Vilnius Art Institute, Vilinius, Lithuania

The Silver Crane Awards, 15th National Film Awards

Grand Prize of the City of Oberhausen

Silver Crane film awards nominee
Tiger Award for Short Film nominee

The Vincent Award
Lithuanian National Prize for Culture and Arts

(C) denotes that a catalogue was published in conjunction with the exhibition.

The Fifer, Maureen Paley, London, UK

Anachronisms, Konschthal Esch, Luxembourg

The Fifer, Base Progetti Per L’Arte, Florence, Italy

The Fifer, GB Agency, Paris, France

Deimantas Narkevičius – Rocking The State, ŁAŹNIA Centre for Contemporary Art, Gdańsk, Poland
20 July.2015, FLUX. Lithuanian Art Festival, Auditorium Arte, Rome, Italy
20 July.2015, Piktogram, Warsaw

Stains and Scratches, National Gallery of Art, Vilnius, Lithuania
20 July.2015, Maureen Paley, London, UK
Salt and disappearance, GB Agency, Paris, France

Doubled Youth, BALTIC Centre For Contemporary Art, Gateshead, UK
Books on Shelves and Without Letters, The Blank Contemporary Art, Bergamo, Italy

Archaeology of Memories, Corner House, Riga, Latvia (C)
Sad Songs of War, gb agency, Paris, France
Maureen Paley, London, UK
Da Capo, Museum of Contemporary Art, Zagreb, Croatia (C)

Cupboard and a Song, The National Museum of Contemporary Art, Bucharest (MNAC), Bucharest, Romania (C)
Sounds Like The XX Century, Galerija Vartai, Vilnius.
Cupboard and a Play, gb agency, Paris, France
Oberhausen International Short Film Festival, 60th edition, Oberhausen, Germany (C)

Da Capo, Deimantas Narkevičius, Marino Marini Museum, Florence, Italy
Da Capo, Deimantas Narkevičius, Museo d´Arte Contemporanea Villa Croce, Genoa, Italy
Deimantas Narkevičius, Independent, gb agency, New York, USA

Deimantas Narkevičius, Para/Site, Hong Kong
A Tang of Lomo Film, Galerie Barbara Weiss, Berlin, Germany

Architektur und Film, Blue Box, Deimantas Narkevičius, The Head, Sprengel Museum, Hannover, Germany
Solo film programme, 15th International Short Film Festival, Winterthur, Switzerland
Deimantas Narkevičius, Restricted Sensation, gb agency, Paris, France

Getting a lost tune, Artra, Milan, Italy
Darkroom Series: Deimantas Narkevičius, Turku Art Museum ,Turku, Finland
Sarabande, with Zilvinas Kempinas, Frac Basse Normandie, Caen, France
The Unanimous Life, Kunsthallen Brandts, Odense, Denmark

Deimantas Narkevičius, gb agency, Paris, France
Deimantas Narkevičius, BFI Southbank Gallery, British Film Institute, London, UK
The Dud Effect, Mala Galerija, Museum of Modern Art, Ljubljana, Slovenia
The Unanimous Life, Van Abbemuseum, Eindhoven, The Netherlands, touring to Kunsthalle, Bern, Switzerland
Deimantas Narkevičius, Mamco, Geneva, Switzerland

‘The Unanimous Life / La Vida Unanime’, Museo Nacional Centro De Arte Reina Sofia, Madrid, Spain (C)
The Dud Effect, Galerie Barbara Weiss, Berlin touring to Jan Mot, Brussels, Belgium
Genius Secul, The Center of Contemporary Art, Thessaloniki, Greece

The Role of a Lifetime, Index, Stockholm, Sweden
History Continued, Mücsarnok Kunsthalle, Budapest, Hungary
Revisiting Solaris, Daadgalerie, Berlin touring to Contemporary Art Centre, Vilnius, Lithuania
Among the Things We Touched, Secession, Vienna, Austria
The Documentary Film Platform ZONE, The Arts Center Buda, Kortrijk, Belgium
The University Movie Theater Film Plateau, Ghent; MuHKA, Antwerpen, Belgium

Screening, Musée National d’Art Moderne, Centre Pompidou, Paris, France
‘This not What you See’, Bunkier Sztuki, Kraków, Poland
Plug In, Van Abbemuseum, Eindhoven, The Netherlands
Once in the XX Century, Arnolfini, Bristol, UK
Galerie für Zeitgenössische Kunst, Leipzig, Germany
Instead of Today, gb agency, Paris, France

