14 – 25 July 2025

Waterloo Underground Station 
London, UK

Go Find Miracles is a forthcoming sound artwork by 2023 Turner Prize-nominated artist Rory Pilgrim for Waterloo station commissioned by Art on the Underground.

This new work emerges from Pilgrim’s long-term work with those affected by the criminal justice system. Recorded in two underground locations, with Go Find Miracles, Pilgrim asks how we go beneath the surface to imagine new structures of repair and possibility.

The work has been developed in collaboration with HMP/YOI Portland and the Prison Choir Project, as well as the Mayor of London’s Culture and Community Spaces at Risk programme (CCSaR) and the Feminist Library in Peckham. Go Find Miracles will be heard at Waterloo Underground station along the travelator connecting the Northern and Jubilee lines, between 14-25 July 2025.

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image: Poster for Rory Pilgrim, 'Go Find Miracles', 2025
Commissioned by Art on the Underground.

27 June - 12 January 2026

1606 Paseo de Peralta
Santa Fe,
NM 87501


Conceived as a vast family album, Once Within a Time centers people—specifically, those who have inhabited, traversed, or left their mark upon the Santa Fe region across the centuries. Transcending a singular theme or narrative, the 12th SITE SANTA FE International manifests as a symphony of voices, engaging with the city of Santa Fe and its myriad identities and tales.

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Booth J13

17 – 22 June 2025

Felipe Baeza
Alexandra Bircken
Hannah Collins
Daniel Correa Mejía
Kaye Donachie
Chioma Ebinama
Maureen Gallace
Anne Hardy
Peter Hujar
Merlin James
Behrang Karimi
Paulo Nimer Pjota
Kayode Ojo
Paul P.
Wolfgang Tillmans
Rebecca Warren
Gillian Wearing

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also participating in:

Basel Social Club

15 – 21 June 2025

with work by Tim Rollins and K.O.S.

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image: Gillian Wearing, Me as Pier Paolo Pasolini, 2024, framed bromide print, 61.3 x 46.06 cm – 24 1/4 x 18 1/4 in

13 June - 22 September 2025

Centre Pompidou
Paris, France

From 13 June to 22 September 2025, the Centre Pompidou is giving Wolfgang Tillmans free rein to create a unique project to mark the end of the exhibition programme at the centre in Paris. He is taking over the 6,000 m2 of level 2 in the Bibliothèque Publique d’Information and transforming the space by means of a curatorial experiment.

The exhibition is composed of two distinct parts: a retrospective presentation exploring 35 years of his practice, and a curatorial experiment, in which Wolfgang Tillmans instigates a dialogue between his work and the museum’s library as both an architectural site and a locus for the dissemination of knowledge.

His iconic photography — including portraiture, still life, architecture, documentary, and abstract images — is on view within an extensive installation that also incorporates moving image, music, sound, and performance.

A catalogue, as well as an expanded version of “Tillmans’ Reader” —— a collection of writings by and interviews with the artist originally published by MoMA NY and newly translated into French — accompanies the exhibition.

Centre Pompidou, Wolfgang Tillmans: “Culture is always the first thing autocrats seek to control.”

British Journal of Photography, Wolfgang Tillmans uses photography and installation to consider knowledge and its circulation

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image: Wolfgang Tillmans “Moon in Earthlight,” 2015

8 June - 31 August 2025

Kunsthaus Biel 
Centre d’art Bienne
Seevorstadt 71
CH-2502 Biel/Bienne

Previewing today! Alexandra Bircken's solo exhibition ‘SomaSemaSoma’ at Kunsthaus Biel opens from 5pm.

The sculptural work of Alexandra Bircken deals with the structure of protection, identification and the expansion of the individual in analogies between body and machine. The Berlin-based artist combines a variety of materials and techniques – often woven or knitted textiles — with which she explores the boundary between the human and the created environment. At the same time Bircken dissects everyday technical objects with surgical precision, bringing the biomorphic nature of machines into view. This dual approach leads to an ambivalent work that is both cyborg-like and androgynous and questions human behaviour and desire, but also the vulnerability of the body in its relationship to technology.

The exhibition is in collaboration with Culturgest in Lisbon where it will travel in October 2025.

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image: Alexandra Bircken, SomaSemaSoma, Kunsthaus Biel, 2025.

Maureen Paley is pleased to participate in London Gallery Weekend.

This is also the last chance to see our current exhibitions, which will be open Friday and Saturday 11 am – 6 pm and Sunday 12 – 5 pm:

Kayode Ojo
An angel is just a messenger
25 April – 8 June 2025

Maureen Paley
60 Three Colts Lane
London E2 6GQ

Wallpaper, Ten things to see at London Gallery Weekend, Emi Eleode, 3 June 2025

Chioma Ebinama
Real love is a love that sets you free
25 April – 8 June 2025

Studio M
Rochelle School
7 Playground Gardens
London E2 7FA

The Great Women Artists, What to see: London Gallery Weekend, Katy Hessel, 3 June 2025

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Thursday, 22 May 2025, 6:00 pm

Project Room 2, 104
Sculpture Studios
Academy of Fine Arts Vienna
Kurzbauergasse 9, 1020 Vienna

Fiona Connor will give a lecture as part of the Ringvorlesung Series hosted by the Institute of Fine Arts and organised by the Studio Art and Space.
She will discuss her recent projects, including The Long Tail, Newsletter Volume #2, which will be launched on the occasion of this event.

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image: Fiona Connor, Continuous Sidewalk, 2021-23. Photo: Ed Mumford

18 May – 5 October 2025

Blickachsen 14
Bad Homburg
Germany

In collaboration with the Sprengel Museum, Hannover, Germany

Slip of the Tongue by Alexandra Bircken is included in the 14th edition of Blickachsen Sculpture Biennial alongside works by Paweł Althamer, Joscha Bender, Julius von Bismarck, Monica Bonvicini, Martin Boyce, Richard Deacon, Simone Fattal, Kasia Fudakowski, Asta Gröting, Georg Herold, Olaf Holzapfel, Judith Hopf, Franka Hörnschemeyer, David Horvitz, Elizabeth Jaeger, Hans Josephsohn, Gary Kuehn, Maria Loboda, Christiane Möbus, Thea Moeller, Manfred Pernice, Thomas Schütte, Grace Schwindt, Manolo Valdés and Georg-Friedrich Wolf.

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image: Alexandra Bircken, Slip of the Tongue, 2020, cast aluminium, stainless steel, concrete, 600 x 150 x 134 cm, installation view, Blickachsen 14, Germany, 2025. Becker Collection, Cologne.