2011
MLA, Harvard, Cambridge, Massachusetts
Born 1982, Los Angeles, USA
Lives and works in Los Angeles, USA
The Art Newspaper, Max Hooper Schneider: ‘My fantasy army of marine-mammal people, across all genders’, Finkel Jori, 15 February 2019
Frieze, The New Weird: Artist Max Hooper Schneider’s Miniature Worlds, Travis Dhel, 21 February 2019
Artnet, ‘We as a Species Are Selectively Alarmist’: Artist Max Hooper Schneider on Why He’s No Mad Scientist, Henri Neuendorf, 12 December 2017
Artforum, 1000 Words: Max Hooper Schneider, Beau Rutland, January 2016
MLA, Harvard, Cambridge, Massachusetts
BMW Art Journey Prize
Falling Angels, François Ghebaly, Los Angeles, USA
Keep On Rotting In The Free World/Pourrir dans un monde libre, MO.CO. Montpellier Contemporain, La Panacée, Montpellier, France
Damaged by Miracles, High Art, Paris, France
Born in a Mausoleum, Del Vaz Projects, Santa Monica, CA, USA
Hammer Projects: Max Hooper Schneider, Hammer Museum, Los Angeles, USA
Tryouts for the Human Race, Jenny’s, Los Angeles, USA
Nature Theater of Violent Succession, High Art, Paris, France
Accidental Menagerie, Kayne Griffin Corcoran, Los Angeles, USA
The Pound, Jenny’s, Los Angeles, USA
Lab Matters 2, 169 Gallery, Los Angeles, USA
Show No. 1, Vavassori, Milan, Italy
Coordinate 2, Pacific Coast Highway, Los Angeles, USA
Lab Matters 1, JPAY Inmate Services, Miami, USA
Coordinate 1, Pacific Coast Highway, Los Angeles, USA
Jason Haam: Five Years Part Two, Jason Haam, Seoul, South Korea
Focus Group 4, Von Ammon Co, Washington DC, USA
Symbiosis, Berkshire Botanical Garden, Massachusetts, USA
A Gateway to Possible Worlds: Art & Science-Fiction, Centre Pompidou-Metz, France (C)
Wild Strawberries, Gallery 125 Newbury, New York, USA
Biscuit à Soupe, High Art, Arles, France
The Tale Thier Terror Tells, Lyles & King, New York, USA
Planet B: Climate Change and the New Sublime, Palazzo Bollani, Venice, Italy
Storm Before the Calm, Praz Delavallade, Los Angeles, USA
Focus Group 3, Von Ammon Co, Washington DC, USA
The Dreamers, 58th October Salon, Belgrade Biennale, Belgrade, Serbia
100 Sculptures – NYC, Anonymous Gallery, New York, USA
On the Level or the man who fell out of bed, Krinzinger Schottenfeld, Vienna, Austria
Sun Rise | Sun Set, Schinkel Pavillon, Berlin, Germany
Make-Shift-Future, Regen Projects, Los Angeles, USA
Technologies of the Self, Marc Selwyn Fine Art, Los Angeles, CA, USA (C)
Born in a Mausoleum, Del Vaz Projects, Los Angeles, USA
Pt. 2: Invasive Species, Anat Ebgi, Los Angeles, USA
Leeum Museum of Art, Seoul, Korea
Liquid Life, Kistefos Museum, Jevnaker, Norway
Materia Medica, François Ghebaly, Los Angeles, USA
Permafrost, MOCO Montpellier Contemporain, Montpellier, France
You: Works from the Lafayette Anticipations Collection, Musée d’Art Moderne de Paris , Paris, France
16th Istanbul Biennial, Istanbul, Turkey (forthcoming)
The Coming World, Garage Museum of Contemporary Art, Moscow, Russia (forthcoming)
Creatures, Contemporary Arts Center, Cincinnati, USA (forthcoming)
Frieze Projects, Frieze Art Fair, Paramount Studios, Los Angeles
Android Tetralogy, Freedman Fitzpatrick, Paris
Gaïa,what are you becoming?,Guerlain House, Paris, France
Give Up the Ghost, 13th Baltic Triennial, Vilnius, Lithuania
Paradise, curated by Todd von Ammon, Westport Arts Center, Westport, CT
Pine Barrens, Tanya Bonakdar Gallery, New York, NY
Nothing Will Be As Before – Ten Years of Tanya Leighton, Tanya Leighton, Berlin, Germany
An Homage to Hollis Benton, curated by Aaron Moulton, Over the Influence, Los Angeles, CA
Still Human, Rubell Family Collection, Miami, USA
Preservation, Marjorie Barrick Museum of Art, Las Vegas, USA
Wormwood, Ellis King, Dublin, Ireland
Aros Triennial: The Garden, End of Times Beginning of Times , Aros, Aarhus Art Museum, Aarhus, Denmark
I’m Nobody!, High Art, Paris, France
Mutations, The High Line, New York, USA