Once in the XX Century, Akademie der Kunst, Berlin, Germany

Two Sculptures, CAC, Contemporary Art Centre, Vilnius, Lithuania
Films screening, Tate Modern, London, UK
Deimantas Narkevičius, Foksal Gallery, Warsaw, Poland
Deimantas Narkevičius, Galerie der Stadt, Schwaz, Austria
Deimantas Narkevičius Screenings, Roseum Contemporary art Center, Malmö, Sweden
Legend Coming True, Musée d’Art et d’Histoire du Judaïsme, Paris, France

The Role of a Lifetime, Art and Sacred Places, St. Peters Church, Brighton, UK
Kaimietis, Jan Mot, Brussels, Belgium
Either True or Fictitious, Frac des Pays de la Loire, Carquefou, France
Energy Lithuania, Liste 03, gb agency, Basel, Switzerland

Deimantas Narkevičius, gb agency, Paris, France
Deimantas Narkevičius’s Project, Kunstverein, Munich, Germany

Energy Lithuania, Jan Mot, Brussels, Belgium
Deimantas Narkevičius, Lithuanian Pavillion, 49th Venice Biennale, Venice, Italy
Deimantas Narkevičius, One day film and video screenings, Moderna Museet, Stockholm, Sweden

Deimantas Narkevičius, 8×16 × 35, Contemporary Art Centre, Vilnius, Lithuania

Deimantas Narkevičius, Unforced Reality, Akademija Gallery, Vilnius, Lithuania

(C) denotes that a catalogue was published in conjunction with the exhibition.

Rouge Baiser, Centre d’art Le hangar à Bananes - Le Hab, Nantes, France
Betweenness: Technoculture and the Baltics, Kim? Contemporary Art Centre, Riga, Latvia
Saodat Ismailova: Double Horizon, Le Fresnoy – Studio National Des Arts Contemporains, Tourcoing, France

The Meeting That Never Was, MO Museum, Vilnius, Lithuania
Archaeologists of Memory: Vitols Contemporary Art Collection, Tallinn, Estonia
Towards The Unknown, Salt Beyoğlu & Salt Galata, Istanbul, Turkey
Politics in Art, Museum of Contemporary Art Kraków, Kraków, Poland
Sad Songs of War / Collection as a Verb, Museum of Contemporary Art, Zagreb, Croatia
The Immeasurable and World's End, JWD Art Space, Bangkok, Thailand

Eurasia − A Landscape of Mutability, Museum of Contemporary Art Antwerp, Antwerp, Belgium
Inquiétantes des temps, Un parcours à travers la collection des films du Cnap, Maubuisson Abbey, Île de France
Observing the Power, Estonian Museum of Architecture, Tallinn, Estonia
Questionable History, The Wende Museum, The Armoury, Culver City, California, USA
When The Present Is History, MOMus Contemporary, Museum of Contemporary Art-Macedonian Museum of Contemporary Art and State Museum of Contemporary Art Collections, Thessaloniki, Greece

Splitting the Atom, CAC/SMC Centre for Contemporary Art Energy & Technology Museum, Vilnius, Lithuania
Activity of Matter, GB Agency, Paris, France

Unexpected Encounters, Latvian National Museum of Art, Latvia
Fake News – Fake Truth, Halfa Museum of Art, Halfa, Israel
After leaving / Before arriving, 12th Kaunas Biennial, Kaunas, Lithuania
Phenomenon 3, Anafi Biennial, Anafi, Greece
Videonale.17 Refracted Realities, Kunstmuseum Bonn, Bonn, Germany

The Ocean After Nature, College of Wooster Art Museum, Wooster, Ohio, USA
The Archaeology of the Screen, Kumu Art Museum, Tallinn, Estonia
Motherland in Art, Mocak Museum of Contemporary Art, Krakow, Poland
Pluses and minuses. On Bialystok’s power station, Arsenal Gallery, Białystok, Poland
The Future Is Certain; It’s the Past Which Is Unpredictable, Blaffer Art Museum, Huston, Texas, USA

The Revolution is Dead. Long Live the Revolution! Kunstmuseum Bern, Bern, Switzerland
The Future is Certain; It’s the Past Which is Unpredictable, Calvert 22 Foundation, London
The Revolution is Dead. Long Live the Revolution! Kunstmuseum Bern, Bern, Switzerland
The Future is Certain; It’s the Past Which is Unpredictable, Calvert 22, London, UK
There and not There: (Im)possibility of a monument, 11th Kaunas Biennial, Kaunas, Lithuania
In search of Global Poetry: Videos from the Han Nefkens Collection, He Xiangning Art Museum, Shenzhen, China
Vision on vision, Lemaitre video collection, Sema Museum, Seoul, Korea
The Haunted House, National Centre for Contemporary Arts (NCCA), Moscow, Russia
The Ocean After Nature, Dublin City Gallery, Dublin, Ireland
It’s getting better and even better, Arsenal Gallery, Bialystok, Poland

