Berlin, Germany
Black Ritual/Red Ritual/Gold Ritual (with Ryan Brewer), Fire Island Pines, USA
Flesh of Our Flesh (with Elijah Burgher), Fire Island Pines, New York, USA
Haute Culture: General Idea 1969-1994 (touring exhibition), Musée d’art moderne de la ville de Paris, Paris France; Art Gallery of Ontario, Toronto, Canada

General Idea: Editionen und Multiples, Helga Maria Klosterfelde Edition, Berlin, Germany

Invocation of the Queer Spirits (with Peter Hobbs), Creative Time, New York, USA
Invocation of the Queer Spirits (with Peter Hobbs), Fire Island Pines, New York, USA
General Idea: Works 1987 – 1994, Mai 36 Galerie, Zurich, Switzerland
General Idea: Works 1968 – 1975, Esther Schipper, Berlin, Germany
The 1984 Miss General Idea Pavillion, The Art Gallery of York University, Toronto

Invocation of the Queer Spirits (with Peter Hobbs), Plug In ICA, Winnipeg, Canada
Invocation of the Queer Spirits (with Peter Hobbs), Creative Time, New Orleans, USA
Invocation of the Queer Spirits (with Peter Hobbs), Banff Center for the Arts, Banff
AA BronsonSchool for Young Shamans, John Connelly Presents, New York, USA
General Idea: Works 1968-1995, Stampa Gallery, Basel, Switzerland

General Idea: Ediciones 1967-1995, Centro Andaluz de Arte Contemporáneo, Seville, Spain
Sex + Death, Galerie Fréderic Giroux, Paris, France
General Ideal Editions: 1967-1995, (touring exhibition):
Henry Art Gallery, Seattle

General Idea, White Cubicle Toilet Gallery, London, UK
General Idea: Found Formats, Kunsthalle Zurich, Zurich, Switzerland
General Ideal Editions: 1967-1995, (touring exhibition):
Muenchen Kunstverin, Munich, Germany
Kunstwerke, Berlin, Germany
General Idea: Early Work / Magic Bullet, Esther Schipper, Berlin, Germany

General Idea, Andy Warhol Museum, Pittsburg, USA
AA BronsonHealer, Vera List Center for Art & Politics, New School, New York, USA
General Idea, Vienna Secession, Vienna, Austria
General Ideal Editions: 1967-1995, (touring exhibition):
Luckman Fine Arts Complex, Los Angeles, USA
Victoria Art Gallery, Victoria, Canada
General Idea, Galerie Frédéric Giroux, Paris, France

AA Bronson: The Quick and the Dead, The Belkin Gallery, Vancouver, Canada (C)
AA Bronson Healer, John Connelly Presents, New York, USA
General Idea: Multuples et series, Galerie Frédéric Giroux, Paris
General Idea Editions: 1967-1995, (touring exhibition):
Plug In, Winnipeg, Canada
Museum London, London, Canada
Dunlop Art Gallery, Saskatoon, Canada
Emily Carr College, Vancouver, Canada
Illingworth Kerr Gallery, Alberta College of Art & Design, Calgary, Canada

AA Bronson: The Quick and the Dead, The Power Plant, Toronto, Canada (C)
AA Bronson Healer, Galerie Frédéric Giroux, Paris, France
AA Bronson, IKON Gallery, Birmingham, UK
General Idea Editions: 1967-1995, (touring exhibition):
Blackwood Gallery, U of T at Mississauga, Mississauga, Canada
Agnes Etherington Art Gallery, Kingston, Canada
Leonard and Bina Ellen Art Gallery, Concordia University, Montreal, Canada
Mount Saint Vincent University Art Gallery, Halifax, Canada
McMaster Museum of Art, Hamilton, Canada
General Idea: Editions and Ephemera (1968-1995), 871 Fine Arts, San Francisco, USA
General Idea Editions: A Selection, Printed Matter, New York, USA

General Idea, Galerie Giroux, Paris, France
The Hanged Man, “Solo Exhibition”, Toronto, Canada
Mirror Mirror, MIT List Visual Arts Center, Cambridge, USA
A Day without Art, National Gallery of Canada, Ottawa, Canada
TICK TOCK, Gallery M, Harlem, USA

Negative Thoughts , Museum of Contemporary Art, Chicago, USA
General Idea, 1301PE, Los Angeles, USA
AA Bronson: The Copyright marks the border between public and private domains, The Balcony, Toronto, Canada
National Gallery of Canada, Ottawa
A Day without Art, The Jewish Museum, New York
Black Floaters, Susan Hobbs Gallery, Toronto, Canada

AA Bronson 1969-2001, Vienna Secession, Vienna
AA Bronson, Ecart, Basel

AA Bronson, 1301PE, Los Angeles, USA

(C) denotes that a catalogue was published with the exhibition.

A Model: Prelude - Rayyane Tabet. Trilogy, Mudam Museum, Luxembourg, Luxembourg
A Model, Mudam Museum, Luxembourg, Luxembourg
A Model: Epilogue - Jason Dodge, Mudam Museum, Luxembourg, Luxembourg

Plastic Heart: Surface All the Way Through, Centre Culturel Canadien, Paris, France
Feedback, Anthology Film Archives, New York, USA
Public Structure, Kunsthal Charlottenborg Biennale, AA Bronson and General Idea, Vaernedamsvej 6, Copenhagen
Fragment of an Infinite Discourse, Contemporary art from the Lenbachhaus, the donation of Jörg Johnen, and the KiCo Foundation, Städtische Galerie, Lenbachhaus, Luisenstraße 33, 80333 Munich
ROHKUNSTBAU 28 – Endlich Frieden! Die Sorge um sich und die Anderen, Schloss Lieberose, Brandenburg, through
Everything at Once: Postmodernity, 1967-1992, Bundeskunsthalle, Bonn, Germany (C)
How to Put Art in a Book, Grassi Palace, Venice, Italy
The Seduction of the Bureaucrat, De Garage, Mechelen, Belgium
Blank. Raw. Illegible… Artists’ Books as Statements (1960-2022), Leopold Hoesch Museum, Düren, Germany (C)
Barbe à Papa, CAPC Musée d'art Contemporain, Bordeaux, France
Shaping Protest: From Olt Aicher to Today, Museum Ulm, Ulm, Germany
The Collection, Haubrok Foundation, Fahrbereitschaft, Berlin, Germany
Over the Rainbow, Centre Pompidou, Paris, France
(Un)Defining Queer, The Whitworth Art Gallery of the University of Manchester, Manchester, UK
Seduction of the Bureaucrat, De Garage, Mechelen, Belgium
Paul Jaray – Die Vernunft der Stromlinie, Kunsthaus Dahlem, Berlin, Germany
Haushalt, Philipp Pflug Contemporary, Frankfurt Am Main, Germany

Broken Music Vol. 2, Hamburger Bahnhof, Berlin, Germany
Plastic Heart: Surface All the Way Through, Art Museum at the University of Toronto, Toronto, Canada
When the angels from above, Argos Centre for Visual Arts, Brussels, Belgium
Take Care: Art and Medicine, Kunsthaus Zürich, Zürich, Switzerland
What is Left Unspoken, Love, High Museum of Art, Atlanta, USA
Obertura: Más allá de los Mapas, Museo de Arte Contemporaneo de Alicante, Alicante, Spain
Every Moment Counts — AIDS and its Feelings, Henie Onstad Kunstsenter, Oslo, Norway
Art for the Future: Artists Call and Central American Solidarities, Aidekman Arts Center, Medford, USA; SMFA at Tufts, Boston, MA, USA

It Never Ends – Part 2. John M. Armleder & Guests, Kanal Centre Pompidou, Brussels, Belgium
Wunderkammer Cafe, Mfc-Michele-Didier, Paris, France

Intimacy: New Queer Art From Berlin And Beyond, Schwules Museum, Berlin, Germany
STUDIO.BERLIN, Berghain, Berlin, Germany
Sâr Dubnotal, CAC Brétigny, Brétigny-sur-Orge, France
It Never Ends. John M. Armleder & Guests, Kanal Centre Pompidou, Brussels, Belgium
P is for Poodle, Mitchell-Innes & Nash, New York, USA
PS 81E, Esther Schipper, Berlin, Germany
Looking At The Sun At Midnight, Lenbachhaus, KiCo Foundation, Munich, Germany

Altered After, Curated by Conrad Ventur for Visual AIDS, PARTICIPANT, INC, New York, NY, USA (C)
Toronto Biennial of Art, Toronto, Canada
What Absence Is Made Of, Hirshhorn Museum and Sculpture Garden, Washington, DC, USA
A Public Apology to Siksika Nation, Toronto Biennial of Art, Toronto, Canada
The Power of Secrets, Center for Contemporary Art, Ujazdowski Castle, Warsaw, Poland
Vienna Contemporary, Marx Halle, Vienna, Austria

Ache, Cabinet Gallery, London, UK (curated by James Richards)
Self Bites Self, Kunstverein Göttingen, Altes Rathaus, Göttingen, Germany
MoMA at NGV: 130 Years of Modern and Contemporary Art, National Gallery of Victoria, Melbourne, Australia (C)
What Absence Is Made Of, Hirshhorn Museum and Sculpture Garden, Washington, DC, USA
MPA on Paper, Galeria Moises Perez de Albeniz, Madrid, Spain

The American Dream – American Realism 1965 to 2017, Drents Museum, Assen, Netherlands and Kunsthalle Emden, Emden, Germany
Drents Museum aBeing Modern: MoMA in Paris, Fondation Louis Vuitton, Paris, France
Dying well – False death, Museum für Neue Kunst, Freiburg, Germany
Over the Rainbow, Praz-Delavallade, Los Angeles, USA
What Absence Is Made Of, Hirshhorn Museum and Sculpture Garden, Washington, DC, USA

Broken Flag, Curated by Dr. Daniel Berger and Dr. Omar Khalif, Iceberg Projects, Chicago, IL, USA
Brain Multiples at 25, 1301PE, Los Angeles, CA USA
The 1980s. Today’s Beginnings?, Van Abbemuseum, Eindhoven, NL

30 Years Kunsthalle Zürich, Zürich, Switzerland

Gwangju Biennale, Gwangju, Republic of Korea
Self-Timer Stories, Austrian Cultural Forum New York, New York, USA (C)
Alms for the Birds, Cabinet, London, United Kingdom
The Illusion of Light, Palazzo Grassi, Venice, Italy
Get Hold of This Space: La carte de l’art conceptuel au Canada, Centre culturel canadien, Paris
LOVE AIDS RIOT SEX 2 – Art Aids Activism 1995 to today,
Neue Gesellschaft für bildende Kunst, Berlin
GLAM! The Performance of Style (touring exhibition)
Tate Liverpool, Liverpool; Schirn Kunsthalle, Frankfurt;
Lentos Kunstmuseum, Linz
Whole, In Part. Artists’ Publications from the MACBA Collections, MUSAC.
Museo de Arte Contemporáneo de Castilla y León, León
Expérience Pommery #11 / Une Odyssée: les 30 ans du Frac
Champagne-Ardenne, Domaine Pommery, Reims, France
Les Pléiades – 30 ans des Frac
Centre d’art contemporain Passages, Troyes, France
LOVE AIDS RIOT SEX 1 – Art Aids Activism 1987-1995,
Neue Gesellschaft für bildende Kunst, Berlin, Germany.

The Temptation of AA Bronson, Witte de With, Rotterdam
Magic Bullet, Galerie Torri, Paris, France
Continental Drift: Konzeptkunst in Kanada: Die 1960er und 70er Jahre, Badischer Kunstverein, Karlsruhe
I, You, We, Whitney Museum of American Art, New York, USA
Borderline, La GAD – Galerie Arnaud Deschin, Marseille, France
Xerography, Firstsite, Colchester, UK
Artists’ Walks: The Persistence of Peripateticism, Dorsky Gallery, Long Island City, USA
Vancouver Memory Festival, Roundhouse Community Arts and Recreation Centre,
Vancouver, Canada

Fast Forward: Modern Moments 1913-2013, High Museum of Art, Atlanta, USA
Composed: Identity, Politics, Sex, Jewish Museum, New York, USA
Shake ‘n Bake, Praz-Delavallade, Paris, France
Print/Out, Museum of Modern Art, New York, USA
This Will Have Been: Art, Love & Politics in the 1980s
MCA Chicago, Chicago, USA
Walker Art Center, Minneapolis, USA
ICA Boston, Boston, USA
Plus ou moins sorcières: Epreuves ritualisées, La Maison Populaire, Montreuil
(Paris), France
Stage Presence: Theatricality in Art and Media, SF MoMA, San Francisco, USA
Surplus Authors, Witte de With, Rotterdam, The Netherlands
BattlegroundStates, Utah Museum of Contemporary Art, Salt Lake City, USA

X-mas Jewels, 8 rue Saint-Bon Boutique, Paris, France
Cover Girl, La Galerie des Galeries, Paris, France (C)
Are You Ready for TV?, CGAC, Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain Queer Portraits Now, Fred, London, UK (C)
Beholder, Talbot Rice Gallery, Edinburgh, Scotland

Are You Ready for TV?, MACBA, Barcelona, Spain
Changing Channels, MUMOK, Vienna, Austria
Hide/Seek, National Portrait Gallery Smithsonian Institute, Washington DC, USA
Brooklyn Museum, Brooklyn, USA
Singular Visions, Whitney Museum of American Art, New York, USA
This and That, Corvi-Mora, London, UK
Seconde Main, Musée d’art moderne de la ville de Paris, Paris, France (C)
Love’s Body: art in the age of AIDS, Tokyo Metropolitan Museum of Photography, Tokyo, Japan
Dorm, The Model, Sligo Ireland

Mind the Step, 1301PE, Los Angeles, USA
Coalesce: Happenstance, Smart Project Space, Amsterdam, Netherlands
Yebisu International Festival for Art and Alternative Visions 2009, Tokyo Metropolitan Museum of Photography, Tokyo, Japan (also with video screenings) (C)
Artists’ Books as (sub)Culture, Center for Book Arts, New York, USA (C)
The Search … For the Spirit (part of a larger exhibition, All that is solid melts into air, for the cultural festival “City Visions”), Schepperinstituut, Mechelen, Belgium
Enacting Abstraction, Vancouver Art Gallery, Vancouver, Canada
The Studio Sessions, SFMoMA, San Francisco, USA
Turn On, SLAG, New York, USA
Dark Side II, Fotomuseum Winterthur, Winterthur, Switzerland
Utopics, 11th Swiss Sculpture Exposition, Biel, Switzerland

Every Picture Tells a Story… or at least is a Picture, Small A Projects, Portland, USA
Documentary Protocols II, Leonard & Bina Ellen Art Gallery, Montreal, Canada
Just Different, Cobra Museum, Amstelveen, Netherlands
Pleinairism, Galerie i8, Reykjavik, Iceland
In a Box, Canco Lofts, Jersey City, USA
Disentangle, Andreas Grimm New York, New York, USA
Coup de Grace, Simon Preston Gallery, New York, USA
Artists’ Magazines, Art Basel, Basel, Switzerland
Artist Plates, Nohra Haime Gallery, New York, USA
Argent, Frac IIle-de-France, Paris, France
Bureau de Change, Walter Phillips Gallery, Banff, Canada
2 × (2×20) + 2×2) ] +2 = × x (desperately) trying to figure out the world – Part 2, Brooke Alexander Gallery, New York, USA
November 2008 – Artist Initiated Magazines, Rekord, Oslo, Norway
Agency: Art and Advertising, McDonough Museum of Art, Youngstown, USA
Less is less, more is more, that’s all, CAPC Musée d’art contemporain, Bordeaux, France
Le dernier qui parle, FRAC Champagne-Ardenne, Reims, France
P2P, Casino Luxembourg-Forum d’art contemporain, Luxembourg
Make Art/Stop AIDS, Fowler Museum at UCLA, Los Angeles, USA
Wildflowers of Manitoba / Light On in Babyland, Justina M. Barnicke Gallery, Hart House, University of Toronto, Toronto, Canada
Revues d’artistes. Une selection, Galerie d’art contemporain des Urbanistes, Fougères,
Lendroit Galerie, Rennes,
Cabinet du livre d’artiste, Rennes, France

Tomorrow now – when design meets science fiction, MUDAM, Luxembourg (C)
Scenes and Sequences, Kunsthaus Aarau, Aarau, Switzerland (C)
Kopf an Kopf, Kunsthalle Tuebingen, Tuebingen, Germany
BodyPoliticX, Witte de With, Rotterdam, The Netherlands (C)
Forms of Resistance, van Abbemuseum, Eindhoven, Netherlands
Six Feet Under, Deutsches Hygiene-Museum, Dresden, Germany
The Wall: Boundaries, Borders and Contested Zones, Art Gallery of Windsor, Canada
4 Editeurs / 4 Publishers, Le Musée Royal de Mariemont, Brussels, Belgium
Handsome Young Doctor: A Show About Trust, Cubitt Gallery, London, UK
La science dans l’art. Une exposition virtuelle dédiée à l’art contemporain canadien, Galerie de l’Uqam, Université de Quèbec à Montreal, Montreal, Canada
Forms of Inquiry, Architectural Association, School of Architecture, London, UK
Uncontained, Whitney Museum of American Art, New York, USA

Into Me/Out of Me, PS1, New York, USA
Medium Fotografie, Stampa, Basel, Switzerland
Winteraustellung, Esther Schipper, Berlin, Germany
Persona: From the Collection, Canadian Museum of Contemporary Photography, Ottawa, Canada
Singular Multiples, Museum of Fine Arts Houston, Houston
Sound and Vision, The Montreal Museum of Fine Arts, Montreal, Canada
Six Feet Under, Kunstmuseum Bern, Bern, Switzerland
We Can Do This Now, Power Plant, Toronto, Canada
Dissent, Fogg Art Museum, Cambridge (C)
ART METROPOLE: Top 100, National Gallery of Canada, Ottawa (C)
Fokus 3, MUMOK (Museum Moderner Kunst Stiftung Ludwig Wien), Vienna, Austria
World Upside Down / Le monde à l’envers, Walter Phillips Gallery, Banff, Canada (and touring 2006-2009)
Orientalism & Ephemera, Art Metropole, Toronto, Canada (touring 2006-08)
Punk ‘Til You Puke, Art Metropole, Toronto, Canada
Storefront: Artist Multiples from the Library Collection, National Gallery of Canada Library and Archives, Ottawa, Canada