Vertical Gardens, Antenna Space, Shanghai, China
The New Normal: China, Art, and 2017 , Ullens Center for Contemporary Arts (UCCA), Beijing, China
Retour sur Mulholland Drive, La Pannacée, Montpellier, France
High Anxiety, Rubell Family Collection, Miami, USA
Human Condition, Los Angeles Metropolitan Medical Center, Los Angeles, USA
Dolores, Team Gallery, Los Angeles, USA
Omul Negru, Nicodim Gallery, Los Angeles, USA
Theories of Forgetting, Gagosian Gallery, Beverly Hills, USA
Apple of Earth, High Art, Paris, France
Mongolia Land Art Biennial 3, Orkhon Valley, Gobi Desert, Mongolia
A paz entro os animais, curated by Michele D’Aurizio, BFA Boatos, Sao Paulo, Brazil
Bathymetry, organized by Jay Ezra Nayssan, Del Vaz Projects, Los Angeles, USA
Spring Exhibition, Kunsthal Charllotenborg, Copenhagen, Denmark
Dark Star, Basilica Hudson, New York, USA
Mongolia Land Art Biennial 2, Ikh Gazriin Chuluu, Gobi Desert, Mongolia Mongolian National Art Gallery, Ulanbataar, Mongolia
Gioni, Massimiliano, BMW Art Journey 4, Max Hooper Schneider, BMW Group Munich, Germany, 2019 (C)
Planetary Vitrine, Max Hooper Schneider's Art Journey, Hatje Cantz, 2018 (C)
Bourriaud, Nicolas, PLANET B: Climate change and the new sublime, pp.34, 70, 124, Radicants, 2022 ©
Ezra Nayssan, Jay, Technologies of the Self, Jay Ezra Nayssan and Marc Selwyn Fine Art, 2021 ©
Remenchik, Jennifer, What’s Broken Heals Better, hyperallergic.com, 29 May 2023
Jenkins, Mark, In the Galleries: Artist imagine red in images from brutal to banal, washingtonpost.com, 26 May 2023
Diehl, Travis, The Back Room of This Artist’s Studio Is Called the Abattoir, nytimes.com, 13 April 2023
Gerlis, Melanie, Frieze LA secures city’s status as an art market destination, ft.com, 23 February 2023
Douglas, Sarah, As 125 Newbury Opens, Pace Founder Arne Glimcher Surveys A Changing Art World, artnews.com, 29 September 2022
Russeth, Andrew, The 9 Best Booths at Frieze Seoul, From the Ancient to the Bracingly Contemporary, artnews.com, 2 September 2022
Jenkins, Mark, In the galleries: Big messages conveyed in close quarters, washingtonpost.com, 19 August 2022
Irwin, Michael, Pace’s Arne Glimcher Helms New Tribeca Gallery 125 Newbury, ocula.com, 19 August 2022
Boucher, Solange, Bits & Bytes: Loud Weekend; Marionette show; Current Event seminars; Field Study; “Symbiosis” opens; Buddy McEarns Band; Neo-Benshi show performance, theberkshireedge.com, 27 July 2022
Krzanik, Amy, Bits & Bytes: ‘Two to Tango’ at Bernay Fine Art; ‘Symbiosis’ at BBG; Nutshell Playhouse at Ventfort Hall; Shakespeare & Company gala; Lee Sportsmen scholarship winner, theberkshireedge.com, 3 June 2022
Jacquet, Matthew, Artist Max Hooper Schneider invents the creatures of a post-human world at MO.CO, numero.com, 7 April 2022
–––, At MO.CO, Max Hooper Schneider invents the forms of a post-human world, vintageglobalbrand.com, 7 April 2022
Ulloa, Gabriela, Enter This Young Latinx Curator’s Enviable Space, architecturaldigest.com, 23 March 2022
Brown, Kate, Rea, Naomi, 8 Gallery Shows Not to Miss During FIAC in Paris This Week, From William Kentridge’s Mediation on Fate to Louise Bonnet’s Eerie Nudes, artnet.com, 19 October 2021
–––, Liquid Life, artforum.com, 1 June 2021
–––, Regen Projects Presents Group Show Make-Shift-Future, artandobject.com, 5 May 2021
Bourriaud, Nicolas, La sincronización de las especies (The synchronization of species), elpais.com, 22 April, 2020
Urist, Jacoba, Independent New York offers fair fatigue anecdote, theartnewspaper.com, 4 March 2020
–––, Max Hooper Schneider at The Hammer, events.kcrw, 7 January 2020
Cooper, Matt, Museums in L.A. this week: ‘Nineteen Nineteen’ at the Huntington and more, latimes.com, 15 September 2019
Cooper, Matt, The week ahead in SoCal galleries and museums: ‘Fiji: Art & Life in the Pacific’ at LACMA and more, latimes.com, 13 December 2019
