Whitney Independent Study Program, New York, NY, USA

School of Visual Arts, New York, NY, USA

Artist in Residence, Randolph Cliff, Edinburgh College of Art, Scotland, UK

Critic in Sculpture, Yale University, New Haven, CT, USA

(C) denotes catalogue published in conjunction with the exhibition.

Hélio-Centricities, Bortolami, New York, NY, USA

Fondazione Converso, Milan, Italy

Hélio-Centricities, Escola de Artes Visuais do Parque Lage, Rio de Janeiro, Brazil
Tom Burr / MATRIX 182 / Hinged Figures, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, USA
Hélio-Centricities, auroras, São Paulo, Brazil

Screen, Hessel Museum of Art, CCS Bard, Annandale-on-Hudson, NY, USA
Sedimental, SCAD Museum of Art, Savannah, Georgia, USA

No Access (public project), SCAD Museum of Art, Savannah, Georgia, USA
Tom Burr/New Haven: Phase One: Pre-Existing Conditions, part of Bortolami Gallery’s Artist/City initiative, Marcel Breuer’s Armstrong Rubber Company, Newhaven, Connecticut, USA
Abridged, Galerie Neu, Berlin, Germany
Surplus of Myself, Westfälischer Kunstverein, Münster, Germany
Stages, Maureen Paley, London, UK

Grips, Sommer Contemporary Art, Tel Aviv, Israel
Put Down, piece*unique, Cologne, Germany

Circa, Bortolami Gallery, New York, NY, USA
Ull Hohn and Tom Burr, Peep-Hole, Milan, Italy

Notes on Camp, curated by_vienna: The Century Bed, Vienna, Austria
Drunk Emily, Galleria Franco Noero, Torino, Italy

Dressage, Parcours, Art Basel, Basel, Switzerland
Stuart Shave/Modern Art, London, UK

Cloud in Trousers, Citta della Pieve, Umbria, Italy
deep wood drive, Bortolami Gallery, New York, NY, USA
Promiscuous Pleats, Galleria Franco Noero, Torino, Italy

Head Ache, Stuart Shave/Modern Art, London, UK
New York, Sommer Gallery, Tel-Aviv, Israel
Felt Under Fingers, Almine Rech Galerie, Brussels, Belgium
Gravity Moves Me, FRAC Champagne-Ardenne, Reims, France

Murmur, MD72, Berlin, Germany
Four Sides to Myself, Bortolami Gallery, New York, NY, USA

Sentence, Bortolami Gallery, New York, NY, USA
Bonvicini/Burr, with Monica Bonvicini
Städtische Galerie im Lenbachhaus und Kunstbau, Munich, Germany; travelled to
Museum für Gegenwartskunst, Basel, Switzerland
Stuart Shave/Modern Art, London, UK

Descending, Galleria Franco Noero, Turin, Italy
Addict – Love, Sculpture Center, New York, NY, USA
Black and Blue, Galerie Almine Rech, Paris, France

Anxiety – A Showcase, Schinkel Pavillon, Berlin, Germany
Swiss Institute with Walter Pfeiffer, New York, NY, USA
Moods, Secession, Vienna, Austria

Extrospective, Museé Cantonal des Beaux-Arts de Lausanne, Lausanne, Switzerland
Relapse, Stuart Shave/Modern Art, London, UK

Complete Breakdown, Galerie Neu, Berlin, Germany
Privy, Please, The Norfolk Library, Norfolk, Connecticut, USA
The Complete Stories of Truman Capote, romaromaroma, Rome, Italy

Our Lady of the Flowers, Galleria Franco Noero, Turin, Italy

Gone, Gone, American Fine Arts, New York, NY, USA
Die Stalle/The Stalls, Galerie Christian Nagel, Cologne, Germany
The Screens, Institute for Visual Culture, Cambridge, UK

Piscine, Galerie Almine Rech, Paris, France
Deep Purple, Whitney Museum of American Art, New York, NY, USA
Dog Days, Greene Naftali Gallery, New York, NY, USA

Brutalism, Galerie Neu, Berlin, Germany

Low Slung, Kunstverein Braunschweig, Braunschweig, Germany

Black Box, Artforum Berlin, Galerie Neu, Berlin, Germany
Private Property: Anti-Public Sculpture, Galerie Almine Rech, Paris, France

Surface, Galerie Neu, Berlin, Germany
The Medical Show, Galeria Marta Cervera, Madrid, Spain

Stainless, American Fine Arts, New York, NY, USA

42nd Street Structures, American Fine Arts, New York, NY, USA

American Fine Arts, New York, NY, USA

White Columns, New York, NY, USA

Concrete Realities: Tom Burr and Andrea Zittel, Bortolami, New York, NY

(C) denotes catalogue published in conjunction with the exhibition.