The Log Cabin, Artists Space, New York, USA
The Sixties in Canada, National Gallery of Canada, Ottawa, Canada
The Sixties: Photography in Question, National Gallery of Canada, Ottawa, Canada
Trade, White Columns, New York, USA
Real Pictures, Vancouver Art Gallery, Vancouver, Canada
Trade Show, MASS MoCA, North Adams, USA
Collective Creativity, Kunsthalle Fridericianum, Kassel, Germany (C)
Transformations, Galerie Fréderic Giroux, Paris, France
Expérience de la durée, Biennale de Lyon 2005, Lyon, France
Beyond Redemption: Gay Erotic Art, Belkin Satellite, Vancouver, Canada
at the Mercy of Others: the politics of care, Whitney Museum of American Art, New York
Proieizioni, White Cubicle Toilet Gallery, George and Dragon Public House, London, UK
Looking at Words, Andrea Rosen, New York, USA
Just do it! Die Subversion der Zeichen von Marcel Duchamp bis Prada Meinhof, Lentos Kunstmuseum Linz, Linz, Austria

Performance et Photographie : POINT, Dazibao, Montreal
Reality Check (touring exhibition), National Gallery of Canada, Ottawa
Likeness: Portraits of Artists by Other Artists (travelling exhibition),
California College of Arts, Wattis Institute, San Francisco
McColl Center for Visual Art, Charlotte
Institute of Contemporary Art, Boston
Dalhousie University Art Gallery, Halifax
University Art Museum, California State University at Long Beach
Illingworth Kerr Gallery, Alberta College of Art & Design, Calgary
Contemporary Art Center of Virginia, Virginia Beach, Virginia
After Images: Art as Social Memory, Neues Museum Weserburg Bremen, Bremen
Get Off!, Museum of Sex, New York
Freedom Salon, Deitch Project, New York
Phiiliip: Divided by Lightning, Deitch Project, New York
None of the Above, Swiss Institute, New York
Assume vivid astro focus XI, at the home of Rosa de la Cruz, Biscayne, Miami
Access for All (travelling exhibition, 2004-05),
Centre Rhenan d’Art Contemporain, Altkirch;
Fries Museum, Leeuwarden;
Museum Boijmans Van Beuningen, Rotterdam;
Museum Het Domein, Sittard;
Museum Jan Curran/Hooghuis Lyceum, Oss, The Netherlands

30 Jaar: Nederlandse Videokunst, Nederlands Instituut voor Mediakunst, Amsterdam
Our Mutual Friend, Bloomberg SPACE, London, UK
On the Wall, (touring exhibition) The RISD Museum, Providence, USA
Contemporary Art/Recent Acquisitions, The Jewish Museum, New York, USA
Stop & Go, regards croisés entre la collection et les acquisitions récentes, Frac Nord-Pas de Calais, Dunkerque, France
Eternal Network: Videos from the Western Front Archives 1973-2001 (touring exhibition), The Western Front, Vancouver, Canada; Video Pool, Winnpeg, Canada; Vidéographe, Montréal, Canada (C)
Corporate Profits vs. Labour Costs, John Connelly Presents at D’Amelio Terras, New York, USA
Today’s Man, John Connelly Presents, New York, USA
Scatalogue, Saw Gallery, Ottawa, Canada
From the Flat Files, RAMP Gallery, Waikato Institute of Technology, Hamilton, New Zealand
Feigned Memories, University of Lethbridge Art Gallery, Lethbridge, Canada

Comer O No Comer, Centro de Arte de Salamanca, Salamanca, Spain
Extra Art, Institute of Contemporary Arts, London, UK
Multiformity: Multiples from the MCA Collection, Museum of Contemporary Art, Chicago
Public Affairs: von Beuys bis Zittel, Kunsthaus Zurich, Zurich (C)
Whitney Biennial, Whitney Museum of American Art, New York
Mirror Image, UCLA Hammer Museum, Los Angeles;
Center for Curatorial Studies, Bard College, USA
Art & Economy, Deichterhallen, Hamburg
Thinking in Painting, Stampa Galerie, Basel
Kunst Nach Kunst, Neue Museum Weserburg Bremen, Germany
Rapture: Art’s Seduction by Fashion since 1970, Barbican Gallery, London, United Kingdom
Golden Streams, Blackwood Gallery, Mississauga, Canada (C)
Crack, Agnes Etherington Art Gallery, Kingston, Canada
Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust, PS1 Contemporary Art Center, Long Island City, USA

Collaborations with Parkett: 1984 to Now, Museum of Modern Art, New York, USA (C)
Tele(visions), Kunsthalle Wien, Vienna, Austria
Extra Art, Logan Galleries, California College of Arts and Crafts, San Francisco, USA (C)
Shopping, Generali Foundation, Vienna, Austria
Blondies + Brownies, Aktionsforum Praterinsel, Munich, Germany
Angst: Fear of Loss, (touring exhibition): Ursula Blickle Foundation, Karlsruhe, Germany; Kunsthalle Graz, Graz, Austria
Video Time, The Museum of Modern Art, New York, USA
Let’s Entertain (touring exhibition),
Walker Art Center, Minneapolis, USA;
Portland Art Museum, Portland, USA;
Centre Georges Pompidou, Paris, France;
Kumnstmuseum Wolfsburg, Wolfsburg, Germany;
Miami Art Museum, Miami, USA

Versiones del Sur: cinco propuestas en torno al arte en América, el Museo Nacional Centro de Arte Reina Sofia, Madrid, SPAIN
Loose Ends, The Museum of Modern Art, New York, USA
From the Collection: Personalities, Canadian Museum of Contemporary Photography, Ottawa, Canada
Re-Play, Generali Foundation, Vienna, Austria
La Biennale de Montréal, Montreal, Canada

Museum as Muse, The Museum of Modern Art, New York, USA
Word, Museum of Contemporary Art, Sydney, Australia
Dream City, Museum Villa Stuck, Munich, Germany
Persuasion: Tales of Commerce and the Avant-Garde, University at Buffalo Art Gallery, Buffalo, USA
Recollect, Vancouver Art Gallery, Vancouver, Canada
Internal Logic, Art Gallery of Hamilton, Hamilton, Canada

Fragile Electrons: Celebrating Twenty Years of Collecting Video Art – Videotapes from the Art Metropole Collection, The National Gallery of Canada, Ottawa, Canada
Picturing the Toronto Art Community, The Power Plant, Toronto, Canada
Roteiros. Roteiros. Roteiros. Roteiros. Roteiros. Roteiros. Roteiros., XXIV Bienal de São Paulo, São Paulo, BRAZIL (C)
AIDS Worlds: Between Resignation and Hope (touring exhibition),
Centre d’art contemporain, Geneva, Switzerland;
Centro d’Arte Contemporanea Ticino, Ticino, Switzerland (C)
Editions: General Idea, Christian Jankowski, Kay Rosen, Helge Maria Klosterfelde, Hamburg, Germany
Disappearing Act, Leslie Tonkonow Artworks + Projects/Bound & Unbound, New York, USA
Brain Multiples, Art Metropole, Toronto, Canada

Bridge/The map is not the territory., Kunstverein in Hamburg, Hamburg, Germany
Disrupture: Postmodern Media (with Dara Birnbaum, Nam Jun Paik), San Francisco Museum of Modern Art, San Francisco, USA
Documenta 10, Kassel, Germany (video)
Rococo Tattoo, The Power Plant, Toronto, Canada (C)
Livres d’artistes – L’intervention d’un genre 1960-1980, Bibliothèque nationale de France, Paris, France (C)

a/drift, Center for Curatorial Studies Museum, Annandale-on-Hudson, New York, USA
Thinking Print: Books to Billboards,1980-95 (subsequent touring),
Museum of Modern Art, New York, USA (C)
Graphic Responses to AIDS, Victoria & Albert Museum, London, United Kingdom
All in One, Galerie Schipper & Krone, Cologne, Germany
ReGrouping: A Living Legacy, McMichael Canadian Art Collection, Kleinburg, Canada
La Guerre, Pourquoi?, Galerie Montenay-Giroux, Paris, France
Sarah Charlesworth, Hannah Collins, General Idea, Laurie Simmons, Carolyn White, S.L. Simpson Gallery, Toronto, Canada

General Idea, Cindy Sherman, Laurie Simmons, S. L. Simpson Gallery, Toronto, Canada
Art Metropole: 20 Years, Art Gallery of Ontario, Toronto, Canada
Into a New Museum, Part 2, San Francisco Museum of Modern Art, San Francisco, USA
Fashion is a Verb, Fashion Institute of Technology, New York, USA
A Different Light, The University Art Museum at Berkeley, Berkeley, USA
Lesezimmer II, Kunstlerhaus Stuttgart, Stuttgart, Germany

VideoVirus, AA Bronson + General Idea, Circa in collaboration with Gropius Bau, Kurfürstendamm, Berlin

VideoVirus, AA Bronson + General Idea, Circa, Piccadilly Lights, London, UK; Coex K-Pop Square, Seoul, South Korea; Fed Square, Melbourne, Australia; Luxottica, Pizalle Cadorna, Milan, Italy; Luxottica, Times Square, New York, USA; Yunika Vision, Tokyo, Japan

Video Vintage 1963-1983, Beirut Art Center, Beirut, Lebanon

Young and Not Stupid / Radical Even Though Old, Anthology Film Archives, New York, USA

Queer Cinema from the Collection: Today and Yesterday, Museum of Modern Art, New York, USA

Changing Channels, MUMOK, Vienna, Austria
Are You Ready for TV?, MACBA, Barcelona, Spain

53rd International Short Film Festival, Oberhausen, Germany
Videokunst, Stampa, Basel, Switzerland

Toronto, Xchange Club, Ocularis, Brooklyn, USA

30 Jaar: Nederlandse Videokunst, Nederlands Instituut voor Mediakunst, Amsterdam
Eternal Network: Videos from the Western Front Archives 1973-2001 (touring exhibition), The Western Front, Vancouver, Canada;
Video Pool, Winnpeg, Canada;
Vidéographe, Montréal, Canada.
Art Star: Video Art Biennial, Saw Gallery, Ottawa

Video Acts: Single Channel Works from the Collections of Pamela and Richard Kramlich and New Art Trust, PS1 Contemporary Art Center, Long Island City, USA

Video Time, The Museum of Modern Art, New York, USA (touring)

Video Plaza, Monte Video, Amsterdam, The Netherlands

General Idea, World Wide Video Center, Den Haag, The Netherlands

Tent of Healing, Danauerfestival, Krems, Austria

Tent of Healing, Stedelijk Museum, Amsterdam, the Netherlands
Invocation of the Queer Spirits (Rotterdam), Witte de With, Rotterdam, Netherlands
Benediction, Witte de With, Rotterdam, Netherlands
Invocation of the Queer Spirits (Bolus Head) [with Oisin Byrne], Baillinskellig, Ireland

Who’s Afraid of Red, White, and Black? [with Ryan Brewer and Elijah Burgher], 1:1, New York, USA
Invocation of the Queer Spirits (Paris), Maison Populaire, Montreuil (Paris), France
Blessing for Witte de With, Amsterdam, The Netherlands

Invocation of the Queer Spirits (Berlin), Esther Schipper, Berlin, Germany
Black/Red/Gold [with Ryan Brewer], Fire Island Pines, New York, USA
Flesh of Our Flesh [with Elijah Burgher], Fire Island Pines, New York, USA

Invocation of the Queer Spirits [with Peter Hobbs], Creative Time, New York, USA
Invocation of the Queer Spirits [with Peter Hobbs], Fire Island Pines, USA

Invocation of the Queer Spirits [with Peter Hobbs], Plug In ICA, Winnipeg, Canada
Invocation of the Queer Spirits [with Peter Hobbs], Creative Time, New Orleans, USA
Invocation of the Queer Spirits [with Peter Hobbs], Banff Center for the Arts, Banff, Canada

AA Bronson Healer, Vera List Center for Art & Politics, New School, New York, USA

Butt Massage Demonstration, John Connelly Presents, New York, USA

XXX (rose), MIT List Visual Arts Center, Cambridge, USA
Negative Thoughts, Participant, New York, USA
Negative Thoughts, Ikon Gallery, Birmingham, United Kingdom

DAAD Berliner Kunstlerprogramm, Berlin, Germany

Big City, Banff Centre of the Arts, Banff, Canada

AICA Award 2014 by AICA Netherlands (Association des Critiques d’Art)

Chevalier de l’ordre des Arts et des Lettres, France

Officer of the Order of Canada, Canada

Skowhegan Award, New York, USA

2004 OAAG Awards, Toronto, Canada:
AA Bronson: The Quick and the Dead for best exhibition installation;
AA Bronson: The Quick and the Dead (limited edition) for best artist’s book.

The Chalmers Fellowship, Toronto, Canada

Best Monographic Museum Show (second place) for Mirror Mirror
at MIT List Visual Arts Center, AICA Awards, Boston, USA
The Governor General’s Visual Art and Media Award, Canada
The Toronto Friends of the Arts Award, Toronto, Canada
Canada Council Creation/Production Grant (established artists), Canada
Peter S. Reed Foundation Grant, New York, USA

Bell Canada Award in Video Art, Canada

Canada Council Creation/Production Grant (established artists), Canada

Ovation! Namesake Awards, the General Idea Award , PWA Foundation, Toronto,
Canada (awarded to General Idea in its first year and named after them)

Jean A. Chalmers Award for Visual Arts, Toronto, Canada

The Banff Centre for the Arts National Award, Banff, Canada
Lifetime Achievement Award, City of Toronto, Canada

Honorary Professor of Art, Religion, and Social Justice, Union Theological Seminary, New York, USA

Visiting Senior Critic, Yale University School of Art, New Haven, USA

Graduating Critic, Werkplaats Typographie, Arnhem, The Netherlands

Senior Critic, Yale University School of Art, New Haven, USA

Visiting Senior Critic, Yale University School of Art, New Haven, USA
Visiting Artist in Residence, University of Toronto, Toronto, Canada

UCLA Art Council Chair, UCLA Dept of Art, Los Angeles, USA

Advisor, Miss Read: The Berlin Art Book Fair, Berlin, Germany
Founding Director, LA Art Book Fair, Los Angeles

Founder and Co-Director, Institute for Art, Religion, and Social Justice at Union Theological Seminary in New York City

Founding Director, NY Art Book Fair, New York

Executive Director, Printed Matter Inc., New York (2009 made President)

Executive Director, Art Metropole, Toronto

Founding Director, Art Metropole, Toronto

Publisher and Managing Editor, FILE Magazine, Toronto

Founding Partner, General Idea, Inc., Toronto and New York

Co-founder of The School, a “free school” of architecture, Winnipeg

How to Put Art in a Book, Grassi Palace, Venice, Italy
Tour with AA Bronson, Gropius Bau, Berlin, Germany

AA ON ASSID, AA Bronson on Art, Society, Sexuality and Identity, IMPAKT Festival 2021: Modern Love, Utrecht, The Netherlands

Across the way with… AA Bronson Negative Thoughts, Shimmer, PUBLICS (online reading)

Stonewall at 50 – What Now?, Art Basel Miami Beach, Miami, USA

In Conversation with Emily Pethick, London, UK
30 Years Kunsthalle Zürich, Symposium, Kunsthalle Zürich, Switzerland

In Conversation, London Art Book Fair, Whitechapel Gallery, London, UK
Speaker, The Fight Against AIDS: General Idea and Gran Fury, NGBK, Berlin, Germany
Speaker, General Idea 1969-1994, Institut für Raumexperimente, Berlin, Germany
Panelist, Archives Acting, Institut für Raumexperimente, Berlin, Germany
Speaker, General Idea 1969-1994, Badischer Kunstverein, Karlsruhe, Germany
Panelist, Educating Artists?, Kunstwerke, Berlin, Germany
Speaker, Miss Read: The Berlin Art Book Fair, Berlin, Germany

Keynote Speaker, Institutions by Artists, Vancouver, Canada
Panelist, In Numbers, Institute of Contemporary Art, London, UK
Convocation Address, McMaster University, Hamilton, Canada
Guest Speaker, How We Behave, Rietveld Academy, Amsterdam, The Netherlands
Guest Speaker, University of Chicago, Chicago, USA
Guest Speaker, RISD, Providence, USA
Guest Speaker, Rongwrong, Amsterdam, The Netherlands
Guest Speaker, Parsons The New School of Design, New York, USA
Guest Speaker, School of Visual Arts, New York, USA
Guest Speaker, Sandberg Institute, Amsterdam, The Netherlands
Guest Speaker, Piet Swart Institute, Rotterdam, The Netherlands
Guest Speaker, Pacific Northwest College of Art, Portland, USA
Guest Speaker, Yale School of Art, Department of Graphic Design, New Haven, USA

Guest Speaker, Museum as Publisher, Museum der Moderne Kunst, Frankfurt, Germany
Guest Speaker, Sensational Religion: Sense and Contention in Material Practice, Yale University, New Haven, USA
Guest Speaker, DAI, Arnhem, Netherlands
Guest Speaker, Gallery 400, UIC, Chicago, USA
Panelist, “Fashion on Paper”, Alta Roma, Rome, Italy
Guest Speaker, Bas, Istanbul, Turkey

Speaker, Actors, Agents, and Attendants: Speculations on the Cultural Organisation of Civility, SKOR, Amsterdam, The Netherlands
Speaker, Union Forum: art+social justice, Union Theological Seminary, New York, USA
Guest Speaker, Tokyo Metropolitan Museum of Photography, Tokyo, Japan
Panelist, Pop Life, National Gallery of Canada, Ottawa, Canada
Guest Speaker, Model, Sligo, Ireland
Guest speaker, Vienna Art Fair, Vienna, Austria
Keynote speaker, art+religion, Musée d’art contemporain, Montréal, Canada
Guest Speaker, Office for Contemporary Art, Oslo, Norway
Guest Speaker, CIT Crawford College of Art & Design, Cork, Ireland
Guest Speaker, National College of Art & Design, Dublin, Ireland
Panelist, Union Days, Union Theological Seminary, New York, USA
Guest Speaker, University of Alberta, Lethbridge, Canada

Convocation address, Concordia University, Montreal, Canada
Speaker and Graduation Critic, Werkplaats Typographie, Amsterdam, The Netherlands
Panelist, Museum of Fine Arts, Boston, USA

