Goldsmiths’ College, University of London, B.A. (Hons.) Fine Art
Born 1963, Birmingham, United Kingdom.
Lives and works in London, United Kingdom.
Frieze, Flora Vesterberg's Top Five Picks on Frieze Viewing Room, 16 October 2022
The Guardian, 'I’m desperate’: how Gillian Wearing exposed our innermost thoughts, Katy Hessel, 15 August 2022
Studio International, Gillian Wearing: Wearing Masks, Natasha Kurchanova, 2 March 2022
Art Review, Trauma and Freedom: Gillian Wearing, ‘Wearing Masks’ – Review, Ela Bittencourt, 21 February 2022
The Washington Post, Artist Gillian Wearing is a superstar in the U.K. She is finally being feted in New York., Sebastian Smee, 18 February 2022
Wallpaper, The best New York art exhibitions: from Bruce Nauman to Gillian Wearing, Tilly Macalister-Smith, Harriet Lloyd-Smith, 22 January 2022
Aperture, Gillian Wearing Channels a Spiritual History of Photography, Kaelen Wilson-Goldie, 6 January 2022
Musée Magazine, Exhibition Review: Gillian Wearing: Wearing Masks, James Hastur, Ed. Jana Massoud, 15 December 2021
Hyperallergic, The Many Faces of Gillian Wearing, Nancy Princenthal, 2 December 2021
Artlyst, New York Exhibitions November 2021, November 2021
AnOther, “We Carry Our Younger Selves Around”: Gillian Wearing on Life, Art and Time, Osman Can Yerebakan, November 2021
The New York Times, Gillian Wearing Has Turned Masks Into an Art Form, Tanya Mohn, October 2021
Apollo, Behind the mask? An interview with Gillian Wearing, Martin Herbert, March 2021
The Guardian, Gillian Wearing's lockdown self-portraits peel back the mask and show the truth, Jonathan Jones, 16 September 2020
Wallpaper, At home with artist Gillian Wearing, Harriet Lloyed Smith, 14 September 2020
Brooklyn Rail, Gillian Wearing: Life, Osman Can Yerebakan, 1 November 2018
The Economist, Behind The Mask, David Bennun, 10 May 2017
Aperture, A Portrait of The Artist as Claude Cahun, Nicolas Cullinan, November 2016
Brooklyn Rail, Gillian Wearing: We Are Here, Shana Beth Mason, 18 December 2014
Goldsmiths’ College, University of London, B.A. (Hons.) Fine Art
Chelsea School of Art, London B.TECH Art & Design
CBE for contribution to the arts
Honorary Degree, Doctor of Letters, University of the Arts London
Schiele Prize, Cincinnati Art Museum
Honorary Fellow, University of the Arts London
Nominated for The Human Rights Art Award
Nominated for The Vincent Award
OBE for contribution to the arts
Grazia o2 × Award for Art
British Television Advertising Award, Public Service: Gold
For 2 into 1, Oberhausen Short Film Festival
Prize of the Ministry of Employment, Social Affairs and Urban Development, Culture and Sport
Turner Prize 1997 (C)
BT Young Contemporaries
(C) denotes that a catalogue was published in conjunction with the exhibition.
Your Views, Solo Presentation: Festival Images Vevey, L’Appartement – Espace Images Vevey, Vevey, Switzerland
Gillian Wearing: Editing Life, Solo Presentation: PHOTO 2022: Being Human, International Festival of Photography, ACMI, Melbourne, Australia
Gillian Wearing: Wearing Masks, Solomon R. Guggenheim Museum, New York, USA (C)
Lockdown, Maureen Paley, London, UK
Gillian Wearing: Rock ‘n’ Roll 70, Central Gallery, Moody Center for The Arts, Rice University, Houston, Texas
Bully, Marsh Gallery, Herron School of Art + Design, Indiana University, Indianapolis, USA
Life: Gillian Wearing, Cincinnati Art Museum, Cincinnati, Ohio, USA
Your Views, Dryden Theatre, George Eastman Museum, New York, USA (extended presentation of ‘Your Views’ in dedicated theatre)
Courage Calls to Courage Everywhere: The Making of the Millicent Fawcett Statue for Parliament Square by Gillian Wearing, Firstsite, Colchester, UK
Behind the mask, another mask: Gillian Wearing and Claude Cahun, National Portrait Gallery, London, UK (C)
Family Stories, The National Gallery of Denmark, Copenhagen
A Room With Your Views, co-commissioned by HOUSE and Brighton Festival, Brighton University Galleries, Brighton, UK
Sandra and Gerald Fineberg Art Wall, ICA Boston, USA
Instituto Valenciano de Arte Moderno, IVAM, Valencia, Spain (C)
everyone, Regen Projects, Los Angeles, USA
Rose Video 05, The Rose Art Museum of Brandeis University, Waltham, USA
We Are Here, Maureen Paley, London, UK
A Real Birmingham Family, Centenary Square, Library of Birmingham. Birmingham, UK
We Are Here, The New Art Gallery Walsall, Walsall, UK
Museum Brandhorst, Munich, Germany
PEOPLE: Selected Parkett Artists’ Editions from 1984-2013, Parkett Space, Zurich, Switzerland
The Apartment, Vancouver, Canada
Whitechapel Gallery, London, touring to K20, Kunstsammlung Nordrhein-Westfalen, Dusseldorf and Pinakothek der Moderne, Museum Brandhorst, Munich, Germany (C).
A Real Birmingham Family, Central Library, Birmingham and HomeSense, The Fort Shopping Park, Birmingham, UK
People, Tanya Bonakdar Gallery, New York, UK
A Real Birmingham Family, Ikon Gallery, Birmingham, UK
Confessions: Portraits, vidéos, Musée Rodin, Paris, UK
Regen Projects, Los Angeles.
Family Monument, Galleria Civica di Arte Contemporanea, Trento.
Elsewhere?, Galleria Emi Fontana, Milan.
Living Proof, ACCA, Australian Centre for Contemporary Art, Melbourne, (C).
Family History, in conjunction with the Film and Video Umbrella, touring exhibition: The Forbury Hotel Apartments, Reading; Ikon, Birmingham.
Family History, Maureen Paley, London, (C).
Snapshot, Bloomberg Space, London.
Outreach Award, Rencontres d’Arles Festival, Arles, France, (C).
Frans Hals Museum, Haarlem, The Netherlands.
Album, Regen Projects, Los Angeles.
Kiasma/Museum of Contemporary Art, Helsinki.
Album, Gorney Bravin+Lee, New York.
Album, Maureen Paley Interim Art, London.
Mass Observation, ICA Philadelphia.
Mass Observation, Musée d’Art Contemporain de Montréal.
Mass Observation, Museum of Contemporary Art, Chicago, (C).
A Trilogy, Vancouver Art Gallery, Vancouver, (C).
Kunsthaus Glarus, Glarus, Switzerland.
Angel Row Gallery, Nottingham, UK.
Centro Galego de Arte Contemporánea, Santiago, Chile.
Unspoken, Kunstverein München, Munich (C).
Museu do Chiado, Lisbon, Spain.
Sous Influence, Musée d’Art Moderne de la Ville de Paris, Paris, France.
la Caixa, Madrid, Spain.
Bluecoat Gallery, Liverpool, UK.
Regen Projects, Los Angeles.
Serpentine Gallery, London, Curated by Lisa G. Corrin, (C).
Gorney Bravin+Lee, New York.
A Woman Called Theresa, Ophiuchus Collection, The Hydra Workshop, Hydra, Greece.
Galerie Anne de Villepoix, Paris.
Drunk, De Vleeshal, Middelburg, The Netherlands.
Maureen Paley Interim Art, London.
Spacex Gallery, Exeter, UK.
Gallery Koyanagi, Tokyo, Japan.
Centre d’Art Contemporain, Geneva, Switzerland.
Galerie Drantmann, Brussels, Belgium.
Jay Gorney Modern Art, New York.
Wiener Secession, Vienna, Austria, (C).
10 – 16, Chisenhale Gallery, London.
Kunsthaus Zürich, Switzerland.
Emi Fontana, Milan, Italy.
Wish You Were Here (Video Evenings at De Appel), Amsterdam.
Le Consortium, Dijon, France.
Gillian Wearing, City Projects – Prague, Part II, The British Council, Prague, (C).
Valentina Moncada, Rome (British Council), Italy
Maureen Paley Interim Art, London, UK
Western Security, Hayward Gallery, London, UK
Maureen Paley Interim Art, London, UK
City Racing, London, UK
(C) denotes that a catalogue was published in conjunction with the exhibition.
Tell all the truth but tell it short, face b, Brussels, Belgium
Together in Time, Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles, US
outer view, inner world, Maureen Paley: Morena di Luna, Hove, UK
Face to Face, National Museum in Wroclaw, Wrocław, Poland
Long Story Short, MOCA Grand Avenue, Los Angeles, USA
Finding Family, Foundling Museum, London, UK
BIG WOMEN: Curated by Sarah Lucas, Firstsite, Colchester, UK
Annie Swynnerton, Tate Britain, London, UK
Stars Don’t Stand Still in the Sky: A Tribute to Lawrence Weiner, Regen Projects, Los Angeles, USA
Everything Was Beautiful, and Nothing Hurt, Henry Art Gallery: University of of Washington, Seattle, USA
Where Words Falter: Art and Empathy, The Frances Young Tang Teaching Museum and Art Gallery at Skidmore College, Saratoga Springs, New York, USA
Pas Sommeil: La Fête Dans Tous Ses États, Musée des Beaux-Arts, Rennes, France
Lenin Was a Mushroom, Moving Images in the 1990s, Museum of Contemporary Art Antwerp, Antwerp, Belgium
Subject: Artist, Rollins Museum of Art, Florida, USA
Lo, Lei, L’Altra, Magazzino delle Idee, Trieste, Italy
Me, Myself, I: Artists’ Self-Portraits, Royal West of England Academy, Bristol, UK
they shut me up in prose, Nassima Landau, Tel Aviv, Israel
Illusions Are Real - The Manif d'art 10 central exhibition - The Quebec City Biennial, Musée national des beaux-arts du Québec, Québec, Canada
Video at Large - Intimacy: Videos from the Collection of Musé d’Art Moderne de Paris, Red Brick Art Museum, Chaoyang District, Beijing
(Un)Defining Queer, Whitworth Museum, Manchester, UK
Body en Thrall with the Rugby Collection, Rugby Art Gallery, Rugby, UK
Photographing the Fantastic, NSU Art Museum, Fort Lauderdale, FL, USA
Real Wild Child, Ideal and Reality from 1900 until Today, Lentos Museum, Linz, Austria
Sound and Silence - the sound of silence in contemporary art, Kunstmuseum Bonn, Bonn, Germany
Masterpieces in Miniature: The 2021 Model Art Gallery, Pallant House Gallery, Chichester, UK
Catastrophe and Recovery, The National Museum of Modern and Contemporary Art (MMCA), Seoul, South Korea (C)
Lessons Learnt: Choices from the Collection by The Southampton School of Art, Design and Fashion, Solent University, Southampton City Art Gallery, UK Orchestral Manoeuvres: See Sound. Feel Sound. Be Sound, ArtScience Museum, Singapore
Selections: Gallery Artists, Regen Projects, Los Angeles, CA, USA
Hockney to Himid: 60 Years of British Printmaking, Pallant House Gallery, Chichester, UK
Au Rendezvous des Amis: Modernism in Dialogue with Contemporary Art from the Sammlung Goetz, Pinatek der Moderne, Munich, Germany
Technology Transformation: Fotografie und Video in der Kunstsammlung K20, Kunstsammlung Nordrhein-Westfalen, Düsseldorf, Germany
Return of the Real, Tanya Bonakdar Gallery, New York, NY, USA
Alien vs. Citizen, Museum of Contemporary Art Chicago, Chicago, IL, USA
L’impronta del reale. William Henry Fox Talbot alle origini della fotografia/ Impression of reality. William Henry Fox Talbot and the origin of photography, Gallerie Estensi, Modena, Italy (C)
Summer Exhibition, Royal Academy of Arts, London, UK
Another Idea: an actual conceptual art exhibition, Gray Center for Arts and Inquiry, Chicago, USA (online exhibition)
(SELF) PORTRAITS, Parkett Space Zurich, Switzerland
Dreams and Demands, The British Library, London, UK
Songs In The Dark, Tanya Bonakdar, New York, USA
Tell me the story of all these things, Firstsite, Essex, UK
Utopias, Whitworth Art Gallery, Manchester, UK
The Tears of Eros: Moesman, Surrealism and the Sexes,Centraal Museum, Netherlands
Mourning On Loss and Change, Hamburger Kunsthalle, Hamburg, Germany
UNFINISHED BUSINESS: The Fight for Women's Rights, British Library, London, UK
Children of Saturn, Rochechouart Musuem of Contemporary Art, Rochechoart, France
Feelings, Pinakothek der Moderne, Munich, Germany
Counter Acts, Lethaby Gallery, Central Saint Martins, London, UK
Frederick Douglass: Embers of Freedom, SCAD Museum of Art, Georgia, USA Reflection: British Art in an Age of Change, Ferens Art Gallery, Hull, UK
New Order, Sprueth Magers, London
double trouble \ double grins \ is it so with \ twins, Lothringer13 Halle, Munich, Germany
Expect the Unexpected, The Lowry Galleries, Salford, UK
Mask: In Present-Day Art, Aargauer Kunsthaus, Aarau, Switzerland (C)
MASK: The Art of Transformation, Kunstmuseum Bonn, Bonn, Germany, touring to Istanbul Modern, Istanbul, Turkey (C)
Reshape the Perception British Council Collection Touring Exhibition, Museum of Contemporary Art of Macedonia, Skopje, Macedonia
Home Sweet Home, The Rencontres d’Arles, Maison des Peintres, Arles, France (C)
Encore: Reenactment in Contemporary Photography, The Getty Center, Los Angeles, USA
Perceptions: Engendered, Museum of Contemporary Art, Skopje, Republic of Macedonia
Sixty Years, Tate Britain, London, UK
Smart to the Core: Embodying the Self, Smart Museum of Art, The University of Chicago, Chicago, Ilinois, USA
Women in Photography : A History of British Trailblazers, The Lightbox, Woking, UK
The Countess of Castiglione and the Allure of Self-Absorption, Dixon Gallery and Gardens, Memphis, Tennessee
Women tailored to society?, The Gallery of Matica Srpska, Novi Sad, Serbia
Days Without a Night, The Goethe-Institut/ Max Mueller Bhavan, New Delhi, India
Crossroads: Carnegie Museum of Art’s Collection, 1945 to Now, Pittsburgh, Pennsylvania, USA
Herstory: Women Artists from the Collection of Patrizia Sandretto Re Rebaudengo, Rochdale Art Gallery, Rochdale, UK
Perceptions, an exhibition by Collaborative Collections, National Museum, Cetinje, Montenegro (British Council touring exhibition)
Give and Take: Highlighting Recent Acquisitions, MOCA, (collection exhibition) Los Angeles, USA
Catastrophe and the Power of Art, Mori Art Museum, Tokyo, Japan
We Are Here, Museum of Contemporary Art Chicago, Chicago, USA
A Time Capsule: Works Made by Women for Parkett, 1984-2017, Parkett Exhibition Space, Zurich, Switzerland
Self Made, Copenhagen Int. Documentary Film Festival, Copenhagen, Denmark
Selves and Others, SFMOMA, San Francisco, USA
Play It Again: The art of remaking, Firstsite, Colchester, UK
The Artist Is Present, YUZ Museum, Shanghai, China
Give and Take: Highlighting Recent Acquisitions, MOCA, Los Angeles, USA
In My Shoes Art & the Self since the 1990s (Arts Council Collection Touring Exhibition), Longside Gallery, Yorkshire
Sculpture Park, travelling to: Attenborough Arts Centre, University of Leicester; PACCAR Room, Royal Shakespeare Company, Stratford-upon-Avon; Aberystwyth Arts Centre; Aberystwyth University; The Harley Gallery, Welbeck
Exchanges, Whitworth Art Gallery, The University of Manchester, Manchester, UK
A Minute Ago, Zabludowicz Collection, London, UK
Look At Me! – Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection, Pera Museum, Istanbul, Turkey (C)
The Laughable Enigma of Ordinary Life, Arquipélago – Contemporary Arts Centre, Ribeira Grande, Portugal
From Life, Royal Academy of Arts, London, UK (C)
The Art of Dissonance, Seoul Museum of Art, Seoul, South Korea
Dreamers Awake, White Cube, London, UK (C)
We Are Here: We Are Everywhere, Museum of Contemporary Art, Chicago, USA
The Heart of the Tin Man, M Woods, Beijing, China
Behold the Man, Magdeburg art museum, Magdeburg, Germany
Coming Out: Sexuality, Gender and Identity, Walker Art Gallery, Liverpool, UK (C)
31 Women, Breese Little, London, UK
Duet with Artist: Participation as artistic principle, Museum Morsbroich, Leverkusen, Germany (C)
Fifteen People Present Their Favorite Book (After Kosuth), CAC Bukovje/Landskrona, Landskrona, Sweden
In Sense of Place: Student Select, Highlanes Municipal Art Gallery, Drogheda, County Louth, Ireland
Person of the Crowd: The Contemporary Art of Flanerie, The Barnes Foundation, Philadelphia, USA
What I Loved: Selected Works from the ‘90s, Regen Projects, Los Angeles, California, USA
Krakow Photomonth, Kraków, Poland
The Inner Skin, Art and Shame, MARTa Herford, Herford, Germany (C)
Versus Rodin: bodies across space and time, Art Gallery of South Australia, Adelaide, Australia (C)
Thicker than Water. Concepts of the Family in Contemporary Art, kunstpalais, Erlangen, Germany; travelling to Villa Merkel, Esslingen am Neckar, Germany (C)
VIVRE !!, Musée de l’histoire de l’immigration, Paris, France
Found, The Foundling Museum, London, UK
Behold the Man, Museum de Fundatie, Paleis aan de Blijmarkt, Zwolle, The Netherlands
The Lives of Others: Portraits from the Photography Collection, Milwaukee Art Museum, Milwaukee, IL, USA
Versus – La Sfida Dell'artista Al Suo Modello In Un Secolo Di Fotografia E Disegno, Galleria Civica di Modena, Modena Italy
Staged! Spectacle and Role Play in Contemporary Art, Sammlung Goetz Collection, Kunsthalle Munich, Munich, Germany
Prospect 2016, Museum of Contemporary Art San Diego – MCASD La Jolla, CA USA
Ich, Schirn Kunsthalle, Frankfurt/Main Germany (C)
Invisible Adversaries : Marieluise Hessel Collection, Hessel Museum of Art & Center for Curatorial Studies Galleries at Bard College, Annandale-on Hudson, NY USA (C)
Video oediV, Campbelltown Arts Centre C-A-C, Australia
Me. New forms of Self-Portraiture, Schirn Kunsthalle, Frankfurt, Germany
Portrait De L’artiste En Alter, FRAC – Haute-Normandie, Sotteville-lès-Rouen, France
Robert Mapplethorpe: The Perfect Medium, Los Angeles County Museum of Art, Los Angeles, USA
On How to Become a Real Person, Museum fur Neue Kunst, Freiburg, Germany
Public, Private, Secret, ICP Museum, Bowery, New York, USA
Tate Liverpool, UK
Vanità/Vanitas, Museo Ettore Fico, Turin, Italy
Contemporary Photography from North West Europe. Chapter I, Fondazione Fotografie Modena, Modena, Italy
The Great Mother, Fondazione Nicola Trussardi, Milan, Italy (C)
Work, Rest and Play: British Photography from the 1960s to Today, Minsheng Art Museum, Shanghai, China
Álbum de Família, Centro Municipal de Arte Hélio Oiticica, Rio de Janeiro, Brazil
A Taste of Things to Come, Ocean Studios, Plymouth, UK
14th East End Film Festival, Barbican, London, UK
Station to Station, a Project by Doug Aitken, Barbican, London, UK
Perfect Likeness: Photography and Composition, Hammer Museum, Los Angeles, CA, USA
Fire and forget, On violence, KW Institute for Contemporary Art, Berlin
Eye to Eye: Looking Beyond Likeness, Albright-Knox Art Gallery, New York, USA
Zabludowicz Collection: 20 Years of Collecting: Between Discovery and Invention, Zabludowicz Collection, London
Partial Presence, Zabludowicz Collection, London, UK
Self, Turner Contemporary, Margate, UK
Test Run: Performance in Public, Modern Art Oxford, Oxford, UK
Body Doubles, MCA Chicago, Chicago, USA
The Vincent Award 2014, Gemeentemuseum Den Haag, The Hague, Netherlands
About Town, Video Art in Southside, Hurst Street Car Park, Birmingham, UK
Urban Psychosis, The Holden Gallery, Manchester Metropolitan University, Manchester, UK
The Bigger Picture: Work from the 1990’s, Tanya Bonakdar Gallery, New York, USA
(Mis)Understanding Photography – Works and Manifestos, Museum Folkwang, Essen, Germany
Nouvelle Génération, Frac Nord-Pas de Calais, Dunkerque, France
A Secret Affair: Selections From The Fuhrman Family Collection, The Contemporary Austin, Austin, TX, USA
40 Years of Women Artists, The New Art Gallery Walsall
Love, Wilhelm-Hack-Museum, Ludwigshafen am Rhein, Germany.
