Born 1963, New Haven, Connecticut, USA.
Lives and works in New York, NY, USA.

Selected Press

Artforum.com, 3 February 2017

Arena Homme +, Summer/Autumn 2017

Education

  • 1987-8

    Whitney Independent Study Program, New York, NY, USA

  • 1986

    School of Visual Arts, New York, NY, USA

Residencies/ Teaching

  • 2010

    Artist in Residence, Randolph Cliff, Edinburgh College of Art, Scotland, UK

  • 2009-10

    Critic in Sculpture, Yale University, New Haven, CT, USA

Solo Exhibitions

  • (C) denotes catalogue published in conjunction with the exhibition.

  • 2021

    Hélio-Centricities, Bortolami, New York, NY, USA

  • 2020

    Fondazione Converso, Milan, Italy

  • 2019

    Hélio-Centricities, Escola de Artes Visuais do Parque Lage, Rio de Janeiro, Brazil
    Tom Burr / MATRIX 182 / Hinged Figures, Wadsworth Atheneum Museum of Art, Hartford, Connecticut, USA
    Hélio-Centricities, auroras, São Paulo, Brazil

  • 2018

    Screen, Hessel Museum of Art, CCS Bard, Annandale-on-Hudson, NY, USA
    Sedimental, SCAD Museum of Art, Savannah, Georgia, USA

  • 2017

    No Access (public project), SCAD Museum of Art, Savannah, Georgia, USA
    Tom Burr/New Haven: Phase One: Pre-Existing Conditions, part of Bortolami Gallery’s Artist/City initiative, Marcel Breuer’s Armstrong Rubber Company, Newhaven, Connecticut, USA
    Abridged, Galerie Neu, Berlin, Germany
    Surplus of Myself, Westfälischer Kunstverein, Münster, Germany
    Stages, Maureen Paley, London, UK

  • 2016

    Grips, Sommer Contemporary Art, Tel Aviv, Israel
    Put Down, piece*unique, Cologne, Germany

  • 2015

    Circa, Bortolami Gallery, New York, NY, USA
    Ull Hohn and Tom Burr, Peep-Hole, Milan, Italy

  • 2014

    Notes on Camp, curated by_vienna: The Century Bed, Vienna, Austria
    Drunk Emily, Galleria Franco Noero, Torino, Italy

  • 2013

    Dressage, Parcours, Art Basel, Basel, Switzerland
    Stuart Shave/Modern Art, London, UK

  • 2012

    Cloud in Trousers, Citta della Pieve, Umbria, Italy
    deep wood drive, Bortolami Gallery, New York, NY, USA
    Promiscuous Pleats, Galleria Franco Noero, Torino, Italy

  • 2011

    Head Ache, Stuart Shave/Modern Art, London, UK
    New York, Sommer Gallery, Tel-Aviv, Israel
    Felt Under Fingers, Almine Rech Galerie, Brussels, Belgium
    Gravity Moves Me, FRAC Champagne-Ardenne, Reims, France

  • 2010

    Murmur, MD72, Berlin, Germany
    Four Sides to Myself, Bortolami Gallery, New York, NY, USA

  • 2009

    Sentence, Bortolami Gallery, New York, NY, USA
    Bonvicini/Burr, with Monica Bonvicini
    Städtische Galerie im Lenbachhaus und Kunstbau, Munich, Germany; travelled to
    Museum für Gegenwartskunst, Basel, Switzerland
    Stuart Shave/Modern Art, London, UK

  • 2008

    Descending, Galleria Franco Noero, Turin, Italy
    Addict – Love, Sculpture Center, New York, NY, USA
    Black and Blue, Galerie Almine Rech, Paris, France

  • 2007

    Anxiety – A Showcase, Schinkel Pavillon, Berlin, Germany
    Swiss Institute with Walter Pfeiffer, New York, NY, USA
    Moods, Secession, Vienna, Austria

  • 2006

    Extrospective, Museé Cantonal des Beaux-Arts de Lausanne, Lausanne, Switzerland
    Relapse, Stuart Shave/Modern Art, London, UK

  • 2005

    Complete Breakdown, Galerie Neu, Berlin, Germany
    Privy, Please, The Norfolk Library, Norfolk, Connecticut, USA
    The Complete Stories of Truman Capote, romaromaroma, Rome, Italy

  • 2004

    Our Lady of the Flowers, Galleria Franco Noero, Turin, Italy

  • 2003

    Gone, Gone, American Fine Arts, New York, NY, USA
    Die Stalle/The Stalls, Galerie Christian Nagel, Cologne, Germany
    The Screens, Institute for Visual Culture, Cambridge, UK

  • 2002

    Piscine, Galerie Almine Rech, Paris, France
    Deep Purple, Whitney Museum of American Art, New York, NY, USA
    Dog Days, Greene Naftali Gallery, New York, NY, USA

  • 2001

    Brutalism, Galerie Neu, Berlin, Germany

  • 2000

    Low Slung, Kunstverein Braunschweig, Braunschweig, Germany

  • 1999

    Black Box, Artforum Berlin, Galerie Neu, Berlin, Germany
    Private Property: Anti-Public Sculpture, Galerie Almine Rech, Paris, France

  • 1998

    Surface, Galerie Neu, Berlin, Germany
    The Medical Show, Galeria Marta Cervera, Madrid, Spain

  • 1997

    Stainless, American Fine Arts, New York, NY, USA

  • 1995

    42nd Street Structures, American Fine Arts, New York, NY, USA

  • 1994

    American Fine Arts, New York, NY, USA

  • 1992

    White Columns, New York, NY, USA

Two Person Exhibitions

  • 2017

    Concrete Realities: Tom Burr and Andrea Zittel, Bortolami, New York, NY

Group Exhibitions

  • (C) denotes catalogue published in conjunction with the exhibition.