Panelist, Trade Secrets, Curatorial Conference, Banff center for the Arts, Banff, Canada
Speaker, Exposure Festival, Edmonton, Canada
Guest Speaker, Banff Center for the Arts, Banff, Canada
Speaker, Digifest 2008: Water’s Edge, Design Exchange, Toronto, Canada
Speaker, Arts Festival, University of Toronto, Toronto, Canada
Guest Speaker, University of Rochester, Rochester, USA
Interview with Lionel Bovier, Art Conversations, Art Basel, Basel, Switzerland
Panelist, An Authentik and Historikal Panel on the Phenomena of Mail Art, Center for Book Arts, New York, USA

Panelist, Art Tomorrow, Plug In ICA, Winnipeg, Canada
Guest Lecturer, University of Toronto. Toronto, Canada
Keynote Speaker, MCBA 2007 Symposium, Minnesota Center for Book Arts, Minneapolis
Guest Lecturer, Henry Art Gallery, University of Washington, Seattle, USA
Panelist, Found Formats, Kunsthalle Zurich, Zurich, Switzerland
Guest Lecturer, University of Rochester, Rochester, USA
Guest Lecturer/Visiting Artist, University of Guelph, Guelph, Canada

Guest Lecturer, Kunsthalle Zurich, Zurich, Switzerland
Guest Lecturer, University of Rochester, Rochester, USA
Guest lecturer, Yale School of Art, New Haven, USA
Panelist, Larry Rinder in Conversation, White Columns, New York, USA
Guest lecturer, Muenchen Kunstverein, Munich, Germany
Panelist, Comics Craze, Banff Centre for the Arts, Banff, Canada

Guest lecturer, Andy Warhol Museum, Pittsburgh, USA
Guest lecturer, Luckman Fine Arts Center, Los Angeles, USA
Guest lecturer, CCA, San Francisco, USA
Guest lecturer, Tate Modern, London, UK

Keynote speaker, Tiré a Part \ Off Printing, RCAAQ, Quebec City
Guest lecturer, Plug In ICA, Winnipeg
Guest lecturer, University of Manitoba School of Fine Arts, Winnipeg

Guest lecturer, The Power Plant, Toronto
Guest lecturer, Yale School of Art, New Haven
Guest lecturer, Agnes Etherington Art Gallery, Kingston
Guest lecturer, IKON Gallery, Birmingham

Guest lecturer, MIT List Visual Arts Center, Cambridge

Guest lecturer, Museum of Contemporary Art, Chicago

Eisenman, Nicole, The Ringier Annual Report, April 2024 (Design by AA Bronson)

Ed. Hopkins, Candice; Lawson, Katie; Bastien, Tairone, Water, Kinship, Belief, A Public Apology to Siksika Nation, 2019, Toronto Biennial of Art 2019–2022, Art Metropole, pp. 140-234

Bronson, AA, “After General Idea”, Three Star Books, 2018

Blanc, septembre éditions, Paris, France

Queer Zines, Rotterdam: Witte de With, 2014
Bronson, AA, The Autobiography of Mark Jan Krayenhoff van de Leur, hyperallergic.com, 26 September 2014

Bronson, AA. “Matthias Herrmann: Otto Breicha-Preis für Fotokunst 2013”, Camera Austria, Graz, #123, 2013.
Bronson, AA. “Boys with Beards”, Boys with Beards, Berlin, 2012

Bronson, AA. “Transfiguration of the Bureaucrat.” Institutions by Artists, Volume 1. Vancouver: fillip, 2012.
Bronson, AA. “My Name is Bobby.” False Love, Issue 1. Chicago: Michael Workman, 2012.
Bronson, AA. “Friday, April 27, 2012, 4:06pm”, At the Same Time, Toronto, 2012
Bronson, AA and Reklis, Kathryn. “The Institute for Art, Religion and Social Justice,” Art and Religion, New Cambridge: Yale University, 2012

Brewer, Ryan and AA Bronson. Black. New York: self-published, 2011.
Bronson, AA. “AA Bronson on General Idea.” Artforum, New York: February, 2011.
Bronson, AA. “Derek Sullivan: The Lost Language of Accordion Folds.” Derek Sullivan: Albatross Omnibus. Toronto: The Power Plant, 2011.
Bronson, AA. The Magic Forest. New York: self-published, 2011.
Bronson, AA. “Matthias Herrmann.” Eikon, Vienna: Heft 73, 2011.
Bronson, AA. “Paul Mpagi Sepuya.” Evidence of Accumulation. New York: The Studio Museum in Harlem, 2011. 14-16.
Bronson, AA. “Semina: AA Bronson speaks with Philip Aarons.” Dapper Dan, Athens, Issue 04, Autumn/Winter 2011. 30-33.
Bronson, AA. “Will you still need me, will you still feed me, when I’m sixty-four?”
Actors, Agents and Attendants. Caring Culture: Art, Architecture and the Politics of Public Health. Berlin and Amsterdam: Sternberg Press and SKOR | Foundation for Art and Public Domain, 2011. 219-231, 320.
Bronson, AA, and Peter Hobbs. Queer Spirits. New York: Creative Time; and Winnipeg: Plug In Editions, 2011.
Bronson, AA, and Vincent Simon. The Confessions of AA Bronson, with Vincent Simon. Paris: septembre editions, 2011.

Bronson, AA. “My Boyfriend’s Wardrobe.” Ilikemystyle quarterly #1, Hamburg, 2010. 52-53.

Bronson, AA. “Jan Tscchichold Award.” The Present Issue: The Most Beautiful Swiss Books. Zurich: Bundesamt fur Kultur, 2009.
Bronson, AA. “MICAH LEXIER: LE MAXI CHERI (Pardon my French).” Micah Lexier: I’m Thinking of a Number. Halifax: NSCAD University Press, 2009
Bronson, AA. “Ten Books I Like.” The Journal, New York, 2009.

Bronson, AA. “1976: Three Paragraphs on Sol LeWitt.” Sol LeWitt: 100 Views. North Adams: MASS MoCA, 2008.
Bronson, AA. “Burning Down the House.” Kinomuseum: Towards an Artists’ Cinema, International Short Film Festival Oberhausen, Oberhausen, 2008.
Bronson, AA. “Desiderata, New York City, 3.3.07.” Formulas for Now. London: Thames and Hudson, 2008. 32-33.
Bronson, AA. “Reading Gareth Long.” Gareth Long Second Third Fourth. Oakville: Oakville Galleries, 2008
Bronson, AA. “Walther Pfeiffer.” Walther Pfeiffer. Zurich: Steidl; Winterthur: Fotomuseum Winterthur, 2008.
Bronson, AA. “A Word of Caution.” Decentre. Toronto: YYZ Books, 2008. 35-37.

Bronson, AA. “Ceci n’est pas un livre d’artiste.” 4 EDITEURS/4 PUBLISHERS. Brussels: Mariemont Museum, 2007.
Futoshi Miyagi. New York: Daniel Reich Gallery, 2007.

Bronson, AA, and Don’t Rhine. “Is This Where We Should Begin?” Make Everything New: A Project on Communism. London: Book Works, 2006. 38-53.
Bronson, AA. “Robert Blanchon.” Modern Painters, London/New York, November, 2006.

Bronson, AA. “Either or, and but, enough already!” EN/OF 001-030. Frankfurt: Revolver, 2005.
Bronson, AA. “From Low to High and Back Again: Zen and the art of being in consumer culture”, Ryan McGinness. New York: Rizzoli International, 2005.
Bronson, AA. “I Have It Bad.” 5th Artistbook International, Paris, 2005.
Bronson, AA. “Publications: Manifestos of the Artist-Run Spaces.” Tiré a Part\Off Printing. Montreal: RCAAQ, 2005 .
Bronson, AA. “Terence Dearest.” Terence Koh: Gone, Yet Still. Vienna: Secession, 2005.
Bronson, AA. “Trade with Erik Hanson” and “Trade with Arne Svenson”, WC #1, White Columns, New York

Bronson, AA. “Documenta Sex.” The Next Documenta Should be Curated by an Artist. New York: E-flux, 2003.
Bronson, AA. “Copyright, Cash, and Crowd Control: Art and Economy in the Work of General Idea”, General Idea Editions 1969-1995. [exhibition catalogue] Mississauga: Blackwood Gallery, 2005.

Bronson, AA. “COPYRIGHT, CASH AND CROWD CONTROL: Art and economy in the work of General Idea.” Art & Economy. (exhibition catalogue) Hamburg: Hatje Cantz, 2002
Mirror Mirror. Cambridge, USA: MIT List Visual Arts Center, 2002.
“Top Ten”, Artforum, September, 2002

Bronson, AA. Negative Thoughts. Chicago: MCA Chicago, 2001
“The artist is the digital shaman in the virtual village”, newmuseum.org, New York, 2001.

AA Bronson. Vienna: Secession, 2000.

“Felix Partz, June 5, 1994”, Canadian Art, Toronto, Fall, 1999.

“Matthias Herrmann”, Matthias Herrmann: Text Pieces 1996-1998. Zurich: Edition Stemmle, 1998.

“Myth as Parasite/Image as Virus: General Idea’s Bookshelf 1967-1975,” The Search for the Spirit: General Idea 1968-1975. [exhibition catalogue] Toronto: Art Gallery of Ontario, 1997.

“Chrysanne Stathacos and Anne de Cybelle,” The Art-Journal. New York: Lombard/Freid Fine Arts, 1995. “Matthias Herrmann,” Matthias Herrmann. Bregenz: Magazin 4, 1995

“The Humiliation of the Bureaucrat.” From Sea to Shining Sea. Toronto: The Power Plant, 1987.

“Michelangelo Pistoletto: The Orchestra of Rags/Dennis Oppenheim: Launching Structure #2/Jannis Kounellis: Untitled Installation/Tom Dean: Excerpts from a Description of the Universe 2,” Canadian Art, Toronto, Summer, 1986.

“The Humiliation of the Bureaucrat: Artist-run Centres as Museums by Artists,” Museums by Artists. Toronto: Art Metropole, 1983.

“Automatons/Automorons,” Performance by Artists. Toronto: Art Metropole, 1979. “Of Frogs, Music, Words and Sound in Poetry,” The Globe and Mail, March 10, 1979.

“Pablum for the Pablum Eaters,” Video by Artists. Toronto: Art Metropole, 1976.

“Glamour,” FILE Megazine, Volume 3, No. 1, Fall, 1975. “Truth & Beauty,” FILE Megazine, Volume 3, No. 1, Fall, 1975.

“Pablum for the Pablum Eaters,” FILE Megazine, Volume 2, No. 1 & 2, April, May, 1973.

“Practising Non-artists,” FILE Megazine, Volume 1, No. 2 & 3, May-June, 1972.

Lena. [with Susan Harrison, revised] New York: Grove Press, 1971.

“Lists” (as Michael Tims), Is. Magazine Nine, Toronto, Fall, 1970.
Lena (cry). [with Susan Harrison] Wilmington: Taurus Publications, 1970.

Bronson, AA and Philip Aarons, eds. Queer Zines (revised edition). New York: Printed Matter, 2013.

Busby, Cathy. About Face: Portraits of Union Theological Seminary. New York: Institute for Art, religion, and Social Justice, 2012.

Auerbach, Tauba. [2,3]. New York: Printed Matter, 2011.
Hendricks, Jon, and Jean Toche. GAAG: Guerilla Art Action Group. [facsimile edition] New York: Printed Matter, Inc., 2011.

Obrist, Hans Ulrich, with Rirkrit Tirivanija and Joseph Grigely. It Has Only Just Begun. New York: Printed Matter, 2010.
Quispe, Carlo, Mike Diana, and Shane Uht. Uranus #1. New York: Printed Matter, 2010.

Bordowitz, Gregg.Volition. New York: Printed Matter, 2009.
Treleaven, Scott. Cimitero Monumentale. New York: Printed Matter, Inc., 2009.

Auerbach, Lisa Anne. Charted Patterns for Sweaters that Talk Back. New York: Printed Matter, Inc., 2008.
Beronio, Charles. Dark Prospects. New York: Printed Matter, Inc., 2008.
Fierce Pussy. Fierce Pussy. New York: Printed Matter, Inc., 2008.
Smith, Josh. The Signing. New York: Printed Matter, 2008.
Bronson, AA and Philip Aarons, eds. Queer Zines. New York: Printed Matter, 2008.
Rosler, Martha. A Trilogy on Colonization. [facsimile edition] New York: Printed Matter, 2008.
Sullivan, Derek. Permanent Huts. New York: Printed Matter, 2008.
Beck, Kim. A Field Guide to Weeds. New York: Printed Matter, Inc., 2008.
Keegan, Matt. Americamerica. New York: Printed Matter, Inc., 2008.

Temporary Services. Group Work. New York: Printed Matter, 2007.
Koh, Terence. In the Forest of the Milky Ways, There Lies my Nose. New York: Printed Matter, Inc., 2007.
Mir, Aleksandra. LA: A Geography of Modern Art. New York: Printed Matter, Inc., 2007.

Terence Koh, Such Things I Do to Make Myself More Attractive to You, Printed Matter, New York.
Treleaven, Scott. The Salivation Army Black Book. New York: Printed Matter, 2006.

Brooks Takahashi, Ginger, and K8 Hardy, Ulrike Müller, Emily Roysdon, and Lanka Tattersall, eds. LTTR No. 4. New York: Printed Matter, Inc., 2005.
Shecter, Adam. Like Ghosts. New York: Printed Matter, Inc., 2005.

Guerrilla Girls. The Guerrilla Girls Art Museum Activity Book. New York: Printed Matter, Inc., 2004.

Bronson, AA and Matthias Herrmann. June 21, 2000. From the Little Cockroach Press series (#18, June 2000). Toronto: Art Metropole, 2000.
Macdonald, Marie-Paule. Rockspaces. Toronto: Art Metropole, 2000.
Montano, Linda M. The Wisdom of Mataji & Bapuji. From the Little Cockroach Press series (#16, February 2000). Toronto: Art Metropole, 2000.

Waters, John. 12 Assholes and a Dirty Foot. From the Little Cockroach Press series (#13, April 1999). Toronto: Art Metropole, 1999.

Jaar, Alfredo. August 29, 1994. From the Little Cockroach Press series (#6, September 1997). Toronto: Art Metropole, 1997.

Douglas, Stan. Television Talk. From the Little Cockroach Press series (#1, April 1996). Toronto: Art Metropole, 1996.
Herrmann, Matthias. Magazine. From the Little Cockroach Press series (#2, November 1996). Toronto: Art Metropole, 1996.

N. E. Thing Co. Ltd. / Iain and Ingrid Baxter. Media Works. Catalogue raisonné. Introduction by AA Bronson. Toronto: Art Metropole; Windsor: Iain Baxter, 1992.

Wall, Jeff. Dan Graham’s Kammerspiel. Toronto: Art Metropole, 1991.
Weiner, Lawrence. Learn to Read Art. Edition of 12. Toronto: Art
Metropole; New York: Printed Matter, 1991.

FILE Megazine (no. 29, 1989). Toronto: Art Official Inc., 1989.

Gagnon, Jean. Pornography in the Urban World. Toronto: Art Metropole, 1988.

FILE Megazine (no. 27, spring 1987). Toronto: Art Official Inc., 1987.
FILE Megazine (no. 28, 1987). Toronto: Art Official Inc., 1987.
From Sea to Shining Sea,. Toronto: Power Plant, 1987.
Fulton, Hamish. Ajawaan. Toronto: Art Metropole, 1987.
Nannucci, Maurizio. L. H. Lives Here. Toronto: Art Metropole; Aachen: Ottenhausen Verlag, 1987.
Paterson, Andrew J. The Disposables. Toronto: Art Metropole, 1987.

FILE Megazine (no. 25, 1986). “Sex, Drugs, Rock ‘n’ Roll and Art & Text Issue.” Toronto: Art Official Inc.; Sydney: Art & Text, 1986.
FILE Megazine (no. 26, Xmas 1986). Toronto: Art Official Inc., 1986.

Fones, Robert. Field Identification. Toronto: Art Metropole, 1985.
FILE Megazine (vol. 6, no. 3, 1985). Toronto: Art Official Inc., 1985.

Evidence of the Avant Garde Since 1957: Selected works from the collection of Art Metropole including audio tapes, records, videotapes, film, multiples, kitsch, manuscripts, stamps, buttons, flyers, posters, correspondence, catalogues, porn, t-shirts, postcards, drawings, poems, mailers, books, photographs and ephemera. Toronto: Art Metropole, 1984.
FILE Megazine (vol. 6, no. 1 & 2, 1984), “General Idea’s 1984 and the 1968-1984 FILE Retrospective Issue.” Toronto: Art Official Inc.; Vancouver: Vancouver Art Gallery, 1984.
Wilson, Ian. Section 34, 2nd Set, 1983. Toronto: Art Metropole and David Bellman, 1984.

Museums by Artists. [with Peggy Gale] Toronto: Art Metropole, 1983.
FILE Megazine (vol. 5, no. 4, 1983), “Special General Idea Issue – Mondo Cane Kama Sutra.” Toronto: Art Official Inc., 1983.

FILE Megazine (vol. 5, no. 3, spring 1982). Toronto: Art Official Inc., 1982.
Haacke, Hans. Der Pralinenmeister. Toronto: Art Metropole, 1982.

FILE Megazine (vol. 5, no. 1, March 1981). Toronto: Art Official Inc., 1981
FILE Megazine (vol. 5, no. 2, fall 1981). Toronto: Art Official Inc., 1981.

FILE Megazine (vol. 4, no. 4, fall 1980). Toronto: Art Official Inc., 1980.

Bronson, AA and Peggy Gale, eds. Performance by Artists. Toronto: Art Metropole, 1979.
Campbell, Colin. Modern Love. Toronto: Art Metropole; Los Angeles: Foundation for Art Resources Inc., 1979.
General Idea. Bound to Please: FILE Megazine 1972-1975. Edition of 30. Contains the first 7 issues of FILE Megazine. Toronto: Art Official Inc., 1979.
General Idea, ed. FILE Megazine (vol. 4, no. 2, fall 1979). Toronto: Art Official Inc., 1979.

Campbell, Colin. The Woman From Malibu. Toronto: Art Metropole, 1978.
FILE Megazine (vol. 4, no. 1, summer 1978). Toronto: Art Official Inc., 1978.
General Idea. General Idea: Menage a Trois. Toronto: Art Metropole, 1978.
Steele, Lisa. The Ballad of Dan Peoples. Toronto: Art Metropole, 1978.
Werden, Rodney. Pauli Schell. Toronto: Art Metropole, 1978.