Labor Relations, Wroclaw Contemporary Museum (MWW), Wroclaw, Poland
ILLUMINATION – New contemporary art at Louisiana, Louisiana Museum of Modern Art, Humlebæk, Denmark
Straub/Huillet/Weiss. Alienation Towards Our Small Familiar World, Temporary Gallery, Cologne Germany.
On the Shoulders of Giants, Kunsthalle Mainz, Germany
Books on Shelves and Without Letters, Bergamo Film Meeting, Sala alla Porta Sant’Agostino, Italy

10th Kaunas Biennial NETWORKED, Networked Encounters Offline, curated by Francesca Ferrarini, Kaunas, Lithuania
Vidéothèque mobile, frac île-de-france, in partnership with the Théâtre des Amandiers, Paris, France
Gorgona Then and Now & Artist On Vacation 2015, MSU Museum of Contemporary Art Zagreb, Zagreb, Croatia
90-Minute workout of Monument Therapy, Facelifting and Media Massage (screening), Gogosian Gallery, Beverly Hills, USA
Collecting for Tomorrow: New Works at Museion, Museion, Bolzano, Italy
Black Bandits, Haus am Lützowplatz, Berlin, Germany
The Future of Memory, An exhibition on the infinity of the present time, Kunsthalle Wien Museumsquartier, Vienna, Austria

Ruderal Society, Museion, Bolzano.
Art-Histories, Museum der Moderne MdM, Salzburg.
Manifesta 10, the European Biennial of Contemporary Art, St. Petersburg.
All that Falls, Palais de Tokyo, Paris.
Jaurès et les mineurs, Musée-Mine départemental, Cagnac les Mines.
La disparition des lucioles, Prison Sainte-Anne,Avignon.
More Power, Museum de Fundatie, Paleis a/d Blijmarkt, Zwolle.
Il Piedistallo Vuoto, Fantasmi dall’Est Europa, Museo Civico Archeologico,
Bologna.
New presentation, Permanent Collection,Tate Modern, London.
The Way of the Shovel: Art as Archaeology, Museum of Contemporary Art Chicago (MCA), Chicago.
Museum as Hub: Report on the Construction of a Spaceship Module, tranzit, New Museum, New York.

A Thousand Years of Non Linear History, Centre Pompidou, Paris.
Play! Recapturing the Radical Imagination, Göteborg International Biennial for Contemporary Art, Göteborg.
A Sense of Place, The Ruth and Elmer Wellin Museum of Art, Hamilton College, NewYork.
Susan Vérité, Crac Alsace, Altkirch.
Start making sense, LiveInYourHead, Institut curatorial de la Head, Genève.
In the Heart of the Country, The Collection of the Museum of Modern Art in Warsaw, Museum of Modern Art,Warsaw.
Riding riding, Université de Strasbourg, Palais Universitaire, Salle Vingt-Sept, Strasbourg.
Part of a Larger Whole. Lithuanian Contemporary Art, Contemporary Art Centre (CAC),Vilnius.
Inventing a future, gb agency, Paris.
Untited States of Europe,A travelling exhibition about European identity and today’s Europe, Les Ecluses, fabrique culturelle et numérique, Paris.

Performing Histories (1), MoMA, New York.
The Freedom of Sound. John Cage behind the Iron Curtain, Ludwig Muzeum, Budapest.
United States of Europe, Kultur Forum Dresden, Dresden.
Prestige:phantasmagoria Now, Klaipeda Culture Communication Center (KCCC), Klaipėda.
Ante-Memorial, Taipei Biennale,Taipei.
Sehnsucht, Gaasbeek Kasteel, Gaasbeek.
Fremde Überall, Foreigners Everywhere, An exhibition of works from Pomeranz Collection, Jewish museum, Vienna.
Day for Night: Between Reality and Illusion, City University, New York.
You are not alone, Artaids, BACC, Bangkok Art Culture Centre, Bangkok.
Paris-Vilnius, un regard sur la photographie lituanienne contemporaine, Ecole Nationale des Beaux-Arts, Paris.
Un nouveau festival, Centre Pompidou, MNAM, Paris.
United States Of Europe, Plataforma das Artes, Guimarães.
Modern Monsters / Death and Life of Fiction, Taipei Biennial 2012,Taipei.
The Collection in Action, Media works from Vito Acconci to Simon Starling, Museion, Museum für moderne und zeitgenössische Kunst, Bolzano.
Rearview Mirror: New Art from Central & Eastern Europe, Art Gallery of Alberta, Edmonton, Alberta.
Session 3: Rethinking the family archive in Iñaki Bonillas and Deimantas Narkevicius, La Virreina Centre de la Imatge, Barcelona.
Affinités, déchirures & attractions, Frac Alsace, Musée Würth, Erstein, Ecologies of Image, MUSAC, Leon.
Kadist: Pathways Into A Collection, Minsheng Art Museum, Shanghai.