  • 2020

    Emancipatory Dinner 4.9, Gabriele Senn Galerie, Zurich, Switzerland
    By a Thread, Espacio Artkunstarte, Madrid, Spain
    Köln Skulptur #10, Über Natur – Natural Takeover, Skulpturenpark Köln, Cologne, Germany
    John Dewey Who?, Museum Ludwig, Cologne, Germany

  • 2019

    In Plain Sight, Henry Art Gallery, University of Washington, Seattle, USA
    Chairs Beyond Right & Wrong, R & Company, New York, USA
    Queer Abstraction, Des Moines Art Center, Des Moines, Iowa, USA, touring: Nerman Museum of Contemporary Art, Kansas, USA
    Family Ties The Schröder Donation, Museum Ludwig, Cologne, Germany
    Queer Spaces: London, 1980s – Today, Whitechapel Gallery, London, UK
    Straying from the Line, Schinkel Pavillon, Berlin, Germany

  • 2018

    Between Bust and Boom: Artists in the Slack Years, 1990-2005, Columbus Museum of Art, Columbus, Ohio, USA
    (collection display)
    Sculpture Center Annual Benefit Gala, Long Island City, New York
    The Conditions of Being Art: Pat Hearn Gallery & American Fine Arts, Co. (1983-2004), Center for Curatorial Studies and Hessel Museum of Art at Bard College (CCS Bard), Annandale-on Hudson, New York, USA
    Cruising Pavillion, Spazio Punch, 16th Venice Architecture Biennale, Venice, Italy
    More than mere jelly, Center for Curatorial Studies and Hessel Museum of Art at Bard College, Annandale-on-Hudson, New York, USA
    The House of Fame, convened by Linder, Nottingham Contemporary, Nottingham, UK
    Die Zelle (The Cell), Kunsthalle Bern, Bern, Switzerland
    Noon - One, CANADA, New York, NY
    Optik Schröder II, Works from the Alexander Schröder Collection, MUMOK, Vienna, Austria
    balak #7, balak - espace temporaire d'art contemporain, Charleville Mézières, France

  • 2017

    The Disappearing, Karg Gallery, New York, NY, USA
    Cosima von Bonin+Tom Burr: Benz Bonin Burr, Skulptur Projekte Münster 2017, Münster, Germany
    Touchpiece, Hannah Hoffman Gallery, Los Angeles, California, USA
    KölnSkulptur #9: La Fin de Babylone. Mich wundert, dass ich so fröhlich bin!, Skulpturenpark Köln, Cologne, Germany

  • 2016

    Question the Wall Itself, Walker Art Center, Minneapolis, Minnesota, USA
    Lost & Found, Galerie Bärbel Grässlin, Frankfurt, Germany
    I Beam U Channel, Bortolami, New York, NY, USA
    Béton, Kunsthalle Wien, Vienna, Austria
    Garden Show, Regards Gallery, Chicago, Illinois, USA
    Ordinary Pictures, Walker Art Center, Minneapolis, Minnesota, USA
    Sculpture from the Hammer Contemporary Collection, Hammer Museum, Los Angeles,
    California, USA

  • 2015

    Body Proxy, Allen Memorial Art Museum, Oberlin, Ohio, USA
    To expose, to show, to demonstrate, to inform, to offer, Museum moderner Kunst Stiftung
    Ludwig Wien, Vienna, Austria
    Lustwarande ’15 – Rapture & Pain, Parke De Oude Warande, Tilburg, Netherlands
    Köln Skulptur #8, Skulpturenpark Köln, Cologne, Germany

  • 2014

    The Present of Modernism, MUMOK, Vienna, Austria
    Collection and Contact, deCordova Sculpture Park and Museum, Lincoln, MA
    Space & Reality: New Acquisitions & Gifts, MUMOK, Vienna, Austria
    30/60 Works from the Collection of the FRAC Champagne-Ardenne, Marino Marini Museum, Florence, Italy
    Klotz am Bein – Sculptures from the Grässlin Collection, Raume für Kunst, St. Georgen, Germany
    Displayed, Anton Kern, New York, NY
    Galerie Neu at Gladstone, Gladstone Gallery, New York, NY
    Soft Matter, WALLSPACE, New York, NY
    Deviance Credits, Center for Curatorial Studies, Bard College, Annandale-on-Hudson, NY
    Take It or Leave It: Institution, Image, Ideology, Hammer Museum, Los Angeles, CA
    A Chromatic Loss, curated by Jeffrey Uslip, Bortolami Gallery, New York, NY
    Galerie Bärbel Grässlin, Frankfurt, Germany

  • 2013

    Not Yet Titled, curated by Philip Kaiser, an exhibition displaying the Ludwig Collection, Mueum Ludwig, Köln, Germany
    Pommery Experience #11: “An odyssey: 30 Years of frac Champagne-Ardenne,” curated by Florence Derieux, Frac Champagne-Ardenne, Reims, France
    Relocation, Reallocation, Stockholm, curated by Stefania Bortolami, McCabe Fine Art, Stockholm, Sweden Outside the Lines, Contemporary Arts Museum, Houston, Texas. USA My Crippled Friend, Columbus College of Art and Design, Ohio, USA Migros Meets Museion, Museion, Bolzano, Italy
    Anamericana, curated by Vincenzo de Bellis, co-organized by the Depart Foundation Collection, American Academy, Rome, Italy
    Notes on Neo-Camp, curated by Chris Sharp, Office Baroque Gallery, Antwerp, Belgium; travelled to Studio Voltaire, London, UK
    Pivot Points: 15 Years & Counting, Museum of Contemporary Art, North Miami, Florida, USA
    Open spaces | secret places. Works from the SAMMLUNG VERBUND, MdM MÖNCHSBERG, Salzburg, Austria
    Catch as Catch Can: curated by Fionn Meade, Locks Gallery, Philadelphia, PA
    The Black Mirror, curated by James Welling and Diane Rosenstein, Diane Rosenstein Fine Art, Los Angeles, California, USA
    Vertical Club, curated by Will Benedict, Bortolami, New York, NY, USA

