MFA Rutgers University, New Brunswick, New Jersey

BFA The Hartford Art School, University of Hartford, West Hartford, Connecticut

(C) denotes that a catalogue was published in conjunction with the exhibition.

February 2024, Gladstone Gallery, New York, USA (C)

January 2021, Gladstone Gallery, Online

Maureen Gallace, Gladstone, New York, USA

Clear Day, MoMA PS1, New York, USA

Maureen Paley, London, UK

303 Gallery, New York, USA

Overduin and Kite, Los Angeles, USA

La Conservera: Centro de Arte Contemporaneo, Ceutí (Murcia), Spain, (C)

Michael Kohn Gallery, Los Angeles, USA

Maureen Paley, London, UK
Monika Sprüth Philomene Magers, Münich, Germany
Douglas Hyde Gallery, Dublin, Ireland

The Art Institute of Chicago, USA
303 Gallery, New York, USA

Kerlin Gallery, Dublin, Ireland
Chinati Foundation, Marfa, USA

Il Capricornio, Venice, Italy
Douglas Hyde Gallery, Trinity College, Dublin, Ireland
Michael Kohn Gallery, Los Angeles, USA

Dallas Museum of Art, Dallas, USA
303 Gallery, New York, USA
Maureen Paley Interim Art, London, UK

Gallery Side2, Tokyo, Japan
Maureen Gallace and Albert York, Nielsen Gallery, Boston, USA
Michael Kohn Gallery, Los Angeles, USA

Galleria Il Capricorno, Venice, Italy
Kerlin Gallery, Dublin, Ireland
Fukui City Art Museum, Fukui-shi, Japan

303 Gallery, New York, USA
Gallery Side 2, Tokyo, Japan
Kohn Turner Gallery, Los Angeles, USA

Texas Gallery, Houston, USA

Maureen Paley Interim Art, London, UK
Nielsen Gallery, Boston, USA
Kohn Turner Gallery, Los Angeles, USA

303 Gallery, New York, USA
Johnen & Schottle, Cologne, Germany

Museum Schloss-Hardenberg, Velbert, Germany, (C)
Galerie Christian Drantmann, Brussels, Belgium
Modulo Gallery, Lisbon, Portugal

Kohn Turner Gallery, Los Angeles, USA
Nicole Klagsbrun Gallery, New York, USA

Jack Hanley Gallery, San Francisco, USA
Nielsen Gallery, Boston, USA

Nicole Klagsbrun Gallery, New York, USA
Nielsen Gallery, Boston, USA

Julian Pretto Gallery, New York, USA

Julian Pretto Gallery, New York, USA

(C) denotes that a catalogue was published in conjunction with the exhibition.

50 Paintings, Milwaukee Art Museum (MAM), Milwaukee, US
Room by Room: Concepts, Themes, and Artists in The Rachofsky Collection, The Warehouse, Dallas, USA
Fragment of an Infinite Discourse, Städtische Galerie im Lenbachhaus & Kunstbau, Munich, Germany

Sea Show, Winter Street Gallery, Massachusetts, USA, 2022
Unnatural Nature: Post-Pop Landscapes, Acquavella, New York, USA
My Reflection of You, The Perimeter, London, UK

The Going Away Present, Kristina Kite Gallery, Los Angeles, USA

Alien Landscape, 303 Gallery, New York, USA
Drawing 2020, Gladstone Gallery, New York, NY, USA
For a Dreamer of Houses, Dallas Museum of Art, Dallas, TX, USA

America Will Be!, Surveying the Contemporary Landscape, Dallas Museum of Art, Dallas, Texas, USA

December, Misako & Rosen, Tokyo, Japan
Attics of My Life, Jack Hanley Gallery, New York, USA

Outside, curated by Matthew Higgs, Karma Amagansett, NY, USA

Stay in Love, Lisa Cooley Fine Art, New York, USA
The Morning After, Tyler Wood Gallery, San Francisco, USA

The Perfect Show, 303 Gallery, New York, USA

September 11, MoMa PS1, Museum of Modern Art, New York
The House Without the Door, David Zwirner, New York

They Knew What They Wanted, Ratio 3, San Francisco, USA
Connecticut: Group Exhibition, D’Amelio Terras, New York, USA
25th Anniversary Show, Michael Kohn Gallery, Los Angeles
Country Music, Blum & Poe, Los Angeles
Whitney Biennial 2010, Whitney Museum of American Art, New York, USA (C)