United States Of Europe, Fabry Strefa, Lodz.
The City is a Burning Blazing Bonfire, Cubitt, London.
Auditorium Moscow, a sketch for a Public Space, Belie Palaty, Moscow.
Side by Side Poland – Germany. A 1000 Years of Art and History, Martin Gropius Bau, Berlin.
Les impromptus, part 3, Les Armes silencieuses, Centre d’Art Bastille, CAB, Grenoble.
Au grenier, 4 pièces de mémoire, Musée d’Art Contemporain, Rochechouart.
Viennale, Vienna International Film Festival,Vienna.
Passé Présent #3, La Plate-Forme, Dunkerque.
Rearview Mirror: New Art from Central & Eastern Europe, The Power Plant, Toronto.
Ostalgia, New Museum, New York.
The present’s presents, CAN, Centre d’Art Neuchâtel, Neuchâtel.
We Will Live, We Will See, Zabludowicz Collection Curatorial Open 2011, London.
Art Unlimited, gb agency, Jan Mot and BarbaraWeiss, Art 42,Basel.
Hypthesis of self portrait, gb agency,Art 42 Basel, Basel
History in Art, MOCAK, Museum of Contemporary Art in Krakow, Krakow.
You are not alone, Artaid’, The Joan Miró Foundation, Barcelona.
Space, About a Dream, Kunsthalle Wien,Vienna.

Building Memory, CCA,Tel-Aviv.
Million and One Day, National Gallery,Vilnius.
Faux Amis / An Ephemeral Video Librar’, Jeu de Paume, Paris.
Luc Tuymans: A vision of Central Europ’, Brugge.
Lithuanian Art 2000–2010:Ten Years, Contemporary Art Center Vilnius, CAC,Vilnius.
Höhepunkte der Kölner KunstFilm Biennale, Kunst-Werke Berlin,KW Institute for Contemporary Art, Berlin.
Fiac, Grand Palais, gb agency & Jan Mot, Paris.
Yesterday Will Be Better, Taking Memory Into the Future, Aargauer Kunsthaus, Aargau.
There’s Always a cup of sea to Sail In, 29th Sao Paulo Biennial, Sao Paulo.
Primeira e última, Galeria Luisa Strina, Sao Paulo.
Luc Tuymans: A vision of Central-Europe, Groeningemuseum, Brugge.
Vidéothèque éphémère – Faux Amis, Jeu de Paume, Paris.
All That Is Solid Melts Into Air, Museu Colecção Berardo, Lisboa.
Res Publica, Moscow Museum of Modern Art, MMOMA, Moscow.
Over the Counter, Mucsarnok Kunsthalle, Budapest.
LUX Commissions presentation,Tate Modern, London.
Das im Entschwinden Erfasste: videokunst, Museum Folkwang, Essen.
Postmonument, XIV International Sculpture Biennale, Carrara.
Trust, Media City Seoul 2010, Museum of Art, Seoul.
The Boy Who Cried Wolf (Lefty Loosey, Righty Tighty), gb agency, Paris.
I see things that are not there, Polish Institute, Roma.
Art Always Has Its Consequences, Muzeum Sztuki, Lodz.
Building Memory, HMKV, Dortmund.
The Science of Imagination, Ludwig Museum, Budapest.
Art Always Has Its Consequences, Museum of Contemporary Art, Zagreb.
The Promises of the Past, 1950–2010, Centre Pompidou, MNAM, Paris.
Le présent du passé, FRAC Pays de la Loire, Carquefou.
Che Cosa Sono Le Nuvole, Museion, Bolzano.
Into the Unknown, Ludlow 38, New York.
The Future under Communism, Star City, Nottingham Contemporary, Nottingham.
1st Ural Industrial Biennial, Shockworkers of the Mobile Image, Ural Industrial Biennial, Yekaterinburg.
Documentalist, Collective Gallery, Edinburgh.
The Past is a Foreign Country, Centre of Contemporary Art Znaki Czasu, Torun.