  • 2012

    No Desaster, Haukbrok Collection at Deichtorhallen, Hamburg, Germany
    Stretching the Limits: Fibers in Contemporary Painting¸ SCAD Museum of Art, Savannah, GA
    MOCA’s 15th Anniversary Collection, Museum of Contemporary Art, Miami, Florida, USA More Light, curated by Alexander Schröder & Thilo Wermke, Avlskarl Gallery, Copenhagen, Denmark
    Cellblock II, An Essay in Exhibition Form, curated by Robert Hobbs, Andrea Rosen Gallery, New York, NY, USA
    Only parts of us will ever touch parts of others, curated by Timothée Chaillou, Gallery Thaddeus Ropac, Paris, France
    Now I am quietly waiting for the catastrophe of my personality to seem beautiful again, and interesting, and modern, curated by Tom Burr, Bortolami Gallery, New York, NY, USA
    Drawing a Blank (On Forgetting, Refusal, Censorship and Impotence), curated by Matthew Brannon and Jan Tumlir, David Kordansky Gallery, Los Angeles, California, USA
    Everyday Abstract – Abstract Everyday, curated by Matthew Higgs, James Cohan Gallery, New York, NY, USA
    Migros Meets Museion, curated by Letizia Ragaglia in collaboration with Heike Munder and Judith Welter, Museion, Bolzano, Italy
    The Quality of Presence, curated by Dmitry Komis, The Chelsea Hotel, New York, NY, USA
    relocated, Galerie Neu, Berlin, Germany
    Utopia Gesamtkunstwerk, 21er Haus, Belvedere Museum, Vienna, Austria

  • 2011

    Verschiebungsersatz, curated by David Rimanelli, Kimmerich, New York, NY, USA
    December, organised by Howie Chen, Mitchell-Innes & Nash, New York, NY, USA
    After images, curated by Fionn Meade, Jewish Museum of Belgium, Brussels, Belgium
    Five Easy Pieces, Galleria Franco Noero, Torino, Italy
    12th Istanbul Biennial, Istanbul, Turkey
    Schnitte im Raum, Sculptural Collagen, Museum Morsbroich, Leverkusen, Germany
    The Smithson Effect, Utah Museum of Fine Arts, Salt Lake City, Utah, USA
    SHAPES, Sammlung-Haubrok, Berlin, Germany

  • 2010

    Missing Beat, Sommer Gallery, Tel-Aviv, Israel
    “…”, Galerie Neu, Berlin, Germany
    ABOUT US, Johann König, Berlin, Germany
    Cumulus, Blum & Poe, Los Angeles, CA
    Forced Exposure, Team Gallery, New York, NY, USA
    The New Décor, The Hayward Gallery, London, UK
    Mixed Use, Manhattan: Photography and Related Practices 1970s to the Present, Nacional Centro de Arte Reina Sofia, Madrid, Spain
    The Page, Kimmerich Gallery, New York, NY, USA
    Light Breaks Where No Sun Shines, Bortolami Gallery at The Webster, Miami Beach, Florida, USA
    Wall & Floor, Galerie Almine Rech, Paris, France
    The World is Yours, Louisiana Museum, Denmark

  • 2009

    Moby Dick, Curated by Jens Hoffman, CCA Wattis Institute for Contemporary Arts, San Francisco, California, USA
    Rachel Harrison: Consider the Lobster and other Essays, Center for Curatorial Studies and Hessel Museum of Art at Bard College (CCS Bard), Annandale-on-Hudson, NY, USA
    Saints and Sinners, curated by Laura Hoptman, Rose Art Museum, Brandeis University, Boston, Massachusetts
    The Station, curated by Shamim Momin & Nate Lowman, Miami, Florida, USA
    Abstract America: New Painting and Sculpture, Saatchi Gallery, London, UK
    Political/Minimal curated by Klaus Biesenbach, Kunst-Werke Berlin - KW Institute for Contemporary Art, Berlin, Germany
    Recollection, curated by Gianni Jetzer Barriera, Turin, Italy
    La Fête Est Permanente / The Eternal Network FRAC - Champagne-Ardenne, Reims, France

  • 2008

    The Eternal Flame. On the Promise of Eternity, Kunsthaus Baselland, Muttenz, Switzerland
    Not So Subtle Subtitle, Casey Kaplan Gallery, New York, NY
    Marc Camille Chaimowitz, …In The Cherished Company of Others…, De Appel Arts Centre, Amsterdam, Netherlands; travelled to PMMK, Ostend, Belgium
    Sammlung/Collection 1978–2008, Migros Museum für Gegenwartskunst, Zurich, Switzerland
    Fais en sorte que je puisse te parler/Mache, dass ich zu dir sprechen kann/Act so that I can speak to you, Kamm, Berlin, Germany
    A New High in Getting Low (NYC), John Connelly Presents, New York, NY, USA
    Photos and Phantasy: Selections from the Frederick R. Weisman Art Foundation, Carnegie Art Museum, Oxnard, California