You Are Here, Worcester Art Museum, Worcester MA, USA.
93 Exhibition, CGAC Centro Galego de Art Contemparenea, Santiago de Compostela, Spain.
Karel’s Choice – Looking back at contemporary Art, De Hallen, Haarlem, Netherlands
Alien & Familiar, Galerie im Taxipalais, Innsbruck, Austria.
Assembly: A Survey of Recent Artists’ Film and Video in Britain 2008-2013, Tate Britain, London, UK.
British British Polish Polish: Art From Europe’s edges in the Long ‘90s and Today, CSW Ujadowski Castle, Warsaw, Poland.
Salon der Angst, Kunsthalle Wein, Vienna, Austria.
Requiem for a Bank, HMKV, Dortmund, Germany.
Bellwether Series, Cleveland Museum of Art, Cleveland, Ohio.
Centre for Contemporary Art Ujadowski Castle, Warsaw, Poland.
Someone Else, Villa Romana, Florence, Italy.
WHAT TO THINK, WHAT TO DESIRE, WHAT TO DO, Fundació “la Caixa”, Barcelona, Spain.
NYC 1993: Experimental jet set, trash and no star, New Museum, New York, USA.
Ensemble, Backlit Gallery, Nottingham, UK.
Homelands, British Council touring exhibition, New Delhi, touring to Kolkata, Mumbai and Bangalore, India
Lovin’ it – Symbol and Contradiction, Bromer Art Collection, Kaltenherberg, Roggwil, Switzerland.
More Love: Art, Politics and Sharing Since 1990s, Ackland Art Museum at the University of North Carolina, Chapel Hill, USA, (C).
Performing Film, Coreana Museum of Art, Seoul, Korea.
Still, Solent Showcase Gallery, Southampton Solent University, Southampton.
Fremd & Eigen, Galerie im Taxispalais, Innsbruck, Austria
John Bock, Keren Cytter, Paul Pfeiffer, Gillian Wearing, and Akram Zaatari, Regen Projects, Los Angeles, USA
The System of Objects, Deste Foundation, Athens, Greece
Lost Boys: The Territories of Youth, Lewis Glucksman Gallery, Cork, Ireland
Brilliant Disguise: Masks and Other Transformations, CAC – Contemporary Arts Center New Orleans, New Orleans, USA
Besser scheitern – Film + Video – Hamburger Kunsthalle, Hamburg, Germany
Wild New Territories, Simon Fraser University Art Gallery, Burnaby, Canada
Beyond the family album, La Caixa Collection, Spain.
Matters of Fact, Hessel Museum of Art, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, New York
Self-portraits, Louisiana Museum of Modern Art, Humlebaek, Denmark
The Long Now, The Galleries at Moore College of Art & Design, Philadelphia, USA.
About Face, Pier 24 photography, San Francisco, USA.
Here in Your Space: Christian Jankowski, Gillian Wearing, Guy Ben-Ner, Grand Central Art Center, California State University, Fullerton, USA.
Encounter: The Royal Academy in Asia, Institute of Contemporary Arts Singapore, Singapore, Asia.
Family Matters: The Family in British Art, Millennium Galleries, Sheffield, Laing Art Gallery, Newcastle.
Made In Britain: Contemporary Art from the British Council Collection 1980 – 2010, Benaki Museum, Athens, Greece.
9th Shanghai Biennale, Shanghai, China, (C)
Rxy, Galleria della Molinella, Faenza, Italy
The Story of the Government Art Collection, Whitechapel Gallery, London, touring to Birmingham Museum and Art Gallery, and Ulster Museum, Belfast.
Sounds Like Silence, HMKV: Hartware MedienKunstVerein, Dortmund, Germany.
Hints of the outside world, SOMA Contemporary, Waterford City, Ireland.
Let the Healing Begin, IMA Institute of Modern Art at the Judith Wright Centre of Contemporary Art, Brisbane.
Moving Portraits, De La Warr Pavilion, Bexhill-on-sea, East Sussex.
Family Matters: The Family in British Art, Norwich Castle Museum & Art Gallery; Millennium Galleries, Sheffield; Laing Art Gallery, Newcastle; Tate Britain, London (touring through 2012).
Robert Mapplethorpe: Night Work: Curated by Scissor Sisters, Alison Jacques Gallery, London.
Role Models – Role Playing, Museum der Moderne Salzburg, Salzburg.
The Dwelling Life of Man, Fundació Foto Colectania, Barcelona, Spain.
Auto-Kino, Temporäre Kunsthalle Berlin, Germany, (C).
CUE; Artists’ Videos, Vancouver Art Gallery, Vancouver, Canada.
The Future Demands Your Participation: Contemporary Art from the British Council Collection, Minsheng Art Museum, Shanghai.
Haunted: Contemporary Photography / Video / Performance, Solomon R. Guggenheim Museum, New York.
Kurt, Seattle Art Museum, Seattle, USA.
Lemaitre collection, Museo de Arte de Lima (MALI), Lima, Peru.
Niet Normaal, Beurs van Berlage, Amsterdam, Netherlands.
The Original Copy: Photography of Sculpture, 1839 to Today, Museum of Modern Art, New York.
Party!, The New Art Gallery Walsall, Walsall, UK.
Skin Fruit: Dakis Joannou Collection, (curated by Jeff Koons), New Museum, New York.
Weatherspoon Art Museum, University of North Carolina, North Carolina.
Rewind: Selected Works from the MCA Collection, 1970’s to 1990’s, Museum of Contemporary Art Chicago.
The Talent Show, Walker Art Center, Minneapolis, USA.
Be sure to attend very carefully to what I have to say to you, Fri Art, Centre d’art
British Subjects: Identity & Self-Fashioning 1965-2009, Neuberger Museum of Art, Purchase, NY.
Contemporary Outlook: Seeing Songs, Museum of Fine Art, Boston.
contemporain Kunsthalle, Centre for contemporary art, Fribourg, France.
Once upon a time…Artists & Storytelling, Somerset House, London.
The Reach of Realism, Museum of Contemporary Art, North Miami, USA.
Through The Lens: Photography from the Lowe Art Museum, University of Miami, Miami, USA, (C).
History in the Making: A Retrospective of the Turner Prize, Mori Art Museum, Tokyo.
EXISTENCIAS, MUSAC, León, Spain.
Irish Museum of Modern Art” Obras Fundamentales, Sala Kubo-Kutxa, San Sebastian.
La Collection d’art d’agnes b, JRP Ringier, Zürich.
Martian Museum of Terrestrial Art, Barbican Art Gallery, London, (C).
Print the Legend: Contemporary Art and the Western, The Fruitmarket Gallery, Edinburgh.
Tarantula, Fondazione Nicola Trussardi, Milan, Italy.
You are my mirror 1: Je t’aime, moi non plus, Frac Lorraine, Metz, France
Worlds on video, Centro di Cultura Contemporanea Palazzo Strozzi, Firenze, Italy.
Breaking step/Uraskoraku, Museum of Contemporary Art, Belgrade, (C).
Held Together with Water, MAK, Vienna, (C).
Passion Complex, 21st Century Museum of Contemporary Art, Kanazawa, Japan, (C).
Role Exchange, Sean Kelly, New York.
Talking Pictures: Theatricality in Contemporary Film and Video Works, K21, Düsseldorf.
The Turner Prize: A Retrospective, Tate Britain, London.
Global Feminisms: New Directions in Contemporary Art, Brooklyn Museum, New York, (C).
ELSEWHERE?, Galleria Emi Fontana, Milan.
Eye On Europe: Prints, Books and Multiples / 1960 to Now, The Museum of Modern Art, New York.
Aftershock, Contemporary British Art 1990 – 2006, Guangdong Museum of Art,
Guangzhou, China & Capital Museum, Beijing, China.
Before the Camera: Remaking Reality and the Make-believe, Norton Museum of Art, West Palm Beach, Florida.
Local Stories, Modern Art Oxford, Oxford, (C).
Live Screen, Lilian Baylis Theatre at Saddlers Wells, London.
Of Mice and Men, Fourth Berlin Biennial for Contemporary Art, Berlin, (C).
Making History – Art and Documentary in Britain from 1929 to Now, Tate Liverpool, 2006, (C).
Mouvement: Des Deux Côtés du Rhin, Museum Ludwig, Cologne, (C).
People, Museo D’Arte Contemporanea Donnaregina, Naples.
Portrait of Artists, Luring Augustine.
Me, Myself and I, Contemporary Art Center of Virginia.
Shoot the Family, touring exhibition: Cranbrook Art Museum, and others.
The Monty Hall Problem, Blum & Poe, Los Angeles.
A Short History of Performance part IV, Whitechapel Art Gallery, London, (C).
Raconte-moi/ Tell me, Casino Luxembourg, Luxembourg.
The Kyber Arts Center, Nova Scotia.
The Gesture, A visual library in progress, Macedonian Museum of contemporary Art, Thessaloniki, Greece, and Quarter, Centro Produzione Arte, Florence, 2005, (C).
New Work/New Acquisitions, MOMA The Museum of Modern Art, New York
Sculpture in the park, Durham Art Gallery & DLI Museum, England.
Body: New art from the UK, Vancouver art gallery (2005), The Ottawa art gallery (2006), Oakville galleries (2006), Edmonton art gallery (2006), (C).
Irreducible: Contemporary Short Form Video, CCAC Wattis Institute for Contemporary Arts, San Francisco, & The Bronx Museum of the Art, New York, (C).
25. Twenty-five years of the Deutsche Bank Collection, Deutsche Guggenheim, Berlin, (C).
raconte-moi, Musee national des beaux-arts du Quebec, Canada, (C).
Family Pictures – Fotografia contemporanea e Video dalla Collezione del Guggenheim Museum, Galleria Gottardo, Switzerland, (C).
Faces in the crowd – Picturing modern life from Manet to today, The Whitechapel art gallery, London, UK.
With all due intent, European Biennial of contemporary art, Spain, (C).
Inaugural Show: MoMA reopening, Museum of Modern Art, New York
Social Creatures: How body becomes art, Sprengel Museum Hannover, (C).
ART NEWS: contemporary artists working with newspaper, Three Colts Gallery, London.
Revolving Doors, Fundación Telefónica, Madrid, (C).
About Face, Hayward Gallery, London.
Busan Biennale 2004, Seoul.
Manifesta, San Sebastian.
A bigger splash – British art from Tate – 1960 – 2003, Pavihao lucas Nogueira Garcez – Oca Parque ibirapuera, Sao Paul & Instituto Tomie Ohtake. (C)
Contemporary British Art from the Paragon Collection, Hakodate Museum of Art, Hokkkaido, Japan. (C)
Fast Foreward, Sammlung Goetz, (C)
Strange Days, Museum of Contemporary Art, Chicago.
Synopsis III – Fiction and Reality,
National Museum of Contemporary Art, Athens
Happiness: a survival guide for art & life, Mori Art Museum, Tokyo
Outlook, International Art Exhibition 2003, Athens. (C)
Inaugural Exhibition, Regen Projects, Los Angeles
Face Off, Kettle’s Yard, Cambridge and touring
Die Wohltat der Kunst: Post\Feministische Positionen der 90er Jahre aus der Sammlung Goetz, Staatliche Kunsthalle, Baden-Baden. (C)
Coming of Age, The New Art Gallery, Walsall
To Whom it May Concern, California College of Arts and Crafts, San Francisco
Just Love me/Die Wohltat der Kunst, Fries Museum Leeuwarden (2004), Bergen Museum of art (2003), Samnlung Goetz (2003), Staatliche Kunsthalle Baden-Baden (2002). (C)
I promise it’s political, Museum Ludwig, Cologne, (C).
Remix: Contemporary Art and Pop, Tate Liverpool. (C).
Bienal de São Paulo, Sao Paulo, Brazil.
The Video Show, Centraal Museum, Utrecht.
Acquisitions 2001 – Part 1: Photographs, Video Installations, Video, National Museum of Contemporary Art, Athens
Telling Tales: Narrative Impulses in Recent Art, Tate Liverpool
ABBILD recent portraiture and depiction, Landesmuseum Joanneum, Graz
No World Without You, Reflections of Identity in New British Art, Herzliya Museum of Art, Tel Aviv. (C)
W, Centre d’Art Mobile, Besançon, France
Birmingham, Ikon Gallery, Birmingham
Inner State of Health: The Person in the Mirror of Contemporary Art, Kunstmuseum Liechtenstein
Biennale de Lyon art contemporain 2001, Lyon
Milano Europa 2001, Palazzo dellaTriannale, Milan
Confidence pour confidence, Casino Luxembourg, Luxembourg (C)
Video Evidence, Southampton City Art Gallery, Southampton
Film Festival Rotterdam, Museum Boijmans Van Beuningen Rotterdam, Rotterdam, The Netherlands
Century City, Tate Modern, London
Autowerke, Deichtorhallen, Hamburg. (C)
Intelligence: New British Art 2000, Tate Britain, London. (C)
Puerile ’69, The Living Art Museum, Reykjavík
Tate Modern Collection, Tate Modern, London
Contemporary Art Center, Cincinnati
Sydney Biennale, Museum of Contemporary Art, Sydney
docudrama, Bury St. Edmunds Art Gallery, Bury St. Edmunds
Tate Britain Collection, Tate Gallery, London
Let’s Entertain, Walker Art Center, Minneapolis and touring. (C)
Quotidiana, Castello di Rivoli, Turin
Makeshift, ArtPace, San Antonio, Texas
Rewind to the Future, Bonner Kunstverein, Bonn and Neue Berliner Kunstverein, Berlin
People, Le Spot, contemporary art centre, Le Harve Hundstage, Gesellschaft für Aktuelle Kunst, Bremen
Ex-Change, La Criee-Centre d’Art Contemporain, Rennes
The Viewing Room, Kansas City Art Institute, Kansas City
This Other World of Ours, TV Gallery, Moscow
Rattling the Frame: The Photographic Space 1974-1999, SF Camerawork, San Francisco
La Coscienza Luccicante, Palazzo delle Esposizioni, Rome
6th International Istanbul Biennial, Istanbul, Turkey, (C).