Summer Pictures, Julie Saul Projects, New York, USA

Fifty Percent Solitude, Kerlin Gallery, Dublin, Ireland
The Alliance, doART, Beijing, China / Seoul, Korea
We are Stardust, We are Golden, Johnen & Schöttle Since 1984”, Johnen & Schöttle, Cologne, Germany

The Recognitions, curated by David Salle, Fireplace Project, East Hampton, USA
Kerlin Gallery, Dublin, Ireland
… a landscape show, Samson Projects, Boston, USA

Visiting Faculty Exhibition, Carpenter Center, Harvard University, Cambridge, USA
The Wonderful Fund, Place Ben Youssef, Medina, Marrakech, Morocco

Now is a Good Time, Andrea Rosen Gallery, USA
Maureen Gallace and Jack Goldstein, Art Gallery Side 2, Tokyo, Japan

Size Matters, Texas Gallery, Houston, USA
School is Out, curated by Michel Auder, Southfirst, Brooklyn, USA
The Great Drawing Show 1550-2003 A.D., Michael Kohn Gallery, Los Angeles, USA

The Holiday Show” curated by William McKeown, Royal Hibernian Academy, Dublin, Ireland
Grey Gardens, curated by Bruce Hainley, Michael Kohn Gallery, Los Angeles, USA
Gravity Over Time, curated by John Pilson, Milleventi, Milan, Italy
American Standard: (para) Normality and Everyday Life, curated by
Gregory Crewdson, Barbara Gladstone Gallery, New York, USA
Eight New Paintings, Kerlin Gallery, Dublin, Ireland
Beyond Barbizon, Elias Fine Art, Allston, USA

Maureen Gallace and Vincent Fecteau, Gallery Paule Anglim, San Francisco, USA
The Devil Is In The Details, curated by Rena Conti and Ivan Moskowotz with
Brian Calvin, Vince Fecteau, Lily van der Stokker, Paul Thek and
Richard Tuttle”, Allston Skirts Gallery, Boston, USA
I See You2, curated by Sam Messer & Kiki Smith, Fredericks Freiser Gallery, New York, USA
Maureen Gallace, Kaye Donachie and James Welling, Maureen Paley Interim Art, London, UK
The Way I See it, with John Currin, Peter Doig, Tim Gardner, Eberhard Havekost, Chantal Joffe, Karen Kilimnik, Sean Landers, Miltos Manetas, Lisa Milroy and Elizabeth Peyton, Galerie Jennifer Flay, Paris, France
35th Anniversary Exhibition – Part II, Nielsen Gallery, Boston, USA
At Home, curated by Stephanie Theodore, Lennon Weinberg Gallery, New York, USA

The Poetic Landscape, Barbara Mathes Gallery, New York, USA

The Great Drawing Show, Kohn Turner Gallery, Los Angeles, USA
Maureen Gallace, Keiko Sono and Brian Calvin, Gallery Side 2, Tokyo, Japan
Another Country: The Constructed Landscape, curated by Augusto Arbizo, Brent Sikkema Gallery and Lawrence Rubin Greenberg Van Doren Gallery, New York, USA

98 Made in U.S., Galleria Il Capricorno, Venice, Italy
Painting: Now and Forever, Part I, Pat Hearn Gallery and Matthew Marks Gallery, New York, USA

New Found Land Scape, Kerlin Gallery, Dublin, Ireland

Pittura, Castello di Rivara Centro d”arte Contemporanea, Rivara, Italy
Ideal Standard Life, Spiral/ Wacoal Art Center, Tokyo, Japan
Westchester Celebrates Art, Neuberger Museum at Purchase College, Purchase, New York, USA
The Julian Pretto Collection, Wadsworth Atheneum, Hartford, USA
5 Women/ 5 Rooms, Maureen Gallace, Anne Harris, Annette Lemieux, Joan Snyder, and Nancy Spero, Nielsen Gallery, Boston, USA
Maureen Gallace and Hans-Jorg Holubitschka, Johnen & Schottle, Cologne, Germany
Drawings from the MAB Library, AC Project Room, New York, USA

Madeleines, curated by Amanda Trager, Apex Gallery, New York, USA
Like Young: Twelve New York Painters, curated by Ingrid Schaffner, Three Rivers Art Festival, Pittsburgh, USA

