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exhibition view
Maureen Paley, London
2012
exhibition view
Maureen Paley, London
2012
documentation of performance:
Maureen Paley, London
2012
As He Remembered It
exhibition view
Secession, Vienna, Austria
2011
exhibition view
Museum Kurhaus
2015
Exquisite Corpse: The Complete Paintings Of Manet 147 of 556, Departure of the Steamboat at Folkestone, 1869, Museum of Art, Philadelphia, April 9, 1991
left panel: ink wash on rag, barrier paper
right panel: offset lithography on paper
left panel: 50 x 73 cm
right panel: 66 x 83 cm
1991
Untitled / Exquisite Corpse: The Complete Paintings of Manet, 232 of 556, Berthe Morisot à l’Eventail, (Berthe Morisot with a Fan), 1874, Private Collection, Paris, 2012
black cord and brass escutcheon pins
left panel: 61 x 50 cm
right panel: 66 x 83 cm
2012
What’s wrong? Open the door! What’s wrong? Open the door! ... I was scared. What happened? ... You can’t lie under-water like on a bed and then just wait. You can’t lie underwater like on a bed and then just wait. ... It’s impossible. ... Wait for what? ... Idiot! Do you know the mess you can get me into? (clear/
ramin) XXV of XXXV
Ilfochrome print, cast vinyl computer film (O, yellow)
80.3 x 62.5 cm
1996
exhibition view
Museum Kurhaus
2015
exhibition view
Museum Kurhaus
2015
The Way He Always Wanted It II (film still)
35mm, color/sound
1.85:1
27 minutes, 19 seconds
2008
As He Remembered It
exhibition view
Secession, Vienna, Austria
2011
He was but a bad translation
exhibition view
Kölnischer Kunstverein, Cologne, Germany
2011
¡Hola! ¿Qué tal?
exhibition view
Galerie Gisela Capitain, Cologne, Germany
2014
exhibition view
Museum Kurhaus
2015
exhibition view
Museum Kurhaus
2015
English for Foreigners
exhibition view
Museo MADRE, Naples, Italy
2017
photo: Amedeo Benestante