Garden of Eros, Centre Cultural Tecla Sala, Barcelona
Common People, Fondazione Sandretto re Rebaudengo per l’Arte, Turin
Sweetie: Female Identity in British Video, The British School at Rome
Searchlight: Consciousness at the Millennium, The California College of Arts and Crafts, Oakland. (C)
Private Room / Public Space, Almeers Centrum Hedendaagse Kunst, Al Almere, The Netherlands
La Concienza Luccicante, Palazzo delle Esposizioni, Rome
In Visible Light, Moderna Museet, Stockholm
Fast Forward Body Check, Kunstverein, Hamburg
Sensation – Young British Artists from the Saatchi Collection, Museum für Gegenwart, Berlin
Contemporary British Art, The Museum of Contemporary Art, Seoul, Korea
Galerija Dante Marino Cettina, Umag, Croatia
UK Maximum Diversity, Galerie Krinzinger, Bregenz and Künste Wein, Vienna, Austria
A Collection in the Making, The Irish Museum of Modern Art, Dublin
Internationale Foto Triennale/Photography as Concept, Galerien der Stadt Esslingen, Esslingen, Germany
Made in London, Musea de Electricidade, Lisbon. (C)
La Sphere de L’Intime, Le Printemps de Cahors, Saint-Cloud, France. (C)
Real/Life: New British Art, Japanese Museum Tour, Tochigi Prefectural Museum of Fine Arts, Fukuoka City Art Museum, Hiroshima Museum of Contemporary Art, Tokyo Museum of Contemporary Art
Musée du Rochechouart, (with Valerie Jouve and Rineke Dijkstra), Rochechouart, France
Videorama, Depot, Kunst und Diskussion, Vienna, Austria
White Noise, Kunsthalle Berne, Switzerland. (C)
ENGLISH ROSE in Japan (with Tracey Emin & Georgina Starr), The Ginza Artspace, Tokyo, Japan
a/drift, The Centre for curatorial Studies. (C)
The Turner Prize 1997, Tate Gallery, London. (C)
Private Face – Urban Space, co-organised by the Hellenic Art Galleries Association & The Rethymnon Centre for Contemporary Art, Athens & Rethymnon, Greece. (C)
Strange days – British contemporary photography, Claudia gian ferrari arte contemporanea, Milan, Italy. (C)
Tales from the City, Stills Gallery, Edinburgh
Sensation, Saatchi Collection, Royal Academy of Art, London. (C)
Pictura Britannica: Art from Britain, Museum of Contemporary Art, Sydney, Australia, travelling to Adelaide, Australia and Wellington, New Zealand,
Projects, The Irish Museum of Modern Art, Dublin
Package Holiday – New British Art in the Ophiuchus Collection
The Hydra Workshop, Hydra, Greece
Splash, AAC Galerie Weimar, Germany
I.D., Nouveau Musee, Villeurbanne, France
Gillian Wearing/Barbara Visser, Bloom Gallery, Amsterdam, Holland
Galerie Anne de Villepoix, Paris
S.L. Simpson Gallery, Toronto, Canada
In Visible Light: Photography and Classification in Art, Science and the Everyday, Museum of Modern Art, Oxford. (C)
I.D., Van Abbe Museum, Eindhoven, The Netherlands
Life / Live, co – curated by Laurence Bosse & Hans-Ulrich Obrist, ARC (Musée d’Art Moderne de la Ville de Paris), France. (C)
Full House -Young British Art, Kunstmuseum Wolfsburg, Germany
Playpen & Corpus Delirium, Kunsthalle Zürich, Switzerland. (C)
a/drift: Scenes From the Penetrable Culture, curated by Joshua Decter, Center for Curatorial Studies, Bard College, New York
The Aggression of Beauty, Galerie Arndt & Partner, Berlin. (C)
Electronic Undercurrents – Art & Video in Europe, The Royal Museum of Fine Arts, Copenhagen
Private View, Contemporary Art in the Bowes Museum, Barnard Castle, County Durham, co – curated by Penelope Curtis and Veit Görner, organised by the Henry Moore Institute
The Fifth New York Video Festival, The Film Society of Lincoln Center, New York
Toyama Now ‘96, curated by Iwona Blazwick, The Museum of Modern Art, Toyama, Japan
The Cauldron, Henry Moore Institute, Leeds (C)
NowHere, (Incandescent, curator Laura Cottingham), Louisiana Museum of Modern Art, Humlebaek, Denmark
Auto-reverse 2, Centre National D’Art Contemporain Grenoble, France
Traffic, CAPC Musée Contemporain Bordeaux, France
Imagined Communities, Oldham Art Gallery; John Hansard Gallery, Southampton; Firstsite, Colchester; Walsall Museum & Art Gallery; Royal Festival Hall, London; Gallery of Modern Art, Glasgow. (C)
Pandaemonium; London Festival of Moving Images, I.C.A, London
The British Art Show, National Touring Exhibitions. (C)
X/Y, Centre Georges Pompidou, Paris
Campo, Venice Biennale, curated by Francesco Bonami
Sage, Galerie Michel Rien, Tours, France
It’s not a picture, Galleria Emi Fontana, Milan
Brilliant! New Art from London, Walker Art Center, Minneapolis
Brill: Works on Paper by Brilliant Artists,
Montgomerie Glasgoe Fine Art, Minneapolis
British Art Show 4, touring
Mysterium Alltag, Kampnagel, Hamburg, (with Jane & Louise Wilson, Tacita Dean, Tracey Emin)
Aperto ‘95, Nouveau Musée, Institut d’Art Contemporain, Villeurbanne, France
Hotel Mama (Aperto ‘95), Kunstraum, Wein, Austria
Make Believe, Royal College of Art, London. (C)
Mobius Strip, Basilico Fine Arts, New York
Hello! Andréhn – Schiptjenko, Stockholm
Gone, Blum & Poe, Los Angeles, (with Bas Jan Ader, Sam Durant, Rainer Ganahl)
Le Shuttle, Künstlerhaus Bethanien, Berlin
3.016.026, Theoretical Events, Naples
Uncertain Identity, Galerie Analix B & L Polla, Geneva
Fuori Fase, Via Farini, Milan
Domestic Violence, curated by Alison Jacques, Gio Marconi’s House, Milan
R.A.S, curated by Gianni Romano, Galerie Analix B & L. Polla, Geneva
Not Self-Portrait, Karsten Schubert, London
BT Young Contemporaries; Cornerhouse, Manchester, Orchard Gallery, Derry, The Maplin Art Gallery, Sheffield, City Museum and Art Gallery, Stoke-on-Trent, Centre for Contemporary Art, Glasgow
Okay Behaviour, 303 Gallery, New York
Mandy Loves Declan 100%, Mark Boote Gallery, New York
2 into 1, Centre 181 Gallery, London
Vox Pop, Laure Genillard Gallery, London
Instruction, Marconi Gallery, Milan
British Art Group Show, Le Musee des Beaux Arts dans Le Havre, France
Piece Talks, Diorama Art Centre, London
Clove 1, The Clove Building, London
Empty Gestures, Diorama Art Centre, London
A Real Birmingham Family, Commonwealth Games, Centenary Square, Birmingham, UK
Statue of Diane Arbus, Public Art Fund, Doris C. Freeman Plaza, Central Park, New York, NY, USA
Statue of Millicent Fawcett, Parliament Square, London, UK
A Real Danish Family, Danmarks Radio and Statens Museum for Kunst, Kunsthal Aarhus, Denmark
A Real Birmingham Family, commissioned by Ikon Gallery, Centenary Square, Library of Birmingham. Birmingham, UK
A Typical Trentino Family, Galleria Civica di Arte Contemporanea, Trento, Italy
Hyperlinked, Flatpack Festival, Centrala, Birmingham, UK
Your Views, Mini Microcinema, Cincinnati, Ohio, USA
Self Made + We Are Here, Mini Microcinema, Cincinnati, Ohio, USA
Waiting Room, South London Gallery, London, UK
Ed. Blessing, Jennifer; Trotman, Nat; Gillian Wearing: Wearing Masks, Guggenheim Museum, New York, USA
Family Stories, Hatje Cantz, Berlin, 2017
Gillian Wearing and Claude Cahun, National Portrait Gallery Publications, London, 2017.
Gillian Wearing, Instituto Valenciano de Arte Moderno, Spain
Gillian Wearing , Whitechapel Gallery and Ridinghouse, London
Family History, Film and Video Umbrella, Maureen Paley, London, in association with Artists in the City, Reading and Ikon Gallery, Birmingham
Living Proof, ACCA, Australian Centre for Contemporary Art, Melbourne
Mass Observation, MCA, Chicago
Trilogy, Vancouver Art Gallery, Vancouver
Broad Street, Instituto Português de Museus – Museu do Chiado, Lisbon
Gillian Wearing ‘Sous influence’, Musée d’Art Moderne de la Ville de Paris
Gillian Wearing, Centro Galego de Arte Contemporánea (CGAC) and Fundación “la Caixa,” Barcelona, Santiago de Compostela, Spain
spoken, München Kunstverein
Gillian Wearing, Serpentine Gallery, London
Gillian Wearing (Contemporary Artists Series), Phaidon Press, London
A Woman Called Theresa, The Hydra Workshop, Hydra
Signs that say what you want them to say and not Signs that say what someone else wants you to say, Maureen Paley Interim Art, London
Gillian Wearing , Wiener Secession, Vienna
City Projects – Prague , The British Council, London
The Novels that Shaped Our World, BBC Two, November 2019
52 minutes silence, cover for the Evening Standard Magazine, 7 July 2017
South Bank Show, London Weekend Television
Guest editor, Documents sur L’art
Rooseum Video Programme, Rooseum Center for Contemporary Art, Sweden
Holly Street Estate Art Project, London
Ed. Dorota Bigos, Iwona; Micuła, Małgorzata, Face to Face, exhibition catalogue: Museum of Contemporary Art, National Museum in Wroclaw, Poland, 2023 pp. 41, 42, 89, 90, 151, 152
–––, Gillian Wearing | Sickert’s Sister, britishartfair.co.uk, 29 March 2023
Block, Fang, Guggenheim Expands Its Collection of Female Artists, barrons.com, 8 March 2023
Omer, Nimo, Wednesday briefing: Five key issues facing women - from misogyny to the ‘motherhood penalty’, theguardian.com, 8 March 2023
Jansen, Charlotte, Sarah Lucas’ “Big Women” is a raunchy, raucous celebration of punk femininity, wallpaper.com, 25 February 2023
Carter, Lee, What I Buy and Why: Swedish Collectors Emma and Andreas Ohlson on Their Eccentric Family Values, and Finding Humor in Art, artnet.com, 21 February 2023
Ed. Dorota Bigos, Iwona; Micuła, Małgorzata, Face to Face, Museum of Contemporary Art, National Museum in Wroclaw, PL, 2023
–––, Modern Art Monday Presents: Gillian Wearing, Me In History — A Conversation with the Work of Fantin-LaTour, worleygig.com, 20 February 2023
Januszack, Waldemar, BIG WOMEN: at last, art to make us laugh, thetimes.co.uk, 19 February 2023
Barrett, Helen, Designer Pam Hogg: ‘Kids at school called me a witch. But I loved it!’, ft.com, 17 February 2023
Walte, Tom, This new exhibition is redefining the meaning of ‘mad’, dazeddigital.com, 16 February 2023
Whitfield, Zoe, Sarah Lucas Delves Into Her Rebellious New Exhibition of Women Artists, anothermag.com, 14 February 2023
Cadillac; Kreutter, Mariah, With Her Unmistakable Post-Feminist Gaze, the Photographer Petra Collins Seems to Live and Breathe Today’s Aesthetic, news.artnet.com, 15 February 2023
–––, From Magic Mike to Paramore: a complete guide to this week’s entertainment – Big Women, theguardian.com, 11 February 2023
Buck, Louisa, Weird sisters are doing it for themselves: Sarah Lucas curates show of 23 female peers across generations, theartnewspaper.com, 9 February 2023
Giannachi, Gabriella, Technologies of the Self-Portrait, Routledge, pp. 65-67, 2023
Giannachi, Gabriella, Identity, Presence and the Construction of the Subject(s) in Twentieth and Twenty-First Century Art, Routledge, 2022, p. 133
Jones, Jonathan, Incoherent, creepy and gorgeous: we asked six leading artists to make work using AI – and here are the results, theguardian.com, 1 December 2022
Bucklow, Isabelle, Gillian Wearing on Interiority, Inhibition, and Dancing Solo (In Peckham), Motor Dance Journal, Issue 1: The Solo, November 2022, pp, 102-105
Grady, Kitty, Magazine Celebrating the Art of Dancing Alone, anothermag.com, 15 November 2022
Young, Graham, The art of controversy…, The Birmingham Post, 3 November 2022, p. 22
Vesterberg, Flora, Flora Vesterberg's Top Five Picks on Frieze Viewing Room, frieze.com, 16 October 2022
Molinario, Ettore, Collection Ettore Molinario : Dialogues : Claude Cahun and Gillian Wearing, loeildelaphotographie.com, 14 October 2022
Naumann, Nicholas, Lawrence Weiner’s Cross Generational Tribute in L.A. Distills to a ‘Portrait’, ocula.com, 28 September 2022
–––, Gillian Wearing and Wolfgang Tillmans: Queering the Whitworth, whitworth.machester.ac.uk, 15 September 2022
Conroy, Violet, Harley Weir’s New Self-Portraits Take Aim at Toxic Beauty Standards, anothermag.com, 9 September 2022
Cerbarano, Rica, Images Vevey 2022 champions photography talents through special awards, vogue.com, 9 September 2022
Hessel, Katy, The Story of Art Without Men, Chapter Fifteen – Radical Change in Britain, Penguin Books Limited, 8 September 2022, pp. 407-409
Ashby, Chloë, Women artists have been ignored for far too long, spectator.co.uk, 3 September 2022
Ashby, Chloë, Firmly in the picture, The Spectator, London, UK, 3 September 2022, pp. 38-9
Fletcher, Olivia, Claude Cahun: An Intimate Dialogue Between the Self and Other, ocula.com, 31 August 2022
Hessel, Katy, 'I’m desperate’: how Gillian Wearing exposed our innermost thoughts, theguardian.com, 15 August 2022
Piejko, Jennifer, Meet Nadia Lee Cohen, an Artist Whose Astounding, Shape-Shifting Self-Portraits Are Drawing Crowds in Hollywood, news.artnet.com, 12 August 2022
Irvin, Jack; Avila, Daniela, Meet the Talented Emerging Artists You Should Be Listening to All Summer Long, people.com, 5 August 2022
Sandhu, Sukhdev, The Passengers by Will Ashon review – voices of a nation, theguardian.com, 4 August 2022
Sandhu, Sukhdev, The Passengers by Will Ashon review – voices of a nation, theguardian.com, 4 August 2022
Jeffries, Stuart, Stop tearing down controversial statues, says British-Guyanan artist Hew Locke, spectator.co.uk, 14 July 2022
Goodman, Ellie, Where to buy art in London: The capital’s best independent galleries, luxurylondon.co.uk, 14 July 2022
Dennis, Laura, ‘A Legacy For A Future Unknown’ - a new art commission for Newnham, new.cam.ac.uk, 27 June 2022
Cumming, Laura, A Thousand Words for Weather; Royal Academy Summer Exhibition 2022 - review, theguardian.com, 26 June 2022
Sultana, Francis, A vibrant arts scene in New York this summer season, timesofmalta.com, 12 June 2022
Khullar, Samaa, The Must-See Events During Frieze New York 2022, lofficielusa.com, 10 May 2022
Wearing, Gillian, Gillian Wearing on How “Symbols of Disguise” Became “the Symbol of Our Times”, guggenheim.org, 10 May 2022
French, Lisa, Cindy Sherman and Gillian Wearing on ‘being human’, insideimaging.com, 5 May 2022
Adetunji, Jo, How conceptual artist Gillian Wearing and photographer Cindy Sherman make us confront our performances to the world, theconversation.com, 3 May 2022
Santos, Chynna, Art after Dark, broadsheet.com, 3 May 2022
O’Brien, Kerrie, Old Gaol now a riot of colour as city landmarks get a makeover, smh.com.au, 28 April 2022
Tripathi, Pankaj, Photo 2022 Transforms Melbourne With Stunning Public Art Display, globalcirculate.com, 28 April 2022
Fairly, Gina, Photography festival that taps into our humanity, artsub.com, 22 April 2022
Jansen, Charlotte, Photo 2022: a trip through past, present and potential futures in Melbourne and beyond, wallpaper.com, 13 April 2022
–––, The Best Photography Festivals Opening This April, phmuseum.com, 7 April 2022
McKenzie, Kirsty, The Best City Breaks to Enjoy in Spain this Easter, theolivepress.es, 6 April 2022
de Vries, Nadia, Een ongemakkelijke maskerade: 'Wearing Masks' van Gillian Wearing in het Guggenheim, metropolism.com, 4 April 2022
Breen Burns, Janice, Messy, imperfect, multi-hued: PHOTO 2022 embraces the new face of womanhood, theage.com, 4 April 2022
Anderson, Sarski, Bristol’s Cultural Highlights of 2022, bristol247.com, 3 January 2022.
Bergsieker, Courtney, She Made It: Gillian Wearing: Diane Arbus, wfuv.org, 17 March 2022
Bittencourt, Ela, Trauma and Freedom: Gillian Wearing, ‘Wearing Masks’ – Review, artreview.com, 21 February 2022
Fuld, Shanna, Dickinson-inspired 'They Shut Me Up in Prose' exhibit opens, jpost.com, 10 March 2022
Harris, Melissa, #33 Role Play, Fondazione Prada, Milan, Italy, 2022, pp. 8, 33, 40.
Jackson, Tessa, Perry, Dr Lara, Me, Myself, I: Artists’ Self-Portraits, Sansom and Company, April 2022
Jackson, Tim, Theater Commentary: Containing Multitudes — Five Shows Explore the Intersections of Identity and Performance, artsfuse.com, 16 March 2022
Judah, Hettie, Testament, Goldsmiths CCA, review: A timely study of monuments and their meanings, inews.co.uk, 24 January 2022
Knoblauch, Loring, Gillian Wearing: Wearing Masks @Guggenheim, collectordaily.com, 9 February 2022
Kurchanova, Natasha, Gillian Wearing: Wearing Masks, studiointernational.com, 2 March 2022
Macalister-Smith, Tilly; Lloyd-Smith, Harriet, The best New York art exhibitions: from Bruce Nauman to Gillian Wearing, wallpaper.com, 22 January 2022
Plimmer, Joe, Born again and a 3D felt cat: Friday’s photo highlights, New York, theguardian.com, 21 January 2022
Smee, Sebastian, Artist Gillian Wearing is a superstar in the U.K. She is finally being feted in New York., washingtonpost.com, 18 February 2022
Sullivan, Terry, A Portrait of Harlem, Eggleston’s B&W work, and four other photo exhibits worth seeing right now, popphoto.com, 10 February 2022
Wilson-Goldie, Kaelen, Gillian Wearing Channels a Spiritual History of Photography, aperture.org, 6 January 2022
Woodward, B. Richard, ‘Gillian Wearing: Wearing Masks’ Review: Turning a New Eye on the ‘I’, wsj.com, 19 January 2022
Woodward, B. Richard, Turning a New Eye on the ‘I’, Arts in Review, The Wall Street Journal, Vol. CCLXXIX, No. 15, 20 January 2022, A13
–––, Prestigious painting by Turner Prize-winning artist to go on display in Rugby, rugbyobserver.co.uk, 17 January 2022
–––, Guggenheim gala exhibits encourage 'engagement', thejakartapost.com, 23 February 2022
Baron, Saskia, Martina Hall obituary, theguardian.com, 14 September 2021.
Brown, Mark, Community museums shortlisted for UK’s most lucrative arts prize, theguardian.com, 21 July 2021.
Budds, Diana, A Diane Arbus Tribute, Graphic Blankets, and Other Things I Liked This Week, curbed.com, 22 October 2021.
Byrne, John, What’s on? 10 top TV and streaming tips for Wednesday, rte.ie, 9 June 2021.
Carlson, Jen, Photographer Diane Arbus Goes Up in Central Park, gothamist.com,19 October 2021.
Chantler-Hicks, Lydia, Ramsgate sculpture Hands & Molecule voted among the most loved in the UK, kentonline.co.uk, 29 August 2021.
Coad, Jenny, A handsome plinth is nothing without a statuesque female, thetimes.co.uk, 24 October 2021.
Cohn, Alison S., Marsh, Ariana, Gillian Wearing: Wearing Masks, News, Fashion and Culture, Harper’s Bazaar, 9 November 2021.
Cotter, Holland, Smith, Roberta, Best Art Exhibitions of 2021, nytimes.com, 7 December 2021.
Curtis, David, Foreword by Steve McQueen, Artists’ Film (World of Art), Thames & Hudson, 2021, pp. 263, 134.
Dinsdale, Emily, Gillian Wearing on masks, inhabiting disguises, and identity as performance, dazeddigital.com, 10 November 2021.
Elgammal, Ahmed, Art, Artificial Intelligence, and the Question of Authentic Identity, guggenheim.org, 19 November 2021.
Erwin Olaf, Unheimlich schön, Germany, 2021, pp. 14-15.
Freedman, Laura, Small is beautiful: the doll’s house that’s inspired modern miniaturists, thetimes.co.uk, 12 June 2021.
Freedman, Laura, The art of politics: what ministers hang on their walls, spectator.co.uk, 19 June 2021.
Fullerton, Elizabeth, Artrage! : The Story of the BritArt Revolution, Thames & Hudson, 8 July 2021.