Medium Messages, curated by Vik Muniz, Wooster Gardens, New York, USA
Works on Paper, Tom Cugliani Gallery, New York, USA
Bas Jan Ader, David Deutsch, Maureen Gallace, Rodney Graham, and Mary Lucier, Nicole Klagsbrun Gallery New York, USA
Gregory Crewdson, Maureen Gallace, Peggy Preheim, Elizabeth Koury Gallery, New York, USA
Yours, curated by Michael Jenkins, Wooster Gardens, New York, USA

Slow Art/ Painting in New York Now, curated by Alana Heiss, PS1 Museum, Long Island City, New York, USA

Luisa Lambri, Maureen Gallace, Fondazione Rolla, 2018.

frieze A to Z of Contemporary Art, Phaidon Press, London, 2016.

“Maureen Gallace”, text by Rick Moody, Douglas Hyde Gallery, Dublin, Ireland.

Art – A Sex Book, text by John Waters and Bruce Hainley, Thames & Hudson, New York, USA, p. 50, 104, 134-135, 136, 137, 145, 147, 156, 159, 188.
Maureen Gallace, (C), text by Suzanne Weaver, Dallas Museum of Art, Dallas, USA.

America Standard: (Para) Normality and Everyday Life, (C), Barbara
Gladstone Gallery, New York, USA.

Line and Space / Landscape, Fukui City Art Museum, Fukui-shi, Japan.

Maureen Gallace: Landschaften, text by David Rimmanelli, Museum Schloss-Hardenberg, Velbert, Germany.

Huff, Andrew, Maureen Gallace Uses Coastal Landscape as a Lens for the Past, Present, and Future, whitewall.art, 19 March 2024
Brehmer, Debra, 50 Paintings Invites Viewers to Think Like an Artist, hyperallergic.com, 10 March 2024
Ebony, David, David Ebony’s Top 10: Winter 2024, snapeditions.com, 29 February 2024
Saltz, Jerry, To do: See Maureen Gallace, New York Magazine, 29 February 2024
Baker, R.C., Maureen Gallace’s Elemental Realm, villagevoice.com, 27 February 2024

Hainley, Bruce, Bruce Hainley Features, artforum.com, September 2023

Mac Adam, Alfred, Unnatural Nature: Post-Pop Landscapes, brooklynrail.com, 11 June 2022
Elliott, Martha, Russell Tobey and Alexander Petalas’ personal art collections prompt reflection in London, wallpaper.com, 5 May 2022
—-, Acquavella Galleries Presents Unnatural Nature: Post-Pop Landscapes, hyperallergic.com, 22 April 2022
Pener, Degen, Ryan Murphy Curates Selected Paintings From Upcoming Sotheby’s Art Auction (Exclusive), hollywoodreporter.com, 25 February 2022

Waldman, Amy, What It Means to Look at Paintings of Snow, nytimes.com, 19 January 2021

Korman, Sam, Maureen Gallace: In the New York-based artist’s work, place becomes perception the moment we turn away from the view, Art Review, Summer 2017, pp. 78-83.
Jovanovich, Alex, Critics’ Picks, artforum.com, June 2017
Baker, R.C, Sublime Shacks: The Vivid Enigmas of Maureen Gallace’s Pastoral Visions, villagevoice.com, 26 April 2017
Farago, Jason, Maureen Gallace’s Restrained Palette of House, Sea, Sky, nytimes.com, 21 April 2017
Farago, Jason, Art and Museums in NYC This Week: ‘Maureen Gallace: Clear Day’, nytimes.com, 13 July 2017.
Rhodes, David, Maureen Gallace: Clear Day,brooklynrail.org, 7 September 2017.
Volk, Gregory, Maureen Gallace’s Uneasy Sublime, hyperallergic.com, 6 May 2017

—-, Maureen Gallace, The American, November / December 2016. p. 62
Biswas, Allie, ‘Maureen Gallace: ‘I wasn’t straining to do anything clever with such an odd or seemingly unfashionable way of painting’, studiointernational.com, 11 November 2016
—-, Maureen Gallace at Maureen Paley, London, moussemagazine.it, 8 November 2016
—-, SC Guide – Herald Street Galleries, somethingcurated.com, 27 October 2016
—-,An Ideal Itinerary, Frieze Week, Frieze, September 2016, p.13
—-, Maureen Paley presents the third solo exhibition at the gallery by Maureen Gallace, galleriesnow.net, 23 October 2016
Petty, Felix, 12 exhibitions to see while frieze is in town, i-d.vice.com, 6 October 2016
Volk, Gregory, Exhibition Reviews: Maureen Gallace, Art in America, January 2016, pp. 91-92