  • 2007

    Walk!, Kunstraum Kreuzberg/Bethanien, Berlin, Germany
    Oh Girl, It’s a Boy!, Munich Kunstverein, Munich, Germany
    Body Politicx, Witte de With, Rotterdam, The Netherlands
    At Home, Curated by Mario Testino, Yvon Lambert project space, New York, NY, USA
    The Happiness of Objects, Sculpture Centre, Long Island, New York, NY, USA
    Unmonumental: Falling to Pieces in the 21st Century, Curated by Richard Flood, Laura Hoptman and Massimiliano Gioni, The New Museum, New York, NY, USA
    OMNIA VANITAS: VANITY IS ALL, Gavlack Gallery, Los Angeles, California
    Pale Carnage, Arnolfini, Bristol; travelled to Dundee Contemporary Arts, Dundee, UK

  • 2006

    Wieder und Wider, performance, MUMOK, Vienna, Austria
    The Eighth Square, Museum Ludwig, Cologne, Germany
    The Name of This Show Is Not GAY ART NOW, Curated by Jack Pierson, Paul Kasmin Gallery, New York, NY, USA

  • 2005

    HaubrokShows. B Sharp, Xantener Strasse 7, Berlin, Germany
    Down the Garden Path: The Artist’s Garden After Modernism, Queens Museum of Art, New York, NY, USA
    Nolens Volens, Galerie Neu, Berlin, Germany
    EXILE New York is a good Hotel, Broadway 1602, New York, NY, USA
    Residence, MICA Foundation, New York, NY, USA

  • 2004

    Trafic d’influence: Art & Design, Collection Frac Nord Pas-de-Calais, Dunkirk, France
    Election, American Fine Art, Colin de Land Fine Art, New York, NY, USA
    When the lights go out…, Cohan & Leslie, New York, NY, USA
    The Future Has a Silver Lining, Migros Museum fur Gegenwartskunst, Zurich, Switzerland
    Braunschweig Parcours 2004, Braunschweig, Germany
    Whitney Biennial 2004, Whitney Museum of American Art, New York, NY, USA
    Beginning Here: 101 Ways, Visual Arts Gallery, New York, NY, USA
    Strange Weather, Modern Art, London, United Kingdom
    It’s all an Illusion, Migros Museum fur Gegenwartskunst, Zurich, Switzerland
    Flowers Observed, Flowers Transformed, The Andy Warhol Museum, Pittsburgh, Philadelphia, USA

  • 2003

    Le Rayon Noir, Circuit Centre d’Art Contemporain, Lausanne, Switzerland

  • 2002

    Grey Gardens, Michael Kohn Gallery, Los Angeles, CA
    My Head Is On Fire But My Heart Is Full of Love, Charlottenborg Museum, Copenhagen, Denmark
    Xeros, Ecole du Magasin, Center National d’Art Contemporain, Grenoble, France

  • 2001

    Deliberate Living, Greene Naftali Gallery, New York, NY
    Parttnerschaften – Unterbrochene Karrieren, Neue Gessellschaft fur Bildende Kunst, Berlin, Germany
    American Fine Arts, New York, NY, USA

  • 2000

    Quiet Life, curated by Michael Neff, Ursula Blickle Stiftung, Kraichtal-Unterowisheim, Germany
    Sightings, Bard College, curated by Jeffrey Walkowiak, Annandale-on-Hudson, New York, NY, USA
    Space Open 2000, Space studios, London, United Kingdom

  • 1998

    Model, Galerie Belvedere, Vienna, Austria
    I Hate Movies, curated by Tom Borgese, Andrew Kreps Gallery, New York, NY, USA
    Parasite, The Drawing Center, New York, NY, USA

  • 1997

    Sans Titre, Froment + Putman, Paris, France

  • 1996

    Disappeared, Randolph Street Gallery, Chicago, Illinois
    American Fine Arts, New York, NY, USA
    Ideal Standard Life, Spiral Garden, Tokyo, Japan
    Gramercy International Art Fair, New York, NY, USA

  • 1995

    Birgit Kung, Zurich, Switzerland
    Architectures of Display with architect Toshiko Mori, organized by Minetta Brook, New York, NY, USA
    Platzwechsel (with Ursula Biemann, Mark Dion, Christian Philipp Muller), Kunsthalle Zurich und Schweizer Nationalmuseum, Zurich, Switzerland
    Mapping: A Response to MOMA, American Fine Arts, New York, NY, USA

  • 1994

    Architecture and Display, with Toshiko Mori, Architectural League of New York and Minetta Book, New York, NY, USA
    Lace, Los Angeles, California
    The New Museum of Contemporary Art, New York, NY, USA

  • 1993

    Kontext Kunst, Kunstlerhaus Graz, Austria
    What Happened to the Institutional Critique, curated by James Meyer, American Fine Arts, New York, NY, USA
    Social Subjects, YYZ, Toronto, Ontario
    Sonsbeek 93, Arnheim, Holland
    Projet Unité, Firminy, France

  • 1992

    White Columns, New York, NY, USA (C)

  • 1989

    Paula Allen Gallery, New York, NY, USA
    American Fine Arts, New York, NY, USA

  • 1988

    Hallwalls Contemporary Arts Center, Buffalo, New York, NY, USA
    Whitney Independent Study Program,Open Studios , New York, NY, USA

Lectures and Talks

  • 2019

    In Plain Sight – Artists in Conversation: Andrea Bowers, Tom Burr, Beatriz Cortez, Nicole Miller, Henry Art Gallery, University of Washington, Washington, USA
    Tom Burr Reading, Chairs Beyond Right & Wrong, R & Company, New York, USA

  • 2018

    Tom Burr in Conversation with William J. Simmons, Hannah Hoffman, Los Angeles, California, USA

SPECIAL PROJECTS

  • 2020

    The Backroom, Museo Tamayo, Mexico City, Mexico (online project)

Selected Bibliography

  • (C) denotes catalogue.

