1996
MA Fine Art, Goldsmiths College, London, UK
Born 1971, Clatterbridge, UK
Lives and works in London, UK
The Brooklyn Rail, Alastair MacKinven: ‘Dlnrg [oeeey]’, Louis Block, March 2021
Artforum, Alastair Mackinven, Barry Schwabsky, May 2021
Art Daily, Alastair Mackinven: Assault on Lismore Castle’s fourth wall, 2012
MA Fine Art, Goldsmiths College, London, UK
BA Fine Art, Alberta College of Art, Calgary, Canada
(C) denotes that a catalogue was published in conjunction with the exhibition.
Numble Bound To A Stripped Standing Tree, Maureen Paley, London, UK
Dlnrg [oeeey], Reena Spaulings Fine Art, New York, NY, USA
Everything is Personal, Tramps, New York, USA
Maureen Paley: Studio M, London, UK
Tramps, London, UK
Reena Spaulings Fine Art, New York, NY, USA
Milk Art, a performance lecture, Royal College of Art, Royal Academy Schools, Camberwell College of Art, Slade School of Fine Art and Pantaleons Muehlengasse, Cologne, Germany
Not Liver Again Said the Eagle To Prometheus, TRAMPS, London, UK
When the Schtick Hits the Fan, Salon 4, London, UK
A.J.R.M. Is My Slave Name, Peles Empire, London, UK
Alastair Mackinven’s New Chinese Art, Curtat Tunnel, Lausanne, Switzerland
From the Chinese Menu of Choice, be Warned, the Meal Will Always be Chinese, Jancou Gallery, Geneva, Switzerland
New Wave of British Heavy Painting, City of London Art, London, UK
Assault on Lismore Castle’s Fourth Wall, Lismore Castle Arts, Lismore, Ireland
Owning a Dog to be a Master, Hermes und der Pfau, Stuttgart, Germany
Performances 2006 to 2009, Focal Point Gallery, Southend-on-Sea, UK (C)
Abstract Capitalist Realism, Hotel Gallery, London, UK
Abstract Capitalist Realism part 1 Dark Side of the Wall, Galerie Rüdiger Schöttle, Munich, Germany
0-60, Et Sic in Infinitum, ICA, London, UK
The Independent Male Guardian, Liste, Basel, Switzerland
Jerking Off the Dog to Feed the Cat, Hotel Gallery, London, UK
Alastair Mackinven, New Gallery, Calgary, Canada
If You Could Lick My Heart Surely It Would Poison You, Galerie Campbells Occasionally, Copenhagen, Denmark
Revenge, Greed and Blackmail, Edmonton Art Gallery, Edmonton, Canada
Two Inches Longer: Truck, Calgary, Canada
Alastair Mackinven and Behrang Karimi, Maureen Paley, London
Reading Community Outreach Mural Workshop, Alastair Mackinven and Matt Copson, Taylor Macklin, Zurich, Switzerland
Eggy and Seedy, Reading International, Alastair Mackinven and Matt Copson, Reading, UK
Alastair Mackinven and Benjamin Saurer, Peles Empire, Berlin, Germany
Alastair Mackinven and Thomas Helbig, Trade Apartment, London UK
Alastair Mackinven and James Pyman, Cubitt Gallery, London, UK
(C) denotes that a catalogue was published in conjunction with the exhibition.