Furman, Anna, For Gillian Wearing, Authenticity Is a Matter of Opinion, vulture.com, 9 December 2021.
Glaser, Susan, Return to New York City: Tourists can expect fewer crowds, cheaper prices, omnipresent vaccine cards, cleveland.com, 11 November 2021.
Gopnik, Blake, By Central Park, Gillian Wearing’s ‘Arbus’ Disregards Us, blakegopnik.com, 23 November 2021.
Gosling, Emily, Artists including Damien Hirst and Gillian Wearing unveil their miniature works created in response to the pandemic, creativeboom.com, 12 July 2021.
Gregory, Mary, Must-See Fall Exhibitions, ourtownny.com, 31 August 2021.
Grigonis, Hillary K., Legend in Bronze: Diane Arbus Statue Erected in NYC’s Central Park, rangefinderonline.com, 22 October 2021.
Han-sol, Park, MMCA’s ‘Catastrophe and Recovery’ exhibition ‘speaks directly to’ changing reality wrought by pandemic, koreatimes.co.uk, 10 June 2021.
Harris, Gareth, Guggenheim director Richard Armstrong sets new opening date for long-delayed Abu Dhabi museum, theartnewspaper.com, 21 September 2021.
Hastur, James, Ed. Massoud, Jana, Exhibition Review: Gillian Wearing: Wearing Masks, museemagazine.com, 15 December 2021.
Heinrich, Will, Gillian Wearing Is Spilling Your Secrets, nytimes.com, 18 November 2021.
Heinrich, Will, Spilling secrets, but much is left unsaid, New York Times, 29 November 2021, p18.
Herbert, Martin, Behind the mask? An interview with Gillian Wearing, apollo-magazine.com, 6 March 2021.
Herbert, Martin, Face Value, Apollo Magazine, March 2021, pp. 34-39.
Hewett, Phil, Chichester’s Pallant House Gallery explores 60 years of British printmaking, worthingherald.co.uk, 13 November 2021.
Jobey, Liz, Catherine Opie’s photographs shine a spotlight on the marginalised, ft.com, 15 May 2021.
Lee, Denny, Lorde Performs at Guggenheim Gala, nytimes.com, 19 November 2021.
Lilley, Clare, The transformative power of public art: Why Sky Arts has commissioned a new landmark for Britain, standard.co.uk, 25 August 2021.
Lloyd-Smith, Harriet, Iwona Blazwick on 120 years of the Whitechapel Gallery, wallpaper.com, 25 March 2021.
Lloyd-Smith, Harriet, Sex, wit and cigars: five contemporary artists on Marcel Duchamp, wallpaper.com, 2 December 2021..
Loos, Ted, Frieze New York Returns Live, Bringing Hope and Precautions, nytimes.com, 4 May 2021.
Lusina, Anete, Statue of Legendary Photographer Diane Arbus Erected in Central Park, petapixel.com, 21 October 2021.
Mohn, Tanya, Gillian Wearing Has Turned Masks Into an Art Form, nytimes.com, 19 October, 2021.
Parkin, Simon, Pupils emulate famous artwork to reflect on lockdown learning, edp24.co.uk, 15 June 2021.
Persson, Thomas, Acne Paper, Acne Studios, 2021.
Princenthal, Nancy, The Many Faces of Gillian Wearing, hyperallergic.com, 2 December 2021.
Reynolds, Cory, Provocative, prescient 'Gillian Wearing: Wearing Masks' is on view now at the Guggenheim, artbook.com, 6 December 2021.
Rabinowitz, Chloe, NSU Art Museum For Lauderdale Announces New Exhibitions, Photographing the Fantastic, broadwayworld.com, 17 December 2021.
Ramzi, Lilah, Dressed in Custom Dior, Lorde Gave a Rousing Performance at the Guggenheim International Gala, vogue.com, 18 November 2021.
Seymour, Tom and Gareth Harris, Portrait of a pandemic: five works at Art Basel that confront Covid-19, theartnewspaper.com, 24 September 2021.
Schmutz; Hemma; Fellner, Sabine; Nowak-Thaller, Elisabeth, Wilde Kindheit, Lentos Kunstmuseum Linz, Verlag für moderne kunst, 2021, pp. 58, 212.
Scobie, Ilka, New York Exhibitions November 2021 From Jasper Johns To Alex Katz, artlyst.com, 22 November 2021.
Silverberg, Miriam, Now at the Guggenheim: Gillian Wearing: Wearing Masks, thethreetomatoes.com, 5 November 2021.
Smith, Melissa, 5 Things to Do This Weekend, Everyday Bronzes, nytimes.com, 28 October 2021.
Takac, Balasz, The First North American Retrospective of Gillian Wearing Comes To The Guggenheim, widewalls.ch, 5 November 2021.
Thorpe, Greg, Contemporary Portraits: Part Two, thefourdrinier.com, February 2021.
Thorpe, Vanessa, Honey, they shrunk the art…top artists create works for tiny gallery, theguardian.com, 28 March 2021.
Tovey, Russell and Diament, Robert, talk ART, Octopus Octopus Publishing Group Ltd, 2021, pp. 54, 75, 221.
Veiga, Marcia, 9 immersive UK art exhibitions to visit post-lockdown, thespaces.com, 27 April 2021.
Walsh, Maria, Therapeutic Aesthetics, Performative Encounters in Moving Image Artworks, Bloomsbury Academic, Great Britain, 2021, pp. 127-149, 220.
Wearing, Gillian, Can Yerebakan, Osman, "We Carry Our Younger Selves Around": Gillian Wearing on Life Art and Time, anothermag.com, 17 November 2021.
Weaver, Shaye, The second-ever statue of a real-life woman in Central Park has just been unveiled, timeout.com, 20 October 2021.
Westall, Mark, 30 Contemporary British Artists Including Damien Hirst, Lubaina Himid, Gillian Wearing, Rachel Whiteread Create Miniature Art Works For Model Art Gallery, fadmagazine.com, 30 March 2021.
Wilson, Rob, Wright & Wright designs model gallery for over 30 miniature artworks, architectsjournal.com, 16 July 2021.
Yang, Okkum, Catastrophe and Recovery, National Museum of Modern and Contemporary Art, Korea, Youn Bummo, 16 July 2021, pp. 18, 20, 140-145, 338.
–––, Bloomberg New Contemporaries comes to Firstsite, essexmagazine.co.uk, 20 September 2021.
–––, Egypt Frees Ai-Da The Robot Artist – Gillian Wearing Unveils Statue of Diane Arbus – New Munch Museum Opens, artlyst.com, 22 October 2021.
–––, Fall Museum Shows, artforum.com, September 2021.
–––, Gillian wearing masks, living in disguises and identity as achievement, mcutimes.com, 11 November 2021.
–––, Gillian Wearing: Wearing Masks, Art Diary, apollo-magazine.com, 29 October 2021
–––, Guggenheim Museum Presents “Gillian Wearing: Wearing Masks”, webwire.com, 4 August 2021.
–––, MMCA exhibition highlights art in the pandemic era, en.yna.kr, 29 May 2021.
–––, Montcalm East, wonderlandmagazine.com, 23 June 2021.
–––, Now We Are 10: Firstsite celebrates a decade of success, essexmagazine.com, 16 September 2021.
–––, Harper’s BAZAAR Japan, October 2021.
–––, The art of Wearing Masks: a show for our time, espresso.economist.com, 6 November 2021.
–––, The Conceptual and Empathetic Art of Gillian Wearing, newyorker.com, 15 October 2021.
–––, Work of the Week, Me as O’Keeffe, Guggenheim Museum, twitter.com, 13 December 2021.
Bakare, Lanre, Wolfgang Tillmans enlists artists to help venues threatened by Covid-19, theguardian.com, 21 April 2020.
Barlow, Nigel, Millicent Fawcett’s ‘Steadfastness and Courage’ brooch to go on permanent display for the first time, aboutmanchester.co.uk, 12 March 2020.
Barrett, Helen, Mary Wollstoncraft row shows how confused we are about public art, 13 November 2020.
Billedkunst Nr. 4 2020, p. 6
Brard, Emeric, 7 Countries To Celebrate International Women’s Day In Around The World, womenlovetech.com, 26 February 2020.
Brown, Mark, Antony Gormley and Grayson Perry help design the ‘ultimate artists’ activity pack, theguardian.com, 30 March 2020.
Brown, Mark, Portrait of studious woman revealed to be of Millicent Fawcett, theguardian.com, 13 May 2020.
Bryson, Robbie, Tracey Emin and Gillian Wearing pieces in new Firstsite exhibition, gazette-news.co.uk, 26 February 2020.
Buck, Louisa, Wolfgang Tillmans gets artist friends to make posters to help cultural spaces during lockdown, theartnewspaper.com, 22 April 2020.
Cartter, Eileen, Please Tell Me Something, Anything About Myself, garage.vice.com, 11 May 2020.
Cascone, Sarah, Photographer Wolfgang Tillmans Has Enlisted His Art-Star Friends to Make $50 Posters to Benefit Shuttered Nightclubs and Art Spaces, news.artnet.com, 22 April 2020.
Clarke, Andrew, Coronavirus lockdown: Art and craft activity downloads from Firstsite artists, eadt.co.uk, 30 March 2020.
Cornelius, Tom, Exhibition of the Month: Lockdown by Gillian Wearing, Maureen Paley, London, lux-mag.com, 30 September 2020.
Cotton, Charlotte, The Photograph as Contemporary Art, Thames & Hudson, 2020, p. 32.
Crompton, Sarah, On Show, Sarah Crompton's selection of the most compelling art events and exhibitions around the world this Autumn, Christies Magazine, September–October 2020, p14 & 21.
Furdyk, Brent, Martin Scorcese Filmed His Lockdown Experience For BBC Film Series, etcanada.com, 28 May 2020.
Gavin, Francesca, The Artemisia Gentileschi effect: a suge of IRL art openings by women, ft.com, 3 September 2020.
Gonzalez, Alexandra, When does art move us?, Parcours 2020, 7 January 2020, p61.
Grater, Tom, Martin Scorsese Self-Shoots Isolation Short For BBC, deadline.com, 27 May 2020.
Grovier, Kelly, The most striking images of 2020, bbc.com, 5 December 2020.
Harper, Daria, Antony Gormley, Grayson Perry, and other U.K. artists created a downloadable art-making activity pack, artsy.net, 3 April 2020.
Harris, Gareth, Three arty things to do at home this weekend, theartnewspaper.com, 3 April 2020.
Hawthorn, Carlos, 40 artists, including Wolfgang Tillmans and Andreas Gursky, donate posters to venues and projects hit by pandemic, residentadvisor.net, 27 April 2020.
Henley, Darren, Funding diversity in the arts ‘vital’ during pandemic, easterneye.biz, 6 August 2020.
Hopkirk, Elizabeth, Eva Jiricna replaces David Adjaye as Royal Academy curator, bdonline.co.uk, 11 September 2020.
Hsu, Tiffany, An ESPN Commercial Hints at Advertising’s Deepfake Future, nytimes.com, 22 April 2020.
Hutton, Belle, The Best things to Do Before the Summer Is Out, anothermag.com, 3 August 2020.
Jeeves, Paul, Government urged to extend support scheme for badly hit arts sector, express.couk, 19 September 2020.
Jones, Jonathan, A lockdown portrait, a trip to the seaside and America's bad dream – the week in art, theguardian.com, 18 September 2020.
Jones, Jonathan, The 10 best statues in Britain – chosen by our critic, theguardian.com, 10 June 2020.
Kan, George, Dancing Alone, brooklynrail.org, 6 June 2020.
Klingelfuss, Jessica, Independent New York delivers resilience, poignance and power, wallpaper.com, 5 March 2020.
Kurcfeld, Michael, Dream Factory Meets Art Fair: Twenty Highlights from Frieze Los Angeles 2020, lareviewofbooks.org, 25 February 2020.
Lee, Helena and Ridley, Hannah, Don’t miss our annual Bazaar Art supplement, free with the November issue, harpersbazaar.com, 2 October 2020.
Luke, Ben, A brush with… Gillian Wearing, theartnewspaper.com, 9 January 2020.
Martin, Hannah, Step Inside Photographer Jason Schmidt’s New Quarantine Project: His Own Home, architecturaldigest.com, 24 November 2020.
McCabe, Katie, Grayson Perry, Antony Gormley and Gillian Wearing create at-home pack for budding artists, timeout.com, 1 April 2020.
Moss, Rachel, 21 Great Statues Of Women Who Don't Have Their Fannies Out, huffingtonpost.co.uk,11 November 2020.
Mishan, Ligaya, How Can I Say Goodbye to My City in the Middle of a Pandemic?, nytimes.com, 28 April 2020.
Mitchell, Rory, Maureen Paley: A Trailblazing Gallerist, ocula.com, 19 June 2020.
Moss, Rachel, 21 Great Statues Of Women Who Don't Have Their Fannies Out, huffingtonpost.co.uk,11 November 2020.
Mowbray, Nicole, Murray-Morris, Sophie, The best gifts to buy the homeware lover in your life this Christmas, metro.co.uk, 26 November 2020.
Nicholls-Lee, Deborah, The erotic Dutch surrealist you should have heard of, dutchnews.nl, 17 February 2020.
Oliver, Huw, Top artists are selling posters to support struggling venues, timeout.com, 22 April 2020.
Oppenheim, Maya, Why aren’t there enough statues of women?, independent.co.uk, 14 November 2020.
Paskett, Zoe, Antony Gormley and Grayson Perry among artists to design free creative activity pack for families, standard.co.uk, 31 March 2020.
Piper, Daniel, This artists’ activity pack will keep you busy for days, creativebloq.com, 7 April 2020.
Rees, Lucy, A Love Letter to MoMA: Glenn Lowry and Curators Share the Works They Miss the Most, galeriemagazine.com, 12 May 2020.
Sherlock, Amy, Learning to Love the 2010s, frieze.com, 1 January 2020.
Sooke, Alastair, Marc Quinn’s Bristol statue is vainglorious stunt, telegraph.co.uk, 15 July 2020.
Tedbury, Imogen, Vote winner – a newly discovered portrait of Millicent Fawcett is a significant find, apollo-magazine.com, 12 May 2020.
Ullmann Okuliar, Reine, Lockdown, reineokulliar.com, 16 October 2020.
Urist, Jacoba, Independent New York offers fair fatigue anecdote, theartnewspaper.com, 4 March 2020.
Wilkinson, Sue, BBC reveals new ‘year-long’ series on books with stars including Richard E Grant and Mark Gatiss, newspostleader.co.uk, 5 June 2020.
Woolf, Jan, Distant socialising, morningstaronline.co.uk, 31 March 2020.
–––, Filmmaker Martin Scorsese creates exclusive isolation film, keepthefaith.co.uk, 29 May 2020.
–––, Firstsite Colchester launch “Art is where the home is TV”, a new series of weekly online shows, essexmagazine.co.uk, 23 October 2020.
–––, Firstsite Colchester shortlisted for the 2020 Freelands Award, 10 September 2020.
–––, Firstsite in Colchester Release New Pack of Their Lockdown Initiative, essex-tv.co.uk, 16 May 2020.
–––, Gillian Wearing Lockdown, artforum.com, October 2020.
–––, Gillian Wearing Lockdown | Maureen Paley, artangled.com, 1 November 2020.
–––, Artworks by some of Britain’s most celebrated artists brought to life in Colchester exhibition, essexmagazine.co.uk, 26 February 2020.
–––, Bloomberg New Contemporaries 2020 Digital Platform, e-flux.com, 30 September 2020.
–––, Commonwealth Games 2022 Sculpture for Centenary Square, birminghammail.co.uk, 5 March 2020.
–––, Firstsite Colchester shortlisted for the 2020 Freelands Award, essexmagazine.co.uk, 10 September 2020.
–––, Firstsite in Colchester revel new pack of their lockdown initiative, essex-tv.co.uk, 16 May 2020
–––, L’impronata del reale. William Henry Fox Talbot alle origini della fotografia/ Impression of reality. William Henry Fox Talbot and the origin of photography, Franco Cosimo Panini, 2020, pp. 132, 149, 240.
–––, New Contemporaries, e-flux.com, 13 January 2020.
–––, Price Check! Here’s What Sold – and For How Much – at the 2020 Frieze London and Frieze Masters’ Online Viewing Room, news.artnet.com, 19 October 2020.
–––, Queen’s Birthday Honours List recognises Colchester’s inspirational gallery leader, essexmagazine.co.uk, 10 October 2020.
–––, Show solidarity! Artists' posters to help struggling arts venues – in pictures, theguardian.com, 28 April 2020.
–––, The shows must go on – what not to miss during Frieze week this year, apollo-magazine.com, 8 October 2020.
–––, U.K. artists create downloadable art-making activity pack to cure self-isolation boredom, faroutmagazine.co.uk, 4 April 2020.
–––, V&A launches lockdown Wednesday design days, harpersbazaar.com, 21 April 2020.
–––, Wolfgang Tillmans Enlists Artists to Make $50 Posters to Support Nightlife Venues, artnews.com, 23 April 2020.
–––, Wolfgang Tillmans launches $50 posters to support shuttered nightclubs and art spaces, news.yahoo.com, 23 April 2020.
Barry, Robert, How Does It Feel? Michael Bracewell Show Explores Art & Pop, 1976–1995, thequietus.com, 24 August 2019.
Barlow, Nigel, Yoko Ono and Gillian Wearing among first artists announced for summer exhibition at The Lowry, aboutmanchester.co.uk, 29 April 2019.
Bennett, Sophia, illustrated by Manjit Thapp, The Bigger Picture, Women Who Changed the Art World, Tate Publishing, 2019, p. 86–87.
Buck, Louisa, The Art World goes to Hollywood: inside Frieze LA, telegraph.co.uk, 15 February 2019.
Byrne, John, What’s on? TV picks for Friday, Saturday and Sunday, rte.ie, 8 November 2019.
Campbell-Johnston, Rachel, Sixty Years, a Tate Britain Show of Women Artists – Mind the Gender Collecting Gap, www.thetimes.co.uk, April 27 2019.
Cowan, Katy, Tate Britain’s landmark show to celebrate British female artists of the last six decades, www.creativeboom.com, 18 April 2019.
Dafoe, Taylor, Ruby City, a Jewel-Box Museum Dedicated to the Collection of the Late San Antonio Heiress Linda Pace, Sparkles With Personality, news.artnet.com, 16 October 2019.
Dinsdale, Emily, Art Events to leave the house for this month, dazedigital.com, 4 December 2019.
Evaristo, Nicholson & Smith, Beauty is…, Harper’s BAZAAR Japan, Hearst, 20 October 2019.
Frankel, Eddy, New Order: Art, Product, Image 1976 – 1995 review, timeout.com, 25 July.
Goldstein, Caroline, and Noor Brara, 13 of the Campiest Looks at the Met Gala Next to the Great Works of Art That (Probably) Inspired Them, news.artnet.com, 7 May 2019.
Harvey, Chris, What’s on television in November 2019 – My Grandparents’ War and The Irishman, prospectmagazine.com, 9 October 2019.