Ebony, David, David Ebony’s Top 10 New York Gallery Shows This Fall, news.artnet.com, 22 September 2015.
Fateman, Johanna, Critics’ Picks: Maureen Gallace, artforum.com, September 2015.
Johnson, Ken, Zigzagging Across A Cultural Landscape, The New York Times, 6 March 2015, p. C28.
Johnson, Ken, Review: ‘The Art Show’ at the Park Avenue Armory Covers the Creative Map, nytimes.com, 5 March 2015.
Schjeldahl, Peter, America at the Edges: Shows by Jim Shaw and Maureen Gallace, newyorker.com, 19 October 2015.
Smith, Roberta, Maureen Gallace, Small Landscapes Big on Ambiguity, nytimes.com, 22 October 2015.

Gratza, Agnieszka, The House Without The Door, Flash Art, October 2011, p.107.

Fox, Dan, Whitney Biennial 2010, Frieze, May 2010, pp.128 – 129.
Levin, Todd, Whitney Biennial; The Voices of Silence, Flash Art, May / June 2010, pp. 61-62.

Schad, Ed, Maureen Gallace, Art Review, Summer 2009, p.135.

Garnett, Daisy, Moving On, Vogue, September 2008, pp. 340-343 & 388.

Goleas, Janet, ‘The Recognitions’ at Fireplace Project, East Hampton Star, 7 July 2007.
Schwabsky, Barry, Working Practice: Maureen Gallace, Modern Painters, April 2007.
In vogue; Maureen Gallace, Vogue, March 2007.

Artner, Alan, Chicago Tribune, 7 July 2006.
Bonami, Francesco, Art Forum, December 2006, p.286.
Camper, Fred, ARTnews, November 2006, p. 196.
Grabner, Michelle, frieze, issue 102, October 2006, p. 141.
Hainley, Bruce, “Best of 2006: Maureen Gallace”, Artforum, December 2006, pp. 294-5.
Lopez, Ruth, Time Out Chicago, 20 July 2006.
Mast, Audrey, flaovorpill.com, 27 June 2006.
Perkins, Gregg, artforum.com Critics Picks, 17 July 2006.
artinfo.com, 11 July 2006.
“The Glittering Prizes”, The Art Newspaper, March 2006.

Dunne, Aidan, “Hidden layers of meaning”, The Irish Times, 22 June 2005, p. 2.
Ihle, Jon, “The Beauty of Small Things”, Magill Magazine, 18 June 2005, p. 37.
Leen, Catherine, Sunday Times Magazine, 19 June 2005, p. 18.

Conley, Susan, The Irish Independent, 30 July 2004.
Dunne, Aidan, “Behind the shiny surfaces of the American dream”, The Irish Times, 6 August 2004, p 12.
Knight, Christopher, “Around the Galleries”, Los Angeles Times, 20

Hainley, Bruce, Artforum, Best of 2003, December 2003.
Johnson, Ken, The New York Times, 21 March, p, E40
Kutner, Janet, “Northern Exposure”, The Dallas Morning News, 25 June, p.12E

Bayliss, Sarah, Artnews, June 2002, p. 127.
Birmingham, Doris, Art New England, June 2002, p.36.
Boyce, Roger, Art in America, October 2002, pp. 167-8.
McQuaid, Cate, “Maureen Gallace & Albert York,” The Boston Globe, 23 February 2002.
Moss, Sarah, architecture, July 2002, p. 104.
Pagel, David, Los Angeles Times, 28 June 2002, p. F26.
Sherman, Mary, “Visual Arts: Twin Exhibits feature works by ‘painters’ Painters”, The Boston Herald, 24 February 2002, p.16.
Temin, Christine, “A dozen options in landscape at ‘Beyond Barbizon’”,
The Boston Globe, 14 April 2002.