Ghosts Shimmer in Sunlight, Thirsk Hall Sculpture Garden, Thirsk, UK
Room by Room: Concepts, Themes, and Artists in The Rachofsky Collection, The Warehouse, Dallas, TX, US
Its not what you think it is, Tramps, New York City, NY, United States
This Corrosion, Modern Art, London, UK
Everything is Personal, Tramps, New York, USA
Sof’ya Shpurova ‘Low Human Activity’, The Holden Gallery, Manchester School of Art, Manchester, UK
Viva Ultra, Mackintosh Lane, London, UK
In the Reading Room of Hell by NOVEL, A plus A Gallery, Venice, Italy
Meisenfloo, Norma Mangione Gallery, Turin, Italy
C.R. McBerny Vol 2. Manchester Central Library, Manchester, UK
C.R. McBerny Vol 1. Zwinglisalon, Berlin Germany
Odds, Assembly Point Studios, London, UK
Selbst, Institut Für Bienenzucnt, London, UK
Thinking Outside the Box: the Museum Haus Konstruktiv Collection (1986-2016), Museum Haus Konstruktiv, Zurich, Switzerland (C)
November Dezember/ Prima Materia, Pantaleons Muehlengasse, Cologne, Germany
C.S.C, Parkhaus, Dusseldorf, Germany
From a Fly on the Wall, to Fly in my Soup, Galerie Dukan, Paris, France
Centre de Pompidoo-doo, Rise Projects, London, UK collaboration as NANG Gallery with Merlin Carpenter and Ben Wallers
Village of Hope Trees, Pantaleone's Muehlgasse, Cologne, Germany
July, Approach Gallery, London, UK
A Speculum that Shines, Rowing, London, UK
Speak, Clown!, Fold Gallery, London, UK
The Curator’s Egg, Altera Pars, Anthony Reynolds Gallery, London, UK
The Perfect Nude, University of the Arts London Wimbledon, London, UK
Epilogues: It Started With a Car Crash, IMT Gallery, London, UK
Orbitecture II: Everything Under the Sun is in Utter Chaos; the Situation is Excellent, Focal Point Gallery, Southend on-Sea, UK
Orbitecture, Grundy Art Gallery, Blackpool, UK
Newspeak, Saatchi Gallery, London, UK
Grand National, Vestfossen Kunstlaboratorium, Vestfossen, Norway (C)
Cargo Manifest, Bayerische Staatsoper, Munich, Germany
Newspeak: British Art Now, the State Hermitage Museum, St. Petersburg, Russia
What a Long Strange Trip it Has Been, Nang Gallery, London, UK
Schloss Bartenstein, Bartenstien, Germany
That’s Not How I Remember it, Anna Helwing Gallery, Los Angeles, USA
0-60, Performance Weekend, ICA, London, UK
Strange Events Permit Themselves the Luxury of Occurring, Camden Arts Centre, London
Horsebit Cocktail, Galerie Dennis Kimmerich, Düsseldorf, Germany
Nang Gallery Frieze Soup Kitchen, Nang Gallery London
Novel, Bibliothek Wohnung Anna-Catharina Gebbers, Berlin, Germany
Congratulations You Are Represented By Nang Gallery, Nang Gallery, London
Zodiac 3000, International Project Space, Bournville, UK
A Powerful Optimism, Nang Gallery, London, UK
Architecture, Nang Gallery, London, UK
Thames Mudlarks, CTRL Gallery, Houston, USA
The Death of Affect, Parade Gallery, London, UK
Gallery Swap, Guido Baudach, Berlin, Germany
Islands of Glory in Streets Caked with the Faeces of Decadence, Nang Gallery, London, UK
Decadence: NANG Gallery, with Ben Wallers and Merlin Carpenter, London, UK
Group show: Opposite the PlayGround, London, UK
I Love Music, Creative Growth, Oakland, USA
The Frog Show: The Egg, London, UK
Cünst – Séance: Octopad, London, UK
Public Opinion is a Little Girl, Deutsch Britische Freundschaft, London, UK
A to Z, Approach Gallery, London, UK
Freaked Out, The Kitchen, London, UK
Art Calls, Galerie Campbells Occasionally, Copenhagen, Denmark