  • 2021

    Burr, Tom, I ask Myself, Modern Matter, Issue 18, February 2021, pp. 98-111

  • 2020

    Burr, Tom, May Stevens, artforum.com, March 2020.
    Meyer, James, Hans Haacke, New Museum, artforum.com, 3 March 2020.
    Walter, Alexander, New Haven’s Marcel Breuer building takes next step towards hotel redevelopment, archinect.com, 9 January 2020.
    Westall, Mark, Whitechapel Art Gallery Christmas Gift Ideas, fadmagaine.com, 15 December 2020.

  • 2019

    Bowker, Brittany, NEMA Boston unveils luxury homes inspired by the Seaport, realestate.boston.com, 18 November 2019
    Jeppesen, Travis, Queer Abstraction (Or How to be a Pervert with No Body), Mousse #66, Winter, pp.182 – 191.
    Jovanovich, Alex, Queer Abstraction, Artforum, May 2019, p. 99.
    Laura, Spencer, Visitors Enter ‘A New Kind Of Queer World’ In The Nerman Museum’s Newest Exhibition, kcur.org, 27 December 2019.
    Lescaze, Zoë, What Happens When Site-Specific Art Outlasts Its Surroundings?, nytimes.com, 13 May 2019.

  • 2018

    Cascone, Sarah, Editors’ Picks: 11 Things Not to Miss in New York’s Art World This Week, news.artnet.com, 8 October 2018.
    Burr, Tom, ‘Artist’s Page’ Yes & No Magazine, Vol.2 Iss. 01, p. 106 (Back Cover).
    Burr, Tom, ‘Artist’s Page’, Yes & No Magazine, Vol.1 Iss. 04, pp.6-7.
    Guilford, Patrick, Tom Burr creates installations harkening back to age old landscape tradition, scaddistrict.com, 1 March 2018.
    Korman, Sam, Under Construction, The never-ending renovation of Tom Burr, ArtReview, March 2018, pp. 80–87.
    Zeiba, Drew, The Cruising Pavilion brings dark rooms out into the open at the Venice Biennale, archpaper.com, 9 May 2018.
    –––, Drinks, canapés—and poppers—at the Cruising Pavilion in Venice, theartnewspaper.com, 18 May 2018.

  • 2017

    Appel, Alan, Pirelli building Reopens ...To Art, newhavenindependent.org, 11 July 2017.
    Bronner, Julian Elias, Tom Burr, ArtForum.com, 3 February 2017.
    Burr, Tom, Tom Burr, Yes & No magazine, Issue 01:03, Autumn 2017, pp.6-9.
    Burr, Tom, Tom Burr/New Haven Body/Building–Phase 1: Pre-Existing Conditions, Yes & No Magazine, No.01:02, 2017, pp.6-12.
    Burr, Tom, Body/ Building, Yes & No Magazine, Issue 1, pp. 48-53.
    Dickinson, Duo, A modern masterpiece artfully re-inhabited (a little), nhregister.com, 23 October 2017.
    Durbin, Andrew, Tom Burr Meets Marcel Breuer/ New Haven, Arena Homme +, Summer/ Autumn 2017, section 47.12.
    Fritchey, Sarah, Placing Pieces of Local History in an Empty Marcel Breuer Building, hyperallergic.com, 10 August 2017.
    Moffitt, Evan, Reviews: TOM BURR, Pirelli Building, New, USA, Frieze, No. 191, November 2017 p. 161.
    Neuendorf, Henri, Stefania Bortolami on How Smaller Galleries Can Innovate to Survive the Age of the Mega-Gallery, artnet.com, 6 July 2017.
    Tarasoff, Sabrina, Tom Burr: Surplus of Myself, Mousse Magazine, Summer 2017, pp. 162-163.
    –––,'Tom Burr: Stages' at Maureen Paley, London, blouinartinfo.com, 13 September 2017.
    –––, Tom Burr's conceptual non-site at Maureen Paley, London, blouinartinfo.com, 13 September 2017.
    –––, Maureen Paley's Ten Top Exhibitions, galleriesnow.net, 28 July 2017.

  • 2016

    Maum, Courtney, Tom Burr, Interview Magazine, December/January 2016.
    Feuer, Alan, Art Dealers Move Out of the Gallery and Into a Taco Bell, The New York Times, October 2016.

  • 2015

    Tom Burr Anthology: Writings 1991 – 2015, Published by FRAC Champagne-Ardenne with Sternberg Press.
    Ruiz, Alan, Tom Burr, BOMB Magazine 134, Winter 2015.
    Tarasoff, Sabrina, L’esprit De L’escalier: On (Marriage) Affairs of Art and Architecture, Mousse Magazine, October-November 2015.
    Chittenden Morgan, Nicholas, New York: Critics’ Picks, Artforum, November 2015.
    Boucher, Brian, Cruising Grounds in Tom Burr’s Bortolami Show, Artnet, October 29, 2015.
    The Lookout: Tom Burr at Bortolami, Art in America, September 2015.
    Scott Indrisek, Cruising and the City: Tom Burr at Bortolami Gallery, Artinfo, November
    The New Yorker, 28 October 2015.

  • 2014

    Derieux, Florence, Parcours, Art Basel
    Baker, George, Notes on Painting in Disguise, in Take It or Leave It: Institution, Image, Ideology (Hammer Museum: 2014), p. 228.
    Bader, Graham, Outside the Lines, Artforum, April 2014.
    Harren, Natilee, Take It or Leave It: Institution, Image, Ideology, Artforum, June 2014.

  • 2013

    Meade, Fionn, Tom Burr, Restless Painting, Mousse Magazine, Summer 2013.
    Scrimgeour, Alexander, Notes on Neo-Camp, Artforum, November 2013.