Hedges, Frances, Join our annual celebration of women in art, harpersbazaar.com, 13 September 2019.
Jansen, Charlotte, Punks and pioneers: 1970s-90s British identity surveyed in Spruth Magers exhibition, wallpaper.com, 2 August 2019.
Keener, Katherine, One exhibition looking at how masks are present today, art-critique.com, 6 August 2019.
Lewis, India, Arena: Everything is Connected – George Eliot’s Life, BBC Four review – Innovative film brings the Victorian novelist into the present, theartdesk.com, 11 November 2019.
Lowe, Paul, A Chronology of Photography, Thames & Hudson, 2019, p224.
McAshan, Britni R. Artist Gillian Wearing challenges selfie culture in exhibit at Rice’s Moody Center for the Arts, tmc.edu, 28 June 2019.
New, Belphoebe, Six enigmatic photographers who shatter the traditions of portraiture, dazeddigital.com, 4 July 2019.
Pes, Javier, An Art Lover’s Guide to London: 5 Spots to Visit for an Offbeat Tour of British Art History, artnet.com, 27 September 2019.
Raniwala, Praachi, Here’s what makes this property in London perfect for your next visit, vogue.in, 1 October 2019.
Rindfuss, Bryan, ITC Unveiling New Permanent Photo Collection of San Antonians Sharing Their Ancestry, sacurrent.com, 5 September 2019.
Rogers, Jude, Gillian Wearing on George Eliot: ‘She spoke of life from every side’, theguardian.com, 10 Novemeber 2019.
Scheuermann, Barbara J, MASK, The Art of Transformation, Wienand, pp. 183, 221.
Snoad, Laura, Artist Gillian Wearing creates experimental documentary about George Eliot for the BBC, itsnicethat.com, 8 November 2019.
Taylor, Matthew, Five Turner winners call on National Portrait Gallery to cut ties with BP, theguardian.com, 5 July 2019.
Vondlebedur, Catherine, Turner Prize-winning artist Gillian Wearing directs experimental BBC film on George Eliot’s life, coventryobserver.co.uk, 13 November 2019.
Wallis, Brian, Encore: Reenactment in Contemporary Photography, Artforum, January 2019, p.81.
Warner, Marigold, What to see at Les Rencontres d’Arles, bjp-online.com, 1 July 2019.
Wearing, Gillian, Gillian Wearing on Rembrandt, in: Jori Finkel, It Speaks to Me: Art that Inspires Artists, Prestel, 2019, p.106
Westall, Mark, New Order: Arft, Product, Image 1976-1995, fadmagazine.com, 22 July 2019.
Woode, David, Thanks for sharing: how this year’s Turner Prize subverts the concept of winning and losing, inews.co.uk, 6 December 2019.
Wood, Alex, Major exhibition at Yorkshire gallery features some of the greatest artists of the modern era, yorkshirepost.co.uk, 15 August 2019.
–––, Citing BP Sponsorship and Other Issues, British Museum Trustee Resigns, artforum.com, 16 June 2019.
–––, Colchester’s Firstsite Shortlisted for £100,000 National Arts Award, Essex-TV.co.uk, 7 June 2019.
–––, “Encore: Reenactment in Contemporary Photography” at J. Paul Getty Museum, Los Angeles, blouinartinfo.com, 2 April 2019.
–––, Encore: Reenactment in Contemporary Photography, loeildelaphotographie.com, 20 March 2019.
–––, Flow Photographic Gallery, a new London gallery, loeildelaphotographie.com, 3 October 2019.
–––, Interview: Gillian Wearing, Harper’s BAZAAR Taiwan, Art Issue, November 2019.
–––, New Order: Art, Product and Image 1976-1995 at Spruth Magers, artefuse.com, 7 August 2019.
–––, New Contemporaries Mark 70 Years Promoting The UK’s Best Emerging Art, artlyst.com, 19 September 2019.
–––, What’s on TV: Sunday, thetimes.co.uk, 10 November 2019.
–––, Celebrate International Women’s Day 2020 with Harper’s Bazaar at our exclusive dinner, harpersbasaar.com, 12 November 2019.
–––, New Contemporaries, e-flux.com, 8 December 2019.
–––, Global cultural calendar: December, theface.com, 29 November 2019.
Abraham, Amelia, The Problem With Suffragettes, refinery29.co.uk, 6 February 2018.
Adam, Karla, Britain unveils first statue of a woman in Parliament Square, washingtonpost.com, 24 April 2018.
Alexander, Ella, 15 women who shaped 2018, harpersbazaar.com, 19 December 2018.
Barlow, Nigel, From Turin to Rochdale – HERSTORY brings the collection of Patrizia Sandretto Re Rebaudengo to Rochdale, aboutmanchester.co.uk, 30 July 2018.
Beer, Jeff, This new deep fake video is both advertising and a piece of art, fastcompany.com, 12 December 2018.
Begum, Tahmina, Tatty Devine × Fawcett Society Necklaces Are Our New Feminist Jewellery Crush, huffingtonpost.co.uk, 25 May 2018.
Berrington, Katie, Sadiq Khan On The Women Making History In Parliament Square, vogue.co.uk, 24 April 2018.
Brennan, Ailis, Tacita Dean, Yinka Shonibare and Gillian Wearing awarded CBEs in New Year’s Honours 2019, standard.co.uk, 29 December 2018.
Brown, Mark, Fawcett portrait goes on show at Tate for suffrage centenary, theguardian.com, 2 February 2018.
Buck, Louisa, Suffragette cities: UK women take to the streets to mark 100 years of the vote, www.theartnewspaper.com, 12 June 2018
Buck, Louisa, ‘Courage calls to courage everywhere’: Suffragist sculpture unveiled in London, theartnewspaper.com, 24 April 2018.
Campbell, Sophie, Little-known London locations that recall the fight for women’s rights, telegraph.co.uk, 6 February 2018.
Cieslewicz, Bill, British artist receives prestigious Cincinnati Art Museum award, bizjournals.com, 4 September 2018.
Criado-Perez, Caroline, Despite a barrage of hate, I put a statue of a woman where only men stand, edition.cnn.com, 24 April 2018.
Crofton, Marcus, Historic statue of Suffragist leader Millicent Fawcett by Gillian Wearing unveiled in Parliament Square, contemporaryartsociety.org, 24 April 2018.
Dunne, Jill E. Cincinnati Art Museum to unveil new contemporary conceptual art in “Life: Gillian Wearing”, artfixdaily.com, 23 July 2018.
ElGenaidi, Deena, News: Ruby City acquires a Gillian Wearing photograph, hyperallergic.com, 9 August 2018.
de Freitas Kamura, Kimiko, U.K.’s Parliament Square Gets a Female Statue. It Only Took 200 Years., nytimes.com, 24 April 2018.
Fullerton, Elizabeth Fullerton, Gillian Wearing: Do You Feel You Know Me a Bit Now?, elephant.art, 18 October 2018.
Furman, Anna, Self-Portrait of the Artist as Her Mother, nybooks.com, 28 April 2018.
Gompertz, Will, Review: The statue of the suffragist Dame Millicent Fawcett by Gillian Wearing, bbc.co.uk, 28 April 2018.
Gray, Jasmine, Millicent Fawcett Statue Is ‘Absolutely Massive’ For Women And Girls, Say Female MPs, huffingtonpost.co.uk, 24 April 2018.
Grimshaw, Chloe, Interview with Caroline Criado Perez, plinth.uk.com, 31 May 2018.
Harris, Gareth, UK New Year’s Honours 2019: artists awarded include Sonia Boyce, Gillian Wearing, Tacita Dean and Alison Wilding, theartnewspaper.com, 29th December 2018
Haydn Smith, Ian, 10 Images That Changed the Course of Photography, artsy.net, 19 April 2018.
Haydn Smith, Ian, The Short Story of Photography, Lawrence King, London, 2018, p39.
Hopkins, David, After Modern Art: 1945-2017, Oxford History of Art, Oxford Press, pp. 224-225.
Hudson, Mark, Gillian Wearing’s statue of Millicent Fawcett is an era-defining image of an undersung hero, telegraph.co.uk, 24 April 2018.
Hughes, Laura, Vote Winner: Parliament Square’s first female statue, Financial Times, 25 April 2018.
Issa, Tala, Suffragist Flag Raised Above UK Parliament In Memory Of Millicent Fawcett, speakerpolitics.co.uk, 11 June 2018.
Januszczak, Waldemar, Gillian Wearing interview: the former YBA on bringing the statue of Millicent Fawcett to Parliament Square, thetimes.co.uk, 22 April 2018.
Jones, Jonathan, Abstraction in photography and nature in fashion – the week in art, theguardian.com, 27 April 2018.
Jones, Sophie, Millicent Fawcett statue in Parliament Square, epsomguardian.co.uk, 18 April 2018.
Judah, Hettie, Gillian Wearing’s Monument to Suffragist Millicent Fawcett Reminds us of the Power of Defiant Visibility, frieze.com, 26 April 2018.
Khan, Saddiq, Why we need to close Wikipedia’s gender page gap, telegraph.co.uk, 12 June 2018.
Liz Rideal and Kathleen Soriano, Madam and Eve: Women Portraying Women, Laurence King Publishing, 2018, p. 127.
Mavadiya, Madhvi, Google Arts & Culture launch Road to Equality exhibition about women’s movement, dailymail.co.uk, 13 June 2018.
Lowe, Paul – “A Chronology of Photography” – Thames & Hudson, p.224
Masri, Lena, 1st statue of woman on London’s Parliament Square unveiled, abcnews.go.com, 24 April 2018.
Morgan, Tiernan, Art Movements, hyperallergic.com, 28 April 2018.
Oppenheim, Maya, Millicent Fawcett: Who was the tireless suffragist and how did she change women’s voting rights forever?, independent.co.uk, 11 June 2018.
Orr, Gillian, Sadiq Khan Tells R29 How He Plans To Celebrate Women In 2018, refinery29.uk, 6 February 2018.
Patrick, Martin, Across the Art/Life Divide: Performance, Subjectivity and Social Practice in Contemporary Art, Intellect, Britol and Chicago, 2018, pp.29-31.
Pes, Javier, Backed by Damien Hirst and Other Illustrious Alumni, Goldsmiths Opens Its New Contemporary Art Center, news.artnet.com, 8 Septeber 2018.
Pes, Javier, The First Statue of a Woman in London’s Parliament Square Joins Churchill, Mandela, and Abraham Lincoln, news.artnet.com, 24 April 2018.
Riddle, Joe, Statue tribute to ‘tireless’ women’s rights pioneer, salisburyjournal.co.uk, 12 February 2018.
Romo, Vanessa, London’s Parliament Square Gets Its First Statue Honoring A Woman, npr.org, 24 April 2018.
Rosen, Steven, Cincinnati Art Museum awards Schiele Prize to British artist Gillian Wearing, citybeat.com, 31 August 2018.
Silverman, Rosa, ‘This Statue has a bigger story to tell’, The Daily Telegraph, 24 April 2018, Living & Features pp.21-22.
Sommerlad, Joe, Millicent Fawcett: Suffragist honoured with first statue of woman in Parliament Square, independent.co.uk, 24 April 2018.
Taylor, Greg, Young women attend unveiling of statue of prominent suffragist, sloughobserver.co.uk, 17 May 2018.
Taylor, Harry, Suffragettes 100: Names of Hampstead and Golders Green campaigners to feature on Millicent Fawcett statue, www.hamhigh.co.uk, 6 February 2018.
Thompson, Jessie, Suffragette exhibition in Trafalgar Square lets Londoners pay respects to women who won the vote 100 years ago, www.standard.co.uk, 6 February 2018.
Thompson, Jessie, Millicent Fawcett statue unveiling: Parliament Square gets first statue of a woman, standard.co.uk, 24 April 2018.
Topping, Alexandra, Statue of suffragist Millicent Fawcett to be unveiled in April, theguardian.com, 6 February 2018.
Watkins, Emily, ‘Courage Calls To Courage Everywhere’, plinth.uk.com, 23 April 2018.
Wearing, Gillian, My London, FT Weekend Magazine, May 2018, pp. 14-15.
Wiseman, Eva, Meet The New Suffragettes, vogue.co.uk, 8 March 2018
Wiseman, Eva, Follow the Leaders, Vogue, February 2018, pp. 52-55
——, Destination Art: 500 Artworks Worth the Trip, Phaidon, 2018, pp113.
——, Graham Dixon, Andrew, Art: The Definitive Visual Guide, 2018, pp. 579, 588.
——. Women of the Year 2018, harpersbazaar.com, 30 October 2018
——, Harper’s Bazaar Unveils six covers featuring top female artists for Bazaar Art, harpersbazaar.com, 2 October 2018
——, Gillian Wearing’s Suffragist statue commemorates revolutionary women- and and smattering of men, theartnewspaper.com, 6 February 2018.
——, Women wanted: massive UK parade to honour the suffragettes, theartnewspaper.com, 8 March 2018.
——, On this day in 1918, the first women got the vote, www.london.gov.uk, 6 February 2018.
——, Gillian Wearing’s Statue of Suffragist Millicent Fawcett Unveiled Outside Parliament, frieze.com, 24 April 2018.
——, London’s Parliament Square Unveils its First Statue Honoring a Woman, artforum.com, 24 April 2018.
——, Eyewitness, The Guardian, 24 April 2018, pp 26–27.
——, Millicent Fawcett: Statue of suffragist unveiled, bbc.co.uk, 24 April 2018.
——, The Guardian view on Millicent Garrett Fawcett: she deserves her place in Parliament Square, theguardian,com, 24 April 2018.
——, Suffragist leader Millicent Fawcett statue unveiled outside Parliament, the national.scot, 24 April 2018.
——, Fawcett Fashion: It gets our vote, Grazia, 30 April 2019, p.104.
—— Mass march marks 100 years of women’s vote, bbc.co.uk, 10 June 2018.
——, British artists: Ebacc will damage creativity and self-expression, theguardian.com, 8 May 2018.
——, Britain’s Leading Artists Protest Against The Decline Of Art In Schools, artlyst.com, 8 May 2018.
——, Fall Preview: The Most Promising Museum Shows and Biennials Around the World, artnews.com, 9 September 2018.
Bannister, Laura, Gillian Wearing and her Masks, MUSEUM, Issue 6, 2017, pp. 30-37.
Bennun, David, Behind the Mask, 1843magazine.com, 10 May 2017.
Brown, Mark, Statue of suffragist to break male monopoly on Parliament Square, theguardian.com,13 April 2017.
Brown, Mark, Art meets science in an exploration of Gender Identity, The Guardian, 9 March 2017, p. 13.
Buck, Louisa, National Portrait Gallery marks International Women’s Day by celebrating Gillian Wearing and Claude Cahun,
theartnewspaper.com, The Art Newspaper, 10 March 2017.
Carey-Kent, Paul, Inspired, perhaps, by the surge of the selfie, there was a glut of self-portrait shows last year, and the trend continues, fadmagazine.com, 3 May 2017.
Cumming, Laura, Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask – review, theguardian.com, 12 March 2017.
Durrant, Nancy, Who was Claude Cahun? Art Quarterly, Spring 2017, pp. 40-47.
Epps, Philomena, wearing the mask, thefifthsense.i-d.co, i-D, 13 March 2017.
Epps, Philomena, Iconic YBA Gillian Wearing on the performance of everyday life, i-d.vice.com, 14 June 2017.
Frankel, Eddy, Gillian Wearing and Claude Cahun, Time Out, 14-20 March, p77.
Gadd, Stephen, Gillian Wearing’s art is all about giving ordinary people a voice, and it works, cphpost.dk, 19 October 2017.
Hametner, Jessica-Christin, Gillian Wearing keeps it in the family at Copenhagen’s National Gallery, wallpaper.com, 27 October 2017.
Hudson, Mark, Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask, National Portrait Gallery, review,
telegraph.co.uk, The Telegraph, 8 March 2017.
Irmas, Deborah (Ed.) This is Not a Selfie: Photographic Self-Portraits from the Audrey and Sydney Irmas Collection, Los Angeles County Museum of Art, Los Angeles, 2016.
Jones, Jonathan, Iggy Pop goes nude, the Turner grows up and Cecily Brown gets wrecked – the week in art, theguardian.com, 8 December 2018.
Kent, Sarah, Gillian Wearing and Claude Cahun, National Portrait Gallery: Gender and identity explored by artists born 70 years apart, theartsdesk.com 10 March 2017.
Knowles, Kitty, From Life: Dive into divine virtual sculptures & paintings at the RA, thememo.com, 8 November 2017.
Lee, Helena, Five of the world’s greatest female artists create original artworks for Harper’s Bazaar, harpersbazaar.co.uk, 5 October 2017.
Luke, Ben, Gillian Wearing and Claude Cahun, Behind the Mask, review: Both artists are enhanced by this pairing, standard.co.uk, Evening Standard, 9 March 2017.
Lewis, Emma, …isms: Understanding Photography, Bloomsbury Visual Arts, London, 2017, pp. 110-11.
Massaro, Mike, Gillian Wearing: ‘We need to approach life with the notion we are all mentally ill’, 52-insights.com, 23 March 2017.
Pelletier, Mary, A Conceptual Artist Pays Homage to Surrealist Claude Cahun’s Performance of Identity, hyperallergic.com, 19 May 2017.
Razaq, Rashid, Images of unity: artists design covers for ES Magazine in tribute to Londoners’ resilience, standard.co.uk, 5 July 2017.
Sansom, Anna, Ageing Consensually: Gillian Wearing behind the mask, damnmagazine.net, 5 July 2017.
Searle, Adrian, A ghost in kiss curls: how Gillian Wearing and Claude Cahun share a mask, theguardian.com, 8 January 2017.
Searle, Adrian, Hiding in Plain Sight, The Guardian, 8 March 2017, pp. 18-19.
Slater, Lydia, In Poll Position, Harper’s Bazaar, February 2018, p.82.
Smart, James, Parliament Square in London is finally getting its first ever female statue, lonelyplanet.com, 25 September 2017.
Souter, Anna, Five must-see exhibitions in March 2017, theupcoming.com, 2 March 2017.
Stone, Bryony, We speak to Gillian Wearing about making the first statue of a woman in Parliament square, itsnicethat.com,
10 May 2017.
Thompson, Jessie, Gillian Wearing: Why she’s one of Britain’s best-loved contemporary artists, standard.co.uk, 4 May 2017.
Wearing, Gillian, Parallel Lives, Porter, Spring 2017, pp.116-117.
Wearing Gillian, 52 minutes’ silence, cover for the Evening Standard Magazine, 7 July 2017.
Wearing, Gillian, Mirror Face, original work for the cover of Harper’s Bazaar Art, November 2017, cover and pp. 12, 42 and 47.
Wearing, Gillian, Curriculm: A List of Favourite Anythings, Aperture, Winter 2017.
Weir, Laura, Editor’s Letter, Evening Standard Magazine, 7 July 2017.