Building Memory: four films about architecture, monuments and community, Contemporary Art Center, CAC,Vilnius.
3xYES, Latest acquisitions to the collection, Museum of Modern Art, Warsaw.
Urban Stories, The × Baltic Triennial of International Art, CAC,Vilnius. ‘What Keeps Mankind Alive?, 11th International Biennial, Istanbul.
XVI. Rohkunstbau: ATLANTIS I, Hidden Histories – New Identities, Schloss
Marquardt, Potsdam.
Les visages du mal, BWA Contemporary Art Gallery, Katowice.
Time As Matter, MACBA Collection, New Acquisitions, MACBA, Barcelona.
Monument To Transformation 1989 – 2009, City Gallery, Praha.
Pierre Bismuth, Mario Garcia Torres, Annette Kelm, Deimantas Narkevicius, Jan Mot, Brussels.
El Pasado En El Presente Y Lo Propio En Lo Ajeno, LABoral Centre for Art
and Creative Industries, Gijón.
At Your Service, David Roberts Art Foundation, London. ‘Frontières Invisibles’, Lille3000,Tri postal, Lille. Vidéos Europa, Le Fresnoy,Tourcoing.
DocPoint, Helsinki Documentary Film Festival, Helsinki.

For the First and the Second Time, Contemporary Art Center, CAC,Vilnius.
Ritornell. Neun Geschichten, Galerie im Taxispalais, Innsbruck.
Questioning History, Nederlands Fotomuseum, Rotterdam.
The Greenroom,The Hessel Museum and The Center for Curatorial Studies at Bard College, Annandale-on-Hudson,NewYork.
U-Turn, Quadrennial for Contemporary Art, Copenhagen.
Friction and Conflict, Kalmar Konstmuseum, Kalmar.
Cinema Indeed, Narratives and Projections, Institute Itaú Cultural, São Paulo. ‘
Lieux de vie, Mémoire et phantasme de l’enracinement, Abbaye Saint-André, Centre d’Art Contemporain, Meymac.
ArtFocus 2008, International Biennial of Contemporary Art, Jerusalem.
For Your Eyes Only, on tour 2008/2009, Collections Frac Nord – Pas de Calais, Fundacio Sunol, Barcelone; Netwerk, Centrum voor hedendaagse kunst,Aalst; Shanghai Zendai Moma,Shanghai;VeniceVideoArt Fair,Venice; Le Fresnoy,Tourcoing; Lothringer 13, Städtische Kunsthalle, München.
WANÅS 2008: Loss,The WANÅS Foundation, Knislinge.
Like an Attali Report, but Different, Kadist Art Foundation, Paris.
TheVincentAward 2008, Stedelijk Museum,Amsterdam.
You Are My Mirror 2 : les lendemains n’ont pas chanté, 49 NORD 6 EST – Frac Lorraine, Metz.
Modern Ruin, Gallery of Modern Art, Brisbane. ‘Fusion / Confusion’, Museum Folkwang, Essen.
Art Sheffield 08:Yes, No & Other Options, Sheffield.
Screenings, Pro Arte Foundation, Helsinki.
Working Men, Galerie Analix Forever, Genève.

Macba im Frankfurter Kunstverein, Kunstverein, Frankfurt.
Du Machinique et du Vivant, La Réserve, Pacy sur Eure.
Cine y Casi Cine, Museo Nacional Centro de Arte Reina Sofia, Madrid.
So close, so far awa’, H+F collection, Platform voor Actuel Kunst, Waregem.
Contour 2007,Third Biennial for video art, Mechelen.
Future in the Past, Slovenian Pavilion,The 52nd International Art Exhibition, Venice Biennale,Venice.
Skulptur Projekte Münster 07’ Münster.
La Pensée Sauvage, Kunstverein, Frankfurt.
Deimantas Narkevicius and Jùlius Koller, Art Premiere, gb agency, Art 38, Basel.
Urban Connection II, Domaine de Chamarande, Chamarande.
The Art of Failure, Kunsthaus Baselland, Basel.
Der Prozess, Collective Memory and Social History, Prague Biennale 3, Praha.
53rd International Short Film Festival Oberhausen, Oberhausen.
Revolution, Centre d’Art Contemporain, La Passerelle, Brest.
Anachronism, Argos, Brussels.
So Close So Far Away, Crac Alsace, Altkirch.