FILE Megazine (vol. 3, no. 3, spring 1977). Toronto: Art Official Inc., 1977.
FILE Megazine (vol. 3, no. 4, fall 1977). Toronto: Art Official Inc., 1977.
Sherman, Tom. Three Death Stories. Toronto: Art Metropole, 1977.

FILE Megazine (vol. 3, no. 2, spring 1976). Toronto: Art Official Inc., 1976.

FILE Megazine (vol. 3, no. 1, autumn 1975). Toronto: Art Official Inc., 1975.

FILE Megazine (vol. 2, no. 5, February 1974). Toronto: Art Official Inc., 1974.

FILE Megazine (vol. 2, no. 1 & 2, May 1973). Toronto: Art Official Inc., 1973.
FILE Megazine (vol. 2, no. 3, September 1973). Toronto: Art Official Inc., 1973.
FILE Megazine (vol. 2, no. 4, December 1973). Toronto: Art Official Inc., 1973.

FILE Megazine (vol. 1, no. 1, 15 April 1972), Toronto: Art Official Inc., 1972.
FILE Megazine (vol. 1, no. 2 & 3, May/June 1972). Toronto: Art Official Inc., 1972.
FILE Megazine (vol. 1, no. 4, December 1972), ” Toronto: Art Official Inc., 1972.

Snore Comix #3. Toronto: Coach House Press, 1970.

The Magazine. (with Clive Robertson) Winnipeg, 1969.

Loving Couch Press (various issues), Winnipeg, 1967-68.

(not including exhibitions of General Idea or AA Bronson)

Salzburger Kunstverein, Salzburg / Graz Kunstverein, Graz

Queer Zines, Los Angeles Museum of Contemporary Art, LA Art Book Fair, Los Angeles

The Temptation of AA Bronson, Witte de With, Rotterdam

AA Bronson and Bradford Kessler Present TRISKAIDEKAPHOBIA, Parade Ground, New York

Queer Cinema from the Collection: Today and Yesterday, Museum of Modern Art, New York

Queer Zines, Office for Contemporary Art, Oslo
Artists’ Fanzines (with Lionel Bovier), Art Basel, Basel

Learn to Read Art, Badischer Kunstverein, Karlsruhe; and P.S.1, New York
Learn to Read Art [small version], Museo de Arte Cotemporáneo de Castilla y León, Léon, Spain
Comics by Artists (with Lionel Bovier), Art Basel, Basel
Social Justice, Institute for Art, Religion and Social Justice, New York
Critical Art Ensemble. Printed Matter, Inc., New York
Nieves: An Exhibition, Printed Matter, Inc., New York

More Collections of Barbara Bloom, Printed Matter, Inc., New York
Learn to Read Art, Artspeak, Vancouver
Queer Zines (with Philip Aarons), NY Art Book Fair, New York
Lisa Anne Auerbach: If Nothing Changes It Changes Nothing, Printed Matter, New York
Fierce Pussy, Printed Matter, New York
Magazines by Artists (with Lionel Bovier), Art Basel, Basel
Compassion, Institute for Art, Religion, and Social Justice, New York

Aleksandra Mir: A Retrospective of Printed Matter, Printed Matter, Inc., New York
Micah Lexier at Printed Matter, Inc., Printed Matter, New York
Refocus, Re-title, Release: the Books of Martin Kippenberger (with Phillip Aarons), NY Art Book Fair, New York
Sex Work: The Museum as Brothel; Art House as Porn House, Oberhausen Short Film Festival, Oberhausen
Temporary Services: Group Work, Printed Matter, Inc. New York

Conceptual Comics (with Max Schumann), Walter Phillips Gallery, Banff
I WILL NOT MAKE ANY MORE BORING ART: Lithographs, Publications and Ephemera from the Nova Scotia College of Art & Design, Printed Matter, New York
30 YEARS: PRINTED MATTER EDITIONS 1976-2006, Printed Matter, New York
Money for Food Press: Books since 1977. Printed Matter, Inc., New York

EN/OF: Collaborations between Artists and Musicians, Printed Matter, Inc., New York
Justin Lowe. [site-specific installation] Printed Matter Inc., New York

EN/OF: Collaborations between Artists and Musicians, Art Metropole, Toronto

Billboards by Artists: Alan Belcher, Alfredo Jaar, Mariko Mori, Steve Reinke, Art Metropole, Toronto

Feeling Good about Myself: Tom Dean and Matthias Herrmann, Art Metropole, Toronto

The Intermedia Society, Art Metropole, Toronto

N.E. Thing Co. Ltd. Media Works, Art Metropole, Toronto

Learn To Read Art: An Exhibition of Artists’ Books and Multiples From The Permanent Collection of Art Metropole, Art Basel, Basel

From Sea to Shining Sea, Power Plant, Toronto

Evidence of the Avant Garde Since 1957: Selected Works from the collection of Art Metropole, Art Metropole, Toronto

The Multiples of Joseph Beuys, A Space, Toronto

AA BRONSON’S HOUSE OF SHAME, Patrick Frey, Zurich, 2021

A Public Apology to Siksika Nation, Mitchell Innes & Nash, New York, 2020

Blanc, septembre éditions, Paris, France

Queer Zines, Vol. 2, Philip Aarons and AA Bronson, Printed Matter Inc., Witte de With, New York, Rotterdam

Queer Zines, Vol.1, Philip Aarons and AA Bronson, Printed Matter Inc., Witte de With, New York, Rotterdam

Queer Spirits, AA Bronson and Peter Hobbs, Plug-In, Creative Time Books, JRP|Ringier,New York, Winnipeg, Zurich

Magic Forest, Limited Edition Artist’s Book

AA Bronson’s Gayhouse, Septembre Éditions, Paris

AA BRONSON: Life and Works, MFC – Michele Didier, Brussels

Tick Tock, Brooklyn Museum, New York

Felix, June 5th, 1994, Ikon Gallery, Birmingham and Art Metropole, Toronto

The Quick & The Dead, The Power Plant, Toronto

Mirror Mirror, MIT List Visual Arts Centre, Cambridge

Negative Thoughts, Chicago: Museum of Contemporary Art, Chicago

Little Cockroach Press 18, AA Bronson and Matthias Herrmann, Little Cockroach Press, Toronto

(C) denotes catalogue.

Hsu, Hua, American Counterculture, Glimpsed Through Zines, newyorker.com, 14 February 2024

Mitchell, Bellamy, If Not Now, When?: AA Bronson and Adrian Stimson, bombmagazine.org, 5 October 2023

Wong, Eric, Voortbordurend op General Idea in Stedelijk Museum Amsterdam – over marge, mainstream, dood en troost, Mister Motley, June 26, 2023

Vicente, Álex, La carga viral de General Idea, El País, 6 June 2023

Headland, Gracie, General Idea, Flash Art, no 343, vol 56, Summer 2023Nut te Zien!, “General Idea”, npostart.nl, 28 May 2023

De Wolf, Joke, Beeldvirus in rood, groen en blauw, De Groene Amsterdammer, no 21, 24 May 2023

Burke, Emily, The Generosity of General Idea, Elephant, 17 May 2023

Tozzi, Carla, Exhibitions not to be missed now and this summer, domusweb.it, 14 May 2023

Earnest, Jarrett, Art Is a Drug, The New York Review of Books, 11 May 2023

Wesseling, Janneke, Canadees trio General Idea speelde een indrukwekkend satirisch spel met de kunstwereld, nrc.nl, 4 May 2023

Thaddeus-Johns, Josie, How Artist Collective General Idea Made the Art World Pay Attention to the AIDS Crisis, artsy.net, 12 April 2023

Keijer, Kees, Collectief General Idea in Stedelijk Museum: Het was ook pijnlijk om aan deze show te werken, Het Parool, 5 April 2023

Davies, Jon, The Word Made Flesh: On John Bentley Mays’s “Miracles of Emanuel Jaques”, RACAR, no 1, vol 48, Spring 2023

Conley, Christine, General Idea, RACAR, no 1, vol 48, Spring 2023

Adler, Dan, General Idea, National Gallery of Canada, artforum.com, 2 January 2023

–––, 17 Art Exhibitions Worth Travelling for in Europe This Year, From a Blowout Survey of Yayoi Kusama’s Inflatables to the Largest Showcase of Vermeer’s Work Yet, news.artnet.com, 2 January 2023

Deveau, Adrian, A Story of a Lost Life: Absence and Longing in HIV/AIDS Photographs, Langford, Martha and Eduardo Ralickas, eds, The Archive, Montreal: Artexte, 2023, pp. 63-75

Scheppe, Wolfgang, ed, Paul Jaray – Die Vernunft der Stromlinie, Berlin: Kunsthaus Dahlem, 2023

Comer, Stuart and Michelle Kuo, eds. Signals: How Video Transformed the World, New York: Museum of Modern Art, 2023

Adler, Dan, General Idea, Artforum, vol 61, no 5, January 2023

Oakes, Julie, Engaging Art With Life: General Idea at the National Gallery of Canada, Vie des Arts, no 269, Winter 2023

Robinson, Paul Carter and Faith, Sara, Alt Power 100 Artlyst 2022 – History Has Its Eyes on You, artlyst.com, 29 December 2022
Yin Zhang, Lisa, Top 10 Shows from Across the World in 2022, frieze.com, 20 December 2022
A. Ramírez, Juan, AA Bronson’s Lifetime of Gay Joy and Provocation, nytimes.com, 28 October 2022
Gilman, Claire, Ecce Homo: The Drawings of General Idea, MAMCO Journal, No. 10, Geneva, Switzerland, 2022, pp. 20-25
–––, What to See Across the Americas in September, frieze.com, 16 September 2022
–––, Hyperallergic Fall 2022 New York Art Guide, hyperallergic.com, 31 August 2022
K. Lau, Charlene, The Irreverent Advocacy of General Idea, frieze.com, 23 August 2022
Conrad, Ryan, Art, AIDS & AA Bronson, catie.ca, 12 July 2022. In print: The Positive Side, Summer 2022
Scott, Melanie, How Legendary Art Group General Idea Predicted Meme and Tiktok Culture, artnews.com, 11 June 2022
Fisher, Alice, June design news: edible sticky tape and celebrating Virgil Abloh, theguardian.com, 29 June 2022
Lloyd, Joe, AA Bronson – interview: ‘Suddenly, we were artists’, studiointernational.com, 27 June 2022
Power, Tom, AA Bronson reflects on General Idea’s legacy of artistic troublemaking, cbc.ca, 27 June 2022
——, General Idea's AA Bronson on Q: A visual companion guide, cbc.ca, 27 June 2022
Perry, Barlo, General Idea – National Gallery of Canada, paris-la.com, 27 June 2022
Taylor, Kate, Retrospective of Toronto’s General Idea at the National Gallery of Canada shows art collective retains power after 30 years, theglobeandmail.com, 24 June 2022
Loiseau, Benoît, AA Bronson on the radical, enduring legacy of General Idea, wallpaper.com, 18 June 2022
Dorris, Jesse, Revisiting the Legacy of the Preeminent Queer Art-World Agitators, surfacemag.com, 9 June 2022
Thompson, Nicole, Queer collective General Idea's AIDS project on display at the National Gallery, mountainviewtoday.ca, 8 June 2022
Tuck, Andrew; Bronson, AA, General rules, The Monocle Minute, monocle.com, 4 June 2022
——, General Idea Get Retrospective At National Gallery Canada, artlyst.com, 2 June 2022
Taylor, Kate, A primer on Toronto’s General Idea, Canada’s most radical art collective, theglobeandmail.com, 1 June 2022
Lorimer, Brandon, General Idea retrospective opening at National Gallery of Canada, art-critique.com, 23 May 2022
Lowe, Melanie, Oakville Galleries presents Two Truths and a Lie, oakvillenews.org, 2 February 2022
Bartlett, Neil, Rituals in an Emergency, Catching Feelings: Neil Bartlett on AA Bronson's lessons from catastrophe and grief, Issue 224, January/February 2022, p.26
Westall, Mark, Cork Street Attack Grey Organisation, fadmagazine.com, 5 January 2022
——, Virales Bild, Monopol Magazine, January 2022, pp.12-13
——, What ArtReview Editors Are Looking Forward to in January 2022, artreview.com, 11 January 2022

Fairley, Gina, ICYMI: the week’s arts news, artshub.com.au, 10 December 2021
Brier, Jennifer, Wizinsky, Matthew, The battle against AIDS was waged on the streets, xtramagazine.com, 1 December 2021
Lloyd-Smith, Harriet, Image as virus’: World AIDS Day 2021 marked with powerful new public film, wallpaper.com, 1 December 2021
–––, Circa and AA Bronson Debut a New Film to Mark World Aids Day, anothermag.com, 1 December 2021
–––, Circa is broadcasting a ‘viral’ activist film to commemorate World AIDS Day, dazeddigital.com, 1 December 2021
Westall, Mark, Four galleries team up to debut monumental AIDS work by General Idea at Art Basel Unlimited, fadmagazine.com, 17 September 2021
Greco, Vanessa, Why Berlin is an alluring home for Canadian artists, cbc.ca, 13 August 2021
Allen, Dan, LGBTQ art shows are lighting up museums from Boston to Berlin, nbcnews.com, 10 July 2021
Heinrich, Will and Schwendener, Martha, Frieze New York, First Live Art Fair in a Year, Kicks Off at the Shed, nytimes.com, 6 May 2021
Sutton, Benjamin, The 10 Best Booths at Frieze New York 2021, artsy.net, 6 May 2021
Bronson, AA, Cherix, Christophe, and Lax, Thomas J., When the Magic Bullets Fall: AA Bronson on General Idea’s Installation at MoMA, moma.org, 14 April 2021
Hosein, Lise, The past year has been a time of loss. What can art show us about processing grief?, cbc.ca, 31 March 2021
–––, INTERNATIONAL DAWN CHORUS DAY Premiers April 29, broadwayworld.com, 29 March 2021
Richman, Jordan, Art Club 2000: The Collective Who Presaged Today’s Cultural Wasteland, highsnobriety.com, 20 March 2021
Krause, Bettina, Zoo Magazine, No. 70, Spring Issue 2021, pp.178-181
Persson, Thomas, Acne Paper, Acne Studios, 2021, pp. 306-309

Brain, Eric, HIV Awareness Charity Positive East Enlists 14 Artists To Explore Activism Within Visual Arts, hypebeast.com, 1 December 2020
Brown, Kate, Immersive Art Experiences Used to Be the Wave of the Future. But Can They Outlast the Coronavirus Pandemic?, news.artnet.com, 22 July 2020
Fraley, Jason, Hirshhorn hosts speaker series ‘Talking to Our Time.’ reopens Sculpture Garden, wtop.com, 12 August 2020
Johnson, Dominic, Going Viral: AA Bronson interviewed by Dominic Johnson, Art Monthly, May 2020, pp.1–5
Hore-Thorburne, Isabelle, Berghain's new exhibit is the most instagrammable show you'll never see on IG, in: highsnobiety.com, 11 September 2020
Mitchell, Rory, Maureen Paley: A Trailblazing Gallerist, ocula.com, 19 June 2020
Lacalamita, Andrea Rose, Can You Apologize to an Entire Indigenous Nation?, hyperallergic.com, 22 October 2020
Renzetti, Elizabeth, ‘The city gives you the time to find inspiration’: Why Canadian artists are flourishing in Berlin, 19 March 2020
Trebing, Saskia, Corona pandemic and AIDS crisis, “Again, poor people will suffer the most”, monopol-magazin.de, 23 February 2020
–––, AA Bronson reflects, ago.ca, 16 June 2020
–––, Berghain’s new exhibit is the most instagrammable show you’ll never see on IG, highsnobriety.com, 10 September 2020
–––, Berlin: still a magnet for artists?, theartnewspaper.com, 11 September 2020
–––, Enter The Void: Berghain As Art Gallery, thequietus.com, 18 September 2020
–––, Office People: AA Bronson, Artist, Office Magazine, Issue 12, Spring/Summer 2020
–––, Purple #34 The Love Issue, Purple Magazine, 2020
–––, When AA Bronson approached the Siksika people, Blackfoot artist Adrian Stimson decided to listen, cbc.ca, 23 September 2020
–––, Wear the art—charity t-shirt pieces by Wolfgang Tillmans, Linder and Sunil Gupta go on sale for £30, theartnewspaper.com, 30 October 2020

Balzer, David, The First Toronto Biennial Mines the History of the City’s Shoreline, frieze.com, 11 October 2019
Brady, Anna, Something in the stars? Art world goes spiritual, theartnewspaper.com, 4 October 2019
Carey-Kent, Paul, Climate Change in Retrospect, fadmagazine.com, 9 October 2019
Dunn, Frankie, This Japanese magazine celebrates creative collaborators, rockstar couples and ex-yakuza love stories, i-d.vice.com, 10 July 2019
Duron, Maximiliano, Here’s the Artist List for the First Toronto Biennial, artnews.com, 20 June 2019
Heather, Rosemary, Beyond apologies: two artists set a table for reconciliation, nowtoronto.com, 25 September 2019.
Kawashima, Takuhito (Ed.), Partners #2, Communication, Little Table, artist AA Bronson & architect Mark Jan Krayenhoff van de Leur, pp. 1, 18-29.
Martin, Ashley, Superscreen at the MacKenzie Art Gallery explores Prairies counterculture history, thewhig.com,
8 March 2018
Messerli, Douglas, David Kinloch’s Poetry Explores Scottish and Biblical Lore, hyperallergic.com, 30 June 2019.
Ortega, Daniela, Art Basel Miami Beach ‘Conversations’ Returns December 5th with the Art Fair, miamibeachtimes.com, 2 December 2019
Reizman, Renée, Inaugural Toronto Biennial Focuses on Climate While Dismantling Eurocentric Ideas, hyperallergic.com, 22 October 2019
Taylor, Kate, How the Toronto Biennial of Art will stand out in a crowded landscape, theglobeandmail.com, 17 September 2019
Taylor, Kate, ‘I have no apology for genocide’: Artist AA Bronson reckons with his family’s history in latest work, theglobeandmail.com, 30 September 2019
Taylor, Kate, Toronto Biennial is bringing the world to Toronto and Toronto to the world, theglobeandmail.com, 22 September 2019
–––, Toronto Biennial Of Art Announces Featured Artists For Inaugural Event, broadwayworld.com. 21 June 2019
–––, The best weekend events in Toronto: September 20-22, nowtoronto.com, 19 September 2019
–––, What to Expect at Art Basel’s 2019 Conversations, edgeonthenet.com, 13 November 2019

Black, Ezrha Jean, Over the Rainbow, artillerymag.com, 13 July 2017.
Kinloch, David, In Search of Dustie-Fute, Carcanet Press, 2017, pp. 40-45.
Loiseau, Benoit, get your tarot cards read over skype at this year’s frieze, i-d.vice.com, 5 May 2017.
Fialho, Alex, Resistance Is Fertile, artforum.com, 1 March 2017.
Viveros-Fauné, Christian, Museo Jumex Surveys ‘Fake News’ Pioneers General Idea, artnet.com, 3 February 2017.
–––, Artlyst Chooses Ten Of The Best From Frieze London 2017, artlyst.com, 5 October 2017.