Versus Rodin: bodies across space and time, Adelaide: Art Gallery of South Australia, 2017 (c)
—-, Coming Out: Sexuality, Gender & Identity, National Museums Liverpool, 2017, pp. 62-63
—-, Creating Ourselves: The Self in Art, Whitechapel Gallery, London (C)
—-, 5 To See, aestheticamagazine.com, 17 March 2017.
—-, Gillian Wearing announced as artist of Millicent Fawcett statue in Parliament Square, fawcettsociety.org.uk, 13 April 2017.
—-, Gillian Wearing to create Statue of Suffragist for London’s Parliament Square, artforum.com, 14 April 2017.
—-, Gillian Wearing reveals design for suffragist statue on Parliament Square, apollo-magazine.com, 20 September 2017.
—-, Artist unveils design for Parliament Square suffragist statue, theguardian.com, 20 September 2017.
—-, Millicent Fawcett statue in Parliament Square given the go ahead, news.sky.com, 20 September 2017.
—-, Artlyst Chooses Ten Of The Best From Frieze London 2017, artlyst.com, 5 October 2017.
—-, Fake museums and human teapots: Frieze 2017 – in pictures, theguardian.com, 4 October 2017.
—-, En rigtig dansk familie (A real danish family), 3 part television series, DRtv, broadcast October 2017.
—-, Gillian Wearing, Tracey Emin and Yoko Ono create original artworks for Harper’s Bazaar, standard.co.uk, 5 October 2017.
—- Roll of Honour, Harper’s Bazaar, February 2018, p.70.
—-, Royal Academicians Exhibitions and Projects, Royal Academy of Arts Magazine, Winter 2017.
—-, Artist’s Working From Life, Royal Academy of Arts, London, 2017 (C)
Blessing, Jennifer, Gillian Wearing,Aperture, Winter 2016, pp.60-63.
Cullinan, Nicolas and Wearing, Gillian, A Portrait of the Artist as Claude Cahun, aperture.org, November 2016.
Eimer, Annick, Das Zeit Wissen-Gespräch, Zeit Wissen, no.6, 2016, pp.46-51.
Gale, Matthew, Tate Modern: The Handbook, 2016, p. 318.
Jager, Hans den Hartog, Behold the Man – 100 Years, 100 faces/ Zie De Mens – Honderd jar, Honderd gezichten, Museum de Fundatie, Athenaeum-Polak & Van Gennep, Amsterdam, pp.190-191 (C).
Heller, Sabine, Balancing Act, Malibu Magazine, Vol 13 Issue 6, November/December 2015, pp. 122-134.
Irmas, Deborah (Ed.) This is Not a Selfie: Photographic Self-Portraits from the Audrey and Sydney Irmas Collection, Los Angeles County Museum of Art, Los Angeles, 2016.
Lambert, James and Jackson, Sharna, Nutze Deine Birne! Kunst Activity Buch, E. A. SEEMANS BILDERBANDE, 2016.
McNay, Anna, Gillian Wearing: ‘I don’t have any typical practice. Every project is different', studiointernational.com, 5 May 2016.
McQuaid, Cate, Revealing Portraits, fast-forwarded to age 70, bostonglobe.com, 30 December 2016.
Perlson, Hili, Got a Room with a View? Artist Gillian Wearing Wants Your Footage, artnet.com, 15 February 2016.
Pogrebin, Robin, Philadelphia Museum of Art Finally Gets a Hopper, Inside Art, The New York Times, February. 25, 2016.
Qizilbash, Ashraf, It’s Always Better To Wear a Mask, Under the Influence, Issue 16, 2016, pp. 260 - 271.
Rabinowitz, Sophie, Gillian Wearing Self Portraits, Osmos Magazine, Summer 2016, pp. 2 - 5.
Rabinowitz, Sophie, Gillian Wearing Self Portraits, Osmos Magazine, Summer 2016, pp. 2 – 5.
Razaq, Rashid, Snap! Near identical photos shot 85 years apart in a new exhibition, Evening Standard, 29 September 2016, p. 31.
Smee, Sebastian, Art as mirror of this dark moment, bostonglobe.com, 24 November 2016.
Yates, Emily, Brighton Festival: Exploring new directions in theatre and the visual arts, Brighton & Hove Independent, June, 3, 2016.
Wearing, Gillian, As seen from your window… , theguardian.com, 3 April 2016.
Wearing, Gillian, Gillian Wearing Remembers Her Former Tutor Jon Thompson (1936-2016), PICPUS, Push Print, London, issue no.17, Summer 2016.
–––, Frieze A to Z of Contemporary Art, Phaidon Press, London, 2016.
Bate, David, Conceptualism and Art Photography, Art Photography, Winter 2015, pp. 80-103.
Bennett, Oliver, Images in Motion, Art Quarterly, Winter 2015, pp. 66 – 71.
Heller, Sabine, Balancing Act: the Uneasy Art of Gillian Wearing, Malibu Magazine, December 2015, pp. 122-134.
Barnicoat, Becky, Before They Were Famous: Art Stars on Their Final Degree Shows, theguardian.com, 23 June 2015.
Borrás, Daniel, Gillian Wearing: el arte de compartir los secretos, El Mundo, 6 August 2015, p. 11.
Dabkowski, Colin, The work of art: Albright-Knox shows explore labour, portraiture, buffalo.com, 5 May 2015.
Duguid, Hannah, Gillian Wearing: ‘Having to talk to a group makes me very uncomfortable’, independent.co.uk, 30 October 2015.
Eler, Alicia, Gillian Wearing’s Masked Confessions, Hyperallergic.com, 14 January 2015.
Enguix, Salvador, Gillian Wearing, tras la máscara, La Vanguardia, 27 September 2015, p. 59.
Espejo, Bea, Gillian Wearing “Hablo de lo que esta debajo de la superficie de las cosas”, El Cultural, 18 September 2015.
Foran, Jack, Albright-Knox exhibits their wide collection of portraiture: Beyond Portraits, artvoice.com, 23 April 2015.
Garcia, Alfons, El IVAM regresa a la primera línea europea con los mil rostros de Gillian Wearing, Levante, 24 September 2015, p. 57.
Garcia, Alfons, “La identidad es el tema del arte nuestro tiempo”, levanter-emv.com, 24 September 2015.
Garcia, Alfons, Máscaras contra la identidad, Levante, 19 September 2015, p. 57.
Gioni, Massimiliano, The Great Mother, Skira and Fondazione Nicola Trussardi, Milan, 2015.
Herschdorfer, Nathalie, The Thames & Hudson Dictionary of Photography, 2015, pp 418
Luke, Ben, 20 Years of Collecting: Between Discovery and Invention, Zabludowicz Collection Review, standard.co.uk, 7 May 2015.
Labastida, Mikel, El IVAM renueva sus instalaciones, Las Provincias, 1 September 2015, p. 34.
Labastida, Mikel, El Nuevo rumbo de los museos, Las Provincias, 20 September 2015, pp. 52-53.
Mansergas, Ana, Gillian Wearing en el IVAM, cadenaser.com, 23 September 2015.
Miller, Ben, Museums at Night October 2015: Gillian Wearing on the Shy Convention at Backlit Nottingham, culture24.org.uk, 28 October 2015.
Molina, Ángela, “Las máscaras sirven para explorar la verdad de nuestros muchos yoes”, El País, 27 September 2015, p. 34.
Montes, Javier, Gillian Wearing, Reina del Carnaval, ABC cultural, 26 September 2015, pp. 18-19.
Morris, Steven, Plymouth’s Ocean Studios welcomes artists and first exhibition set to open, theguardian.com, 27 July 2015.
Muller, Robert-Jan, “The Vincent Award 2014”Gemeentemuseum, artforum.com/picks, January 2015.
Murray Brown, Griselda, White Cube to Black Box, FT Weekend, 16-17 May 2015, p. 13.
Palacios, Marta, Rodeada de genios, Las Provincias, 27 September 2015, pp. 100-101.
Searle, Adrian, Me me meme: artists’ selfies paint the full spectrum of self-obsession, theguardian.com, 23 January 2015.
Skidmore, Maisie, The Many Selves of Gillian Wearing, anothermag.com, 13 October 2015.
Snow, Philippa, Signs of Interior Life – In Conversation with Gillian Wearing, i-d.vice.com, 28 October, 2015.
Torres, Salva, La realidad sin mascaras de Gillian Wearing, Valencia, 24 September 2015, p. 2.
Velasco, Carmen, El IVAM muestra el arte bajo las máscaras, Las Provincias, 24 September 2015, p. 49.
Viñas, Eugenio, Apología de la identidad humana: Gillian Wearing ilumina el IVAM con su exploración de la bajeza, valenciaplaza.com, 28 September 2015.
Yerebakan, O.C, Los Angeles – Gillian Wearing: “everyone” at Regen Projects, artobserved.com, 24 January 2015.
—-, Agenda: Videoinstalaciones de Gillian Wearing, Las Provincias, 28 September 2015, p. 75.
—-, Art in the 90’s: Scandal and business with Young British Artists, en.artmediaagency.com, 23 July 2015.
—-, El IVAM muestra las múltiples identidades de Gillian Wearing, ABC, 24 September 2015, p. 75.
—-, Exposicions València: Gillian Wearing a l’IVAM, bonart.cat, 29 July 2015.
—-, Gillian Wearing o el interés por la construcción de la identidad, hoyesarte.com, 23 September 2015.
—-, Las máscaras de Wearing desnudan los diferentes “yoes” humanos en el IVAM, efeservicios.com, 23 September 2015.
—-, Las máscaras de Wearing desnudan los diferentes “yoes” humanos en el IVAM, eldiario.es, 24 September 2015.
—-, Otoño de exposiciones en Valencia, europapress.es, 20 September 2015.
—-, Spain – Valencia, IVAM: Gillian Wearing, Mousse, October – November 2015, p. 299.
—-, Todas las identidades de Gillian Wearing, al descubierto en el IVAM, europapress.es, 23 September 2015.
Don’t Call Me A Photographer!, C Photo and Ivory Press, p. 145.
Aspden, Peter, People Person, FT Weekend Magazine, Financial Times, 19 July 2014
Beanland, Christopher, New lease of life: How disused car parks are being transformed into cultural centres, independent.co.uk, 27 October 2014
Brown, Graeme, New statue unveiled outside Library of Birmingham, birminghampost.co.uk, 30 October 2014
Brown, Mark, Modern family: mums and sons immortalised in bronze, The Guardian, 30 October 2014, p.13
Brown, Mark, Ordinary Birmingham family to be immortalised in city centre statue, theguardian.com, 29 October 2014
Brown, Mark, Gillian Wearing digs up her past for tilt at Vincent Award, theguardian.com, 8 September 2014
Connolly, Maeve, TV Museum, Contemporary Art and The Age of Television, Intellect, Bristol, UK
Cook, William, Why Gillian Wearing made a statue of two single mothers, newstatesman.com, 30 October 2014
Dolan, Andy & Osborne, Lucy, Two single mums (one pregnant), their children – and not a dad in sight. Birmingham’s £100k vision of the modern British family, Daily Mail, 31 October 2014, p.3
Gerard, Liz, Real families come in all shapes and sizes, sub-scribe.com, 02 November 2014
Hodge, Susie, How to Look at Art, Tate publishing, London, 2014
Jones, Jonathan, The top 10 drinkers in art, theguardian.com, 1 April 2014
Lewis, Helen, All public art is a political statement – the best marks a rich changing society, theguardian.com/commentisfree, 2 November 2014
Mason, Shana Beth, GILLIAN WEARING We Are Here, brooklynrail.com, 18 December 2014
McNulty, Bernadette, Gillian Wearing redefines Birmingham for the 21st century, telegraph.co.uk, 31 October 2014
Milliard, Coline, Ikon Director Responds to A Real Birmingham Family Controversy, artnet.com, 10 November 2014
Miranda, Carolina A. Datebook: Videos about secrets, photography about rising tides, latimes.com, 11 December 2014
Neuendorf, Henri, Does This Statue Represent the Modern Family? news.artnet.com, 31 October 2014
Okolosie, Lola, Hooray for single mothers – and Gillian Wearing’s celebration of them, the guardian.com/commentisfree, 31 October 2014
Ollman, Leah, Masks and masquerades that reveal the self, latimes.com, 17 January 2015
Ram, Aliya, Family portrait: Art shows ‘real’ Birmingham, Financial Times, 31 October 2014, p.2
Reuter, Alicia, Gillian Wearing, I love you magazine, no.10 The Crisis Issue, 2014
Slenske, Michael, Regen Projects Turns 25 and celebrates with two new shows,
wmagazine.com, 12 December 2014
Wagley, Catherine, Gillian Wearing at Regen Projects, laweekly.com, 24 December 2014
Warde-Aldam, Digby, An Art Award that Actually Rewards Talent, spectator.co.uk, 1 December 2014.
Wearing, Gillian, Gillian Wearing Goes Home, newyorktimesmagazine.com, 26 November 2014
—-, Gillian Wearing Time Travels for Vincent Award, artlyst.com, 10 September 2014
—-, Exhibitions during Frieze week, The new shows not to miss, Time Out London, 14-20 October 2014, p.94
—-, New Gillian Wearing sculpture to be unveiled in Birmingham, artscouncil.org.uk, 28 October 2014
—-, Gillian Wearing Immortalises Real Birmingham Family in New Public Sculpture, artlyst.com, 30 October 2014
—-, ‘Real Birmingham family’ statue unveiled outside library, bbc.co.uk, 30 October 2014
—-, Regen Projects Turns 25, kcrw.com, 18 December 2014
—-, Gillian Wearing’s Multimedia Work Gets Los Angeles Exhibition, artlyst.com, 21 December 2014
Baumann, Sabian; Michalski, Karin, an unhappy archive, edition fink, 2013.
Pohlen, Annelle, Gillian Wearing Retrospektive, Kunstforum, 1 January 2013.
O’Hagan, Sean, The 10 best … photographic self-portraits, The Guardian, 23 March 2013.
Fox, Dan, Then & Now: British Art and the 1990’s, Frieze, December 2013, p. 100 – 107
Adams, Tim, The Work of Gillian Wearing, The Observer, 4 March 2012, pp.8, 9, 11.
Campbell-Johnston, Rachel, The portrait behind the mask, The Times T2, 28 March 2012.
Carr, Adam, Everything is connected in life; the point is to know it and to understand it. On the work of Gillian Wearing, Mousse Magazine, April-May 2012, p. 148,149.
Darwent, Charles, YBAs’ spot check, Independent on Sunday, 8 April 2012, pp.57, 59
Güner, Fisun, Art Review: Gillian Wearing, Metro, 2 April 2012, p.36.
Hamilton, Adrian, A YBA who’s still causing a big sensation, The Independent, 9 April 2012, pp.44-45
Jane, Ure-Smith, Artists who think inside the box, Financial Times, 3 April 2012, p.13.
Januszczak, Waldemar, Why Damien’s a small fish in Europe, The Sunday Times, Culture Magazine, 18 March 2012
Januszczak, Waldemar, Art: Gillian Wearing, The Sunday Times: Culture, 1 April 2012, pp.12-13.
Jury, Louise, A face of Liberty hangs by a thread, Evening Standard, 17 April 2012, p.26.
Juttla, Sonia, Stella loves…, The Sunday Telegraph: Stella magazine, 1 April 2012, p.9.
King, Emily, Gillian Wearing, COS magazine, Spring Summer 2012
Maddocks, Fiona, Artificial intelligence, RA Magazine, Spring 201
Mals, Von Jasmin, Ich-Botschaften im Namen der Kunst, Rheinische Post, 29 December 2012
Nairne, Eleanor, Gillian Wearing, Frieze, June-July-August 2012, p.187.
O’Reilly, Sally, Gillian Wearing, Art Review, April 2012, cover & pp.64-69.
Pfab, Anna-Maria, Gillian Wearing Scenes of everyday life, lalettredelaphotographie.com, 13 April 2012
Sherwin, Skye, Gillian Wearing, Guardian Guide, 24 March 2012, p.36.
Somers, Thierry, Gillian Wearing interview, 200percentmag.com, 6 April 2012
Sooke, Alastair, Everyone’s got a secret, The Daily Telegraph, 17 March 2012, pp.10-11.
Sooke, Alastair, Authenticity that is born of artifice, The Daily Telegraph, 3 April 2012, p.25
Smart, Alastair, Art: Unmasking British reserve, The Sunday Telegraph: Seven magazine, 1 April 2012, p.20.
Sumpter, Helen, Who do you think you are?, Time Out, 5 April 2012, p.42
Ward, Ossian, The year of art, Time Out, 19 January 2012, pp.18-19.
Critics’ Choice; The five best exhibitions on this week, Time Out, 5 April 2012, p.47
Coolibri, 1 December 2012.
Unter die Haut, Der Tagesspiegel, 29 November 2012.
Gillian Wearing zeigt ihren ersten Film, Rheinische Post, 14 November 2012.
Hinter den Masken des Selbst, Frankfurter Allgemeine, 16 October 2012.
Stiftel, Von Ralf Wahrheiten hinter Masken, Westfälischer Anzeiger, 12 September 2012.
Monopol Magazin, September 2012.
Kröner, Magdalena, Hinter den Masken des Selbst,
Frankfurter Allgemeine Zeitung, 16 October 2012.
10 Hot Things To Do Now…, 9: She’s A Winner, Grazia, 26 March 2012, p.141..
Enright, Robert, Gillian Wearing, The Art of Everyday Illumination,
Border Crossings, September 2011, cover & pp.26-43.
Hodge, Nicky, Art, Power, Diplomacy, Government Art Collection: The Untold Story, Scala Publishers Ltd, June 2011, p.144.
Gopnik, Blake, Gillian Wearing: One of Today’s 10 Most Important Artists, the daily beast.com, 5 June 2011.
Alli, Sharma, Behind the Front, Garageland, January 2011, pp.10-13.
Balestin, Juliana, Gillian Wearing at Tanya Bonakdar Gallery, New York,
Purple Diary, 17 May 2011.
Beesley, Ruby, Mechanics of Expression, Aesthetica, January 2011, pp.26-29.
Bryant, Eric, Gillian Wearing’s Role-Playing Games, Artinfo, 9 May 2011.
Calhoun, Dave, Self Made, Time Out, 1 September 2011, p.75.
Cochrane, Kira, A nose for the truth, Guardian G2, 30 August 2011, pp.19-21.
Crawley, Emma, Robert Mapplethorpe, Time Out, 17 February 2011, p.50
Critics’ choice: Self Made, Time Out, 1 September 2011, p.78.
Furness, Jo-Ann, & Hack, Jefferson, Dazed and Confused: Making it up as we go along, Rizzoli, New York, 2011, pp.216, & 218-219.
Gioni, Massimiliano, Gillian Wearing: Drunk, Defining Contemporary Art – 25 Years in 200 pivotal artworks, Phaidon Press Limited, London and New York, 2011, pp. 254-255.
Hall, Emily, Gillian Wearing, Artforum, September 2011, p.346
Hirsch, Faye, Lawler, Wearing Put Women on Top at Gallery Week, Art in America, 10 May 2011.
Jared and Johanna, Gillian Wearing, Laura, Issue 5, 2011, cover and pp.7-8.