Plug In,#1,Van Abbemuseum, Eindhoven.
The Last Chapter-Trace Route: Remapping Global Cities, 6th Gwangju Biennial, Gwangju.
Histoire(s’), Le Grand Café, Saint-Nazaire.
Happy Believers, 7th Werkleitz Biennal,Volkspark Halle.
Une Vision du Monde, La collection vidéo de Jean-Conrad et Isabelle Lemaître, Maison Rouge, Paris.
35th International Film Festival, Rotterdam.
Biennale Cuvée, O.K Centrum für Gegenwarstskunst, Center for Contemporary Art, Linz.

Soft Target, BAK, Utrecht. ‘Delicious’, Sint-Truiden.
Petites Compositions entre amis, Séquence 2, gb agency, Paris.
Black Market Worlds, 9th Baltic Triennial, Contemporary Art Center, CAC, Vilnius.
Prague Biennial, Czech National Museum, Praha.
The Invisible Insurrection of a Million, Sala Rekalde, Bilbao.
Do Not Interrupt Your Activities, Royal College of Art Galleries, London.
Mémoires vives / Schwindel Gefühle, Plattform, Berlin
Video Rental, e-flux space, New York.

Busan Biennial, Busan.
Time and Agai, Stedelijk Museum, Amsterdam.
Instant Europe, Villa Manin, Centro d’Arte Contemporanea, Udine.
The Future is not what it used to be, Galerie für Zeitgenössische Kunst, Leipzig.
Brainstorming,Topographie de la morale, Centre d’Art Contemporain, Vassivière.
Focus on D. Narkevicius, 33rd International Film Festival, Rotterdam. ‘Films by Anna Klamroth & Deimantas Narkevicius, Contemporary Arts, Dundee.
Utopia Station Posters, DasTAT/Bockenheimer Depot, Frankfurt.
The Role of a Lifetime, Second Video Festival, Kunstverein Muenchen, Munich.

Now What?, Dreaming a Better World in six Parts, BAK, Utrecht.
Utopia Station Posters, Haus der Kunst, Munich;Vienna.
Links, gb agency, Paris.
Utopia Station, 50th Venice Biennial,Venice.
Déplacements, ARC, Musée d’Art Moderne de la ville de Paris, Paris.
Nouvelles acquisitions, Musée d’Art Moderne de la ville de Paris, Paris.
Bareikis/Narkevicius, National Gallery Zacheta,Warsaw.
Opening show, Die Brücke, Kölnischer Kuntverein, Köln.
Exposing Cinema, International Film Festival, Rotterdam.

Die Aufgabe der Zeit, Kunstverein, Münster.
Museum in Progress, Galleria Continua, San Gimignano.
Nuits blanches, screening, Plus qu’une image, Paris.
Détours, screening, Frac Basse-Normandie, Caen.
Mare Balticum, National Museum of Denmark, Copenhagen.
Centre of Attraction, 8th Baltic Triennial of International Art, Old Printing House,Vilnius.
Platform of Encounters, Contemporary Art Center,Vilnius.
Parc Humà, una exposicio de criatures globals, Institut de Cultura Palau de la Virreina, Barcelona.
What is Cinema, 31st International Film Festival, Rotterdam.
Die Aufgabe der Zeit, Kunstverein, Münster.
The Baltic Times, Gallerie im Taxipalais, Innsbrück.

Ausgeträumt…, Secession,Vienna.
Wonder World, Kleines Helmhaus, Zürich.
Oh Europe, The Netherland Foto Instituut, Rotterdam.
Affinités Narratives, gb agency, Paris.
Egzotika, Contemporary Art Center,Vilnius.

Innocent Life, Contemporary Art Centre, CAC,Vilnius.
Inverse Perspectives, EDSIK, Stockholm.
Re: songlines, Halle fur Kunst, Luneburg.
Central Station, Milch Gallery, London.

After the Wall, Moderna Museet, Stockholm.
Lithuanian Art 1989-1999:The Ten Years, Contemporary Art Centre,Vilnius.
Signs of Life, Melbourne International Biennial, Melbourne.
Near and Elsewhere,The Photographers’ Gallery, London.

Utopia, Chateau de Beaumanoir, Le Leslay.
Manifesta 2, Biennale Européenne d’Art Contemporain, Luxembourg.
Cool Places, 7ème Triennial of Contemporary Baltic Art, Contemporary Art Centre,Vilnius.

Ground Control, Baconsfield, London.
Invasion, International Saaremaa Biennial, Kuressare, Saaremaa.
Footnotes, Municipal Museum, Reykjavik.
Focus:Vilnius, Galerie im Trudelhaus, Baden.