Emancipatory Dinner 4.9, Gabriele Senn Galerie, Zurich, Switzerland
By a Thread, Espacio Artkunstarte, Madrid, Spain
Köln Skulptur #10, Über Natur – Natural Takeover, Skulpturenpark Köln, Cologne, Germany
John Dewey Who?, Museum Ludwig, Cologne, Germany

In Plain Sight, Henry Art Gallery, University of Washington, Seattle, USA
Chairs Beyond Right & Wrong, R & Company, New York, USA
Queer Abstraction, Des Moines Art Center, Des Moines, Iowa, USA, touring: Nerman Museum of Contemporary Art, Kansas, USA
Family Ties The Schröder Donation, Museum Ludwig, Cologne, Germany
Queer Spaces: London, 1980s – Today, Whitechapel Gallery, London, UK
Straying from the Line, Schinkel Pavillon, Berlin, Germany

Between Bust and Boom: Artists in the Slack Years, 1990-2005, Columbus Museum of Art, Columbus, Ohio, USA
(collection display)
Sculpture Center Annual Benefit Gala, Long Island City, New York
The Conditions of Being Art: Pat Hearn Gallery & American Fine Arts, Co. (1983-2004), Center for Curatorial Studies and Hessel Museum of Art at Bard College (CCS Bard), Annandale-on Hudson, New York, USA
Cruising Pavillion, Spazio Punch, 16th Venice Architecture Biennale, Venice, Italy
More than mere jelly, Center for Curatorial Studies and Hessel Museum of Art at Bard College, Annandale-on-Hudson, New York, USA
The House of Fame, convened by Linder, Nottingham Contemporary, Nottingham, UK
Die Zelle (The Cell), Kunsthalle Bern, Bern, Switzerland
Noon - One, CANADA, New York, NY
Optik Schröder II, Works from the Alexander Schröder Collection, MUMOK, Vienna, Austria
balak #7, balak - espace temporaire d'art contemporain, Charleville Mézières, France

The Disappearing, Karg Gallery, New York, NY, USA
Cosima von Bonin+Tom Burr: Benz Bonin Burr, Skulptur Projekte Münster 2017, Münster, Germany
Touchpiece, Hannah Hoffman Gallery, Los Angeles, California, USA
KölnSkulptur #9: La Fin de Babylone. Mich wundert, dass ich so fröhlich bin!, Skulpturenpark Köln, Cologne, Germany

Question the Wall Itself, Walker Art Center, Minneapolis, Minnesota, USA
Lost & Found, Galerie Bärbel Grässlin, Frankfurt, Germany
I Beam U Channel, Bortolami, New York, NY, USA
Béton, Kunsthalle Wien, Vienna, Austria
Garden Show, Regards Gallery, Chicago, Illinois, USA
Ordinary Pictures, Walker Art Center, Minneapolis, Minnesota, USA
Sculpture from the Hammer Contemporary Collection, Hammer Museum, Los Angeles,
California, USA

Body Proxy, Allen Memorial Art Museum, Oberlin, Ohio, USA
To expose, to show, to demonstrate, to inform, to offer, Museum moderner Kunst Stiftung
Ludwig Wien, Vienna, Austria
Lustwarande ’15 – Rapture & Pain, Parke De Oude Warande, Tilburg, Netherlands
Köln Skulptur #8, Skulpturenpark Köln, Cologne, Germany

The Present of Modernism, MUMOK, Vienna, Austria
Collection and Contact, deCordova Sculpture Park and Museum, Lincoln, MA
Space & Reality: New Acquisitions & Gifts, MUMOK, Vienna, Austria
30/60 Works from the Collection of the FRAC Champagne-Ardenne, Marino Marini Museum, Florence, Italy
Klotz am Bein – Sculptures from the Grässlin Collection, Raume für Kunst, St. Georgen, Germany
Displayed, Anton Kern, New York, NY
Galerie Neu at Gladstone, Gladstone Gallery, New York, NY
Soft Matter, WALLSPACE, New York, NY
Deviance Credits, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
Take It or Leave It: Institution, Image, Ideology, Hammer Museum, Los Angeles, CA
A Chromatic Loss, curated by Jeffrey Uslip, Bortolami Gallery, New York, NY
Galerie Bärbel Grässlin, Frankfurt, Germany

Not Yet Titled, curated by Philip Kaiser, an exhibition displaying the Ludwig Collection, Mueum Ludwig, Köln, Germany
Pommery Experience #11: “An odyssey: 30 Years of frac Champagne-Ardenne,” curated by Florence Derieux, Frac Champagne-Ardenne, Reims, France
Relocation, Reallocation, Stockholm, curated by Stefania Bortolami, McCabe Fine Art, Stockholm, Sweden Outside the Lines, Contemporary Arts Museum, Houston, Texas. USA My Crippled Friend, Columbus College of Art and Design, Ohio, USA Migros Meets Museion, Museion, Bolzano, Italy
Anamericana, curated by Vincenzo de Bellis, co-organized by the Depart Foundation Collection, American Academy, Rome, Italy
Notes on Neo-Camp, curated by Chris Sharp, Office Baroque Gallery, Antwerp, Belgium; travelled to Studio Voltaire, London, UK
Pivot Points: 15 Years & Counting, Museum of Contemporary Art, North Miami, Florida, USA
Open spaces | secret places. Works from the SAMMLUNG VERBUND, MdM MÖNCHSBERG, Salzburg, Austria
Catch as Catch Can: curated by Fionn Meade, Locks Gallery, Philadelphia, PA
The Black Mirror, curated by James Welling and Diane Rosenstein, Diane Rosenstein Fine Art, Los Angeles, California, USA
Vertical Club, curated by Will Benedict, Bortolami, New York, NY, USA