Daly, Catherine, The Sunday Times, Ireland, 26 August 2001.
Dunne, Aidan, The Irish Times, 15 August 2001, pp. 13-14.
Hainley, Bruce, “Seen and not seen”, frieze, March 2001, pp. 74 – 77.
Iremonger, Anne, The Dubliner, September 2001.
Kelly, Niamh Ann, CIRCA, winter 2001, pp. 47-48.
Leahy, Billy, In Dublin, 23 August 2001.
Mcquaid, Cate, “Simple Scenes”, The Boston Globe, 22 December 2001.
Ollman, Leah, “So Near, Yet So Far Away”, Los Angeles Times, 12 January 2001 pp. F41-42.
Scarborough, James, art/text, May 2001, pp. 80-81.
Sherman, Mary,“Visual Arts: Toale Gallery Exhibit Draws on Trends”, The Boston Herald, 9 December 2001, p. 49.
“Maureen Gallace’s New England”, Travel & Leisure, February 2001, pp. 132-37.

Hainley, Bruce, “Best of 2000”, Artforum, December 2000, pp. 132-133.
Midori, Matsui “Super Flat Landscape”, Bijutsu Techo, September 2000, pp. 36-39.
Purvis, Jennifer, “The Bright Dwelling-place of Dreams”, The Japan Times, 9 July 2000, p. 13.
“Goings on About Town”, New Yorker, 17 April 2000, p. 20.

Decker, Andrew, “Art’s Next Wave” Cigar Aficionado, April 1999, p.174.
Hainley, Bruce, ”Message to Michael”, frieze, September 1999, pp. 73-77.

Gallace, Maureen, “Landscape Themes”, Art New England, June 1998, p. 14.
Ollman, Leah, Los Angeles Times, 25 December 1998, p. F40.

Pederson, Victoria, “Maureen Gallace at 303 Gallery”, Paper Magazine, June 1997, p. 132.
Schwabsky, Barry, Artforum, October 1997, p. 98.
Schwendener, Martha, Flash Art, October 1997, p. 116.
“Goings on About Town” The New Yorker, 26 May 1997, p. 20.

Lambrecht, Luk, DeMorgen, September 1996, p. 32.
Lingemann, Susanne, “Auf der Fuche mach Kunst hinter der Kunst”, Art das Kunstmagazin, May 1996, p. 93.
Martins, Celso, Expresso, 1996.
McQuaid, Cate, “A Wealth of Art from Women”, The Boston Globe, 1 February 1996, pp. 57, 60
Oliveira, Luisa S, Publico, 1996.
Pinto, Antonio C., Independente, 1996.
Raynor, Vivien, “Collectors Lend Pieces, From Superb to the So-So”, The New YorkTimes, 14 July 1996.
Rosengarten, Ruth, Visao, 1996.
Sherman, Mary, “Visual Arts: Rooms with 5 Views ”, The Boston Herald, 26 January 1996, p.16.

Hirsch, Faye, “Maureen Gallace”, Artforum, summer 1995, pp. 108-109.
Shottenkirk, Dena, “New York Brief”, C Magazine, summer 1995, p.39.

Saltz, Jerry, “A Year in the Life: Tropic of Painting”, Art in America, October 1994 p.96.
Stapen, Nancy, “In ‘93, Galleries Put Ingenuity on Display”, The Boston Globe, 30 December 1994.

Parks, Addison, “The Elemental Speech of Quiet Paintings” The Christian Science Monitor, 15 July 1993, p.17.
Saltz, Jerry, “Let Us Now Praise Artist’s Artist”, Art & Auction, April 1993, pp. 74-79,115.
Saltz, Jerry, Art in America, November 1993, p.132.
Smith, Roberta, “Art in Review: Maureen Gallace”, The New York Times, 1 October 1993.
Stapen, Nancy, “Between Figuration and Abstraction”, The Boston Globe, 5 August 1993.
Stapen, Nancy, “Changing views of the land”, The Boston Globe, 11 February 1993, pp. 69-74.
Stapen, Nancy, “Elusive Moments Captured in Paint”, The Boston Globe, 22 April 1993.
Unger, Miles, “Nielsen Gallery/ Boston, Maureen Gallace”, Art New England, June 1993, p. 58.

Sherman, Mary, “Exhibit Takes Look at Landscape Art”, The Boston Herald, 19 August 1992, p.39.
Smith, Roberta, “From New York Painters, Work That Takes Time”, The New York Times, 1 May 1992.
Wallach, Amei, “The Power of Slow Art”, Newsday, 19 June 1992, p.89.

Conversation with Maureen Gallace & Joseph Montebello, Five Points Gallery, Torrington, Connecticut, USA