Diehl, Travis, The New Weird: Artist Max Hooper Schneider’s Miniature Worlds, frieze.com, 21 February 2019
Ebert, Grace, Vibrant Landscapes Scattered with Human Objects, thisiscolossal.com, 6 December 2019
Griffin, Jonathan, The Best Shows in Los Angeles Right Now, frieze.com, 9 October 2019
McGarry, Kevin, New York Collections, Shot at Frieze Los Angeles, Harper’s Bazaar, US, Print, June/July 2019
Mun-Delsalle, Y-Jean, Q&A with Dr Thomas Girst, BMW Group’s Head Of Cultural Engagement, forbes.com, 10 December 2019
Ollman, Leah, Review: Welcome to Max Hooper Schneider’s disturbing dystopian extravaganza, latimes.com, 24 December 2019
Slenske, Michael, Max Hooper Schneider’s Dystopian Dioramas Might Keep You Up at Night, lamag.com, 18 September 2019
Snyder, Kristin, Q&A: Artist examines creative process involved in making immersive installation, dailybruin.com, 15 October 2019
Wolf, Kate, Max Hooper Schneider’s sculptures may or may not include a dead mouse, interviewmagazine.com, 9 September 2019
–––, Contemporary Istanbul announces participating galleries and new sections for its 14th edition, thenational.ae, 1 September 2019
–––, Hammer Projects Present: Max Hooper Schneider @ Hammer Museum In Los Angeles, 21 June 2019
–––, Interview: Max Hooper Schneider, artist, The Art Newspaper, Frieze Los Angeles, 14 February 2019, pp.14 – 15
–––, Istanbul Biennial, e-flux.com, 10 September 2019
–––, Max Hooper Schneider on Los Angeles’ Hidden gems, wallpaper.com, 17 February 2019
–––, The ICA Miami, W and Surface Hold Celebratory Basel Dinner, wmagazine.com, 4 December 2019
Berardini, Andrew, Max Hooper Schneider, artforum.com, 17 December 2018
McGarry, Kevin, Hedi Slimane Photographs a New Class of Los Angeles Artists, garage.vice.com, 7 February 2018
Ollman, Leah, Macabre microcosms, latimes.com, 19 December 2018
Osberg, Annabel, Max Hooper Schneider, artillerymag.com, 12 December 2018
Russeth, Andrew, Los Angeles Gallery Jenny’s Ventures to London for the Summer, artnews.com, 8 May 2018
Varadi. Keith J., Max Hooper Schneider at Jenny’s, contemporaryartreview.la, 5 December 2018
Varichon, Mona, Max Hooper Schneider Jenny’s/ Los Angeles, flash—art.com, 10 December 2018
–––, Max Hooper Schneider, artsy.net, April 2018
–––, Max Hooper Schneider, Office, September 2018, pp.90 – 105
–––, Max Hooper Schneider: August 17, 2119, officemagazine.net, 30 October 2018
Miller, M. H., What It’s Like to Live With Art That Doesn’t Love You Back, nytimes.com, 22 September 2017
Neuendorf, Henri, “We as a Species Are Selectively Alarmist”: Max Hooper Schneider on Why He’s No Mad Scientist, artnet.news, 12 December 2017
Solway, Diane, The Personal History Behind Artist Max Hooper Schneider’s High Line Aquarium, wmagazine.com, 13 July 2017
Von Ammon, Todd, Grau, Donatien, Alemani, Cecilia, Max Hooper Schneider, CURA, October 2017, pp.52- 67
Lewitt, Sam, Schneider, Max Hooper, The Logorrheic Impulse, Or Tide Pool As Historical Experience, Mousse 53, April 2016, pp.100 – 108
Rutland, Beau, 1000 Words: Max Hooper Schneider, ArtForum, Print, January 2016
–––, 17 Emerging Artists to Watch in 2017, artsy.net, 13 December 2016
–––, Mouse #53, art-agenda.com, 19 April 2016
Finkel, Jori, Max Hooper Schneider, W Magazine, “Six Pack”, The Art Issue, November 2015
Kerr, Dylan, Glowing Whale Bones, Paintings For Frogs, and Leeches on a Wedding Cake: The Weird Worlds of Max Hooper Schneider, artspace.com, 19 June 2015
Reyburn, Scott, Browsing the Wares at Art Basel, nytimes.com, 17 June 2015
Schad, Ed, In Focus: Max Hooper Schneider, frieze.com, 24 April 2015
–––, Los Ángeles, Capital Mundial Del Arte Contemporáneo, El PaÍs Semanal, November 2015
Diehl, Travis, Max Hooper Schneider, artforum.com, December 2014
Cattelan, Maurizio, Subotnick, Ali, Maurizio Cattelan’s L.A. Art tour, With a Stop at Jim Carey’s Painting Studio, vulture.com, 11 December 2014