No Desaster, Haukbrok Collection at Deichtorhallen, Hamburg, Germany
Stretching the Limits: Fibers in Contemporary Painting¸ SCAD Museum of Art, Savannah, GA
MOCA’s 15th Anniversary Collection, Museum of Contemporary Art, Miami, Florida, USA More Light, curated by Alexander Schröder & Thilo Wermke, Avlskarl Gallery, Copenhagen, Denmark
Cellblock II, An Essay in Exhibition Form, curated by Robert Hobbs, Andrea Rosen Gallery, New York, NY, USA
Only parts of us will ever touch parts of others, curated by Timothée Chaillou, Gallery Thaddeus Ropac, Paris, France
Now I am quietly waiting for the catastrophe of my personality to seem beautiful again, and interesting, and modern, curated by Tom Burr, Bortolami Gallery, New York, NY, USA
Drawing a Blank (On Forgetting, Refusal, Censorship and Impotence), curated by Matthew Brannon and Jan Tumlir, David Kordansky Gallery, Los Angeles, California, USA
Everyday Abstract – Abstract Everyday, curated by Matthew Higgs, James Cohan Gallery, New York, NY, USA
Migros Meets Museion, curated by Letizia Ragaglia in collaboration with Heike Munder and Judith Welter, Museion, Bolzano, Italy
The Quality of Presence, curated by Dmitry Komis, The Chelsea Hotel, New York, NY, USA
relocated, Galerie Neu, Berlin, Germany
Utopia Gesamtkunstwerk, 21er Haus, Belvedere Museum, Vienna, Austria

Verschiebungsersatz, curated by David Rimanelli, Kimmerich, New York, NY, USA
December, organised by Howie Chen, Mitchell-Innes & Nash, New York, NY, USA
After images, curated by Fionn Meade, Jewish Museum of Belgium, Brussels, Belgium
Five Easy Pieces, Galleria Franco Noero, Torino, Italy
12th Istanbul Biennial, Istanbul, Turkey
Schnitte im Raum, Sculptural Collagen, Museum Morsbroich, Leverkusen, Germany
The Smithson Effect, Utah Museum of Fine Arts, Salt Lake City, Utah, USA
SHAPES, Sammlung-Haubrok, Berlin, Germany

Missing Beat, Sommer Gallery, Tel-Aviv, Israel
“…”, Galerie Neu, Berlin, Germany
ABOUT US, Johann König, Berlin, Germany
Cumulus, Blum & Poe, Los Angeles, CA
Forced Exposure, Team Gallery, New York, NY, USA
The New Décor, The Hayward Gallery, London, UK
Mixed Use, Manhattan: Photography and Related Practices 1970s to the Present, Nacional Centro de Arte Reina Sofia, Madrid, Spain
The Page, Kimmerich Gallery, New York, NY, USA
Light Breaks Where No Sun Shines, Bortolami Gallery at The Webster, Miami Beach, Florida, USA
Wall & Floor, Galerie Almine Rech, Paris, France
The World is Yours, Louisiana Museum, Denmark

Moby Dick, Curated by Jens Hoffman, CCA Wattis Institute for Contemporary Arts, San Francisco, California, USA
Rachel Harrison: Consider the Lobster and other Essays, Center for Curatorial Studies and Hessel Museum of Art at Bard College (CCS Bard), Annandale-on-Hudson, NY, USA
Saints and Sinners, curated by Laura Hoptman, Rose Art Museum, Brandeis University, Boston, Massachusetts
The Station, curated by Shamim Momin & Nate Lowman, Miami, Florida, USA
Abstract America: New Painting and Sculpture, Saatchi Gallery, London, UK
Political/Minimal curated by Klaus Biesenbach, Kunst-Werke Berlin - KW Institute for Contemporary Art, Berlin, Germany
Recollection, curated by Gianni Jetzer Barriera, Turin, Italy
La Fête Est Permanente / The Eternal Network FRAC - Champagne-Ardenne, Reims, France

The Eternal Flame. On the Promise of Eternity, Kunsthaus Baselland, Muttenz, Switzerland
Not So Subtle Subtitle, Casey Kaplan Gallery, New York, NY
Marc Camille Chaimowitz, …In The Cherished Company of Others…, De Appel Arts Centre, Amsterdam, Netherlands; travelled to PMMK, Ostend, Belgium
Sammlung/Collection 1978–2008, Migros Museum für Gegenwartskunst, Zurich, Switzerland
Fais en sorte que je puisse te parler/Mache, dass ich zu dir sprechen kann/Act so that I can speak to you, Kamm, Berlin, Germany
A New High in Getting Low (NYC), John Connelly Presents, New York, NY, USA
Photos and Phantasy: Selections from the Frederick R. Weisman Art Foundation, Carnegie Art Museum, Oxnard, California