  • 2012

    Baumgarden, Julie, Julie Baumgarden on Bortolami, New York, Paddle8.com, September 20, 2012.
    Kastner, Jeffrey, Tom Burr, Bortolami, Artforum, Summer 2012, p. 313.
    Fiske, Courtney, New York: Critics’ Picks, Artforum, March 2012.
    Wilson, Michael, Tom Burr, ‘Deep Wood Drive’, Time Out New York, p. 46.
    E. Howe, David, Tom Burr, Art Review n° 59, p. 120.

    Mayer, Mariano, Tom Burr, Neo2, April 2012.
    Bennett, Alissa, Tom Burr Interview, Crush Fanzine, March 2012.
    Duray, Dan, Tom Burr Offers Nostalgia and Blankets at Bortolami, Gallerist NY, March 2012.
    The New Yorker, 9April, 2012.
    Hoberman, Mara, Paris: Critics’ Picks, Seuls quelques fragments de nous toucheront quelques fragments d’autrui, Artforum, December 2012.

  • 2011

    Misheff, Johnny, Visiting Artists/Tom Burr, Tmagazine.blogs.nytimes.com, March 28, 2011.
    Vergara, Angel (ed.) Feuilleton (C).
    Launay, Aude, Le bûcher des vanités, 02, n°57, Spring 2011.
    After Images…, Musée Juif de Belgique, moussemagazine.it, August 28, 2011.
    Canevet, Rozenn, Tom Burr, peeping tom’s, zerodeux.fr.
    Steverlynck, Sam, Clothed paintings, Agenda.be, 29 April 2011.
    Steverlynck, Sam, Mondovision Fiac, ArtPress, November 2011.
    Archey, Karen, Lynne Cooke and Douglas Crimp, Bring Home “Mixed Use: Manhattan” in Public Art Fund Talk, Artinfo, February 11 2011.
    Tom Burr, Why I’m an Artist, Corduroy Magazine, 2011.
    Tom Burr at FRAC Champagne-Ardenne, Reims, Mousse Magazine, February 2011.
    Clark, Robert and Skye Sherwin, Robert Mapplethorpe: Curated by Scissor Sisters, London, The Guardian, January 15 2011.
    Street, Ben, Tom Burr, Art Review, December 2011.
    Graw, Isabel, Ecce Homo: Art and Subjecthood, Artforum, November 2011.
    Jetzer, Gianni, A Way into the Unconscious of Objects, Spike, Winter 2011, pp. 62-73.

  • 2010

    Cairns, Steven, Interview: Tom Burr, MAP Magazine, December
    Hull, Timothy, Deep Histories: Tom Burr, Art in America, October 2010.
    Burr, Tom, Questions of Style: Tom Burr ‘I Built a Dream House,’ Artforum,
    September 2010, p. 267.
    Cooke, Lynne, Douglas Crimp and Kristin Poor, Mixed Use, Manhattan: Photography and Related Practices, 1970s to the Present, Museo Nacional Centro De Arte Reina Sofía, Madrid (C).
    Rugoff, Ralph, The New Décor, Hayward, London.
    Tom Burr: Sentence, Kaiserin, Premier Semestre.
    Tom Burr artist, Crush Fanzine, Auxiliary Issue 1.
    Kletke, Daniel, Galerie Neu: Tom Burr Addict-Love, Light Cavalry, Artnet Magazine, January 2010.
    Suarez, De Jesus Carlos, Two Miami Art Museum exhibits question how we view our surroundings, Miami New Times, January 7, 2010.

  • 2009

    Buchmann, Sabeth, Tom Burr, published in conjunction with the exhibition Monica Bonvicini / Tom Burr at the Städtische Galerie im Lenbachhaus und Kunstbau, Munich, and at the Kunstmuseum Basel.
    

    Burr, Tom, Best of 2009. The Artists’ Artist: RH Quaytman, Artforum, December 2009, p. 90.
    Boucher, Brian, Tom Burr, Bortolami, Art in America, November 2009.
    Wilson, Michael, Tom Burr, Artforum, November 2009, p. 228.
    Bell, Kirsty, Perversly Yours, Kaleidoscope, November-December 2009, p. 58.
    Boucher, Brian, Review: Tom Burr, Bortolami, Art in America, November 2009, p. 186.
    Katrib, Ruba, Obstruction, Instance, and Trace, The Reach of Realism: Uta Barth, Olaf Breuning, Tom Burr, Talia Chetrit, Anetta Mona Chişa and Lucia Tkácová, Phil Collins, Thomas Demand, Alex Hubbard, Matt Keegan, Ragnar Kjartansson, Elad Lassry, Lars Laumann, Adam McEwan, Wilhelm Sasnal, Xaviera Simmons, Martin Soto Climent, Wolfgang Tillmans, Sara VanDerBeek, Emily Wardill, Gillian Wearing, Judi Werthein, and Artur Zmijewski, North Miami, FL: Museum of Contemporary Art.
    Juul Holm, Michael, Anders Kold, and Tine Colstrup, Interview with Tom Burr, Louisiana Museum of Modern Art.
    Burr, Tom, Thoughts on a Given Name in Rachel Harrison (ed.) Consider the Lobster and Other Essays Annandale-on-Hudson: CCS Bard Hessel Museum of Art (C).
    Gronlund, Melissa, Tom Burr, in‘Vitamin 3-D: New Perspectives in Sculpture and Installation’, London, Phaidon.
    Galleries Chelsea: Tom Burr, The New Yorker, October 2009.
    Zanichelli, Elena, ‘Räume mit Aussicht’, Texte zur Kunst, September, Vol. 19, No. 75,
    pp. 180 – 182.
    Lorch, Catrin, ‘Im Grau der Rigipsplatten’, Süddeutsche Zeitung Feuilleton, June 24, 2009, pp. 11-12.
    Inside the Artist’s Studio: Tom Burr, The Art Newspaper, April 2009.
    New York Artist’s Dictionary/Part 1: Tom Burr, Flash Art, January-February 2009.

