1 — 23 All

Configuration of no-thing
acrylic paint and chalk on linen and cotton duck canvas, paper and 2 metal supports, 8 part work:
1. 30 x 25 cm, 2. 30 x 25 cm, 3. 183 x 183 cm, 4. 100 x 140 cm, 5. 210 x 175 cm, 6. 30 x 30 cm
2007-09

2007-09-configuration-of-no-thing-072-web

The Graphite Box and The Salt Box

exhibition view
Earth of Paradise, Arnolfini, Bristol, UK
1991

1990_the_salt_box__the_graphite_box_(installation_view)_edit

Webs (Backlight) VII
acrylic, graphite and pigment on linen
254 x 254 x 6 cm
1995

1995-webs-(backlight)-vii-072-web

Compass
acrylic paint, pigment and graphite on linen canvas, boxed lithographic prints, painted wood and steel tables, 4 part work:
1. (canvas) 254 x 254 cm, 2. (tables) 69 x 75 x 75 cm,
3. & 4. 32 x 31 x 17 cm and 33 x 31 x 12 cm
1992-93

1992-93_compass_installation_view_edit

The Right One. The One That’s Left
wood, glass, lead, suede shoes
28 x 10 x 11.4 cm (each)
1989

1989-the-right-one-the-one-that's-left-072-web

Webs (Backlight) III
acrylic, graphite & pigment on linen
254 x 254 x 4 cm
1994

1994-webs-(backlight)-series-iii--(254x254)-072-web

exhibition view
Blocking Light, Camden Arts Centre, London, UK
1996

1995-camden-installation-view-oe-072-web

In some languages there is one hundred words for snow, in others there are none
acrylic paint on cotton duck canvas, silk, tracing paper, paper and metal, 13 part work:
1. 178 x 153 cm, 2. 51 x 51 cm; 3. 30 x 30 cm, 4. 25 x 20 cm, 5. 25 x 20 cm, 6. 25 x 30 cm, 7. 75.5 x 70 cm (paper) 120 x 10.5 cm, 8. 20 x 25 cm, 9. 18 x 12.5 cm, 10. 18 x 12.5 cm (folded), 11. 120 x 120 cm, 12. 12.5 x 35 x 7.5 cm, 13. 12.5 x 35 x 7.5 cm
2016/18

2016-18-in-some-languages-there-is-one-hundred-words-for-snow_-in-others-there-are-none-072-web

A man who walks on his head, ladies and gentlemen, a man who walks on his head sees the sky below, as an abyss
slate, glass and chalk
13.8 x 33 x 149 cm
1998

and

Series III Figures of unknown significance
acrylic paint and chalk on cotton canvas
220 x 280 x 4 cm
2002-03

exhibition view
Descriptions, Museum of Contemporary Art, Sydney, 2003

2003-descriptions-exhibition_-mca-sydney-072-web

(left)
Series III Group II Rows of dots and marks to signify omission
acrylic paint on linen canvas
165 x 180 x 3 cm
2003

(centre)
Series II Group II Title Unknown
acrylic paint on linen canvas
165 x 180 x 3 cm
2002

(right)
Untitled
slate and glass
31 x 81.3 x 28.5 cm
1998

Descriptions,
Museum of Contemporary Art, Sydney, 2003

2003-series-iii-group-ii-mca-sydney-072-web

Meridians VII
acrylic paint on linen canvas
228.5 x 279.5 x 6 cm
1998

1998-meridians-vii-(228.5x279.5x6)-072-web

exhibition view
Recent Work, Ikon Gallery, Birmingham UK
1995

1995-ikon-installation-view-072-web

Object From Nature
two bird skulls set in wax with pencil drawing
20.5 x 30 x 10 cm
1992

and

Birdbox, La Scatola Dell ‘Uccello’
wood, glass and steel
98 x 73 x 13.5 cm
1992

exhibition view
Recent Work, Ikon Gallery, Birmingham UK
1995

1995-ikon-installation-view_-boxes-072-web

A reminder of things…
acrylic paint and chalk on linen and cotton canvas, and 4 metal supports, 15 part work
(detail)
2013

2013_-a-reminder-of-things...-(details)-moscow-installation-4-photo-yackov-yackov-petchenin-072-web