Batycka, Dorian, AA Bronson Reflects on Rochdale College, His Family’s Colonial History, and General Idea, hyperallergic.com 27 November 2018.
Blatton, Phoebe, The Lowdown: shows to see during Gallery Weekend Berlin, ocula.com, 20 April 2018.
Carrigan, Margaret, Juliet Helmke and Guelda Voien, The 51 Artists, Curators, Directors and Dealers Changing the Art World in 2018, observer.com, 9 May 2018.
Goldstein, Caroline, This Independence Day, See How 15 Artists Have Reinterpreted the American Flag Throughout History, Artnet, 04 July 2018.
Blatton, Phoebe, The Lowdown: shows to see during Gallery Weekend Berlin, ocula.com, 20 April 2018.
De Wachter, Ellen Mara, AA Bronson + General Idea: Creativity as Viral Transmission, www.frieze.com, 30 October 2018
Lebar, Nar Teki, 5 Shows in October, www.exhibitionary.com, 26 October 2018
Michalska, Julia, In pictures: AA Bronson selects his favourite works at Art Basel, theartnewspaper.com, 15 April 2018.
Michalska, Julia, Laurie Rojas, Art fest: Gallery Weekend Berlin takes over the city, theartnewspaper.com, 29 April 2018.
Morley, Madeleine, Print Matters: AA Bronson, Elephant, Summer 2018. pp. 156-167
Spencer, Laura, Lawrence’s Spencer Museum Of Art Defends Freedom Of Expression, Continues To Display Flag, kbia.org, 13 July 2018.
–––, Miss Read: The Berlin Art Book Festival, eflux.com, 29 April 2018
–––, 'AA Bronson + GENERAL IDEA’ at Maureen Paley, artnews.com, 1 November 2018
–––, The World of Apartamento: Ten Years of everyday life interiors, Apartamento, 2018

Krishtalka, Sholem, Time To Start My Day, OSMOS, Issue 10, Fall 2016, pp.56-63.
Paul Carey-Kent, What To Look For At Frieze, 7 October 2016, paulsartworld.blogspot.co.uk
Bullock, Michael, AA Bronson – In Berlin, Apartmento Magazine, October 2015, pp. 250-262.
Hettie, Judah, Noodle-throwing, street-sweeping, shamanic healing: it’s all happening in the name of art, theguardian.com, 5 April 2016.

Bullock, Michael, AA Bronson - In Berlin, Apartmento Magazine, October 2015, pp. 250-262
Coomer, Martin, Seeing Red, Time Out, 5-11 May 2015, pp.74-75
Dama, Francesco, The Hex, buttmagazine.com, 22 April 2015
Dama, Francesco, US History, Queer Life, and Witchcraft: How AA Bronson, Somehow, Comes Together, hyperallergic.com, 4 May 2015
Goldberg, Keren, London Round-up: Maureen Paley, Art Monthly, June 2015, p. 387
Hay, Sarah, step into the world of cosmic queer artist aa bronson, i-d.vice.com, 2 February 2015
Ignatius, Linus, Berlin Art Link Studio Visit: AA Bronson, berlinartlink.com, 20 January 2015
Nakiska, Tempe, AA Bronson's mega magic, hero-magazine.com, 29 April 2015
Oliver, William, AA Bronson on the Importance of Storytelling, anothermag.com, 20 April 2015
–––, AA Bronson “AA Bronson’s Garden of Earthly Delights” Exhibition at Salzburger Kunstverein, Salzburg, purple.fr, 27 October 2015
–––, Opening this week, AA Bronson: Hexenmeister, Time Out, 14-20 April 2015, p. 78
–––, Must See London, artforum.com, 24 April 2015
–––, News: Hexenmeister, becauselondon.com, 24 April 2015
–––, 2015 Fall Art Preview: The 25 Shows Around Europe Everyone Should See, news.artnet.com, 11 September 2015

Denson, G. Roger, Day without Art: Looking Back 25 Years, huffingtonpost.com, 1 December 2014
–––, The Temptation of AA Bronson receives the AICA Award 2014, wdw.com, 10 October 2014
Oikonomopoulos, Vassilis, An Ecology of Affect and Desire: AA Bronson’s ‘House of Shame’, hyperallergic.com, 7 November 2014

Defne Ayas, “AA Bronson”, Modern Weekly, China, 2013 Fall Winter Men’s Issue.
Jan Kedves, “Home and Away”, frieze (d/e), Berlin, September-October 2013.
“In Conversation: AA Bronson”, Sleek, Berlin, Summer 2013.

Philip Monk, Glamour is Theft: A User’s Guide to General Idea: 1969-1978, The Art Gallery of York University, Toronto, 2012.
Cosmic Laughter No. 1, Berlin: Sternberg Press, 2012. 28-29.
Vassiliou, Yianni. “The Artist AA Bronson in conversation with Pirates, Indians, Shamans, Nazis, Demons and Joseph Beuys.” Dapper Dan, Athens, Issue 05, 2012.
Molesworth, Helen. This Will Have Been: Art, Love, & Politics in the 1980s, Museum of Contemporary Art Chicago / Yale University Press, Chicago / New Haven, 2012.
Print/Out, New York: Museum of Modern Art, 2012. 127, 219.
Naulls, Kevin. “25 Most Stylish.” Toronto Life Stylebook, Toronto, Fall/Winter 2012. 87.
“Menage à Trois.” Anal Magazine, Mexico City, 2012. 24-31.

Abeltshauser, Thomas. “Mit Whiskey, Butt- Plugs und Hahnenfedern.” monopol-magazin.de, October 2011
Adams, James. “Canadian artist wants work back after D.C. gallery pulls video from gay exhibit.” lostinhistory.tumblr.com, 14 January 2011
Alexandre De Looz, Pierre. “Asked & Answered AA Bronson of General Idea.”, tmagazine.blogs.nytimes.com, 14 October 2011
Aubart, Francois. “General Idea.” Flash Art, Milan, April 2011, p. 98
Beauvallet, Eve. “General Idea: La Classe Canadienne.” vogue.fr, 2011
Becourt, Julian. “Plus d’Art.” Chronic’art, April 01, 2011, p. 81
Benhamou, Eric. “Une Certaine idée de l’art et de la societé.” La Tribune, Paris, March 03, 2011, p. 27
Bohnacker, Siobhan. “AA Bronson in Conversation.”, dossierjournal.com, November 2011
de Bourbon Parme, Aude. “General idea: L’ Esprit Contestataire Des Annees 1970-1980.” Art Actuel, March 03, 2011, pp. 103-105
Bronson, AA. “Statements: AA Bronson on General Idea.” Artforum, New York, Feburary 2011, pp. 159-161
Bronson, AA and Peter Hobbs. Queer Spirits. New York/Winnipeg: Creative Time and Plug In Editions, 2011
Broqua, Cecile and Cyril Verges, “ Tritherapie de Group.” 02, April 2011, p. 65
Burleley, Isabella. 2011. “ Haute Culture: General Idea.”, .i-donline.com
“Caniche, glamour et subversion.” Technikart, April 2011, p. 115
Casadio, Mariuccia. “Premiato AA Bronson.” Vogue Italy, Milan, February 24, 2011
Domino, Christophe. “ Un Glamour Critque.” Le Journal Des Arts, March 04 2011, p. 13
“Du reve a la realite.” Vivre Paris, December 01, 2011, pp. 100-101
Eccher, Danilo, ed. EROI. Turin: Allemandi & C., 2011
Edmonson,Tess. “General Idea: AA Bronson Talks Haute Culture.”, canadianart.ca, 28 July 2011
“entrevista AA Bronson.” L+arte, Lisbon, 2011
Fensom, Michael. “Interview AA Bronson.” Working Class, New York, Winter 2011, pp. 46-47
Fetis, Laurent. “AA Bronson General Idea.” Clark Magazine, Paris, January 01, 2011, pp. 107-115
General Idea. [monograph] Zurich/Paris: JRP/Ringier, 2011
“General Idea: A Major Retrospective,” Art Matters, Toronto, Vol. 19, No. 2, 2011, pp. 10-11
“General Idea’s AA Bronson Receives French knighthood.”, artlyst.com, 21 February 2011
Genies, Bernard. “Chercheurs de realite.”Le Nouvel Obs Tele, March 03, 2011, p. 20
Gilmor, Alison. “Eleanor Bond, AA Bronson, Shezad Dawood, Adrian Stimson, and Lori Blondeau.” Bordercrossings No. 17, Winnipeg, 2011, pp. 73-74
Hide/Seek: Difference and Desire in American Portraiture. [exhibition catalogue] Washington: Smithsonian Books, Washington, D.C., 2011
Ippolito, Enrico. “Versuchen Sie doch mal, im Restaurant über das Arschloch zu redden.” Taz: die Tagezeitung, Berlin, 29/30 October, 2011, pp. 26-27
Kenig, Ariel. “Culture General.” Art Programme, 1 March, 2011, p. 16
Kowalinksi, Michael, “ Art Talks AA Bronson.”, anothermag.com, 2 February 2011
Lacasse, Marie-Eve. “Le Bon Art,” Le Bonbon, February 2011, pp. 12-15
Lefort, Gerard. “General Idea, la grande vadrouille.” Libération. 22 March 2011, pp. 32-33
Lequex, Emmanuelle. “General Idea, ‘art delicat de l’infiltration’.”Le Monde, Paris, 17 February 2011, p. 23
“The Look Book.” New York, 30 May 2011, p. 45
Lorent, Claude. “Subvertir l’art et le social.” La Libre Belgique, 28 February 2011, pp. 44-45
Maselli, Giovanna.“ L’arte di stampare sullacarta (e alter felici intuizioni).” Studio, March 2011, pp. 60-63
Moisdon, Stephanie. “Quand l’art avait du chien.” Beaux Arts, Paris, 1 February 2011, pp. 78-85
Monk, Philip. “Some Like It Haute.” C Magazine, Toronto, Winter 2011, pp. 10-15
Moore, Timothy. “The Coming of Age: AA Bronson interviewed by Timothy Moore.” Volume, Amsterdam, Archis No. 27, 2011, pp. 24-27
Moulene, Claire. “Menage a Trois.” Les Inrockuptibles, 2 March 2011, pp. 132-133.
Neyrat, Frédéric. “Coalitions: Points de vue sur le monde.” Multitudes, Les Lilas, No. 45, 2011, pp. 64-71, 222
Oddos, Valerie. 2011. “ Le collectif General Idea au Musee d’art modern.”, culture.france2.fr, p. 2
d’Olivier, Cena. “ La Marque du pluriel.” Telerama_Chronique, 9 March 2011, p. 49
Perra, Daniele. “Il Trio di canadesi che invento gli anni 80.” GQ, Italy, February 2011, p. 188
Picard, Gregory. 2011. “General Idea: culture hautemement actuelle”, lepost.fr
Quaintance, Morgan. “ General Idea: Haute Culture.” Art Monthly, April 2011, p. 345
Ramade, Benedicte. “Good Idea!” L’Oeil, Paris, 1 February 2011, pp. 64-71
Reddy, Sameer. 2011. “ Behind the Seen: AA Bronson.”, wmagazine.com, 7 December 2011
Reneau, Olivier, “General Idea Contre-Attaque.” L’Optimum, February 01, 2011, pp. 36-37
Rigollet, Catherine. “General Idea. Retrospective, 1969 – 1994.” lagoradesarts.fr
Rosenberg, Karen. “A Haunting Tour, One Room at a Time.” The New York Times, New York, 20 January 2011, C31
Saltz, Jerry. “ Up Close and Personal.” New York Magazine, New York, 21 January 2011
Sienske, Michael. “AA Bronson and Peter Hobbs, On Butt Plugs, Magic.” artinamericamagazine.com, 23 March 2011
Snowden, Snowden. “BZZZ BZZZ BZZZ: AA Bronson over General Idea.” Metropolis M, Amsterdam, No. 1, 2011, pp. 30-39
Sonna, Birgit. “AA Bronson.”, art-magazin.de, 11 November 2011
Stolberg, Sheryl Gay. “Wounded in Crossfire of a Capital Culture War.” The New York Times, New York, 30 March 2011, AR1
Tarka, Sissu. “Artist at Work: AA Bronson.” afterall.org, February 2011
Tarka, Sissu. “Interview with AA Bronson.” artschooluk.org, 2011
Teets, Jennifer. “Ever-Changing Zeitgeist.” Spike, Vienna, April 2011
Trembley, Nicolas. “Get the Idea.” Artforum.com, 2011
Troncy, Eric. “aux origins de General Idea.” art press, Paris, 1 February 2011, pp. 48-53
Vartanian, Hrag “ Paris Gets the General Idea”, hyperallergic.com, 11 March 2011
Watson, Steven. “ In Memory of Their Feelings.” Artforum, New York, January 2011

“AA Bronson & Daniel Pinchbeck: Bringers of the Dawn.” Another Man, London, Issue 11, 2010, pp. 144-149
“AA Bronson: the underground nyc legend talks to re-bel.” Rebel, London, issue two, 2010
Bordowitz, Gregg. General Idea: Imagevirus, London: Afterall Books, 2010
Detterer, Gabriele. “Multiperspektivische ‘Handlungsfelder’.” Neue Zuricher Zeitung, Zurich, 12 June 2010
Documentary Protocols (1967-1975). [exhibition catalog] Montreal: Leonard and Bina Ellen Art Gallery, 2010
The Donovan Collection. Toronto: University of St. Michael’s College, 2010. 116, inside back cover
Gopnik, Blake. “Artist asks to withdraw work from ‘Hide/Seek’ exhibit to protest video removal.” voices.washingtonpost.com, 16 December 2010
Kennicott, Philip, “ Commentary: After removing video from ….” The Washington Post, 23 December 2010
Love’s Body: art in the age of AIDS, Tokyo: Tokyo Metropolitan Museum of Photography, 2010
Seconde Main. [exhibition catalogue] Paris: Musée d’art moderne de la ville de Paris, 2010
Sirin, Dincer. “The Saint of Contemporary Art.” XOXO The Mag, Istanbul, 2010, pp. 44-55

Berührungs-punkte/correspondences. Zurich: Edition Fink, 2009.
Bronson, AA. “Jan Tscchichold Award.” The Present Issue: The Most Beautiful Swiss Books. Zurich: Bundesamt für Kultur, 2009.
Darkside II. [exhibition catalog] Winterthur: Fotomuseum Winterthur, 2009. 74-75.
A Guide to This World Nearer Ones. New York: Creative Time Books, 2009. 44-45.
“In Conversation: AA Bronson/Cyril Duval.” AnOtherMan, London, Issue 9, Autumn/Winter 2009. 250-253.
Lam, Steven, and Virginia Solomon. Tainted Love. New York: Visual AIDS, 2009.
Ligon, Glenn. “To Miss New Orleans.” Artforum, New York, January 2009.
Madesclaire, Tim. “Was General Idea Gay Enough?” La Revue Monstre, Paris, Numéro 1, December 2009. 8-41.
Monk, Philip. “Fun with Mythmaking.” Canadian Art, Toronto, Winter 2009. 94-97.
Ruhé, Harry. hidden delights. Amsterdam: Galerie A, 2009.
Suleman, Anaya. “The feathers are a reference….” Acne Paper 09/10, Paris, 2009.
Watson, Grant. The Search for the Spirit, All That Is Solid Melts Into Air. MuHKA, Antwerp, 2009. 216-246.
Wolin, Joseph R. “Ekphrasis: Sztuka Slowa.” SMC/CAC Interviu, Wilno, Poland, No. 13-14, 2009. 60-64.
Zahm, Olivier, and Dash Snow. “AA Bronson.” Purple Fashion Magazine #11, Paris, Summer Spring 2009. 156-163.

Bronson, AA. “Artist’s Favourites.” Spike Art Quarterly, Vienna, Summer 2008. 18-20.
Bronson, AA. “Burning Down the House” & ”Documenta Sex.” Kinomusum: Towards an Artists’ Cinema. Cologne: Verlag der Buchhandlung Walther Koenig, 2008. 71-84.
Bronson, AA. “Desiderata, New York City, 3.3.07.” Formulas for Now. London: Thames and Hudson, 2008. 32-33.
Bronson, AA. “Reading Garth Long.” Gareth Long Second Third Fourth, Oakville Galleries, Oakville, 2008. 50-67.
Bronson, AA. “A Word of Caution.” Decentre. Toronto: YYZ Books, 2008. 35-37.
Carlin, T. J. “AA Bronson’s School for Young Shamans.” Time Out, New York, January 31, 2008. 62.
Cotter, Holland. “AA Bronson’s School for Young Shamans.” The New York Times, New York, January 18, 2008. E27.
Fitzpatrick, Andrea D. “The Life in Death of Photography: A Portrait by AA Bronson and Jorge Zontal.” BlackFlash, Saskatoon, Vol. 26. #1, 2008. 7-16.
Foster, Hal. “Forms of Resistance.” Artforum, New York, January 2008. 272-273.
Jacobs, Luis. “From Stream to Golden Stream.” Switch 1.1, Winter 2008-2009, Toronto. 32-35.
Municipal de Futbol. Los Angeles: Textfield, 2008.
Obrist, Hans Ulrich. “General Idea.” Uovo 17, Turin, April-June 2008. 196-220.
Revues d’artistes. Une selection. Fougères, Rennes, Paris: Association Arcade, Lendroit Galerie, Éditions Provisoires, 2008. 17, 80, 82-85, 92-95, 114.
They Shoot Homos Don’t They? Melbourne, Issue 005, August 2008. 100-101.
“Unter Viren: File Megazine.” spex, Berlin, May/June, 2008. 132-135.