Honky Tonk, The Kitchen, London, UK
Sentimental Education, Cabinet Gallery, London, UK
Pop Occulture 2, Southampton City Art Gallery, Southampton, UK
Update, Turbinehallerne, Copenhagen, Denmark
Embraceable You, Anthony Reynolds Gallery, London, UK
See Through Brain, Transmission Gallery, Glasgow, UK
Professorship, (Figurative Painting), Academy of Fine Arts Vienna, Vienna, Austria
Straight to Video, Peter Davies and Alastair Mackinven in conversation at The Approach, The Approach, London, UK
Milk Art, a performance lecture, Royal College of Art, Royal Academy Schools, Camberwell College of Art, Slade School of Fine Art and Pantaleons Muehlengasse, Cologne, Germany
Introduction to Painting, Camden Arts Centre, London, UK
Contemporary Art Talk, Goldsmiths University of London, London, UK
Performances 2006 to 2009, Focal Point Gallery, UK
Jones, Jonathan, Giants of Ukrainian art, Henry Moore goes to war and Chris Ofili’s myth making – the week in art, theguardian.com, 28 June 2024
Schwabsky, Barry, Alastir Mackinven, artforum.com, September 2023
Ukiomogbe, Juliana, How “Artists Against Apartheid” Is Using Watermelons to Raise Funds for Palestine, interviewmagazine.com, 28 October 2021
–––, Satoshi Kojima: Akashic records at Bridget Donahue Gallery, New York (Photos Story), artefuse.com, 8 June 2021
Schwabsky, Barry, Alastair Mackinven, Reena Spaulings Fine Art, Artforum, May 2021 p. 162
–––, Alastair Mackinven at Reena Spaulings, Contemporary Art Daily, 19 March 2021
Block, Louis, Alastair Mackinven: Dlnrg [oeeey], Brooklyn Rail, March 2021
Hunt, Andrew, Alastair Mackinven and Behrang Karimi, Artforum, May 2019, pp. 291-292
Sharp, Chris, Symbolism in a Time of Literal Disaster, garage.vice.com, 5 June 2018
Valacchi, Maria Chiara, “In The Reading Room of Hell” at A plus A Gallery, Venice, 26 March 2018
–––, “In The Reading Room of Hell” at A plus A Gallery, Venice, moussemagazine.it, 2018
Bloomfield, Zara, Berlin's art incubators: Ein englischer Gastbeittrag, tagesspiegel.de, 14 September 2017
–––, Thinking Outside the Box: The Museum Haus Konstruktiv Collection (1986-2016), Hatje Cantz, 2017
A.J.R.M. is my Slave Name: Binerism and the Sexual Libidinal Cashé, Peles Empire, 2013
—-, Alastair Mackinven: Assault on Lismore Castle’s fourth wall, artdaily.com, 2012
Kelsey, John, The Galleries essay, Rich Texts: Selected Writing for Art, Sternberg Press, 2010
–––, Grand National: Art From Britain, Vestfossen Kunstlaboratorium, 2010
–––, Newspeak: British Art Now, Saatchi Gallery, 2010
Coxhead, Gabriel, Alastair Mackinven, timeout.com, 6 November 2009
Mackinven, Alastair, Abstract Capitalist Realism, mapmagazine.co.uk, November 2009
–––, Performances 2006 to 2009, Focal Point Gallery, 2009
Hunt, Andrew, Nang!, frieze.com, 13 January 2009
Gronlund, Melissa, Nought to Sixty: 60 projects 6 months, archive.ica.art, London, 2008
–––, 0-60, Frieze Magazine, 2008
Ashton, Sean, J.G. Ballard: Atrocity Exhibition, mapmagazine.co.uk, September 2008
–––, Los Angeles Artists at Anna, The National, Arts & Life, 24 July 2008, p. 2
Kramholler, Joseph, Modern Painters, 2007
Mellors, Nathaniel, The Empire Strikes Back, Frieze, 2 September 2006
–––, Bad Painting, Flash Art, 1995
–––, Embraceable You, Frieze, 1994
–––, Transgressions at the Edmonton Art Gallery, C Magazine, 199
Rubell Museum, Miami, FL, USA
The Saatchi Gallery, London, UK
Zabludowicz Collection London, London, UK