Laera, Margherita, Le Dive Dell’Arte, velvet, April 2011, p.256
Malcolm, Derek, Self Made, Evening Standard, 2 September 2011, pp.38-39.
Michael Landy, Art World Portraits, Art of England, March 2011, p.66.
Princenthal, Nancy, Gillian Wearing, artinamericamagazine.com, 30 August 2011.
Smith, Roberta, Gillian Wearing: People, The New York Times, 12 May 2011.
Somers, Thierry, in conversation with Wearing, Gillian, Gillian Wearing, 200percentmag.wordpress.com, 30 August 2011.
Spalding, Frances, Artistic relations: how family portraiture changed through the ages, theguardian.co.uk, 11 November 2011.
Sperlinger, Mike, Looking Back: Film, Frieze, January-February 2011, p.24. Thatcher, Jennifer, Robert Mapplethorpe: Night Work, Art Review, April 2011, p.110 Yablonsky, Linda, Same Difference, artforum.com, 12 May 2011
Yablonsky, Linda, Artifacts: Gillian Wearing’s True Stories, The New York Times blog, 12 May 2011.
Corris, Michael, Hunt, John Dixon, & Lomas, David, Art, Word and Image; 2,000 Years of Visual / Textural
Interaction, Reaktion Books, London 2010, pp. 279 & 282.
Sumpter, Helen, What a load of rubbish!, Time Out, 21 January 2010, p.41.
Velasco, David, Preview; The Talent Show, Artforum, January 2010, p.91.
Tips: Gillian Wearing, The Gentlewoman, Issue 1, Spring / Summer 2010, p.139.
Weinberg, Lauren, Rewind: 1970s to 1990s, Work from the MCA Collection, Time Out Chicago, 1 April 2010.
art round-up, The London Paper, 2 June 2009, p.15.
Artists who play with the truth: Gillian Wearing, Plastique, Spring/Summer 2009, p.149.
Benedictus, Leo, Gillian Wearing’s best shot, Guardian G2, 9 April 2009, p.25.
Fisher, Alice, Maureen, Fantastic Man, Autumn/Winter 2009, pp.148-155.
Gooding, Francis, Exhibition of the week: Summer Exhibition 2009, Time Out, 17 June 2009, p.44.
Lennard, Mandi, Gillian Wearing at Rivington Grill, http://blogs.colette.fr/mandi/2009/06/11/, 11 June 2009.
Lynch, Elizabeth, Gillian Wearing, Family Monument, Sculpture, May 2009, p.19.
Carey-Kent, Paul, Me Myself and I, Art World, August/September 2009, pp.42-45.
Morris, Sophie, Gilding Lily, The Independent Magazine, 24 January 2009, pp.22-23 & 25.
Rafanelli, Stephanie, Capturing Claudia, Harpers Bazaar, November 2009, pp.127-139.
Thorpe, Vanessa, Artists cast as saviours of British cinema, guardian.co.uk, 22 November 2009.
Wearing, Gillian, The Most Inspirational Women – Voted For By You: Jade Goody, Marie Claire, June 2009, p.92.
Why we’re doing 10:10; Gillian Wearing, The Guardian G2, 1 September 2009.
Art House: Gillian Wearing, Dazed & Confused, November 2008, pp.158-159.
Beech, Dave, Include me out!, Art Monthly, April 2008, pp.1-4.
Dambrot, Shana Nys, Gillian Wearing’s Pin Up’s at Regen Projects, whitehotmagazine.com, September 2008.
Dyer, Geoff, The Lure of the Street, Guardian: Review, 31 May 2008.
LA premiere for Wearing pin-ups, Art World, August 2008, p.26.
Lehrer-Graiwer, Sarah, Gillian Wearing, Artforum, October 2008, pp.392-393.
Myers, Holly, The reality behind dreams of glamour, Los Angeles Times, 15 August 2008.
Zellen, Jody, Gillian Wearing, Artillery, September?October 2008, p.53.
Schwabsky, Barry, Turner Prize: A Retrospective 1984-2006, Artforum, January 2008, p.277.
Stiles, Kristine and Selz, Peter, Theories and Documents of Contemporary Art, University of California Press, 2008.
rtian Encyclopaedia of Terrestrial Life, Barbican Art Gallery/Merrell, London, 2008.
Velasco, David & Wearing, Gillian, Gillian Wearing, artforum.com, 11 July 2008.
Innovative Ikon gets tough, Art World, December 2007, p.17.
Morris, Jane, Maureen Paley: Gallery Profile, Art World, December 2007, pp.52-55.
Marinos, Christopher, Focus Greece: Dakis Joannou, Flash Art, October 2007, pp.100-101.
Meneghelli, Luigi, Italian Landscape: Gillian Wearing, Flash Art, July 2007, p 83.
Global Feminisms: New Directions in Contemporary Art, Brooklyn Museum/ Merrell
Breaking step/U raskoraku, Museum of Contemporary Art, Belgrade
Cavallucci, Fabio & Natalicchio, Christina, Gillian Wearing: Family Monument, Work, Summer 2007, pp.39-49.
Bosco, Orian, Formato tv, Work, Summer 2007, pp.50-51.
Higgins, Charlotte, Who’s Shocking Now?, The Guardian Weekend, 8 September 2007, p.30.
Julia, Princess, Turner Prize: A Retrospective, I-D, December 2007, p.172.
Smolik, Noemi, Talking Pictures, Artforum, December 2007, p.367.
Wearing, Gillian, On The Record, Art Review, November 2007, p.214.
Contemporary Subject, Routledge, 2006, pp 157-9.
Briers, David, Insignificance, Art Monthly, April 2006, p7-10.
Bock, John & Wearing, Gillian, directed by Cattelan, Maurizio, Tarzan & Jane: Madness, domus, 06 June 2006, p98&99.
C, R, Making History: Liverpool, The Guardian Guide, 06 February 2006.
Clark, Robert, Gillian Wearing: Family History, Guardian Guide, 9 September 2006, p.36.
Cousins, Mark, The aesthetics of documentary, Tate ETC, March 2006.
Cripps, Charlotte, Arts Previews: These are the days of our lives, The Independent, 17 January 2006.
Crompton, Sarah, When reality TV was the real world, The Daily Telegraph, 12 July 2006, p28.
Von Mäusen und Menschen / Of Mice and Men, 4th Berlin Biennial for contemporary art, Hatje Cantz, 2006.
Ewing, William A., FACE: The New Photographic Portrait, Thames & Hudson, 2006, p. 91.
Gardiner, Juliet, Candid Culture, History Today, April 2006, p5&6.
Gray, Louise, Sex, Lies and videotape – Tea with Gillian Wearing, Blind Date, 2006, p94& 148-151 & 217.
Hruska, Libby, (editor), Eye On Europe: Prints, Books and Miltiples / 1960 to Now, The Museum of Modern Art, 2006, pp 225-6, 227, 259, 287.
Hubbard, Sue, Even artists are getting real, The Independent: extra, 2 November 2006.
James, Sarah, Documenting Documentary, Art Monthly, April 2006, p1-4.
Jefferies, Stuart, Get real, The Guardian, G2, 06 July 2006, p18-21.
Jones, Amelia, Self/ Image: Techinology, Representation and the Photographs: Kraus, Alex, Blind Date Seligenstadt, Deutsche Bank, May 2006.
Kuhn, Nicola, Zimmer mit Einsicht, Tagesspiegel, 24 March 2006.
Lack, Jessica, Gillian Wearing: Family History, Reading, Guardian Unlimited: The Guide, 03 July 2006.
Lee, David, An obsession with art, Ag, Spring 2006, p56-65.
Lippiatt, Matt, Keeping it in the family, The Times, 03 October 2006.
Lubbock, Tom, Here comes everybody…, The Independent, 06 February 2006, p44&45.
Martin, Sylvia, Video Art, Taschen, Germany.
Nairne, Andrew, Local Stories, Modern Art Oxford, 2006, pp 26-31, (C).
Nairne, Sandy & Howgate, Sarah, The Portrait Now, National Portrait Gallery Publications, 2006.
Osterberg, Catherine, The Portrait Now, Contemporary, May 2006, p79.
Roberts, Russell, Stranger than Fiction, Source, March 2006, p48&49.
Russell Taylor, John, The poetic truth in black and white, times2, 07 February 2006, p19.
Ruyters, Domeniek, Exposed and Worse, Metropolis M, October / November, 2006, p93-95.
Schneider, Arnd, Wright, Christopher, Contemporary Art and Anthropology, Berg, 2006.
Schwan, Gary, Remaking Reality and the Make-believe, palmbeachpost.com, 22 October 2006.
Steeds, Lucy, Local Stories, Katerina Seda, Art Monthly, No. 295, April 2006, p22-23.
Walsh, Maria, Gillian Wearing, Art Monthly, No. 300, October 2006, p26&27.
Making History – Art and Documentary in Britain from 1929 to Now, Tate Publishing, 2006.
West, Esme, (editor), New Art on View, Scala, 2006, p 51.
A serious look at the world: Crossing the line between art and documentary, The Daily Post, 10 February 2006.
An Artistic Frame of Mind, liverpoolcitywise, April 2006, p22&23.
Gillian Wearing – Family History, filmlondon.org.uk, 20 June 2006.
Gillian Wearing, Phaidon 2006/2007, June 2006, p60.
Projects: Family History, Gillian Wearing, artistsinthecity.org.uk, 07 July 2006.
The glittering prizes, Art Newspaper, March 2006.
Time off: ‘Making History: Art and Documentary in Britain from 1929 to now’, Gazette, 04 February 2006.
News, Art Newspaper, March 2006.
A Short history of Performance Part IV, Whitechapel Gallery, 2006, (C)
View from the streets, The Guardian, 14 January 2006.
Bright, Susan, Art Photography Now, Thames & Hudson, 2005, p18, 42-43.
Cotter, Holland, Art Review, Irreducible, Videos, Long and Short, That Can Really Move, The New York Times, 16 December 2005.
guardami, percezione del video, Palazzo Delle Papesse Centro Arte Contemporanea, 2005, p148-149.
Colour Photography – Fifty Postcards, The Museum of Modern Art, Nº50.
Irish museum of modern art – The Collection, The Irish Museum Of Modern Art, p180.
Burnett Craig, The Legacy of Diane Arbus, V&A MAGAZINE, Winter 2005 – 6, p43.
Cripps, Charlotte, From Gillian With Love, The Independent Magazine, 8 October 2005, pp 27 – 30.
Coleman, Sarah, Interview with Gillian Wearing, Photo Metro, Volume 16, Issue 31, March 2005, p28-31.
Dault, Julia, Body Slam, Vancovers mega-celebration of the human form holds nothing back, National Post, 07 July 2005.
De Salvo, Donna, (editor), press PLAY, contemporary artists in conversation, Phaidon Press Limited, 2005, p642 – 657.
Elwes, Catherine, Video Art, A Guided Tour, I.B. Tauris, 2005.
Field, Marcus, The Dark Art, The Sunday Review – The Independent on Sunday, 9 October, pp20 – 23.
Gessell, Paul, A body of art in your face, Ottawa Citizen, 28 November 2005, pD1-D2.
Herbert, Martin, Gillian Wearing, Bloomberg, Time Out London, Nº.1835, 16-26 October 2005, p42.
O’Reilly, Sally, Self-reflexivity, Art Monthly, Nº289, September, pp 7- 289.
O’Hagan, Sean, Put me off at the strawberry, The Observer, July 10, p10.
Malik, Amna, Faces in the crowd, Picturing Modern life from Manet to today, Art Monthly, February, Nº283, pp31-33.
Milroy, Sarah, They sing the body eclectic, National Post, 30 July 2005.
Rugoff, Ralph, Irreducible: Contemporary Short Form Video, CCA Wattis Institute for Contemporary Arts, San Francisco, p 11.
Cavalli, Roberto, Party Party Party, Tatler, September, p155-157 & 170.
Thatcher, Jennifer, Review, Gillian Wearing, Snapshot, Bloomberg SPACE, Pluk, Issue 27, November – December 2005, p34-35.
Cotton, Charlotte, The Photograph as Contemporary Art, Thames & Hudson, 2004, p30, 196.
Kent, Sarah, Visage d’or, Time Out, 8-15 December
Cornell, Frida, Stillsamma Samt, Konstperspektiv, p. 8 – 11, September.
Ouroussoff, Nicolai, Art Fuses With Urbanity in an Aesthetically Pure Redesign of the Modern, The New York Times, 15 November
Bush, Kate, Young British Art: Kate Bush on the YBA sensation, Artforum, October.
Fox, Dan, Manifesta 5 European Biennial of Contemporary Art, Frieze , September.
Frigstad, Gard Olav, Manifesta med selvtillit, Aftenposten (Norway), August, p10.
Roos, Robbert, Een Wereld In Het Hoofd, Kunstbeeld, p. 6 – 13, September.
Velde, Paola van de , Jeugdtrauma’s en familieportretten, 20 June
Cameron, Dan, I’m Deperate: Gillian Wearing’s Art of Transposed Identities, Parkett, No. 70, May 2004, p98-103.
Rabinowitz, Cay Sophie, Gillian Wearing on her Album Series (2003), Parkett, No. 70, May 2004, p124-127.
Burn, Gordon, The Encounter with Reality, Parkett, No. 70, May, p108-115.
Gilian Wearing, NRC, 20 May
Wesseling, Janneke, Wearing kijkt achter het masker, NRC, 18 May
Huygen, Frederike, Biechtstoel of peepshow, Museumtijdschrift, April May
Wetering, Geert van de, De wanhoop van Gillian Wearing, De Volkskrant, 21 April
Pagel, David, Fantasy, Reality: Wearing her Art, Los Angeles Times, 9 April
Poppe, Ine, Kunstmatige families, Mr Motley – Familie Issues, Nº2, pp54-59.
Keijer, Kees, Biechten aan de videocamera, Het Parool, 7 April
Hoore, Cees van, Het duistere innerleik van de mens, Haarlem Dagblad, 3 April
Dunn, Melissa, Gillian Wearing, Gorney Bravin + Lee, Flash Art, March – April
Kivirinta, Marja-Terttu, Tuskallisia tunnesiteitä, Helsingin Sanomat, 6 March
Taylor, John Russell, Glad Hand for a Baltic Exchange, The Times, 3 March
Schwabsky, Barry, The eyes have it: Gillian Wearing on Diane Arbus, Artforum, February
Vincent, Martin, The British Art Show, Metro, 24 November 2004.
Art Newspaper, February 2004.
Losing Face / Saving Face, About Face, 24 June 2004.
Campony, David, Art and photography, Phaidon, p128.
Sumpter, Helen, Gilian Wearing, Art Review, December 2003/January 2004
Johnson, Ken, Gillian Wearing, ‘Album’, The New York Times, 19 December
Tebbs, Paul, Album, Gillian Wearing, Source, Winter 2003
Mcafee, Dionne, Gillian Wearing, Canadian Art, Fall 2003
Aletti, Vince; Blank, Gil; Neri, Louise; Traub, Charles, How have some of the questions that Meatyard was asking been approached by successive generations? Influence, Issue 1, p36-41.
O’Reilly, Sally, Gillian Wearing, Time Out, 5 – 12 November, No. 1733
Slyce, John, That Essence Rare: Gillian Wearing’s Family Album, contemporary, 2003, p26-30.
Smee, Sebastian, The art of the matter, The Independent Magazine, 18 October
Princenthal, Nancy, Gillian Wearing, Private I, Art in America, Nº3, March
City Racing – The life and times of an artist run gallery, 1988 - 1998, Black Dog Publishing.
New title – Gillian Wearing, Mass Observation, Merrell, Autumn, p13.
Gravagnuolo, Emma, Piú forte dello scandalo, Arte, November
Morton, Tom, Everyone’s a Winner, Tate, November/December 2002, p70-75.
Sewell, Brian, East Is Now So Hackneyed, The Evening Standard, 20 September
Smith, Roberta, How Masks can Amplify as Well as Conceal, The New York Times, 3 December
Craddock, Sacha, gillian wearing, tema celeste, No. 93, September/October
Coomer, Martin. Vogue's galleries, Time Out, Nº1675 25 Sept - 02 Oct
Frankel, David, Gillian Wearing, Artforum, XLI, No.1, September
Christophe Kihm, Les DJ Sont-Ils Modernes? briseglace, June
Calhoun, Dave. ‘Another Thing I Wanted to Tell You’ by Gillian Wearing, Another Magazine, Spring Summer
Sewell, Brian, The Galleries Show at the Royal Academy, The Evening Standard Magazine,19-25 September
–––, Ten Favourite Things, The Guardian Weekender, 12 October 2002, p. 32–33.
Berrebi, Sophie. Génération Sensation, Connaissance des Arts, Nº589, December
Grosenick, Uta & Burkhard Riemschneider, Icons – Art Now, Taschen, pp 170–171.
Strange, Raimer. The Public is Private, Women Artists in the 20th & 21st Century, publ. Taschen, pp536-541.
Wainwright, Jean. Can we talk about contemporary video and film art in terms of genres, PLUK, Issue 2, September October
Long, Declan. Edge of Anxiety: Artists at the City Limits, ssi newsletter, September October
Rodney, Lee. Nostalgia and Nationalism/Two London Surveys, C International Contemporary Art, Issue #70 Summer
Gualdi, Stefano. Gillian Wearing, Fundacio “la Caixa”, Madrid, tema celeste, 85, May June
Newman, Michael. The Demotic Art of Gillian Wearing, Parachute, 102
Shreef, Zaria. Semi-detached, The Big Issue in the North, 05-11 March
Howarth, Sophie. Pretty fascinating boredom, tate, Issue 24/Spring
San Martin, Francisco Javier, Freedom under vigil. Artistic creation and criminal identity in 20th Century Art, Exit, January 2001.
Corrin, Lisa G., Gillian Wearing, Serpentine Gallery, 16 September
Myers, Holly. Beginnings and Endings, The Los Angeles Times, 29 December
Ramos, Steve. A Cinema of Loneliness, City Beat (Cincinnati, citibeat.com), 16-22 November
Shone, Richard, London, Gillian Wearing, Burlington Magazine, November
Gleeson, David, True confessions, britart.com, November
Bishop, Claire. Uncomfortable Observations, Untitled, Nº 23
Vogel, Carol. Inside Art: Beemer Shots, The New York Times, 13 October
Gleeson, David. True Confessions, britart.com, October
Buck, Louisa, Moving targets 2 – A user’s guide to British art now, Tate, pp 103-105.