Bronson, AA. “Ceci n’est pas un livre d’artiste.” 4 Editeurs / 4 Publishers.Brussels: Musée Royal de Mariemont, 2007. 11-14.
Bronson, AA. “Sex Work: The Museum as Brothel; Art House as Porn House.” Oberhausen: 53. Internationale Kurzfilmtage Oberhausen, 2007. 103-107.
Bryant, Eric. “Creates Well with Others.” ARTnews, New York, September 2007. 126-127.
Cole, Janis. “A Sleepless Night of Art.” POV 65, Toronto, Spring 2007. 32-33.
Decter, Joshua. “Infect the Public Domain with an Imagevirus: General Idea’s AIDS Project.” Afterall, London, Number 15, 2007. 96-105.
“El contra arte de General Idea.” El Pais, Madrid, January 28, 2007. 40.
Fonds régional d’art contemporain Limousin. Limoges:Frac Limousin, 2007. 104-105.
Kunstlerplakate, Pfaffikon/Cologne: Seedamm Kulturzentrum/Kathe Kollwitz Museum. 232-233.
Lidinsky, Richard. “AA Bronson: Poodles & Koh.” Daddy Number 1, Los Angeles, 2007. 58-61, 88-91.
Madame La Baronne était plutot maniérée, assez rococo et totalement baroque. Montreuil: édition Maison Populaire, Centre d’art Mira Phalaina, 2007.
Mays, John. “Letter from Toronto.” Canadian Art, Toronto, Winter 2007. 76-79.
O’Brian, John, and Peter White, eds. Beyond Wilderness: The Group of Seven, Canadian Identity, and Contemporary Art. Montreal: McGill Queens University Press, 2007.
O’Neil, Paul. “Group Practice.” Art Monthly, London, March 2007. 7-10.
Scenes and Sequences, Peter Blum Edition, New York. Aarau: Aargauer Kunsthaus, 2007. 98-101.
Trebay, Guy. “Gay Art: A Movement, Or at Least A Moment.” The New York Times, New York, Sunday, May 6, 2007. Section 9, 1-2.
Trembley, Nicholas. “L’exorciste”, Numéro, Paris, #84, 2007.
Untitled Magazine, New York: Feature Gallery, 2007.

Analogue. Preston: University of Central Lancashire, 2006.
Art Now: 2007 Taschen Calendar. Cologne: Taschen, 2006.
Bronson, AA. “Robert Blanchon.” Modern Painters, London/New York, November, 2006.
Bronson, AA, and Don’t Rhine. “Is This Where We Should Begin?” Make Everything New: A Project on Communism. London: Book Works, 2006. 38-53.
Cheetham, Mark A. Abstract Art Against Autonomy: Infection, Resistance, and Cure Since the 60s. New York: Cambridge University Press, 2006.
Henry, Victoria, ed. Art at Work / L’Art au travail. Ottawa: Goose Lane Editions and Canada Council for the Arts, 2006. 86, 87, 94, 95.
Leisure: an art journal #0, Los Angeles, 2006. 6.
Lovely Daze Issue 3: When I am alone, everything is so surreal, New York, 2006. 4-9.
Release. Zurich: JRP | Ringier, 2006. 43.
Sack, Adriano. “A Long and Winding Road: AA Bronson.” Sleek, Berlin, Issue 11, 2006. 54-65.
Six feet Under. [exhibition catalog] Bern: Kunstmuseum Bern, 2006.
Sound and Vision. Montreal: Montreal Museum of Fine Arts, 2006.
Strong, Lestor. “Then and Now”, a&u, New York, Issue 135, January 2006. 25-26.

At the Mercy of Others. [exhibition catalogue] New York: Whitney Museum of American Art, 2005.
Auricchio, Laura. “New York.” Art Papers, New York, May/June 2005. 48-49.
Bronson, AA. “I have it bad.” 5th Artistbook International, Paris, 2005.
Bronson, AA. “Publications: Manifestos of the Artist-run Centres.” Tiré a Part \ Off Printing. Montreal: RCAAQ, 2005. 11-23.
Bronson, AA. “Trade with Erik Hanson” and “Trade with Arne Svenson.” WC #1, White Columns, New York.
Cheetham, Mark A. “Matting the Monochrome: Malevich, Klein, and Now.” Art Journal, New York, Winter 2005. 94-109.
Collective Creativity/Kollective Kreativitat. [exhibition catalogue] Kassel: Kunsthalle Fridericianum, 2005.
Cotter, Holland. “Trade.” The New York Times, February 23, 2005.
Expérience de la durée: Biennale de Lyon 2005. Paris: Paris Musées, 2005. 142-145.
Frank, Peter. “The Dish: Art.” Angeleno, Los Angeles, 2005.
Gallo, Peter. “The Enduring Ephemera of General Idea.” Art in America, New York, March 2005. 80-83.
Kelley, Mike. Interviews, Conversations, and Chit-chat (1986-2004). Zurich/Dijon: JRP/Ringier and Les Presses du réeal, 2005. 240-251.
Miller, Earl. “FILE Under Anarchy.” C Magazine, Toronto, Issue 88, Winter 2005. 30-35.
Pagel, David. “The message is back—this time with tales to tell.” Los Angeles Times, Los Angeles, March 30, 2005.
Renard, Emelie. “Une Avalanche de Crème Chantilly du Canada.” 02 Revue d’art contemporain, spring 2005. 26-27
Renaud, Jean-François. Beyond redemption: Gay Erotic Art. Vancouver: Belkin Satellite, 2005.
Robinson, Andrew. “The Way Art Should Work.” Gay City, New York, 10-16 March 2005.

“AA Bronson.” Self Service, Paris, Fall & Winter 2004. 331-332.
After Images. [exhibition catalogue] Bremen: Neues Museum Weserburg Bremen, 2004.
Ammirati, Domenick. “AA Bronson.” Artforum, New York, September 2004. 271.
“Art of War.” Poz, New York, May 2004. 69.
Bronson, AA. “AA Bronson: Excerpts from NEST.” [artist’s project] BorderCrossings, Winnipeg, Issue No. 89. 63-65.
Bronson, AA. “War is Over.” [artist’s project] This is the Salivation Army, Toronto, Issue X, 2004.
Dempsey, Shawna. Live in the Centre [exhibition catalogue] Winnipeg: Winnipeg Art Gallery, 2004.
Enright, Robert. “Particularizing Some General Idea.” BorderCrossings, Winnipeg, Issue No. 89. 28-44.
Harwood, Andrew. “Transcendental Kiss.” Xtra West, Vancouver, July 22, 2004. 54.
Lau, Yam. “AA Bronson: The Quick and the Dead.” Parachute, Montreal, No.115, 2004.
Laurence, Robin. “Death and Rebirth Meet Disco Mirrors.” The Georgia Straight, Vancouver, July 15, 2004.
les 20 ans du CIAC : 1984 – 2004. Montreal: CIAC, 2004. 30.
McLaughlin, Gord. “From art to death to life.” Eye Weekly, Toronto, February 5, 2004.
Michael Petry, Hidden Histories, Artmedia Press, London, 2004.
Michael Turner, “Solo show asks viewer to look for its artist”, The Vancouver Sun, Vancouver, July 24, 2004.
Milroy, Sarah. “Taking the Road less Travelled.” The Globe and Mail, Toronto, May 1, 2004.
Praxis. “Conversation avec AA Bronson.” Esse, Montreal, No. 51, 2004.
Rossel, Cris. “Arts Section, featuring A.A. Bronson.” Gargoyle, Toronto, Vol. 48, Issue 8, 2004.
Scanlan, Joe. “DIY.” Artforum, New York, February 2004. 133-139.
“Untitled (Self-portrait) by AA Bronson.” The Village Voice, New York, April 28- May 4, 2004.
“What the World Needs Now….” frieze, London, Issue 87, November-December 2004. 76-89.
Zielinski, Ger. “General Idea:Editions 1967-1995.” Parachute, Montreal, #113 (January, February, March 2004). 114.

AA Bronson. [exhibition catalogue] Birmingham: IKON Gallery, 2003.
AA Bronson: The Quick and the Dead. [exhibition catalogue] Toronto: The Power Plant, 2003.
AIDS RIOT: Artist Collectives against AIDS, New York, 1987-1994. Grenoble: Magasin, 2003.
Berry, Ian. Nayland Blake: Some Kind of Love. [exhibition catalogue] Saratoga Springs: The Tang Teaching Museum and Art Gallery, Skidmore College, 2003.
“Bursting Life.” Xtra!, Toronto, December 11, 2003
Carr, C. “A World of Their Own: General Idea Made Art from Culture’s Forgotten Shell.” Village Voice, June 18-24, 2003.
Collison, Robert. “Art’s healing Power.” National Post, Toronto, December 20, 2003.
Cotter, Holland. “By and About Men, and They’re Running With It.” New York Times, New York, August 8, 2003.
Cousineau-Levine, Penny. Faking Death: Canadian Art Photography and the Canadian Imagination. Montreal: McGill-Queen’s University Press, 2003.
Freedman, Adele. “BZZZ BZZZ BZZZ.” Elm Street: The Look, Toronto, Spring 2003.
Goddard, Peter. “at the Power Plant.” The Toronto Star, December 20, 2003.
Goddard, Peter. “The General Idea assimilated.” Toronto Star, Toronto, January 26, 2003. D11.
Golonu, Berin. “Sited on Paper: A Defining View of Artist’s Publications.” Sight Lines: Thesis Projects 2003. San Francisco: CCAC, 2003.
Greco, Michael. “General Idea Editions 1967-1995.” Lola 16, Toronto, Summer 2003.
Heartney, Eleanor. “Is the Body More Beautiful When It’s Dead?” New York Times, June 1, 2003.
Heartney, Eleanor. “Images of death: pushing the boundaries.” International Herald Tribune, June 4, 2003.
Herman, Nicholas. “Home Boutique: Interview with AA Bronson.” ante, Vol. 1, No. 2, New Haven, May 2003.
Jonquet, François. “Arriere-train d’avant-garde.” Nova Magazine, Paris, November 2003.
Joos, Jean-Ernest. “Being One Among Others: The Uniqueness of the Artist in the Face of Anonymity.” Parachute 109, Montreal, Canada, 2003.
“Jorge Zontal, Felix Partz and AA Bronson.” a&u, Albany, February 2003.
The Magnetic Era: Video Art in the Netherlands 1970 – 1985. Rotterdam: Nai Publishers, 2003
Milroy, Sarah. “The Enigma that was General Idea.” Globe & Mail, Toronto, February 14, 2003.
Milroy, Sarah. “Reflections of a survivor.” The Globe and Mail, Toronto, December 29, 2003.
Osborne, Catherine. “Method in his Madness.” National Post, Toronto, December 20, 2003.
Pandemic: Facing AIDS. New York: Umbrage Editions and Moxie Firecracker Films, 2003.
Phillips, Tony. “Tick Tick Boom.” Gay City News, New York, January 3-9, 2003.
Strong, Lester. “Hanging in There.” a&u, Issue 106, August 2003.
von Bennekom, Joop. “AA Bronson Canadian Artist from New York Gives Great Butt Massage to Butt Reporter.” Butt, Summer, 2003.
Wells, Craig. “Three or More.” Hamilton Magazine, Hamilton, Winter 2003.

10 Jahre. Kraichtal: Ursula Blickle Stiftung, 2002.
Art & Economy. [exhibition catalogue] Hamburg: Hatje Cantz, Hamburg, 2002.
Bonnet, Frédéric. “Mademoiselle General Idea.” Vogue, Paris, No. 830, September, 2002.
Bronson, AA. Tick-Tock. New York: self-published, 2002.
“Build Your Dream House.” Xtra!, Toronto, January 24, 2002.
Cabello, Helena, and Ana Carceller. “En las distancias cortas. Anotaciones sobre la creacion artistica en colaboracion.” Exit 7, Madrid, 2002.
Conlogue, Ray. “Bronson, Gagnon among G-G winners.” The Globe and Mail, Toronto, March 13, 2002.
Cotter, Holland. “AA Bronson: Tick-Tock.” The New York Times, New York, December 13, 2002.
Cotter, Holland. “Depicting Spiritual America, From Ecstatic to Transcendent.” The New York Times, New York, Friday, March 8, 2002.
Diedrichsen, Diedrich. “Glad Rag.” Artforum, New York, April, 2002.
Elias, Dan. “Rediscovering the Value of Art.” artsMedia, Boston, March 15-April 15, 2002.
Ferber, Lawrence. “Ultimate aesthete.” New York Blade, New York, April 5, 2002.
Flores, Andrea E. “Holding a Mirror to Human Tragedy.” The Harvard Crimson, Cambridge, February 15, 2002.
Golden Streams. [exhibition catalogue] Mississauga: Blackwood Gallery, University of Toronto, 2002.
Hill, Shawn. “The look of AIDS.” Bay Windows, Boston, March 14, 2002.
Hopkins, Randi. “Moving Pictures: AA Bronson’s body and soul.” The Boston Phoenix, Boston, 2/28/2002.
Herrmann, Matthias. “AA Bronson.” Camera Austria, #80, 2002.
Lebovici, Elisabeth. “Trente ans de détournements.” Libération, Paris, 13 September, 2002.
McQuaid, Cate. “A brazen ‘Mirror’ reflects our mortality.” The Boston Globe, Boston, 2/22/2002.
Mirror Mirror. [exhibition catalogue] Cambridge: MIT List Visual Arts Center, 2002.
“Pasta Paintings: Méchants plateaux-repas.” Nova Magazine, Paris, September, 2002.
Public Affairs. [exhibition catalogue] Zurich: Kunsthaus Zurich, 2002.
Rapture: Art’s Seduction by Fashion. [exhibition catalogue] London: Thames & Hudson, 2002.
Sherman, Mary. “MIT show ‘Mirrors’ artist’s meditative journey.” Boston Sunday Herald, February 17, 2002.
Stoffman, Judy. “Canadian Artist Honoured.” The Toronto Star, January 3, 2002.
Thomas, Catherine, ed. The Edge of Everything. Banff: Banff Centre Press, 2002.
Tragatschnig, Ulrich. “Angst.” Camera Austria, #77, 2002.
Whitney Biennial 2002. [exhibition catalogue] New York: Whitney Museum of American Art, 2002.

Bronson, AA. Negative Thoughts. Chicago: Museum of Contemporary Art, 2001.
Buchhart, Dieter. “AA Bronson.” Kunstforum, Bd. 153, Januar-Marz 2001.
Cheetham, Mark A. Kant, Art, and Art History. Cambridge: Cambridge University Press, 2001.
Dault, Gary Michael. “General Idea at Susan Hobbs.” The Globe and Mail, Toronto, Saturday, February 3, 2001.
“The Death of Irony.” BorderCrossings, Issue No. 77, 2001.
Domains.” The Toronto Star, Toronto, February 10, 2001.
Extra Art: A Survey of Artists’ Ephemera, 1960-1999. [exhibition catalogue] San Francisco/Santa Monica: CCAC/Smart Art Press, 2001.
F®ICCIONES. [exhibition catalogue] Madrid: Museo Nacional Centro de Arte Reina Sofia, 2001.
Glusker, Anne. “Collective Memory.” Elle, New York, January 2001.
Gordon, Daphne. “The Copyright Marks The Border Between The Public And Private
Hannon, Gerald. “Negative Thoughts.” Canadian Art, Toronto, Fall 2001.
Herrmann, Matthias, ed. Angst. [exhibition catalogue] Kraichtal: Ursula Blickle Stiftung, 2001.
“Idée fétiche.” Libération, Paris, December 18, 2001.
Mays, John. “A Tale of Two Friends.” National Post, Toronto, April 4, 2001.
Obejas, Achy. “Piercing Negative Thoughts.” The Chicago Tribune, April 23, 2001.
“Out 100.” Out, New York, December 2001.
Princenthal, Nancy. “Artist’s Book Beat.” Art on Paper, July-August 2001.
Rooks, Michael. “Letting Go of General Idea.” Dialogue, Chicago, January/February 2001.
Rosenfeld, Kathryn. “Triple Self-Portrait Minus Two.” New Art Examiner, Chicago, July- August, 2001.
Shewey, Don. “Good Grief.” The Advocate, February 13, 2001.
Taylor, Kate. “Why Gallery-going is an art form.” The Globe & Mail, July 26, 2001.
Televisions. [exhibition catalogue] Vienna: Kunsthalle Wien, 2001.

AA Bronson. [exhibition catalogue] Vienna: Vienna Secession, 2000.
“Augen der Seele.” Neue Wochenschau, Vienna, November 1, 2000.
Baker, Steve. The Postmodern Animal. London: Reaktion Books, 2000.
Horny, Henriette. “Bilder über Lieber.” Kurier, Vienna, October 5, 2000.
Krumpl, Doris. “Der Abschied als Neubeginn.” Der Standard, Vienna, October 21, 2000.
Let’s Entertain: Life’s Guilty Pleasures [exhibition catalogue] Minneapolis: Walker Art Center, 2000.
MacDonald, Anne, ed. Artspace was a Place in Time. San Francisco: Artspace Books, 2000.
Magnetic North [exhibition catalogue] Minneapolis/Winnipeg: Walker Art Center/Video Pool, 2000.
Martinez, Christina Sofia. “Marques déposées. General Idea, la critique de l’art et de la propriété intellectuelle.” Les Cahiers du Musée national d’art moderne, Centre Georges Pompidou, Paris, Hiver 1999-2000.
Martinez, Christina Sofia. “Marques déposées. General Idea, la critique de l’art et de la propriété intellectuelle.” Les Cahiers du Musée national d’art moderne, Centre Georges Pompidou, Paris, Hiver 1999-2000.
Mayer, Antje. “Alptraum: AA Bronson erinnert an Jorge und Felix.” Kunstzeitung, November 2000.
Papararo, Jenifer. “Back in Five Minutes: Here comes Success with AA Bronson.” Lola 7, Fall 2000.
Re-Play [exhibition catalogue] Vienna: Generali Foundation, 2000.
Rian, Jeff. “Purple Special: General Idea, A Visual History.” purple, Paris, Number 5, Summer ‘00.
Schor, Gabriele. “Dort, wo das Leben endet.” Neue Züricher Zeitung, Zurich, October 30, 2000.
Tout le Temps/Every Time [exhibition catalogue] Montreal: La Biennale de Montréal, CIAC, 2000.