Walk!, Kunstraum Kreuzberg/Bethanien, Berlin, Germany
Oh Girl, It’s a Boy!, Munich Kunstverein, Munich, Germany
Body Politicx, Witte de With, Rotterdam, The Netherlands
At Home, Curated by Mario Testino, Yvon Lambert project space, New York, NY, USA
The Happiness of Objects, Sculpture Centre, Long Island, New York, NY, USA
Unmonumental: Falling to Pieces in the 21st Century, Curated by Richard Flood, Laura Hoptman and Massimiliano Gioni, The New Museum, New York, NY, USA
OMNIA VANITAS: VANITY IS ALL, Gavlack Gallery, Los Angeles, California
Pale Carnage, Arnolfini, Bristol; travelled to Dundee Contemporary Arts, Dundee, UK

Wieder und Wider, performance, MUMOK, Vienna, Austria
The Eighth Square, Museum Ludwig, Cologne, Germany
The Name of This Show Is Not GAY ART NOW, Curated by Jack Pierson, Paul Kasmin Gallery, New York, NY, USA

HaubrokShows. B Sharp, Xantener Strasse 7, Berlin, Germany
Down the Garden Path: The Artist’s Garden After Modernism, Queens Museum of Art, New York, NY, USA
Nolens Volens, Galerie Neu, Berlin, Germany
EXILE New York is a good Hotel, Broadway 1602, New York, NY, USA
Residence, MICA Foundation, New York, NY, USA

Trafic d’influence: Art & Design, Collection Frac Nord Pas-de-Calais, Dunkirk, France
Election, American Fine Art, Colin de Land Fine Art, New York, NY, USA
When the lights go out…, Cohan & Leslie, New York, NY, USA
The Future Has a Silver Lining, Migros Museum fur Gegenwartskunst, Zurich, Switzerland
Braunschweig Parcours 2004, Braunschweig, Germany
Whitney Biennial 2004, Whitney Museum of American Art, New York, NY, USA
Beginning Here: 101 Ways, Visual Arts Gallery, New York, NY, USA
Strange Weather, Modern Art, London, United Kingdom
It’s all an Illusion, Migros Museum fur Gegenwartskunst, Zurich, Switzerland
Flowers Observed, Flowers Transformed, The Andy Warhol Museum, Pittsburgh, Philadelphia, USA

Le Rayon Noir, Circuit Centre d’Art Contemporain, Lausanne, Switzerland

Grey Gardens, Michael Kohn Gallery, Los Angeles, CA
My Head Is On Fire But My Heart Is Full of Love, Charlottenborg Museum, Copenhagen, Denmark
Xeros, Ecole du Magasin, Center National d’Art Contemporain, Grenoble, France

Deliberate Living, Greene Naftali Gallery, New York, NY
Parttnerschaften – Unterbrochene Karrieren, Neue Gessellschaft fur Bildende Kunst, Berlin, Germany
American Fine Arts, New York, NY, USA

Quiet Life, curated by Michael Neff, Ursula Blickle Stiftung, Kraichtal-Unterowisheim, Germany
Sightings, Bard College, curated by Jeffrey Walkowiak, Annandale-on-Hudson, New York, NY, USA
Space Open 2000, Space studios, London, United Kingdom

Model, Galerie Belvedere, Vienna, Austria
I Hate Movies, curated by Tom Borgese, Andrew Kreps Gallery, New York, NY, USA
Parasite, The Drawing Center, New York, NY, USA

Sans Titre, Froment + Putman, Paris, France

Disappeared, Randolph Street Gallery, Chicago, Illinois
American Fine Arts, New York, NY, USA
Ideal Standard Life, Spiral Garden, Tokyo, Japan
Gramercy International Art Fair, New York, NY, USA

Birgit Kung, Zurich, Switzerland
Architectures of Display with architect Toshiko Mori, organized by Minetta Brook, New York, NY, USA
Platzwechsel (with Ursula Biemann, Mark Dion, Christian Philipp Muller), Kunsthalle Zurich und Schweizer Nationalmuseum, Zurich, Switzerland
Mapping: A Response to MOMA, American Fine Arts, New York, NY, USA

Architecture and Display, with Toshiko Mori, Architectural League of New York and Minetta Book, New York, NY, USA
Lace, Los Angeles, California
The New Museum of Contemporary Art, New York, NY, USA

Kontext Kunst, Kunstlerhaus Graz, Austria
What Happened to the Institutional Critique, curated by James Meyer, American Fine Arts, New York, NY, USA
Social Subjects, YYZ, Toronto, Ontario
Sonsbeek 93, Arnheim, Holland
Projet Unité, Firminy, France

White Columns, New York, NY, USA (C)

Paula Allen Gallery, New York, NY, USA
American Fine Arts, New York, NY, USA

Hallwalls Contemporary Arts Center, Buffalo, New York, NY, USA
Whitney Independent Study Program,Open Studios , New York, NY, USA

In Plain Sight – Artists in Conversation: Andrea Bowers, Tom Burr, Beatriz Cortez, Nicole Miller, Henry Art Gallery, University of Washington, Washington, USA
Tom Burr Reading, Chairs Beyond Right & Wrong, R & Company, New York, USA

Tom Burr in Conversation with William J. Simmons, Hannah Hoffman, Los Angeles, California, USA

The Backroom, Museo Tamayo, Mexico City, Mexico (online project)

(C) denotes catalogue.