A reminder of things…
acrylic paint and chalk on linen and cotton canvas, and 4 metal supports, 15 part work:
1. 275 x 225 x 6 cm, 2. 150 x 1600 cm, 3. 95 x 90 cm, 4. 80 x 65 cm, 5. 30 x 30 cm, 6. 30 x 25 cm, 7. 30 x 25 cm, 8. 30 x 25 cm, 9. 30 x 25 cm, 10. (canvas panel) 33 x 4.5 cm, 11. (canvas panel) 143 x 2.5/5 cm, 12. 13. 14. & 15. (metal supports) 13 x 10 x 23 cm, 13 x 10 x 23 cm, 15 x 18.5 x 28 cm, 15 x 18.5 x 28 cm, installation variable
2013

exhibition view
More Light, 5 Moscow Biennale of Contemporary Art, Moscow, Russia
2013

2013_-a-reminder-of-things...-moscow-installation-3-photo-yackov-yackov-petchenin-oe-072-web

Incubo
acrylic paint on cotton duck canvas, chalk, metal and gauze, 12 part work:
1. 160 x 160 cm, 2. 145 x 14 cm, 3. 110 x 130 cm, 4. 50 x 50 cm, 5. 300 x 90 cm, 6. 300 x 90 cm, 7. 12.5 x 35 x 7.5 cm, 8. 12.5 x 35 x 5.5 cm, 9. 12.5 x 35 x 7.5 cm, 10. 12.5 x 35 x 7.5 cm, 11. 19 x 8.5 cm, 12. 19 x 8.5 cm, installation variable
2016

2016-incubo-(installation-variable)-072-web

In Procession
acrylic paint and chalk on canvas and paper, metal supports and pins, 14 part work:
1. 228 x 186 cm, 2. 183 x 30 cm, 3. (paper) 137 x 101.5 cm, 4. (paper) 115 x 83.5 cm, 5. 53 x 50.5 cm x 4 cm, 6. 25 x 25 cm, 7. 20 x 20 cm, 8. 25 x 50 cm, 9. 20 x 20 cm, 10. 20 x 20 x 4 cm, 11. 24 x 30 x 4 cm, 12. (variable) 28 x 19 cm, 13. (metal supports) 13 x 8 x 34 cm, 14. (metal supports) 13 x 8 x 34 cm
2019

2019-in-procession-072-web

Strategies of Tyranny III
acrylic and chalk on cotton duck canvas
130 x 130 x 2 cm
2018

2018-strategies-of-tyranny-iii-072-web

Strategies of Tyranny I
acrylic and chalk on cotton duck canvas
160 x 160 x 2 cm
2018/19

2018--strategies-of-tyranny-i-072-web

The count of lines
acrylic paint and chalk on cotton canvas and linen, metal pins, 20 part work:
1. 183 x 302 cm, 2. 25 x 30 cm, 3. 50 x 45 cm, 4. 25 x 25 cm, 5. 25 x 25 cm, 6. 25 x 26 cm, 7. 38 x 35 cm, 8. 30 x 30 x 4 cm, 9. 24.5 x 24 cm, 10. 23 x 22 cm, 11. 28 x 13.5 cm, 12. 15.5 x 22.5 cm, 13. 22 x 31 cm, 14. 24.5 x 16 cm, 15. 25.5 x 23 cm, 16. 20 x 12.5 cm, 17. 24.5 x 34.5 cm, 18. 5 x 11.5 cm, 19. 22.5 x 27.5 cm, 20. 31.5 x 29.5 cm
2019

2019-the-count-of-lines-072-web

Strategies of Engagement I
acrylic and chalk on cotton duck canvas, 5 part work:
1. 201 x 93.5 cm, 2. 201 x 93.5 cm, 3. 201 x 93.5 cm, 4. 40.5 x 30.5 cm, 5. (acrylic on linen) 20 x 20 cm, installation variable
2018

2018-strategies-of-engagement-i-(installation-variable)-072-web

exhibition view
Mobile Relations, The Gallery at Norwich University of the Arts, 2013

2013-selected-aporia-nua-072-web

Birds of a feather III
acrylic paint and pencil on canvas and linen with paper, elastic band and metal, 6 part work:
1. 254 x 254 cm, 2. 25 x 30 cm, 3. 25 x 25 cm, 4. 25 x 25 cm, 5. 25 x 25 cm, 6. 25 x 25 cm, installation variable
2009-12

exhibition view
Mobile Relations, The Gallery at Norwich University of the Arts, 2013

An-mobilerelations-2013-072-web