Bronson, AA. “Afterthought.” Canadian Art, Toronto, Summer, 1999.
Exley, Roy. “General Idea.” Parachute, Montreal, Issue 93, January-March 1999.
Kelley, Mike. “Geheimgeschichten: Interviews mit Mary Woronov, Sebastian, Pamela des Barres, AA Bronson.” Texte zur Kunst, Cologne, Heft 35, September 1999.
Lee, Pamela M. “Freiwillige Musealisierung”, Texte zur Kunst, Cologne, Heft 34, June 1999.
Mark, Lisa Gabrielle. “General Idea”, Poliester, Col. Condesa, Vol. 8, #26, fall 1999.
Murray, Joan. Canadian Art in the Twentieth Century. Toronto: Dundurn Press, 1999.
The Museum as Muse. [exhibition catalogue] New York: The Museum of Modern Art, 1999.
Nasgaard, Roald. “The Museum as Muse Amused.” Canadian Art, Toronto, Summer, 1999.
Riemschneider, Burkhard, and Uta Grosenick, eds. Art at the Turn of the Millennium. Cologne: Benedikt Taschen Verlag GMBH, 1999.
Wege, Astrid. “In der Glaskugel.” Texte zur Kunst, Heft 34, June 1999. 157-162.

AIDS Worlds: Between Resignation and Hope. [exhibition catalogue] Berne: Sida Info Doc Suisse, Berne, 1998.
Cook, Sian. “Infiltrate, infect and mutate.” eye, London, Vol.8, winter 1988.
Ellis, Michael. “General Idea.” Art Monthly, London, July-August 19.98
General Idea [exhibition catalogue] London: Camden Arts Centre, 1998.
Kent, Sarah. “General Idea.” Time Out, London, June 24-July 1, 1998.
McMahon, Hannah. “General Idea.” Northern Exposure Magazine, July 1, 1998.
Monk, Philip. “Picturing the Toronto Art Community: The Queen Street Years.” C Magazine, Issue #59, Toronto, Sept – Nov 1998.
Taylor, Deanne. “Wild Wild West.” Toronto Life, Toronto, September 1998.
Viau, René. “FILE LIFE: General Idea.” Blocnotes, Issue #15, Paris, summer 1998.

Adams, Kathleen Pirrie. “Exploding Possibilities.” XTRA! (No. 341), Toronto, November 20, 1997.
General Idea. [exhibition catalogue] Chicago: Arts Club of Chicago, 1997.
Green, Charles. “General Idea.” World Art Number 14, Victoria, Australia, 1997.
Hume, Christopher. “When Toronto got the General Idea.” The Toronto Star, Toronto, October 18, 1997.
Mark, Lisa Gabrielle. “Letter from Toronto.” C Magazine, Issue #56, Toronto, November 1997.
Mays, John Bentley. “A General Idea whose time has come.” The Globe and Mail, Toronto, 1997.
Rococo Tattoo. [exhibition catalogue] Toronto: Power Plant, 1997.
The Search for the Spirit: General Idea 1968-1975. [exhibition catalogue] Toronto: Art Gallery of Ontario, 1997.

Ardene, Paul. Art, l’Age Contemporain. Paris: Editions du Regard, 1996.
“Art of Dogs.” Brutus, Tokyo, March 1, 1996.
Bridger, Steve. “Virus at the VAG.” Angles, Vancouver, July 1996.
Gale, Peggy, and Lisa Steele, eds. Video re/View. Toronto: Art Metropole and V tape, 1996. 14, 119, 403-10.
Immen, Wallace. “AIDS hope tempered with caution.” The Globe and Mail, Toronto, July 4, 1996. A8.
Insite, Toronto, (Vol. V, no. 3), March 1996 (cover and table of contents).
Laurence, Robin. “A Ghostly Space for Grieving.” Georgia Straight, Vancouver, July 4-11, 1996.
Le Thorel-Daviot, Pascale. Petit Dictionnaire des artistes contemporains. Paris: Bordas, 1996.
McLeod, Donald W. Lesbian and Gay Liberation in Canada. Toronto: ECW/Homewood Books, 1996.
Ord, Douglas. “An Archeology of Desires.” BorderCrossings, Winnipeg, summer, 1996.
Perucchi-Petri, Ursula. Künstler-Videos. [exhibition catalogue] Zurich: Kunsthaus Zurich, 1996.
ReGROUPING: A Living Legacy. [exhibition catalogue in video format] Kleinburg: McMichael Collection, 1996.
Ross, Christine. Images de surface. L’art vidéo reconsidéré. Montreal: Editions Artextes, 1996.
Roy, Charles. Living & Serving: Persons with HIV in the Canadian AIDS Movement. Ottawa: Canadian AIDS Society, 1996
Sava, Sharla. “As If the Oceans Were Lemonade: The Performance Vision of Robert Filliou and the Western Front.” Vancouver: Master’s thesis, University of British Columbia, 1996.
Scott, Michael. “AIDS is the General Idea.” The Weekend Sun, Vancouver, June 1, 1996.
Smith, Roberta. “Savoring a Medium Whose Bite Has Grown With Time.” The New York Times, New York, June 24, 1996.
Tone, Lilian. “General Idea/Projects 56.” [exhibition brochure] New York: Museum of Modern Art, November 28, 1996-January 7, 1997.
Trescher, Stephan. General Idea. Die Kanadische Künstlergruppe. [monograph] Nürnberg: Verlag für Moderne Kunst, 1996
Wye, Deborah. Thinking Print: Books to Billboards, 1980-95. [exhibition catalogue] New York: The Museum of Modern Art, 1996.
Wye, Deborah. Thinking Print: Books to Billboards, 1980-95. [exhibition newsprint pamphlet] New York: The Museum of Modern Art, 1996.
Sava, Sharla. “As If the Oceans Were Lemonade: The Performance Vision of Robert Filliou and the Western Front.” Vancouver: Master’s thesis, University of British Columbia, 1996.

AIGA Journal of Graphic Design, Vol. 12, #4, New York, 1995. 53 and back cover.
Aquin, Stephane. “Etats generaux.” Voir, Montreal, September 7, 1995.
Blake, Nayland, and Lawrence Rinder. In a Different Light: Visual Culture, Sexual Identity, Queer Practice, San Francisco: City Lights, San Francisco, 1995.
Cheetham, Mark. “The Sublime is Again (Now).” C Magazine, Toronto, winter, 1995.
Collison, Robert. “Party of Three.” Saturday Night, September 1995. 85-90.
Couelle, Jennifer. “Les traces d’une complicite tenace.” Le Devoir, Montreal, September 9 & 10, 1995.
Duncan, Ann. “Farewell to a Notion.” The Gazette, Montreal, September 16, 1995.
Fulford, Robert. “A shining example of propaganda art.” The Globe & Mail, Toronto, April 26, 1995.
Gale, Gale. Videotexts. Toronto: The Power Plant, 1995.
Hanna, Deidre. “General Idea’s fab last stand mocks Modernism.” Now, Toronto, June 8-14, 1995.
Hannon, Gerald. “General Idea.” Canadian Art, Toronto, Volume 12, Number 3. 93.
Indiana, Gary. “from LOVE to AIDS: the Death and Life of General Idea.” Village Voice, New York, December 5, 1995.
Laurence, Robin. “Ironic and anarchic – get the General Idea?” The Sun, Vancouver, April 1, 1995.
Mays, John Bentley. “End of an era for Canadian art’s big Idea.” The Globe & Mail, Toronto, June 24, 1995.
Nannucci,Maurizio. Bookmakers. Saint-Yrieix-la-Perche: Pays-Paysage, 1995.
Russell, Bruce. “Bronson, AA.” Allgemeines Künstler-Lexikon: Die Bildenden Künstler aller Zeiten und Völker. Munich and Leipzig: K.G. Saur, 1995 (vol. 14).
Sheehan, Nik. “The infectious glamour of General Idea.” Xtra!, Toronto, June 9, 1995.
Trescher, Stephan. “General Idea: Alles in der Schwebe halten.” Jahrbuch ‘95. Institut für moderne Kunst Nürnberg, Nürnberg, 1995.
Vanel, Hervé. “ONU soit qui mal y pense!” Beaux Arts, Paris, September, 1995.
von Furstenberg, Adelina, ed. Dialogues of Peace. [exhibition catalogue] Geneva: Palais des Nations, 1995.

Ballantyne, Robert. Glamour, Pageantry and Knives: Gay Identity in FILE Megazine. Vancouver: Master’s thesis, University of British Columbia, 1994
Bradley, Jessica, and Lesley Johnstone, eds. Sightlines: Reading Contemporary Canadian Art. Montreal: Artextes editions, 1994. 10, 14, 125-26, 277-78, 282.
Dault, Michael Gary. Canadian Art, Toronto, spring 1994. back page.
Dorsey, John. “Body and Soul.” The Baltimore Sun, Baltimore, June 19, 1994. 10H.
Gale, Peggy. Showcards, General Idea. Ottawa: Canadian Museum of Contemporary Photography, 1994.
“Imagevirus (Times Square).” Canadian Art, Toronto, fall 1994. 15.
Jaarverslag 1994: World Wide Video Centre. The Hague: World Wide Video Centre, 1994.
Lesezimmer II [exhibition catalogue] Stuttgart: Künstlerhaus Stuttgart, 1994.
Mays, John Bentley. “A high loss of poetry, wisdom.” The Globe and Mail, Toronto, June 11, 1994. C11.
Mays, John Bentley. “General Idea’s brilliant trinity diminished by Zontal’s death.” The Globe and Mail, Toronto, February 5, 1994. C13.
Meneguzzo, Marco. “Tre cuccioli di foca per «General Idea».” L’Avvenire, Milan, February 26, 1994.
Trescher, Stephan. “General Idea: INFE©TED.” Kunstforum, Cologne, November/ December 1994. 413-414.

Baker, Kenneth. “Art and AIDS – a Fine Line.” San Francisco Chronicle, July 22, 1993. D1, D3.
Buchanan, Hamish. “Get the Idea?” Xtra!, Toronto, March 5, 1993. 13.
Daneen, Janice. “The Toronto Arts Awards: Felix Partz, AA Bronson, Jorge Zontal / General Idea / Lifetime Achievement.” The Toronto Star, Toronto, September 9, 1993. E3.
Friedman, Roberto. “Happy ‘Fin de siècle’.” Bay Area Reporter: Arts & Entertainment, July 29, 1993, Volume XXIII, No. 30. 37, 44.
General Idea: Multiples – Catalogue Raisonné, Multiples and Prints 1967-1993. Toronto: S.L. Simpson Gallery, 1993.
Jones, Gareth. “Real Life in Maracaibo.” publicsfear, New York, 1993. 4-10.
McGrath, Jerry. “General Idea.” C Magazine, Toronto, summer 1993. 44-45.
Parreno, Philipe. “General Idea.” Documents, Paris, October 1993. 21-26.
Riley, Bob. “Approaching the Fin de siècle with General Idea.” 1993 At the Modern, July/August, San Francisco Museum of Modern Art, San Francisco, 1993. 2.
Roche, Harry. “Infectious Appeal.” San Francisco Sentinel: The Other Side, August 11, 1993, Volume 21, Number 32. Cover, 31.
Smolik, Noemi. “General Idea’s Fin de siècle.” Canadian Art, Toronto, spring 1993. 67-68.
Taylor, Kate. “Peeking behind the façade that is General Idea.” The Globe & Mail, Toronto, March 6, 1993. C10.
Wallace, Keith, ed. Whispered Art History: Twenty Years at the Western Front. Vancouver: Western Front, 1993.

Becker, Jochen. “General Idea’s »Fin de siècle«.” Kunstforum, Cologne, November/December 1992. 362-363.
Foss, Paul. “General Idea: Fin de siècle.” Art + Text, Paddington, Australia, September 1992. 30-35.
Forstbauer, Nikolai B. “General Idea: Fin de siècle.” Zyma, Stuttgart, September/October 1992. 4-11.
General Idea: El Dorado (Maracaibo) [exhibition catalogue] Madrid: Galeria Fucares, 1992.
General Idea’s Fin de Siècle. [exhibition catalogue] Stuttgart: Württembergischer Kunstverein; Hamburg: Kunstverein in Hamburg; and Toronto: The Power Plant, 1992.
General Idea’s PHARMA©OPIA [exhibition catalogue] Barcelona: Centre d’Art Santa Mònica, 1992.
Hübl, Michael. “Spurenelement.” Kunstforum, Cologne, November/December 1992. 97-107.
Koether, Jutta. “Exit Art.” Artscribe, London, March 1992. 78-79.
Messler, Norbert. “General Idea, Daniel Buchholz.” Artforum, New York, February 1992. 131.
Nesbitt, Lois. “General Idea, Stux Gallery.” Artforum, New York, September 1992. 98-99.
Princenthal, Nancy. “What’s Love Got To Do With It?: General Idea’s AIDS Project.” Public Art Issues, Vol. 1, No. 1, 1992. 8-11.
Roulette, Todd. “Ideal Generals.” QW, New York, May 17, 1992. 38-39.
Rudakoff, Judith, ed. Dangerous Traditions: Theatre Passe Muraille Anthology. Winnipeg: Blizzard Publishing, 1992.
Sans, Jérôme. “General Idea, Gallery Montenay, Paris.” Forum International, September/October 1992. 95.
Southgate, MD, M. Therese. “The Cover.” The Journal of the American Medical Association, Chicago, July 22/29, 1992. Cover, 455.
Vander Spek, Corneil. “General Idea, S. L. Simpson Gallery.” C Magazine, Toronto, winter 1992. 43-44.
Wallace, Keith. “On the Set at Babyland.” Hand of the Spirit. Vancouver: University of British Columbia Fine Arts Gallery, 1992. 29-47.
Watson, Scott. “Hand of the Spirit: Documents of the Seventies from the Morris/Trasov Archive.” Hand of the Spirit. Vancouver: University of British Columbia Fine Arts Gallery, 1992. 5-28
Whitesell, Jr., Richard D. “General Idea, Stux.” Flash Art, Milan, October 1992. 98-99.
Wijers, Louwrien. “Placebo als statement.” Het Financieele Dagblad, May 9-11, 1992. 12.

Bianchi, Paolo. “General Idea: Kunstlergruppen.” Kunstforum, Cologne, November-December 1991. 250-255.
Bianchi, Paolo. “Neubegegnung Mit General Idea.” Artis, Zurich, June 1991. Cover, 18-23.
Boigon, Brian, and David Clarkson. “Interview with General Idea.” M5V, Toronto, September 1991. 12-17.
From Media to Metaphor: Art About AIDS [exhibition catalogue] New York: Independent Curators Incorporated, 1991. 36.
General Idea. “Placebo.” Interview, New York, March 1991. 148.
Holubizky, Ihor. Curatorial Laboratory Project #7: Atlas. Hamilton: Art Gallery of Hamilton, 1991.
Holubizky, Ihor. “Mo’ Better Modern, Toronto in the 1980’s.” Arts, New York, February 1991. 55-59.
Milroy, Sarah. “Lethal Dose.” Canadian Art, Toronto, fall 1991. 59-63.
Richard, Alain-Martin, and Clive Robertson. Performance au-in Canada, Quebec and Toronto: Editions Intervention and Coach House Press, 1991.
Team Spirit [exhibition catalogue] New York: Independent Curators Incorporated, 1991. 40-41.

Art Gallery of Ontario: Selected Works. [catalogue] Toronto: Art Gallery of Ontario, 1990.
Art Meets Science and Spirituality in a Changing Economy. Amsterdam: Museum Fodor, September 1990
Denson, Roger. “Model Morality: General Idea Face the Endangerment of the Species.” Artscribe, London, summer 1990. 62.
Faust, Gretchen. “New York in Review.” Arts, New York, summer 1990. 100.
“General Idea.” Print Collector’s Newsletter, New York, May-June 1990. 63.
Princenthal, Nancy. “General Idea at Koury Wingate.” Art in America, New York, July 1990. 161-162.
Smith, Roberta. “General Idea.” The New York Times, New York, March 24, 1990. C-32.
Tallman, Susan. “General Idea.” Arts, New York, May 1990. 21.
Vogel, Sabine. “General Idea.” Kunstbulletin, Switzerland, April 1990. 6.

Banz, Stefan. “General Idea, Mai 36.” Artscribe, London, November-December 1989. 89.
Birnie Danzker, Jo-Anne. “General Idea: Kunst des Unsagbaren.” WolkenKratzer Art Journal, Frankfurt, May-June 1989. 42-49.
D & S Ausstellung. [exhibition catalogue] hamburg: Hamburg Kunstverein, 1989.
Lebrero Stals, Jose. “General Idea: Art in the AIDS Era.” Lapiz, Madrid, October 1989.
Levi Strauss, David. “Reviews.” Artscribe, London, March-April 1989. 86.
Sans, Jerome, ed. Fictions. [exhibition catalogue] Montreal: LGE & Aubes 3935 Galerie, 1989.
Schwartzman, Allan. General Idea: The AIDS Project. Toronto: Gershon Iskowitz Foundation, 1989.
Staniszewski, Marianne. “General Idea.” Shift #6, Vol. III, no. 2, San Francisco, 1989.
Takemura, Mitsuhiro. “Summon the Muse of the Imagination.” Bijutsu Techo, Tokyo, Vol. 40, No. 603, January 1989. 73-89.

Berkson, Bill. “General Idea, Artspace.” Artforum, New York, April 1988. 153-154.
Bijutsu Techo, [cover] Tokyo, Vol. 40, no 602, December 1988.
Decter, Joshua. Arts, New York, September 1988. 108.
General Idea. “General Idea: Artists’ Statement.” Flash Art, Milan, November-December 1988. 115.
General Idea. “Insert.” Parkett, Zurich, No. 15, 1988. 117.
Goldberg, RosaLee. Performance Art from Futurism to the Present. New York, 1988. 179.
The Print Collector’s Newsletter, New York, Vol. XIX, no. 5, November-December 1988. 115.
Staniszewski, Marianne. Test Pattern [exhibition catalogue/artists’ project] Tokyo: SPIRAL, Wacoal Art Center,1988.