Burr, Tom, I ask Myself, Modern Matter, Issue 18, February 2021, pp. 98-111

Burr, Tom, May Stevens, artforum.com, March 2020.
Meyer, James, Hans Haacke, New Museum, artforum.com, 3 March 2020.
Walter, Alexander, New Haven’s Marcel Breuer building takes next step towards hotel redevelopment, archinect.com, 9 January 2020.
Westall, Mark, Whitechapel Art Gallery Christmas Gift Ideas, fadmagaine.com, 15 December 2020.

Bowker, Brittany, NEMA Boston unveils luxury homes inspired by the Seaport, realestate.boston.com, 18 November 2019
Jeppesen, Travis, Queer Abstraction (Or How to be a Pervert with No Body), Mousse #66, Winter, pp.182 – 191.
Jovanovich, Alex, Queer Abstraction, Artforum, May 2019, p. 99.
Laura, Spencer, Visitors Enter ‘A New Kind Of Queer World’ In The Nerman Museum’s Newest Exhibition, kcur.org, 27 December 2019.
Lescaze, Zoë, What Happens When Site-Specific Art Outlasts Its Surroundings?, nytimes.com, 13 May 2019.

Cascone, Sarah, Editors’ Picks: 11 Things Not to Miss in New York’s Art World This Week, news.artnet.com, 8 October 2018.
Burr, Tom, ‘Artist’s Page’ Yes & No Magazine, Vol.2 Iss. 01, p. 106 (Back Cover).
Burr, Tom, ‘Artist’s Page’, Yes & No Magazine, Vol.1 Iss. 04, pp.6-7.
Guilford, Patrick, Tom Burr creates installations harkening back to age old landscape tradition, scaddistrict.com, 1 March 2018.
Korman, Sam, Under Construction, The never-ending renovation of Tom Burr, ArtReview, March 2018, pp. 80–87.
Zeiba, Drew, The Cruising Pavilion brings dark rooms out into the open at the Venice Biennale, archpaper.com, 9 May 2018.
–––, Drinks, canapés—and poppers—at the Cruising Pavilion in Venice, theartnewspaper.com, 18 May 2018.

Appel, Alan, Pirelli building Reopens ...To Art, newhavenindependent.org, 11 July 2017.
Bronner, Julian Elias, Tom Burr, ArtForum.com, 3 February 2017.
Burr, Tom, Tom Burr, Yes & No magazine, Issue 01:03, Autumn 2017, pp.6-9.
Burr, Tom, Tom Burr/New Haven Body/Building–Phase 1: Pre-Existing Conditions, Yes & No Magazine, No.01:02, 2017, pp.6-12.
Burr, Tom, Body/ Building, Yes & No Magazine, Issue 1, pp. 48-53.
Dickinson, Duo, A modern masterpiece artfully re-inhabited (a little), nhregister.com, 23 October 2017.
Durbin, Andrew, Tom Burr Meets Marcel Breuer/ New Haven, Arena Homme +, Summer/ Autumn 2017, section 47.12.
Fritchey, Sarah, Placing Pieces of Local History in an Empty Marcel Breuer Building, hyperallergic.com, 10 August 2017.
Moffitt, Evan, Reviews: TOM BURR, Pirelli Building, New, USA, Frieze, No. 191, November 2017 p. 161.
Neuendorf, Henri, Stefania Bortolami on How Smaller Galleries Can Innovate to Survive the Age of the Mega-Gallery, artnet.com, 6 July 2017.
Tarasoff, Sabrina, Tom Burr: Surplus of Myself, Mousse Magazine, Summer 2017, pp. 162-163.
–––,'Tom Burr: Stages' at Maureen Paley, London, blouinartinfo.com, 13 September 2017.
–––, Tom Burr's conceptual non-site at Maureen Paley, London, blouinartinfo.com, 13 September 2017.
–––, Maureen Paley's Ten Top Exhibitions, galleriesnow.net, 28 July 2017.

Maum, Courtney, Tom Burr, Interview Magazine, December/January 2016.
Feuer, Alan, Art Dealers Move Out of the Gallery and Into a Taco Bell, The New York Times, October 2016.

Tom Burr Anthology: Writings 1991 – 2015, Published by FRAC Champagne-Ardenne with Sternberg Press.
Ruiz, Alan, Tom Burr, BOMB Magazine 134, Winter 2015.
Tarasoff, Sabrina, L’esprit De L’escalier: On (Marriage) Affairs of Art and Architecture, Mousse Magazine, October-November 2015.
Chittenden Morgan, Nicholas, New York: Critics’ Picks, Artforum, November 2015.
Boucher, Brian, Cruising Grounds in Tom Burr’s Bortolami Show, Artnet, October 29, 2015.
The Lookout: Tom Burr at Bortolami, Art in America, September 2015.
Scott Indrisek, Cruising and the City: Tom Burr at Bortolami Gallery, Artinfo, November
The New Yorker, 28 October 2015.

Derieux, Florence, Parcours, Art Basel
Baker, George, Notes on Painting in Disguise, in Take It or Leave It: Institution, Image, Ideology (Hammer Museum: 2014), p. 228.
Bader, Graham, Outside the Lines, Artforum, April 2014.
Harren, Natilee, Take It or Leave It: Institution, Image, Ideology, Artforum, June 2014.