  • 2008

    Bently, Kyle, Burrs and Bees, ArtForum.com, 16 January 2008
    Jones, Kristin, ‘M. Tom Burr’, ArtForum.com, 13 February 2008
    Tom Burr: Questionnaire, Frieze, June-August 2008, p.252.
    Vezzoli, Francesco, Tom Burr, Mousse Magazine, March 2008
    Everitt Howe, David, Unmonumental: The Object in the 21st Century, Art Review, March 2008
    Komis, Dmitry, Tom Burr, Flash Art, Sculpture Centre, New York, March-April 2008, p. 146.
    Biesenbach, Klaus, Political/Minimal, (ed.) Nuremberg: Verlag für modern Kunst Joseph R. Wolin, ‘Unmonumental’, New Museum, New York, Modern Painters, May, pp. 88 – 89.
    Mendelsohn, Adam E., Change is inevitable, Spike, n°18, winter, pp. 24-29.
    Kletke, Daniel, Tom Burr, abc art berlin contemporary, Berlin, Germany
    Decter, Joshua, Tom Burr, Talks about addict-love, ArtForum, February, p.258.
    Laynay, Aude, Peeping Toms, 02, Summer, n°46
    Churner, Rachel, Tom Burr, ArtForum, January, p.132.

  • 2007

    Unmonumental: Falling to Pieces in the 21st Century, exhibition catalogue, New Museum: Phaidon.
    Shariatmadari, David, Pale Carnage, Art Review, May, p. 131.
    Frank, Rike, Déjà vu All Over Again, ArtForum, Issue XLV, pp. 113-114.
    Rappolt, Mark, The Man Who Wasn’t There, Art Review, Issue 10, pp.66-71.
    Foll, Heike, Tom Burr & Jack Pierson, ArtForum.com, 1 December 2007
    Baker, George, The Other Side of the Wall, October Magazine, Issue 120, Spring, pp. 106-137.
    Burr, Tom, October Magazine, Issue 120, Spring, pp. 138-139.
    Schmitt-Ulms, Ure, Tom Burr, Moods, April
    Burr, Tom, Kunst im öffentlichen raum Wien. Monument for Homosexual and Transgender Victims of the Nazi Regime, publicartvienna.at
    Rappolt, Mark, Tom Burr, a disappearing act, Art Review, April, pp. 66-71.
    Burr, Tom, Romantic Manifesto, Text zur Kunst, March 2007
    Prince, mark, Once more with Feeling, Art Monthly, March 2007
    Clark, Martin, Pale Carnage, ed. Arnolfini, Bristol (C)
    Tom Burr: Moods, published in conjuction with the exhibition at Secession, Vienna, (C).

  • 2006

    Tom Burr, Extrospective, Musée Cantonal des Beaux-Arts de Lausanne, JRP Ringier (C).
    Cattini, Sandra, Tom Burr, Musee Cantonal Des Beaux Arts, Flash Art, July-September 2006
    Renken, Raphaelle, Quand Deep Purple se joue du Palais de Rumine, Le Protestant, 1 February 2006, p. 6.
    B, M, ‘L’Americain Tom Burr entre au Musée à Lausanne, La Tribune des Arts, 3 March 2006, p. 17.
    Bratshi, Isabelle, Une pincée de Sadomaso au musée des Beaux-Arts, Le Matin Dimanche, 2 April 2006, p. 84.
    Tom Burr, WOZ Die Wochenzietung, 6 April 2006, p. 22.
    Mathonnet, Phillippe, Emprunter Tom Burr? Jamais!, Sortir, Le Temps, 6 April 2006, p. 17.
    Vuong, Isabelle, Lausanne Rétrospective de l'artiste contemporain Tom Burr, Vtxnet.ch, 7 April 2006.
    L'Amérique selon Tom Burr, 24 Heures Lausanne et Région, 8 April 2006, p. 14
    Mathonnet, Phillippe, L'Art, problème de digestion de génération, Le Temps, 8 April 2006, p. 22.
    Gnasso, Patricia, Tom Burr, Fan d'ambuiguïté, Le Matin, 8 April 2006, p. 56.
    Rétrospective Tom Burr au Musée des Beaux-Arts, La Côte, 10 April 2006, p. 20.
    Tom Burr, coïncidences fictives, Le Courrier, 19 April 2006, p. 12.
    Dumont, Etienne, Les WC de Tom Burr, Tribune de Genève Weekend, 27 April 2006, p. 31.
    Senff, Boris, Un amour de Bourg, 24 Heures, 3 May 2006.
    Soulez, Juliette, Tom Burr, Archistorm, May-June 2006.
    Schellenberg, Samuel, Les coïncidences fictives de Tom Burr, La Liberté, 3 June 2006, p. 43.
    Cattini, Sandra, Reviews, Flash Art, n°249, July-September 2006, p. 122.

  • 2005

    Cresci, Simona, Tom Burr, Flash Art, n°253, August-September 2005, p. 114.
    Rabottini, Alessandro, (traduction Judicaël Lavrador), Dossier beyond the dark lines, where pure angles lie, 02 Revue d'Art contemporain Trimestrielle et gratuite, n°34, Summer 2005, pp. 16-17.
    Down The Garden Path: The Artist’s Garden After Modernism, Queens Museum of Art, New York.