Kent, Sarah. Drunken exploits, (Critics Choice), Time Out, Nº1572, 04-11 October
Brown, Neal. My name is Gillian. I can turn your sad life into art, The Independent on Sunday, 01 October
Molon, Dominic. Framed: Gillian Wearing, Tate: The Art Magazine, August
Cork, Richard. Unmasking mystery in the mundane, The Times, Times 2, 27 September
Bishop, Claire. The pleasure in pain, The Evening Standard, 27 September
Riding, Alan. Another Opening, Another Sensation, The New York Times, 25 September
Cumming, Laura. A staggering work…, The Observer Review, 17 September
Jones, Jonathan. Down and out, The Guardian Saturday Review, 16 September
Sawyer, Miranda. Daring Wearing, Observer Life, 03 September, p10-15
Sex & Porno, frame, 04 September/October
Schwabsky, Barry. Gillian Wearing, Gorney Bravin + Lee, Artforum, XXXIX, Nº1, September
Graham-Dixon, Andrew. Wearing Masks, Vogue, September
Wearing, Gillian, How I want my clothes to be seen, Dazed & Confused, September 2000.
Kent, Sarah. Brains of Britain, Time Out, Nº1560, 12-19 July
Slyce, John & Collings, Matthew. Video Art A Top Twenty, Modern Painters, Summer
K. Scott, Andrea. What They’re Wearing in Chelsea, edificerex.com, 03 May
Viveros-Faune, Christian. Fall Down, Get Up, No Problem, New York Press (nypress.com), Vol 13, Nº 19
Basilico, Stefano. Gillian Wearing, Drunk and A Woman Called Theresa, Time Out, 11-18 May
Levin, Kim. Village Choice: Gillian Wearing, The Village Voice, 16 May
Townsend, Chris. Gillian Wearing, Hotshoe International, March April
I’OR, The new Brits on the block, Tate, March 2000.
Bishop, Claire. being boring, Untitled, Nº 21
Müller, Katrin Bettina. Die Lust der Maschinen, taz, 26 January
Pilz, Michael. Frau Hase und der schreckliche Voyeur, Die Welt, 19 January
Lützow, Gunnar. Zugriff von allen Seiten, Berliner Morgenpost, 15 January
Mercer, Kobena. Ethnicity and Internationality, Third Text, Nº49
Gorucheva, Tania. This Other World of Ours, Flash Art, January February
Dreams, Fondazione Sandretto Re Rebaudengo, Realised on the occasion of the 48º Esposizione Internazionale
d’Arte – The Venice Biennial of Visual Arts.
The British Unveil Another World, The Russia Journal, 6-12 December
Rushton, Steve and Tozer, John. Gillian Wearing, Camera Austria International, Nº 68
Gallez, Florence. Nukes, Lovers Get Their 15 Minutes, The Moscow Times, 19 November
Müller, Donka. Rewind to the Future, Bonner, November
Previews: Rewind to the Future, Contemporary Visual Arts, Issue 26
Thrift, Julia. Gillian Wearing, Interim Art, Time Out, Nº1525 November 10-17
Cumming, Laura. Gillian Wearing, Interim Art, The Observer, 07 November
Grant, Simon. All about love, The Guardian Guide, 16-22 October
Jones, Jonathan. What a scream, The Guardian Guide, Saturday Review, 23 October
Collings, Matthew. rabble rousing, Vogue, October
Titz, Susanne. Gillian Wearing, Art at the End of the Millennium, publ. by Taschen, Cologne.
Gladstone, Neil. Book Marks: Gillian Wearing, Nylon, Premier Issue
Tone, Lillian. Gillian Wearing, The Museum as Muse: Artists Reflect
publ. Museum of Modern Art, New York 1999, p. 168
Polaroid Diary, The Observer Magazine, 02 May
Bennett, Oliver. Exhibitionist, The Independent Magazine, 01 May
wears well, i-D, Nº 186, May
Greenberg, Sarah. Gillian Wearing v. Saatchi, The artist claims the ad man stole her idea,
The Art Newspaper, Nº 91, April
Takano, Yuko.‘99 What’s New?, Figaro, Japan, Nº 150
Lillington, David, Voyeuristiche Pleziertjes – Interview Gillian Wearing, Metropolis M, Nº6, December/January
1997/1998, pp 51-57.
Sanger, Daniel. Declaration of Independents: Seven People who choose to be Different, Shift, December /January 1999 (cover portrait)
Allen, Vaughn. Hide and seek, The Big Issue in the North, Nº 241, 28 December 1998 - January 3 1999
DiPietro, Monty. Artist asks, ‘What’s your sign?’, The Japan Times, 24 October
Kino, Carol. Cutting Edge, but comfy, The Atlantic Monthly, November
Stern, Edward. Translating the Big Idea into Japanese, Asahi Evening News, 22 October
Neumaier, Otto. Alles bekennen... Gespräch mit Gillian Wearing, noëma art journal, Nº 49, October/November
Gillian Wearing, Habitat Art Broadsheet, October 1998.
Picture, Frieze, Issue 42, September October
Williams, Gilda. Wah-Wah: The Sound of Crying or the Sound of an Electric Guitar, Parkett, Nº 52, p146-149
Buck, Louisa, VW bugs Wearing, The Art Newspaper, July - August
Miles, Anna. Pictura Britannica, Te Papa Museum, Tongewara, Artforum XXXVI Nº 10 Summer
McGann, Paul. VW ad firm stole my ideas, claims artist, The Independent, 12 June
Carol Midgley. VW ad rips of my work, says artist, The Times, 12 June
Turner Prize Winner issues legal threat to BMP over VW ads, Campaign, 12 June
Coleman, Sarah. Interview with Gillian Wearing, photo metro, volume 16, issue 149
T. Turner, Grady. Gillian Wearing, BOMB, Spring
Del Re, Gianmarco. Why would a businessman say “I’m desperate”? A-Z of Gillian Wearing, Flash Art, Vol. XXXI Nº 199, March - April
Slyce, John. Wearing a Mask, Flash Art, Vol. XXXI Nº 199, March - April
Smith, Roberta. Art of the Moment, Here to Stay, The New York Times, Arts and Leisure, 15 February
Cork, Richard. Wearing her heart on the sleeve, The Times, 13 January
Israel, Nico. Gillian Wearing, Artforum, January
Princenthal, Nancy. Gillian Wearing, Art in America, January
Campbell-Johnston, Rachel. Wearing: her heart on her sleeve, The Times/metro, Jan. 3 - Jan. 9
Emin, Tracey, Freedman, Carl, Starr, Georgina, Wearing, Gillian, English Rose, Le Millenium, No 23 1998.
Coleman, Sarah, London Rundown, Photo Metro, Vol15, Issue 143, 1997, p32-33.
Shand Kydd, Johnnie, Spit Fire – Photographs from the art world London 1996/97, Thames & Hudson, p68, 74, 84, 91, 187.
Riding, Alan. No Sexism, Please; They’re British, New York Times/The Arts, December 29
Johnson, Boris. Portrait of the artist of silent nuances, The Daily Telegraph, December 8
Fuller, Wendy. Modern art? This is worthy of Constable, The Express, December 3
Thorncroft, Anthony. Artist brushes paint aside to win Turner Prize, The Financial Times, December 3
Ginn, Kate. & Judd, Terri. Constable picture wins the Turner (no, not that Constable), Daily Mail, December 3
Alberge, Dalya. Moving pictures take Turner Prize, The Times, December 3
Lister, David. Uproar as video entry snaps up the Turner, The Independent, December 3
Reynolds, Nigel. ‘Frozen Policemen’ video wins Turner Prize, The Telegraph, December 3
Searle, Adrian and Serota, Nicholas, Turner Prize winner: Gillian Wearing’s arresting image, The Guardian, December 3
Glaister, Dan. Silence is Golden for Turner winner, The Guardian, December 3.
Wearing, Gillian, Kelly and Melanie, Elle, December 1997, p84-89.
Lewis-Smith, Victor. Kylie at arm’s length as she hits topless C, The Evening Standard, 14 November
Goldberg, Vicki. The Artist Becomes a Storyteller Again, The New York Times, 9 November
Buck, Louisa. Life, Art and the Turner Women, The Evening Standard, 28 October
Buck, Louisa, Moving targets: A users guide to Brittish art now, Tate, pp93-95.
Kimmelman. Gillian Wearing, The New York Times, Art Guide, October 24
Greene, David A. Kids, Village Voice, October 21
Slyce, John. The Odds on the Turner Prize, Flash Art, October
Jobey, Liz. A rat race?, The Guardian Weekend, 4 October
Collings, Mathew, Blimey, 21, p126.
Collings, Matthew. The New Establishment, The Independant Sunday Review, 31 August
Murphy, Fiona. A shopping sensation, The Guardian Weekend, 27 September
Wiener Secession 1997, Gillian Wearing , (catalogue)
Kimmelman, Michael, Gillian Wearing at Jay Gorney, The New York Times, 26 September 1997
MacMillan, Ian, Signs of the Times, Modern Painters. Autumn 1997
Hoge, William, Arriving in New York After Taking Off in London / Video Maker with a Taste for Secrets. The New York Times, 14 Sept. 1997
Ronson, Jon, ORDINARILY SO. Jon Ronson on documentary film-making and Gillian Wearing, frieze, Issue 36 September-October 1997
Feldman, Melissa E., Gillian Wearing at Interim Art, Art in America, July 1997. p. 102
Fiedler, Peter- Alexander. Diesen Sommer baden wir in der virtuellen welt, TLZ Treffpunkt, Nº 672, 26 July
Schierz, Kai Uwe, Verführung der Kirschtorte, Thüringen, Nº 30 26 July
Laws, Roz, The art of making a £10,000 video.
The ‘failure’ from Brum who made it to the top. Sunday Mercury, Birmingham, July 13 1997 p. 13
Dahan, Eric & Lefort, Gerard, Par dela le corps gay et lesbien, Liberation, 28-29 Juin Cahier Europride
Buck, Louisa, Three cheers for art that shatters complacency. The Express, June 19 1997
Alberge, Dalya, All-women shortlist takes Turner by suprise. The Times, June 18 1997
Reynolds, Nigel, The Turner shortlist is for women only. Daily Telegraph, 18 June 1997
Glaister, Dan, A woman’s place – in the gallery. The Guardian, 18 June 1996
Stringer, Robin, The all woman Turner Prize and not a painting in sight. The Evening Standard, 17 June 1997
Blazwick, Iwona, City nature, Art Monthly, No. 207, June 1997, P. 10 Dorment, Richard, Out of the mouths of babes, The Daily Telegraph, May 21 1997
Coomer, Martin, Gillian Wearing, Time Out, Nº 1396, May 21-28 1997
Wearing their heart on her sleeve, The Art Newspaper, Nº 70 May 1997
Searle, Adrian, Bring on the naked dwarf, The Guardian, May 6, 1997, G2 P. 14
Lyttelton, Celia, Indecent Exposures, Esquire, May 1997, P. 34
Higgie, Jennifer, Gillian Wearing, Frieze, Issue 33, March – April 1997, P. 80
Ebner, Jorn, Tramdeutung und Befragen, neue bildende kunst Februar – Marz 1997, P. 80
Williams, Gilda, New Work, Art Monthly No. 203, Feb. 1997 P. 26 – 27
Gibbs, Michael, ID – An International Survey on the notion of Identity in Contemporary Art, Art Monthly No. 203, Feb. 1997 P. 34 – 36
Judd, Ben, Interview with Gillian Wearing, Untitled No. 12, Winter 1996/7, p4-5
Lyttleton, Celia, The now art book, Korinsha Press, pp168-169.
Wearing, Gillian, guest: Gillian Wearing, Documents sur l’art, Nº9, pp41-66.
Muir, Gregor, Sign Language, Dazed & Confused Issue 25, P. 52 – 55
Kent, Sarah, New Work, Interim Art, Time Out, Dec 11-18
ID, 125 page catalogue with text on Gillian Wearing by Gregor Muir, published by Stedelijk Van Abbemuseum, Eindhoven, P. 95 – 97
Muir, Gregor, Sign Language , Dazed and Confused, No. 25, P. 52 – 55
Artisti britannici a Roma, 82 page catalogue, published by Umberto Allemandi & C, Torino , Italy
The Henry Moore Institute, Leeds. The Cauldron (catalogue) published by The Henry Moore Institute, Leeds
Private View – Contemporary Art at the Bowes Museum, (catalogue)
Simmons & Simmons, London, Made in London, (catalogue)
NowHere, 3-volume catalogue, Louisiana Museum of Modern Art, Denmark
Garner, Lesley, Cops on top in Cauldron, Daily Express, August 2, P. 40
Usherwood, Paul, The Cauldron, Art Monthly, July / Aug, Nº 198, P. 30 – 31
Hall, James, Letter From London – Towers of London, Artforum, Summer issue, P. 31 – 33
Buck, Louisa, Silver Scene, Artforum, Summer issue, P. 34 – 36
Bang Larsen, Lars, Traffic, Flash Art, Summer issue, Nº 189, P. 126 -127
Walters, Guy, State of the Art, The Times Magazine on Saturday, 20 July
Bickers, Patricia, The Young Devils, Art Press, June, Nº 214, P. 34 – 35
Traffic, catalogue by CAPC Musée D’Art Contemporain Bordeaux
Le Shuttle, 150 page catalogue, published by Künstlerhaus Bethanien
Imagined Communities (catalogue) National Touring Exhibitions, Hayward Gallery and Arts Council Collection.
Photography and styling: Tillmans, Wolfgang, Traffic, Switch, Vol 14, No. 3, April 1996.
Imagined Communities, Blueprint
Masterson, Piers, Imagined Communities, Art Monthly, March, Nº 194
Januzczak, Waldemar, Cool Britannia, The Sunday Times-Culture Section, 3 Dec
These are the Rising Stars of 96’, Independent-Weekend Section, 30 Dec
Cork, Richard, Forthcoming Attractions, The Times Magazine, 18 Nov
Corrigan, Susan, Get the Picture, British Art’s Next Superstars, I-D Magazine, December
Kastner, Jeffrey, Brilliant, Art Monthly, Dec / Jan 1996
Garnett, Robert, The British Art Show, Art Monthly, Dec / Jan 1996
Tomkins, Calvin, London Calling, The New Yorker, 11 December
Smith , Roberta, Some British Moderns Seeking to Shock, New York Times, December
MacRitchie, Lynn, Shock Artists, Financial Times,17 Nov
Patrizio, Andrew, Hayward Shoot Out, Galleries Guide, September
Hall, James, Butterfly Ball, Guardian, 14 Nov
Searle, Adrian, British Art with Attitude, Independent, 14 Nov
Feaver, William, Where Theres a Wilt…, Observer Review, 19 Nov
Barratt, David, Hayward Gallery, Art Monthly, Nov
Gayford, Martin, Youth, formaldehyde and the spirit of the age, The Telegraph Magazine, 11 Nov
Currah, Mark, Group Show; Interim Art, Time Out, 11 Oct
Morrish, John, Wildlife, Martyrs to their art, Telegraph Magazine, 7 Oct Searle, Adrian, Faces to Watch In The Art World, Independent, 26 Sept
Hall, James, Western Security, Guardian, Sept Currah, Mark, Action Replayed, Time Out, 20 Sept
Harvey, Will, Bodies of Work, Observer Life Magazine, 9 Sept
Cavendish, Dominic, Gallery Gunslingers on a Shoot to Thrill, Independent,11 September, P. 6
Wearing, Gillian, Homage to the Woman with the Bandaged Face who I saw Yesterday Down Walworth Road, Blocnotes, Numero 9, P. 18 – 19
A Short Love Story by Gillian Wearing, Nummer 3, Sept, P. 81
Bonaventura, Paul, Profile: Wearing Well, Art Monthly, March, Nº 184
Faure Walker, Caryn, Signs of the Times, Creative Camera, Feb. / March
Cosmo Landesman & Simon Rogers, Talking Pictures, The Big Issue, 6 – 12 Feb, Nº 116, P. 12 – 14
Kent, Sarah, Make Believe, Time Out, 22 Feb – March, P. 46
British Art: Don’t Knock It, Independent Weekend, 24 June, P. 1 & 4
Lillington, David, Real Life in London, Paletten, April, Nº 219, P. 12
Searle, Adrian, Frieze Magazine, Sept / Oct, issue 18, P. 61 – 62
Muir, Gregor, World Art Magazine, Inaugural U.S Edition, November, P. 117
Jaio, Miren, Cinco Artistas Inglesas: Voces En El Espacio, Lapiz, Oct / Nov, Nº 106, P. 12 – 19
Currah, Mark, Time Out, Nº 1245, 29 June – 6 July, P. 50
Craddock, Sacha, The Times, 14 June
Savage, Jon,Vital Signs, Artforum, March issue, P. 60 – 63,
Bush, Kate, Vox Pop, Untitled, London
Harpers Magazine, Vol. 288, Nº. 1728, P. 21
Searle, Adrian,Vox Pop, Time Out, January 5 – 12, P. 42
Feaver, William.Treasures in the Wendy House of the Lost Boys, The Observer, 4 July, Arts 4 / P. 59
Archer, Michael. O Camera O Mores, Art Monthly
Stallabass, Julian. Power to the People, Art Monthly
Graham-Dixon, Andrew. That Way Madness Lies, The Independent
Flash Art, Italy
Milner, Catherine. Positive Exposure for New Talent, The Saturday Times
Hype, The Face, No. 51, December
The Independent on Sunday, 27 December
Albright-Knox Art Gallery, Buffalo, NY, USA
CAPC – Musée d'art Contemporain, Bordeaux, France
Centre National des Arts Plastiques, France
Contemporary Art Society, London, UK
Dakis Joannou Collection Foundation, Athens, Greece
Deutsche Bank, Germany
Ellipse Foundation, Amsterdam, The Netherlands
Frans Hals Museum De Hallen Haarlem, The Netherlands
Fundació "la Caixa", Barcelona, Spain
Fundacio Telefonica, Madrid, Spain
Gallery of Modern Art, Brisbane, Australia
Hamburger Kunsthalle, Germany
Hammer Museum, Los Angeles, USA
Hirshhorn Museum and Sculpture Garden, Washington, DC, USA
Irish Museum of Modern Art, Dublin, Ireland
IVAM Institut Valencià d'Art Modern, Valencià, Spain
Kunsthaus, Zürich, Switzerland
Los Angeles County Museum of Art, USA
Marciano Art Foundation, Los Angeles, USA
MUSAC, Leon, France
Musée d'Art Moderne de Paris
Museum der Moderne, Salzburg, Austria
Museum of Contemporary Art, Los Angeles, USA
Museum of Contemporary Art San Diego, California, USA
Museum of Modern Art, New York, USA
National Museum of Contemporary Art, Athens, Greece
Ophicus Collection, Greece
Podesta Collection, Washington, DC, USA
Rose Art Museum, Waltham, USA
Sammlung Goetz, Munich, Germany
Solomon R. Guggenheim Museum, New York, USA
Southampton City Council, UK
South London Gallery, London, UK
Tate Gallery, London, UK
The Arts Council Collection, London, UK
The British Council, London, UK
The Cranford Collection, London, UK
The Getty Centre, Los Angeles, USA
The Government Art Collection, London, UK
The Mario Testino Collection, London, UK
The Modern Art Museum of Fort Worth, Texas, USA
Vancouver Art Gallery, Canada
Walker Art Center, Minneapolis, USA
Whitworth Art Gallery, Manchester , UK
Wolverhampton Art Gallery, Wolverhampton, UK
Zabludowicz Collection, London, UK