Meade, Fionn, Tom Burr, Restless Painting, Mousse Magazine, Summer 2013.
Scrimgeour, Alexander, Notes on Neo-Camp, Artforum, November 2013.

Baumgarden, Julie, Julie Baumgarden on Bortolami, New York, Paddle8.com, September 20, 2012.
Kastner, Jeffrey, Tom Burr, Bortolami, Artforum, Summer 2012, p. 313.
Fiske, Courtney, New York: Critics’ Picks, Artforum, March 2012.
Wilson, Michael, Tom Burr, ‘Deep Wood Drive’, Time Out New York, p. 46.
E. Howe, David, Tom Burr, Art Review n° 59, p. 120.

Mayer, Mariano, Tom Burr, Neo2, April 2012.
Bennett, Alissa, Tom Burr Interview, Crush Fanzine, March 2012.
Duray, Dan, Tom Burr Offers Nostalgia and Blankets at Bortolami, Gallerist NY, March 2012.
The New Yorker, 9April, 2012.
Hoberman, Mara, Paris: Critics’ Picks, Seuls quelques fragments de nous toucheront quelques fragments d’autrui, Artforum, December 2012.

Misheff, Johnny, Visiting Artists/Tom Burr, Tmagazine.blogs.nytimes.com, March 28, 2011.
Vergara, Angel (ed.) Feuilleton (C).
Launay, Aude, Le bûcher des vanités, 02, n°57, Spring 2011.
After Images…, Musée Juif de Belgique, moussemagazine.it, August 28, 2011.
Canevet, Rozenn, Tom Burr, peeping tom’s, zerodeux.fr.
Steverlynck, Sam, Clothed paintings, Agenda.be, 29 April 2011.
Steverlynck, Sam, Mondovision Fiac, ArtPress, November 2011.
Archey, Karen, Lynne Cooke and Douglas Crimp, Bring Home “Mixed Use: Manhattan” in Public Art Fund Talk, Artinfo, February 11 2011.
Tom Burr, Why I’m an Artist, Corduroy Magazine, 2011.
Tom Burr at FRAC Champagne-Ardenne, Reims, Mousse Magazine, February 2011.
Clark, Robert and Skye Sherwin, Robert Mapplethorpe: Curated by Scissor Sisters, London, The Guardian, January 15 2011.
Street, Ben, Tom Burr, Art Review, December 2011.
Graw, Isabel, Ecce Homo: Art and Subjecthood, Artforum, November 2011.
Jetzer, Gianni, A Way into the Unconscious of Objects, Spike, Winter 2011, pp. 62-73.

Cairns, Steven, Interview: Tom Burr, MAP Magazine, December
Hull, Timothy, Deep Histories: Tom Burr, Art in America, October 2010.
Burr, Tom, Questions of Style: Tom Burr ‘I Built a Dream House,’ Artforum,
September 2010, p. 267.
Cooke, Lynne, Douglas Crimp and Kristin Poor, Mixed Use, Manhattan: Photography and Related Practices, 1970s to the Present, Museo Nacional Centro De Arte Reina Sofía, Madrid (C).
Rugoff, Ralph, The New Décor, Hayward, London.
Tom Burr: Sentence, Kaiserin, Premier Semestre.
Tom Burr artist, Crush Fanzine, Auxiliary Issue 1.
Kletke, Daniel, Galerie Neu: Tom Burr Addict-Love, Light Cavalry, Artnet Magazine, January 2010.
Suarez, De Jesus Carlos, Two Miami Art Museum exhibits question how we view our surroundings, Miami New Times, January 7, 2010.

Buchmann, Sabeth, Tom Burr, published in conjunction with the exhibition Monica Bonvicini / Tom Burr at the Städtische Galerie im Lenbachhaus und Kunstbau, Munich, and at the Kunstmuseum Basel.

Burr, Tom, Best of 2009. The Artists’ Artist: RH Quaytman, Artforum, December 2009, p. 90.
Boucher, Brian, Tom Burr, Bortolami, Art in America, November 2009.
Wilson, Michael, Tom Burr, Artforum, November 2009, p. 228.
Bell, Kirsty, Perversly Yours, Kaleidoscope, November-December 2009, p. 58.
Boucher, Brian, Review: Tom Burr, Bortolami, Art in America, November 2009, p. 186.
Katrib, Ruba, Obstruction, Instance, and Trace, The Reach of Realism: Uta Barth, Olaf Breuning, Tom Burr, Talia Chetrit, Anetta Mona Chişa and Lucia Tkácová, Phil Collins, Thomas Demand, Alex Hubbard, Matt Keegan, Ragnar Kjartansson, Elad Lassry, Lars Laumann, Adam McEwan, Wilhelm Sasnal, Xaviera Simmons, Martin Soto Climent, Wolfgang Tillmans, Sara VanDerBeek, Emily Wardill, Gillian Wearing, Judi Werthein, and Artur Zmijewski, North Miami, FL: Museum of Contemporary Art.
Juul Holm, Michael, Anders Kold, and Tine Colstrup, Interview with Tom Burr, Louisiana Museum of Modern Art.
Burr, Tom, Thoughts on a Given Name in Rachel Harrison (ed.) Consider the Lobster and Other Essays Annandale-on-Hudson: CCS Bard Hessel Museum of Art (C).
Gronlund, Melissa, Tom Burr, in‘Vitamin 3-D: New Perspectives in Sculpture and Installation’, London, Phaidon.
Galleries Chelsea: Tom Burr, The New Yorker, October 2009.
Zanichelli, Elena, ‘Räume mit Aussicht’, Texte zur Kunst, September, Vol. 19, No. 75,
pp. 180 – 182.
Lorch, Catrin, ‘Im Grau der Rigipsplatten’, Süddeutsche Zeitung Feuilleton, June 24, 2009, pp. 11-12.
Inside the Artist’s Studio: Tom Burr, The Art Newspaper, April 2009.
New York Artist’s Dictionary/Part 1: Tom Burr, Flash Art, January-February 2009.

