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Felipe Baeza

AWARDED SCHOLARSHIP BY THE GETTY RESEARCH INSTITUTE

Unruly Visions
September 2022 – June 2023

Getty Research Institute
Getty Center
Los Angeles, California
USA

The Getty Research Institute has announced that Felipe Baeza will be awarded their Guest Scholarship for 2022/2023.

Baeza's practice is equal parts confrontation of violent pasts and a tribute to people whose sense of personhood is constantly litigated and defined by those in power. His 'fugitive bodies' created over densely layered paintings appear in different states of becoming and at times are even abstracted to the point of invisibility.

The Getty Research Institute welcomes this year’s scholars, who will be conducting research on the themes Art and Migration and The Levant and the Classical World during the 2022/2023 scholar year.

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image: Felipe Baeza, Wayward, 2021, ink, cut paper, graphite, twine, and acrylic collaged on paper, 167.6 x 121.9 cm

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Andrew Grassie

TALK: 'UNEXPECTED VIEWS' AT THE NATIONAL GALLERY

1 July 2022

6:30 - 7:15 pm

Room 53
The National Gallery
Trafalgar Square
London WC2N 5DN

This Friday Andrew Grassie will discuss his affinity with Piero della Francesca's The Baptism of Christ and will be joined by Daniel Hermann, Curator of Modern & Contemporary Projects at the National Gallery, London.

Unexpected views are monthly conversations between our curators and some of the most important cultural practitioners of today. Discussions focus on a selected masterpiece from the National Gallery Collection, exploring its relevance to the artist’s work, or more broadly to current social and cultural issues.

By allowing for new discussions of the Old Masters, the series aims for critical, counter-intuitive and joyful approaches to our collection, which reflect the breadth of contemporary artistic practice.

The event is part of Friday Lates.

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image: Andrew Grassie, Bessone Houseago installation, 2012, framed tempera on paper on board, 15 x 22.7 cm

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AA Bronson and General Idea

INTERVIEW

With General Idea's retrospective now open at the National Gallery of Canada, AA Bronson has reflected on the legacy of the collective's artistic activism in a recent interview conducted by Tom Power.

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CBCGeneral Idea's AA Bronson on Q: A visual companion guide, 27 June 2022

ParisLA, General Idea – National Gallery of Canada, Perry Barlo, 27 June 2022

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Wolfgang Tillmans

Conference: Mon Berlin

Thursday 23 June 2022, 7 pm (CEST)

Centre Pompidou
Paris, France

How do artists see Berlin?

In this series of talks, Centre Pompidou invited cultural figures to speak about their subjective vision of the German capital, to discover their relationship in their lives and work with the city, its history and its constant transformations.

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Lawrence Abu Hamdan

Planétarium #12: Lawrence Abu Hamdan and Alexandre Galand

Wednesday 22 June 2022
7 – 9 pm (CEST)


Centre Pompidou
Paris, France

Lawrence Abu Hamdan presents Daght Jawi: A Live Audio-Visual Essay as part of the Planétarium series of symposiums at the Centre Pompidou. 

This twelfth session in the series includes contributions from Lawrence Abu Hamdan, Alexandre Galand, author of Field Recording : L'usage sonore du monde en 100 albums (2012, éditions Le mot et le Reste), alongside artist and researcher Éric Valette.

Daght Jawi analyses background noise and atmospheres of violence through clustering and evolving ongoing research initially conducted between May 2020 and May 2021. The artist’s starting point was his own detailed documentation of the sky over Lebanon—the result of filming more than 400 videos of Israeli fighter planes and drones. The audio-visual essay brings to life this roaring sky in chronological order, alongside live audio processing. Abu Hamdan’s atmosphere emerges in multitudinous ways—moving seamlessly from the quotidian to the menacing; the limitless to the contained.

This is the first presentation of the work in France.

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image: Lawrence Abu Hamdan, Daght Jawi: A Live Audio-Visual Essay, Performance view: Air Pressure, Künstlerhaus Mousonturm, Frankfurt. Courtesy of the artist. Photo: Christian Schuller

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Lawrence Abu Hamdan

DIRTY EVIDENCE, BOOK LAUNCH + TALK

Saturday 25 June 2022
6 - 8.30pm

Maureen Paley, Rochelle School
Friars Mount House
5 Playground Gardens
London E2 7FA

Maureen Paley and Claire de Rouen are pleased to announce the launch of Lawrence Abu Hamdan’s first major monograph Dirty Evidence, published by Lenz Press in collaboration with Bonniers Konsthall.


On the occasion of the launch, Lawrence Abu Hamdan will be in-conversation with Chris McCormack, Associate Editor at Art Monthly, and Fabian Schöneich, Director & Founder of CCA Berlin and Editor of Dirty Evidence. The talk will be followed by a book signing, with copies of the publication available to purchase from Claire de Rouen.

Places for the event are limited, please reserve your seat here.

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ART BASEL 2022

Maureen Paley is pleased to participate in Art Basel 2022.

Stand J15

Messe Basel
Messeplatz 10
4058 Basel
Switzerland

Private days (by invitation only):
14 – 15 June 2022, 11 am – 8 pm

Vernissage (by invitation only):
15 June 2022, 5 – 8 pm

Public days:
16 – 19 June 2022, 11 am – 7 pm

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image: Felipe Baeza, Fogata, 2009, woodblock, silkscreen, monotype and varnish on paper, paper: dimensions variable, plinth: 20.3 x 106.7 x 91.4 cm

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Lawrence Abu Hamdan

Still Present! 12th Berlin Biennale

11 June – 18 September 2022

Hamburger Bahnhof – Museum für Gegenwart
Berlin, Germany

Lawrence Abu Hamdan is included in the 12th Berlin Biennale of Contemporary Art, where his work Air Conditioning (2022), is currently presented.

Air Conditioning presents a visceral experience of aerial subjugation where Abu Hamdan has painstakingly assembled details of Israeli military plane surveillance over Lebanon during a fifteen-year period.

The website airpressure.info, designed by Moritz Ebeling, has been launched in conjunction with the installation.

Curated by Kader Attia in collaboration with Ana Teixeira Pinto, Đỗ Tường Linh, Marie Helene Pereira, Noam Segal, and Rasha Salti.

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image: Lawrence Abu Hamdan, Air Conditioning, 2022, full-color inkjet print on matt fibre photo paper, 90 x 5,475 cm, installation view, Hamburger Bahnhof, Museum für Gegenwart, Berlin, Germany