For Survival, Experience, Feeling, Contemporary Art Centre,CAC,Vilnius.
Personal Time, Art of Estonia, Latvia and Lithuania 1945-1996, The Zacheta Gallery of Contemporary Art,Warsaw; Exhibition Hall, Saint-Petersbourg.
Subordination, Contemporary Art Centre, CAC,Vilnius. ‘
Bread and Salt, Cornehouse, Manchester.

Compulsive Objects, Gallery Rubicon, Dublin.
1995:Art in Lithuania, Contemporary Art Centre, CAC,Vilnius.
Mundane Language,Vilnius.
ARTEST, Kunsthalle Palazzo, Liestal.
Bread and Salt, Edinburgh College of Art, Edinburgh.

Non-recurring, Contemporary Art Center, CAC,Vilnius.
Bread and Salt, Contemporary Art Center, CAC,Vilnius.

Summer Exhibition, The Delfina Studio Trust, London.
Between Sculpture and Object in Lithuanan, Contemporary Art Center, CAC,Vilnius.
Good Evils, Picture Gallery, Kaunas.

Forma Anthropologica, Tallinn Art Hall, Tallinn.
Mare Balticum, Nordic Art Center, Helsinki.
Winter Exhibition, The Delfina Studio Trust, London.

Europe Unknown, TPSP Exhibition Hall, Cracow.

Twittering Soul, mBank New Horizons IFF 2024, Wroclaw, Poland
Twittering Soul, The Silver Crane Awards, Lithuanian Film Centre, Vilnius, Lithuania
Twittering Soul, The Institut français, Ciné Lumière, London, UK
Twittering Soul, International Film Festival Rotterdam (IFFR), Rotterdam, Netherlands

Shanghai Biennale, 14th Edition, Shanghai, China

Aesthetics of Resistance: Straub-Huillet and Contemporary Moving-Image Art, e-flux Screening Room, Brooklyn, New York, USA
The Role of a Lifetime, e-flux Video & Film, online screening

FIDLab Projects 2021, FIDMarseille 13th Edition, online screening
An Other Cinema: Apparatus and Histories, online program

Life After, Sõprus Cinema, Tallinn Photomonth 2019, Tallinn, Estonia

Deimantas Narkevičius: Short Films, CAST Film Club, Helston, Cornwall, UK
Experimenta, London Film Festival, BFI, London, UK
Prospective Cinema, Deimantas Narkevičius, Centre Pompidou, Paris

Other Uses, EMPAC, New York, USA

Medialization of Monuments; Monumentalization of Media, Temporary Gallery, Zentrum für zeitgenössische Kunst e.V. / Centre for contemporary art, Cologne, Germany

Vilnius Film Festival, Vilnius, Lithuania
The Dud Effect, Berwick Film Festival, Berwick-upon-Tweed, UK
Fact or Fiction, Berwick Film & Media Arts Festival, Northumberland, UK

Solo film programme, 15th International Short Film Festival, Winterthur, Switzerland

Body starting to change, Discipline, Melbourne, Australia

Da Capo, Fifteen films, Archive Books, Berlin, Germany

Deimantas Narkevičius: La Vida Unanime, The Museo Nacional Centro de Arte Reina Sofía, Madrid, Spain

Deimantas Narkevičius: Once in the XX Century, Arnolfini Gallery Ltd., Bristol, UK

Deimantas Narkevicius, Lithuanian Pavilion, 49th Venice Biennale, Italy

Deimantas Narkevičius: The Role of a Lifetime, Art and Sacred Places, London, UK

Jones, Amy, Focus on London, Flash Art, Issue 346, Vol. 57, Spring 2024, pp. 137, 147
McMullan, Thomas, Deimantas Narkevičius, The Fifer, artreview.com, 26 March 2024, in print: p. 93
Kurtz, Michael, Deimantas Narkevičius’s “The Fifer”, e-flux.com, 2 February 2024
–––, The Weekender – Must-See Exhibitions, Deimantas Narkevičius: The Fifer, galleriesnow.net, 26 January 2024

–––, Screening and discussion: Ana Vaz, Oraib Toukan, Deimantas Narkevičius, and Martha Rosler, e-flux.com, 28 July 2023
–––, The Role of a Lifetime, e-flux.com, 7 August 2023

–––, Staff picks: Deimantas Narkevičius, e-flux.com, 28 February 2022.