Bently, Kyle, Burrs and Bees, ArtForum.com, 16 January 2008
Jones, Kristin, ‘M. Tom Burr’, ArtForum.com, 13 February 2008
Tom Burr: Questionnaire, Frieze, June-August 2008, p.252.
Vezzoli, Francesco, Tom Burr, Mousse Magazine, March 2008
Everitt Howe, David, Unmonumental: The Object in the 21st Century, Art Review, March 2008
Komis, Dmitry, Tom Burr, Flash Art, Sculpture Centre, New York, March-April 2008, p. 146.
Biesenbach, Klaus, Political/Minimal, (ed.) Nuremberg: Verlag für modern Kunst Joseph R. Wolin, ‘Unmonumental’, New Museum, New York, Modern Painters, May, pp. 88 – 89.
Mendelsohn, Adam E., Change is inevitable, Spike, n°18, winter, pp. 24-29.
Kletke, Daniel, Tom Burr, abc art berlin contemporary, Berlin, Germany
Decter, Joshua, Tom Burr, Talks about addict-love, ArtForum, February, p.258.
Laynay, Aude, Peeping Toms, 02, Summer, n°46
Churner, Rachel, Tom Burr, ArtForum, January, p.132.

Unmonumental: Falling to Pieces in the 21st Century, exhibition catalogue, New Museum: Phaidon.
Shariatmadari, David, Pale Carnage, Art Review, May, p. 131.
Frank, Rike, Déjà vu All Over Again, ArtForum, Issue XLV, pp. 113-114.
Rappolt, Mark, The Man Who Wasn’t There, Art Review, Issue 10, pp.66-71.
Foll, Heike, Tom Burr & Jack Pierson, ArtForum.com, 1 December 2007
Baker, George, The Other Side of the Wall, October Magazine, Issue 120, Spring, pp. 106-137.
Burr, Tom, October Magazine, Issue 120, Spring, pp. 138-139.
Schmitt-Ulms, Ure, Tom Burr, Moods, April
Burr, Tom, Kunst im öffentlichen raum Wien. Monument for Homosexual and Transgender Victims of the Nazi Regime, publicartvienna.at
Rappolt, Mark, Tom Burr, a disappearing act, Art Review, April, pp. 66-71.
Burr, Tom, Romantic Manifesto, Text zur Kunst, March 2007
Prince, mark, Once more with Feeling, Art Monthly, March 2007
Clark, Martin, Pale Carnage, ed. Arnolfini, Bristol (C)
Tom Burr: Moods, published in conjuction with the exhibition at Secession, Vienna, (C).

Tom Burr, Extrospective, Musée Cantonal des Beaux-Arts de Lausanne, JRP Ringier (C).
Cattini, Sandra, Tom Burr, Musee Cantonal Des Beaux Arts, Flash Art, July-September 2006
Renken, Raphaelle, Quand Deep Purple se joue du Palais de Rumine, Le Protestant, 1 February 2006, p. 6.
B, M, ‘L’Americain Tom Burr entre au Musée à Lausanne, La Tribune des Arts, 3 March 2006, p. 17.
Bratshi, Isabelle, Une pincée de Sadomaso au musée des Beaux-Arts, Le Matin Dimanche, 2 April 2006, p. 84.
Tom Burr, WOZ Die Wochenzietung, 6 April 2006, p. 22.
Mathonnet, Phillippe, Emprunter Tom Burr? Jamais!, Sortir, Le Temps, 6 April 2006, p. 17.
Vuong, Isabelle, Lausanne Rétrospective de l'artiste contemporain Tom Burr, Vtxnet.ch, 7 April 2006.
L'Amérique selon Tom Burr, 24 Heures Lausanne et Région, 8 April 2006, p. 14
Mathonnet, Phillippe, L'Art, problème de digestion de génération, Le Temps, 8 April 2006, p. 22.
Gnasso, Patricia, Tom Burr, Fan d'ambuiguïté, Le Matin, 8 April 2006, p. 56.
Rétrospective Tom Burr au Musée des Beaux-Arts, La Côte, 10 April 2006, p. 20.
Tom Burr, coïncidences fictives, Le Courrier, 19 April 2006, p. 12.
Dumont, Etienne, Les WC de Tom Burr, Tribune de Genève Weekend, 27 April 2006, p. 31.
Senff, Boris, Un amour de Bourg, 24 Heures, 3 May 2006.
Soulez, Juliette, Tom Burr, Archistorm, May-June 2006.
Schellenberg, Samuel, Les coïncidences fictives de Tom Burr, La Liberté, 3 June 2006, p. 43.
Cattini, Sandra, Reviews, Flash Art, n°249, July-September 2006, p. 122.