  • 2004

    Whitney Biennial 2004, exhibition catalogue, Whitney Museum of Art, New York, p. 160. (C)
    The Future Has A Silver Lining- genealogies of Glamour, Migros Museum Fuer Gegenwartskunst, JRP/Ringier: Zurich.

  • 2003

    Cotter, Holland, Art in review; Tom Burr, query.nytimes.com, 21 November 2003.
    Materials 05, Institute of Visual Culture, Cambridge
    My Head is on Fire my Heart is Full of Love, Charlottenborg, Udstillingsbygning, Copenhagen
    Tom Burr: The Screens, Art Monthly, June 2003.
    Hainly, Bruce, Waters, John, Art-A Sex Book, Thames & Hudson: London.

  • 2002

    Texte zur Kunst, December 2002.
    Tema Celeste, n°94, November-December 2002.
    Art in America, November 2002.
    Frieze, n°65, March 2002.
    Baker, George, Tom Burr: Deep Purple, The Other Side of the Wall, Whitney Museum of American Art, New York
    Xeros – Projet mobile et reproductible sur les sexualites et l’espace, Centre National d’Art Contemporain, Grenoble.
    McDonough, Tom, Tom Burr at Greene Naftali-New York, Art in America, November 2002.
    Hainley, Bruce, Black Box Recorder, Frieze, March 2002.

  • 2000

    Partnerschaften, Neue Gesellschaft Fuer Kunst, Berlin. pp. 25-29.
    Tom Burr: Slow Slung, Kunstverein Braunschweig exhibition catalogue
    Quiet Life, an exhibition at Ursula Blickle Foundation, Germany, March-May 2000, (C).

  • 1999

    Rian, Jeff, Tom Burr at Galerie Almine Rech, Artnet.com, 5 July 2000.
    Kravagna, Christian, Tom Burr: Eight Renovations: A Constellation of Sites Across Manhattan, Opening, Vienna.
    Burr, Tom, Trummer, Thomas, Modelle, Austrian Gallery Belvedere
    Baker, George, Minimal Memory: Notes on Damaged Sculpture, Sharawadgi, Walther Koenig: Cologne
    Special issue: Architecture, Artforum, November 1999.

  • 1998

    Burr, Tom, Sleazy City: Street Structures and Some Qualities of Life, October, n°85, Summer, 1998.

  • 1997

    Kwon, Miwon, One Place After Another: Notes on Site Specificity, October, n°80, Spring, 1997.
    Burr, Tom, Eight Renovations: a constellation of sites across Manhattan, Opening, (Progetto Citta, Christian Kravagna, ed.)

  • 1996

    Meyer, James, Der funktionale Art, Springer, December-February 1996.
    Meyer, James, Tom Burr, Frieze.com, March-April 1996.
    Burr, Tom, Circa 1977, Stud, Princeton University Press
    Trash, Platzwechsel, Kunsthalle Zurich & Schweizer Nationalmuseum, Zurich
    Harold Fricke, ‘Berlins groesster Promi als erotische Buehne’, Die Tageszeitung
    Meyer, James, Tom Burr, Frieze, April 1996.
    Schorr, Collier, Tom Burr at American Fine Arts, New York Fax, March-April 1996.
    Sander, Joel, Tom Burr: Circa 77, Stud, Princeton University Press.

  • 1995

    Tom Burr: Trash, Platzwechsel, Ausst. Kat. Kunsthalle Zurich.
    Burr, Tom, Unearthing the Public Toile: A series of Ruminations on an American Building Type, Documents, n°6, spring, 1995

  • 1993

    Meyer, James, What happened to the Institutional Critique?, New York: American Fine Arts, Co. and Paula Cooper Gallery. Reprinted in Peter Weibel, ed., Kontext Kunst, Cologne: Dumont, 1993, pp. 239-256.
    Folland, Tom, Social Subjects, catalogue/essay, YYZ, Toronto, (C).
    Tom Burr: The Storage Project, Project Unite, Ausst. Kat Firminy
    Burr, Tom, Just outside the Museum, Kunst & Museum Journaal, vol.4, n°6.
    Burr, Tom, Site Specific, Metropolis M, May-June 1993.
    Direkt vor dem Museum…, Kontext Kunst, Ausst.Kat. Steirischer Herbst

  • 1992

    Hermes, Texte zur Kunst, February 1992.
    Aupetitallot, Yves, Passage, Forum International, January-February 1992.

  • 1990

    Faust, Gretchen, Arts Magazine, March 1990.

  • 1989

    Hirsh, David, New York Native, December 1989.

Public Collections

AÏSHTI Foundation, Beirut, Lebanon
Baltimore Museum of Art, Baltimore, Maryland, USA
Berezdivin Collection, Santurce, Puerto Rico
Centre Pompidou, Paris, France
Collezione La Gaia, Italy
Depart Foundation, Italy
Enea Righi Collection, Museion Bolzano, Italy
FRAC, Champagne Ardenne, France
FRAC, Nord-Pas de Calais, France
Hammer Museum, Los Angeles, California, USA
Il Giardino dei Lauri, Italy
The Israel Museum, Jerusalem, Israel
Lenbachhaus Museum, Munich, Germany
Ludwig Museum, Koln, Germany
MART Museum, Rovereto, Italy
Musée cantonal des Beaux-Arts, Lausanne, Switzerland
Museum of Contemporary Art, Miami, Florida, USA
Institute of Contemporary Art, Miami, Florida, USA
Migros Museum, Zurich, Switzerland
MOCA, Los Angeles, California, USA
MuMOK, Vienna, Austria
New York Public Library, New York, NY, USA
Sammlung Grassin, Germany
Sammlung Verbund, Vienna, Austria
Whitney Museum of American Art, New York, NY, USA