Adams, Brooks. “General Idea at 49th Parallel and International With Monument.” Art in America, New York, February 1987. 148-149.
Bronson, AA, ed. From Sea to Shining Sea. Toronto: The Power Plant, 1987.
“General Idea.” Bijutsu Techo, Tokyo, Vol. 39, no. 588. 82-83.
General Idea: The Armoury of the 1984 Miss General Idea Pavillion [exhibition catalogue] Tokyo: Setagaya Art Museum, 1987.
Nemiroff, Diana. A History of Artist-Run Centres in Canada with Particular Reference to Véhicule, A Space and the Western Front. Montreal: M.A. thesis, Concordia University, 1985.
Staniszewski, Marianne. “Corporate Culture.” Manhattan Inc., New York, 1987. 216.

Bernard, Serge. “General Idea.” Parachute , Montreal, #42, 1986.
Carr-Harris, Ian. How We See What We Say [exhibition catalogue] Toronto: Harbourfront Gallery, 1986.
Gale, Peggy. “Narratives: Cornucopia.” Parachute, Montreal, #41, 1986.
General Idea: The Armoury of the 1984 Miss General Idea Pavillion. [exhibition catalogue] Buffalo: Albright-Knox Gallery, 1986.
McCormick, Carlo. “General Idea at 49th Parallel.” Artforum, New York, December 1986. 114.

Cole, Susan G. “General art Idea.” NOW, Toronto, May 2-8, 1985.
General Idea. [catalogue/ multiple] Middelburg: de Vleeshal, 1985.
“General Idea 1968-1984.” Museum Journal #6, Amsterdam, 1985.
“News d’Europa.” Domus, Milan, June 1985. 82.
Pelenc, Arielle. “General Idea.” Public Magazine, no.3, Paris, 1985.
Vereschagin, David. “What’s the Big Idea?” The Body Politic, No. 1115, Toronto, June 1985. .29-32

1984 [exhibition catalogue] Vienna: Museum Moderner Kunst, 1984
An International Survey of Painting and Sculpture. [exhibition catalogue] New York: Museum of Modern Art, 1984.
Artistic Collaboration in the Twentieth Century. [exhibition catalogue] Washington, D.C.: Hirshhorn Museum, 1984.
Bentley Mays, John. “Forum.” Artforum, New York, February 1984.
Bentley Mays, John. “From the FILEs of General Idea.” The Globe and Mail, Toronto, July 21, 1984.
Birnie Danzker, Jo-Anne, and General Idea. General Idea’s 1984 (FILE Megazine, Vol. 6, Nos. 1 & 2, 1984). Vancouver and Toronto: Vancouver Art Gallery and Art Official Inc., 1984.
Gale, Peggy. “What about the Early Days?” Evidence of the Avant Garde since 1957: Selected Works from the Collection of Art Metropole including Audio Tapes, Records, Videotapes, Film, Multiples, Kitsch, Manuscripts, Stamps, Buttons, Flyers, Posters, Correspondence, Catalogues, Porn, T-shirts, Postcards, Drawings, Poems, Mailers, Books, Photographs and Ephemera. Toronto: Art Metropole, 1984.
General Idea 1968-1984. [exhibition catalogue] Eindhoven: Stedelijk van Abbemuseum, 1984.

Artists’ Architecture. London: Institute of Contemporary Art, 1983.
Bentley Mays, John. “A Not-So-Fond Farewell to Modernism.” The Globe and Mail, Toronto, January 1, 1983.
Bentley Mays, John. “The Poodle as Canada’s Emblem: At Least That’s the General Idea.” The Globe and Mail, Toronto, April 15, 1983.
Bronson, AA, and Peggy Gale, eds. Museums by Artists, Toronto: Art Metropole, 1983.
Burnett, David, and Marilyn Schiff. Contemporary Canadian Art. Edmonton: Hurtig Publishers, 1983
General Idea. “Triple Entendre,” Artforum, New York, November 1983.
Künster aus Kanada. [exhibition catalogue] Stuttgart: Württembergischer Kunstverein, 1983.
Monk, Phillip. “Editorials: General Idea and the Myth of Inhabitation.” Parachute, Montreal, December/January/February
1983/84 Moszynska, Anna. “General Idea.” Performance Magazine, London, No. 23, April/May 1983.
O Kanada. [exhibition catalogue] Berlin: Akademie der Künst, 1983.
The Second Link: Viewpoints on Video in the Eighties. [exhibition catalogue] Banff: Walter Philips Gallery, 1983.
Vancouver: Art and Artists 1931-1983. Vancouver: Vancouver Art Gallery, 1983.
Visions. Vancouver: Douglas and McIntyre, 1983.
Wallace, Ian. “La Transavantguardia in Canada.” Flash Art, Milan, No. 111, XVI, 1983.

D’Agostino, Peter, and Antonio Muntadas, eds. “General Idea’s Boutique”, Un/necessary Image. Cambridge: Massachusetts Institute of Technology, 1982.
Annear, Judy. “An Interview with General Idea.” Art & Text. Melbourne: Summer, 1982-83.
Bentley Mays, John. “Hot Pink Pyramids’ Antiques of the 60’s.” The Globe and Mail, Toronto, September 18, 1982.
Birnie Danzker, Jo-Anne. Mannerism: A Theory of Culture. [exhibition catalogue] Vancouver: Vancouver Art Gallery, 1982.
Catastrophe. [exhibition catalogue] Geneva: Centre d’art contemporain, 1982.
“Cornucopia.” Furor, No. 6, 1982.
Documenta 7. [exhibition catalogue] Kasse: 1982.
Flood, Richard. “Documenta 7.” Artforum, New York, October 1982.
Town, Elke. Fictions. [exhibition catalogue] Toronto: Art Gallery of Ontario, 1982.
Town, Elke. Transmissions. [exhibition catalogue] Cambridge: Cambridge Library and Art Gallery, 1982.

Fry, Jacqueline. “Le Musée dans quelques Oeuvres Recentes.” Parachute, Montreal, Fall 1981.
General Idea. [information sheet] New York: 49th Parallel Gallery, New York, 1981.
Guest, Tim. Books by Artists. Toronto: Art Metropole, 1981.
Lamoreaux, Johanne. “General Idea: ‘Le Conte’ du Temps.” Parachute, Montreal, Winter 1981.
Lawson, Thomas. “General Idea, 49th Parallel.” Artforum, New York, September 1981.
“Quelques Artistes Contemporaines.” Grande Encyclopedie Larousse. Paris: Larousse, 1981.
Wilde, Virginia, and Janis Runge. “General Idea, Test Tube and the Colour Bar Lounge.” Artsatlantic, Charlottestown, Winter 1981.
Wilde, Virginia. “Test Tube: Some General Instruction for Media Artists.” Parallelogramme, Toronto, December/January

Bentley Mays, John. “G.I. Makes Honeymoor Detour.” The Globe and Mail, Toronto, December 23, 1980.
Brandt Corstius, Liesbeth. “Test Tube.” Museumjournaal, Amsterdam, January 1980.
Caroli, Flavio. Nuova Immagine. [exhibition catalogue] Milan/Regione Lombardia: XVI Triennale, 1980.
Durand, Douglas. “G.I. Image and Enforcement.” Body Politic, Toronto, June/July 1980.
Ferguson, Bruce. Canadian Video Biennale di Venezia. [exhibition catalogue] Ottawa: Venice Biennale/National Gallery of Canada, 1980.
Freedman, Adele. “The Venice Tapes.” Toronto Life, Toronto, March, 1980.
Glowen, Ron. “Evaluations of Architecture.” Artweek, San Francisco, May 17, 1980.
Gooderick, Frank. “Liquid Assets from the Colour Bar Lounge.” Videomania, Toronto, Vol.1, No. 1, December 1980.
Handforth, Robert. “Test Tube.” Fuse, Toronto, March, 1980.
Hanna, Martha. Words and Images. Ottawa: National Film Board of Canada, 1980.
Pluralities. [exhibition catalogue] Ottawa: National Gallery of Canada, 1980.
Prospect 80/2. Ghent: Museum van Hedendaagse Kunst, 1980.
Shapiro, Babs. “Architectural References.” Vanguard, Vancouver, May 1980.

Bentley Mays, John. “But Is It Art?” Macleans, Toronto, November 1979.
General Idea. [information sheet] Amsterdam: Stedelijk Museum, 1979.
Goldberg, RosaLee. Performance. London: Thames and Hudson, 1979.
Lewis, Glenn. “Performance Notes from the Western Front.” Performance by Artists, Toronto: Art Metropole, 1979. 270-287.
Video Weeks Essen. Essen: Museum Folkwang, 1979.

Ammann, Jean-Christophe. Kanadischer Künstler. [exhibition catalogue] Basel: Kunsthalle Basel, 1978.
Art, Artists and the Media. Graz: International Video Conference, 1978.
Birnie Danzker, Jo-Anne. “General Idea: Towards an Audience Vocabulary.” Centerfold, Calgary/Toronto, December, 1978.
Coutts-Smith, Kenneth. “General Idea.” artscanada, Toronto, issue 218/219, 1978.
Robertson, Clive. “General Idea and the Metaphive.” Centerfold, Calgary/Toronto, Vol. 2, No. 2/3, 1978.
Skira Annual No. 4. Geneva: Skira Editions, 1978.

Biennale des Jeunes. [exhibition catalogue] Paris: Musée d’art moderne/Paris Biennale, 1977.
Gale, Peggy. In Video. Halifax: Dalhousie Art Gallery, 1977.
Gale, Peggy. “Toronto Video: Looking Inward.” Vie des Arts, Montreal, Vol. XXI, No. 86 (Spring 1977). 85-86.
Gale, Peggy. “Video has Captured Our Imagination.” Parachute, Montreal, Summer 1977.
James, Geoffrey. Transparant Things. Ottawa: Canada Council Art Bank, 1977.
“LIFE is Dead, but FILE goes on.” Toronto Life, Toronto, January 1977.
O’Brien, Glenn. “Extremist Glamour.” Oui, New York, December 1977.
Robertson, Clive. “Architects on the Run.” Centerfold, Calgary/Toronto, Vols. 7 & 8, 1977. 2-3.

Battock, Gregory. “The Last Estate: FILE Megazine.” The Soho Weekly News, New York, May 27, 1976. 22-23.
Cameron, Eric. “Structural Video Tape in Canada.” Video Art. New York: Harcourt Brace Jovanovich, 1976. 188-195.
Carpi, Eve, and Jo-Anne Birnie Danzke., “General Idea and the Cultural Cliché.” Flash Art, Milan, No. 58-59 (January 1976).
Gale, Peggy, ed. Video by Artists. Toronto, Art Metropole, 1976.
Gale, Peggy. “Video Art in Canada: Four Worlds.” Studio International, London, May/June 1976.
General Idea. “Form Follows Fiction.” Unmuzzled Ox, New York, Vol. 4, No. 2 (1976). 23-39.
Goldwasser, Noë. “Canadian Crazies Blow into Town.” The Village Voice, New York, February 9, 1976, p. 90
Goldwasser, Noë. “Time-Life Files a Suit.” The Villlage Voice, New York, March 15, 1976. 24.

The Carmen Lamanna Gallery. Sackville: Owens Art Gallery, 1975.
Chairs. Toronto: Art Gallery of Ontario, 1975.
Cutrone, Ronnie. “Fantasy Architecture.” Andy Warhol’s Interview, New York, December 1975. 47.
Dault, Gary Michael. “3 Trendy Young men market themselves.” Toronto Star, Toronto, November 3, 1975. D8.
“In the Year of 1984.” Winnipeg Free Press, Winnipeg, September 19, 1975.
Marchand, Philip. “The general idea behind General Idea.” Toronto Life, Toronto, November 1975. 30-37.
McDonald, Marci. “What Did You Do in The Seventies Dada?” Maclean’s, Toronto, May 1975. 10.

Bentley.Mays, John. “General Idea.” Open Letter, Toronto, Second series, No. 8 (Summer 1974). 5-36.
Bodolai, J. S. “Luxon V.B. General Idea at Carmen Lamanna December 15 to January 3.” Proof Only, Toronto, Vol 1, No. 3 (January 15, 1974).
Celant, Germano. ”General Idea i Canadada: Un Gruppo Canadese.” Domus, Milan, October, 1974. 52.
“Jorge Saia. Un venezolano en la vanguardia artistica canadiense.” El Nacional, Caracas, June 27, 1974.
“Mirrors Stop Them Turning a Blind Eye.” Pilkington News, Toronto, April 25, 1974. 3.
Moore, Alan. “New Voices.” Artforum, New York, December 1974. 63-65.
Subtle, Susan. “Their Arts Belong to Dada: Cheer and Clothing in California and Other Points West.” Esquire, New York, August, 1974. 50-56
Project ’74. Cologne: Wallraf-Richartz Museum, 1974.
Videoscape. Toronto: Art Gallery of Ontario, 1974.

Andre, Michael. “Art: General Idea’s ‘Collage or Perish.’” Columbia Daily,Spectator, Columbus, October 16, 1973
Anthony, George. “Literati.” Toronto Sun, Toronto, January 23, 1973.
Canada Trajectories 73. [exhibition catalogue] Paris: Musée d’art moderne, 1973.
Craig, Jamie. “In spite of all that…Each of us encounters a daily parade of images that need a home….” Vancouver Sun, Vancouver, February 9, 1973. 4A-5A.
Fulford, Robert. “Correspondence art: Collages in Time, Distance and the Mind.” Toronto Star, Toronto, March 17, 1973. 49.
“’Glamour Art’. Un venezolano en el movimiento canadiense ‘General Idea’.” El Nacional, Caracas, September (n.d.), 1973.
Klepac, Walter. “Getting it all Apart. FILE Magazine: Special Double Issue; International Image Exchange Directory; IS 12/13: West Coast Issue.” Books in Canada, July-September 1973.
Nicholson, Annabel. “canadada fragments.” Art & Artists, London, Vol. 8, No. 1 (April 1973). 28-33.
Philpott, Clive. “Feedback.” Studio International, London, April, 1973.
Ross, Gary. “File it under ‘D’- for different.” Toronto Life, Toronto, June 1973. 29.
Sharp, Willoughby. “The Gold-Diggers of ‘84: An Interview with General Idea, Toronto.” Avalanche, New York, Winter/Spring, 1973. 14-21.
Zack, David. “An Authentik and Historikal Discourse on the Phenomenon of Mail Art.” Art in America, New York, January/February 1973. 46-53.

Albright, Thomas. “Correspondence Art.” Rolling Stone, New York, April 27, 1972. 28-29.
Amussen, Robt. [Robert]. “’FILE’ not Rank.” The Grape, Vancouver, May 31-June 5, 1972.
“Des potina à la torontoise.” Mediart Magazine, Montreal, May 1972.
“FILE: The Great Canadian Art Tradegy.” The Grape, Vancouver, May 24-30, 1972.
“General ideas.” Body Politic, Toronto, May 1972. 20.
Image Bank. International Image Exchange Directory. Vancouver: Talon Books, 1972.
Image Nation, Toronto, No. 8. (c. 1972).
“..in view.” Art & Artists, London, September, 1972. 8-9.
Klepac, Walter. “General Idea.” Guerrilla, Toronto, June 14,1972. 15.
Lowndes, Joan. “Directions—Art.” Vancouver Sun, Vancouver, May 12, 1972.
Martin, Robert. “A Truly Illuminating Exhibition.” The Globe and Mail, Toronto, June 10, 1972. 28.
“New low at Global Village.” Unidentified newspaper clipping, General Idea’s Press File, 1972.
Realism: Emulsion and Omission. [exhibition catalogue] Kingston: Agnes Etherington Art Centre, 1972.
Vazan, Bill. “Montreal Visits General’s Headquarters.” Beaux Arts, Montreal, Summer 1972. 24.
“Vive l’éphémère. Les ‘lightbox’ de General Idea à la Galerie B.” La Press, Montreal, April 8, 1972.
White, Michael. “New art magazines for group communication.” Montreal Gazette, Montreal, May, 1972.

Buckley, John. “Keeping it together in Vancouver: the search for alternatives.” artscanada, Toronto, June/July 1971. 39-43.
Image Bank. The Image Bank Post Card Show. Toronto: Coach House Press, 1971.
McCabe, Nora. “Men Join in Beauty Pageant.” The Toronto Star, Toronto, October 2, 1971.
Terry, Michael. “Well…do you get the general idea?” Pilkington News, Toronto, 1971.

Bronson, AA, ed. and with some illustrations. IS, Toronto, Vol. 9 (Fall 1970).
Carter, Joyce. “Authentic Unreality.” The Globe and Mail, Toronto, January 22, 1970. W1.
Kritzwiser, Kay. “Three Artists in Pursuit of Commitment.” The Globe and Mail, Toronto, January 17, 1970. 26.
Unidentified newspaper clipping (review of Off Hand exhibition at 567 Gallery, Toronto, 1970) located in Felix Partz, Notebook, 1969 (General Idea Archive)

Artworks by AA Bronson and General Idea are in the following collections:

The Aldridge Museum of Contemporary Art, Ridgefield, USA
The Art Gallery of Ontario, Toronto, Canada
The Art Institute, Chicago, USA
The Baltimore Museum of Art, Baltimore, USA
The Canadian Museum of Contemporary Photography, Ottawa, Canada
Essl Collection, Vienna, Austria
FNAC Paris La Défense, Paris, France
FRAC Champagne-Ardenne, Rheims, France
FRAC Languedoc-Roussillon, Montpellier, France
The Hamilton Art Gallery, Hamilton, Canada
The High Museum of Art, Atlanta, USA
The Hirschhorn Museum, Washington, DC, USA
Jewish Museum, New York, USA
Kunsthaus Zurich, Zurich, Switzerland
The Mendel Art Gallery, Saskatoon, Canada
List Visual Arts Center, Cambridge, USA
Musee d’art contemporain, Montreal, Canada
Musée d’art moderne de la Ville de Paris, Paris, France
Musée d’Art Moderne Grand-Duc Jean, MUDAM, Luxembourg
The Museum of Contemporary Art, Gent, Belgium
The Museum of Fine Arts, Houston, USA
The Museum of Modern Art, New York, USA
The National Gallery of Canada, Ottawa, Canada
The Philadelphia Museum of Art, Philadelphia, USA
The San Francisco Museum of Modern Art, San Francisco, USA
Stedelijk Museum, Amsterdam, The Netherlands
Stedelijk van Abbemuseum, Eindhoven, The Netherlands
The Tokyo Metropolitan Museum of Photography, Tokyo, Japan
The Vancouver Art Gallery, Vancouver, Canada
The Whitney Museum of American Art, New York, USA
The Winnipeg Art Gallery, Winnipeg, Canada