Maureen Paley | Stephen Prina

exhibition view:
Maureen Paley, London
2012

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documentation of performance:
Maureen Paley, London
2012

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As He Remembered It

exhibition view:
Secession, Vienna, Austria
2011

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installation view
Museum Kurhaus
2015

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Exquisite Corpse: The Complete Paintings Of Manet 147 of 556, Departure of the Steamboat at Folkestone, 1869, Museum of Art, Philadelphia, April 9, 1991
left panel: ink wash on rag, barrier paper
right panel: offset lithography on paper
left panel: 50 x 73 cm
right panel: 66 x 83 cm
1991

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Untitled / Exquisite Corpse: The Complete Paintings of Manet, 232 of 556, Berthe Morisot à l’Eventail, (Berthe Morisot with a Fan), 1874, Private Collection, Paris, 2012
black cord and brass escutcheon pins
left panel: 61 x 50 cm
right panel: 66 x 83 cm
2012

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What’s wrong? Open the door! What’s wrong? Open the door! ... I was scared. What happened? ... You can’t lie under-water like on a bed and then just wait. You can’t lie underwater like on a bed and then just wait. ... It’s impossible. ... Wait for what? ... Idiot! Do you know the mess you can get me into? (clear/
ramin) XXV of XXXV
Ilfochrome print, cast vinyl computer film (O, yellow)
80.3 x 62.5 cm
1996

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installation view
Museum Kurhaus
2015

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installation view
Museum Kurhaus
2015

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The Way He Always Wanted It II (film still)
35mm, color/sound
1.85:1
27 minutes, 19 seconds
2008

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As He Remembered It

exhibition view:
Secession, Vienna, Austria
2011

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He was but a bad translation
exhibition view:
Kölnischer Kunstverein, Cologne, Germany
2011

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exhibition view:
¡Hola! ¿Qué tal?
Galerie Gisela Capitain
Cologne, Germany
2014

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installation view
Museum Kurhaus
2015

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installation view
Museum Kurhaus
2015

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