17 January – 14 February 2026

Preview Weekend:
17 – 18 January 2026
12 – 6 pm

Studio M 
Rochelle School 
7 Playground Gardens 
London E2 7FA

Maureen Paley is pleased to host Gordon Robichaux for Condo London 2026 with an exhibition of recent work by Agosto Machado at Studio M. For his London debut he will present a group of his shrines and altars alongside related ephemera and works by Sheyla Baykal, Peter Hujar, and Jack Smith.

Agosto Machado is a Chinese-Spanish-Filipino-American performance artist, activist, archivist, muse, caretaker, and friend to countless celebrated and underground visual and performing artists. He has been a vital participant and witness to cultural and creative life in New York since the early sixties, from art, theater, performance, and film to social and political counterculture and the dawn of the gay liberation movement. As part of a cohort of queer revolutionaries, including Marsha P. Johnson, Thomas Lanigan-Schmidt, and Sylvia Rivera, Machado participated in the Stonewall Rebellion.

Machado has presented two solo exhibitions at Gordon Robichaux in New York (2025 and 2023). His shrine and altar sculptures are held in the collections of The Museum of Modern Art (MoMA), the Whitney Museum of American Art, and the Hessel Museum of Art at Bard College in New York.

More Information: Agosto Machado

More Information: Condo London 2026

The New York Times, Whitney Biennial Names 56 Artists to Unwind These ‘Weird Times’, 15 December 2025

13 November 2025 – 8 March 2026

Fotografiska
No. 127 Guangfu Road
Jing'an District, Shanghai

In this exhibition, Something or Nothing, Andrew Grassie presents a new series of work that originates from an open call made to Fotografiska Museum visitors. Participants were given disposable cameras with the simple instruction to take photographs of 'Something or Nothing'. From over a thousand submissions, Grassie selected eleven photographs to transform into slow paintings using the tactile subtlety of egg tempera.

The exhibition offers a profound meditation on memory, time, and the permeable boundaries between mediums. With meticulous precision, Grassie transforms the stillness of a photograph into the slow, enduring flow of paint, granting each captured moment a renewed sense of permanence.

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image: Poster for Something or Nothing, featuring Andrew Grassie, Switch, 2025, egg tempera on paper on board, 17 x 25.2cm. Photo: Pu Yiwen

Closing 9 November 2025

Triennale Milano
Viale Alemagna 6
20121, Milan

Radio Ballads takes its name from a revolutionary series of radio programs, broadcast on the BBC from 1957–1964: a time of rapid change across the UK. These combined song, music, and sound effects with the stories of communities. Each original Ballad focused on the lived experiences and resistance of workers and groups whose voices were rarely or never heard in the media. Radio Ballads asks how we can understand, listen, learn, and heal through collective storytelling. In a time of multiple crises, the project explores how voices—individual and collective—can illuminate structures of care and allow us to reflect on conditions of life and the effects of labor in our communities.

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image: Radio Ballads, exhibition view, Triennale di Milano, Milan, 2025. Photo by Delfino Sisto Legnani © Triennale Milano

25 October 2025 – 1 February 2026

opening: 24 October

Culturgest
Rua Arco do Cego, 50
1000–300 Lisbon
Portugal

Alexandra Bircken's solo exhibition SomaSemaSoma is opening at Culturgest Lisbon on 25 October 2025. This is a travelling exhibition organised by Kunsthaus Biel Centre d'art Bienne (KBCB, Switzerland) in collaboration with Culturgest and the Marta Herford Museum.

The sculptural work of Alexandra Bircken deals with the structure of protection, identification and the expansion of the individual in analogies between body and machine. The Berlin-based artist combines a variety of materials and techniques with which she explores the boundary between the human and the created environment. At the same time, Bircken dissects everyday technical objects with surgical precision, bringing the biomorphic nature of machines into view. This dual approach leads to an ambivalent work that is both cyborg-like and androgynous, questioning human behaviour and desire, but also the vulnerability of the body in its relationship to technology.

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Image: Alexandra Bircken, SomaSemaSoma, exhibition view, Kunsthaus Biel, 2025. Photo: Lea Kunz

15 – 19 October 2025

Stand B16

The Regents Park
London
NW1 4LL

Open by invitation only:
Wednesday 15 October: 11am - 7pm
Thursday 16 October: 11am - 1pm

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Wolfgang Tillmans
Build From Here

Where Frieze Magazine’s Editor Andrew Durbin Eats, Drinks and Shops During Frieze Week, Broadsheet, 13 October 2025

Four Bs and one C that topped the galleries at Frieze London 2025, FAD Magazine, 17 October 2025

Frieze 2025 part 1: Rosemary Cronin finds new delights and old favourites, Garageland Magazine, 16 October 2025

Plan Your Route: East End Day 2025, Frieze, 1 October 2025

This Autumn, London’s Galleries Are Growing, Matthew McLean, Frieze, 25 September 2025

image: Behrang Karimi, Kosmische Heilung, 2025, oil and pigment on canvas

1 October 2025

Wolfgang Tillmans joins the A Brush With... podcast, talking to Ben Luke about his influences — from writers to musicians, film-makers and, of course, other artists — and the cultural experiences that have shaped his life and work.

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Spotify

Apple Music

26 September - 24 November 2025

Okayama Orient Museum Pre-Entrance
9-31 Tenjin-cho, Kita-ku, Okayama City

The Okayama Art Summit is an international contemporary art exhibition that focuses on conceptual art, held in Okayama City every three years. Curated by Philippe Parreno, Liam Gillick has been selected as one of this year's exhibiting artists.

The theme of this year’s summit is The Parks of Aomame, inspired by Aomame, the mysterious character from Haruki Murakami’s novel 1Q84. As Parreno describes in his statement, a curated group of thirty individuals and groups from twelve countries and regions, including artists, musicians, architects, designers, scientists, writers and thinkers, will use their unique methods of expression to create new forms, transforming Okayama’s public spaces into places where reality and imagination naturally merge.

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Image: Liam Gillick, 2016, Okayama Art Summit Executive Committee, Collection of Ishikawa Foundation, Okayama. Courtesy of the artist and TARO NASU. Photo by Yasushi Ichikawa.

24 September 2025 at 6:30 pm

Dia Chelsea
537 West 22nd Street
New York, New York

Dia will host the launch of Torrington Project, a publication by Tom Burr. Released by Primary Information and edited by Blake Oetting, the book traces Burr’s occupation of a sprawling former manufacturing facility in Torrington, Connecticut, from 2021 to 2024 through a combination of documentation, archival materials, and scholarly essays.

Burr will introduce the book, after which Humberto Moro, Dia’s deputy director of program, will moderate a panel discussion with Oetting and fellow contributors: Dia curator and co–department head Jordan Carter and artist Aria Dean.

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