Cresci, Simona, Tom Burr, Flash Art, n°253, August-September 2005, p. 114.
Rabottini, Alessandro, (traduction Judicaël Lavrador), Dossier beyond the dark lines, where pure angles lie, 02 Revue d'Art contemporain Trimestrielle et gratuite, n°34, Summer 2005, pp. 16-17.
Down The Garden Path: The Artist’s Garden After Modernism, Queens Museum of Art, New York.

Whitney Biennial 2004, exhibition catalogue, Whitney Museum of Art, New York, p. 160. (C)
The Future Has A Silver Lining- genealogies of Glamour, Migros Museum Fuer Gegenwartskunst, JRP/Ringier: Zurich.

Cotter, Holland, Art in review; Tom Burr, query.nytimes.com, 21 November 2003.
Materials 05, Institute of Visual Culture, Cambridge
My Head is on Fire my Heart is Full of Love, Charlottenborg, Udstillingsbygning, Copenhagen
Tom Burr: The Screens, Art Monthly, June 2003.
Hainly, Bruce, Waters, John, Art-A Sex Book, Thames & Hudson: London.

Texte zur Kunst, December 2002.
Tema Celeste, n°94, November-December 2002.
Art in America, November 2002.
Frieze, n°65, March 2002.
Baker, George, Tom Burr: Deep Purple, The Other Side of the Wall, Whitney Museum of American Art, New York
Xeros – Projet mobile et reproductible sur les sexualites et l’espace, Centre National d’Art Contemporain, Grenoble.
McDonough, Tom, Tom Burr at Greene Naftali-New York, Art in America, November 2002.
Hainley, Bruce, Black Box Recorder, Frieze, March 2002.

Partnerschaften, Neue Gesellschaft Fuer Kunst, Berlin. pp. 25-29.
Tom Burr: Slow Slung, Kunstverein Braunschweig exhibition catalogue
Quiet Life, an exhibition at Ursula Blickle Foundation, Germany, March-May 2000, (C).

Rian, Jeff, Tom Burr at Galerie Almine Rech, Artnet.com, 5 July 2000.
Kravagna, Christian, Tom Burr: Eight Renovations: A Constellation of Sites Across Manhattan, Opening, Vienna.
Burr, Tom, Trummer, Thomas, Modelle, Austrian Gallery Belvedere
Baker, George, Minimal Memory: Notes on Damaged Sculpture, Sharawadgi, Walther Koenig: Cologne
Special issue: Architecture, Artforum, November 1999.

Burr, Tom, Sleazy City: Street Structures and Some Qualities of Life, October, n°85, Summer, 1998.

Kwon, Miwon, One Place After Another: Notes on Site Specificity, October, n°80, Spring, 1997.
Burr, Tom, Eight Renovations: a constellation of sites across Manhattan, Opening, (Progetto Citta, Christian Kravagna, ed.)

Meyer, James, Der funktionale Art, Springer, December-February 1996.
Meyer, James, Tom Burr, Frieze.com, March-April 1996.
Burr, Tom, Circa 1977, Stud, Princeton University Press
Trash, Platzwechsel, Kunsthalle Zurich & Schweizer Nationalmuseum, Zurich
Harold Fricke, ‘Berlins groesster Promi als erotische Buehne’, Die Tageszeitung
Meyer, James, Tom Burr, Frieze, April 1996.
Schorr, Collier, Tom Burr at American Fine Arts, New York Fax, March-April 1996.
Sander, Joel, Tom Burr: Circa 77, Stud, Princeton University Press.

Tom Burr: Trash, Platzwechsel, Ausst. Kat. Kunsthalle Zurich.
Burr, Tom, Unearthing the Public Toile: A series of Ruminations on an American Building Type, Documents, n°6, spring, 1995

Meyer, James, What happened to the Institutional Critique?, New York: American Fine Arts, Co. and Paula Cooper Gallery. Reprinted in Peter Weibel, ed., Kontext Kunst, Cologne: Dumont, 1993, pp. 239-256.
Folland, Tom, Social Subjects, catalogue/essay, YYZ, Toronto, (C).
Tom Burr: The Storage Project, Project Unite, Ausst. Kat Firminy
Burr, Tom, Just outside the Museum, Kunst & Museum Journaal, vol.4, n°6.
Burr, Tom, Site Specific, Metropolis M, May-June 1993.
Direkt vor dem Museum…, Kontext Kunst, Ausst.Kat. Steirischer Herbst

Hermes, Texte zur Kunst, February 1992.
Aupetitallot, Yves, Passage, Forum International, January-February 1992.

Faust, Gretchen, Arts Magazine, March 1990.

Hirsh, David, New York Native, December 1989.