Curtis, David, Foreword by Steve McQueen, Artists’ Film (World of Art), Thames & Hudson, 2021, pp. 42, 81.
Ed. Mühlemann Hartl, Kaspar, Herrmann, Alois, museum in progress, museum in progress. Art in public spaces and in media - IN ONE END & OUT THE OTHER [ & THEN AGAIN ], Verlag der Buchhandlung Walther und Franz König, Köln, 2021, pp. 49 - 50.
Rosser, Michael, Ben Rivers, Carolina Moscoso projects among Marseille’s FIDlab 2021 line-up, screendaily.com, 10 May 2021.

Sadek, Nicole, Anafi island hosts event investigating art’s role in today’s politics, ekathimerini.com, 27 June 2019.
––––, Latvian Centre for Contemporary Art to open “Unexpected Encounters”, an exhibition dedicated to science fiction, baltictimes.com, 10 October 2019.

Bliškevičius, Linas, Banioniška Deimanto Narkevičiaus trejybė, 7md.lt, 19 January 2018.
Čiuladaitė, Gintarė Deimanto Narkevičiaus 3D monumentai, lzinios.lt, 3 January 2018.

Glover, Alexander, Deimantas Narkevičius: 20 July 2015, studiointernational.com, 8 March 2017.
Jablonskienė, Lolita, Ko klausia D. Narkevičiaus ekranai?, 29 December 2017.
Laia, João, Deimantas Narkevičius: 20 July.2015 at Maureen Paley, London, Mousse Magazine, February-March 2017,
pp. 159-160.
Morton, Elise, Catch the captivating films of Lithuanian artist Deimantas Narkevičius in London,
calvertjournal.com, 10 February 2017.
—-, Blouin Artinfo, Deimantas Narkevičius at Maureen Paley, London, blouinartinfo.com, 7 February 2017.
—-, Deimanto Narkevičiaus solo paroda Londono „Maureen Paley“ galerijoje, artnews.lt, 10 February 2017.
—-, Deimantas Narkevičius ‘20 July 2015, artresearchmap.com, 10 February 2017.
—-. “20 July 2015”, by Deimantis Narkevičius at Maureen Paley, London, blouinartinfo.com, 9 February 2017.
—-, Deimantas Narkevičius ‘20 July 2015, artresearchmap.com, 10 February 2017.
—-, Deimantas Narkevičius: „Iškart užsimezga kažkoks konfliktas“, maratonolaukas.blogspot.co.uk, 26 December 2017.

Kjærsgaard Hanse, Noa, Vi er sgu da en familie, din tosse, atlasmag.dk, 8 November 2016.
Walsh, Maria, Exhibitions: Demantis Narkevičius: Doubled Youth, Art Monthly, issue. 402, December 2016 – January 2017, pp.18-19.
McDermott, Rachel, Review: Doubled Youth, Deimantas Narkevičius, BALTIC Centre for Contemporary Art, Gateshead, corridor8.co.uk, 26 November 2016.
Jones, Jonathan, Five of the best… art exhibitions, theguardian.com, 28 October 2016.

McLean-Ferris, Laura, New Artist Focus: Laura McLean-Ferris on Deimantas Narkevicius, lux.org.uk, 16 June 2014.

Rahma, Khazam, Deimantas Narkevičius, Artforum, December 2009.
Caziani, Cecilia, Reconstructing reality, The subjective documentaries on Deimantas Narkevičius, Kaléidoscope, no. 3, September-October 2009.
Antognoli, Paolo Emilio, Deimantas Narkevičius; Gatherer of stars and ruins, Arte e critica, no. 59.
Boogerd, Dominic van den, Deimantas Narkevičius : Memory and Document in Times of Repression, Metropolis M, no.1, February – March 2009.
Rehberg, Vivian, Historical experience, Artpress, no. 354, March 2009.
Rottman, André, Deimantas Narkevičius, Artforum, February 2016.

Verla Bovino, Emily, Deimantas Narkevičius, Frieze, December 2008.

Rehm, Jean-Pierre (with conversation between Deimantas Narkevicius and Larissa Harris), A Prior Magazine, no.14.
Ground, Melissa, Conversation with Melissa Ground, Untitled, no. 43, Autumn 2007.

Allen, Jennifer, Deimantas Narkevičius, Akademie der Künste, ArtForum International, March 2006.

Rees, Simon, Those were the days, my friend…, Cac Interviu Magazine

Olbrist, Hans-Ulrich, Deimantas Narkevičius, Against Monumentality, Flash Art, October 2003.
Verwoert, Jan, Home Truths, How do you portray a historical crisis?, Frieze, no. 72, January – February 2003.