• 1968

    Born in Remscheid, Germany

  • 1987-1990

    Lives and works in Hamburg

  • 1990-1992

    Studies at Bournemouth and Poole College of Art and Design, Bournemouth, UK

  • 1992-1994

    Lives and works in London

  • 1994-1995

    Lives and works in New York

  • 1995

    Ars Viva Prize, Germany
    Kunstpreis der Böttcherstraße, Bremen, Germany / Art award of the Böttcherstraße, Bremen, Germany

  • 1996-2007

    Lives and works in London

  • 1998–1999

    Visiting professorship at the Hochschule für bildende Künste Hamburg

  • 2000

    Turner Prize, Tate Britain, London

  • 2001

    Honorary Fellowship, The Arts Institute at Bournemouth, UK

  • 2003-2009

    Professorship of interdisciplinary art at Städelschule, Frankfurt am Main

  • Since 2006

    Exhibition space “Between Bridges”, until 2011 in London, since 2013 in Berlin

  • Since 2007-2011

    Lives in London and Berlin

  • 2009

    Kulturpreis der Deutschen Gesellschaft für Photographie, Heidelberg, Germany / Cultural award of the German Society for Photography, Heidelberg, Germany

  • 2009-2014

    Artist Trustee on the Board of Tate, London

  • Since 2011

    Lives and works in Berlin and London

  • Since 2012

    Member of the Akademie der Künste, Berlin

  • Since 2013

    Member of the Royal Academy of Arts, London

  • 2014

    Wollaston Award, Royal Academy of Arts, London

  • 2015

    The Hasselblad Foundation International Award in Photography, Göteborg Museum of Art, Sweden
    Centenary Medal and Honorary Fellowship Award, Royal Photographic Society, London

  • 2018

    Goslar Kaiserring Prize
    Nino Gennaro Award, Sicilia Queer International New Visions filmfest 2018

Solo Exhibitions

  • (C) = Catalogue or artist‘s book

  • 2018

    "Kaiserring Goslar", Mönchehaus Museum Goslar, Goslar, Germany
    “How likely is it that only I am right in this matter?” David Zwirner, New York, NY, USA
    "Fragile", Musée d'Art Contemporain et Multimédias, Kinshasa, Democratic Republic of Congo, travelling to Circle Art Gallery, Nairobi; The GoDown Arts Centre, Nairobi, Kenya and Johannesburg Art Gallery, Johannesburg, South Africa.
    "Qu'est-ce qui est différent?", Carré d’Art – Musée d’art contemporain, Nîmes, France
    Irish Museum of Modern Art, Dublin, Ireland
    David Zwirner, Hong Kong
    "Fest", Galerie Buchholz, Cologne, Germany

  • 2017

    "Wolfgang Tillmans: 2017", Tate Modern, London, UK (C)
    Fondation Beyeler, Riehen, Switzerland (C)
    "There were 30 years between 1943 and 1973. 30 years from 1973 was the year 2003.", Kunstverein in Hamburg, Hamburg, Germany

  • 2016

    Regen Projects, Los Angeles
    Maureen Paley, London, UK
    “Leben Ist Astronomisch Installation (2001–2012)“, K21 Ständehaus, Dusseldorf
    “PCR“, Art Basel Unlimited, Basel
    “Playback Room – Ein Raum für Studiomusik”, Städtische Galerie im Lenbachhaus und Kunstbau München, Munich
    „¿dónde estamos?“ (project for billboard), Mexico City
    “On the Verge of Visibility“, Museu de Arte Contemporânea de Serralves, Porto, Portugal (C)
    “Studio”, Galerie Buchholz, Berlin, Germany
    “Pictures from New World”, Gallery of Modern Art, Glasgow, Glasgow, UK

  • 2015

    Wolfgang Tillmans – Hasselblad Award 2015, Hasselblad Foundation, Gothenburg, Sweden (C)
    Dům Umění – House of Art, České Budějovice, Czech Republic
    PCR, David Zwirner, New York
    Your Body is Yours, The National Museum of Modern Art, Osaka, Japan (C)
    Lignine Duress, Galerie Chantal Crousel, Paris
    Panoramabar, Berlin (permanent installation)
    Book for Architects, The Metropolitan Museum of Art, New York

  • 2014

    Fondation Beyeler (collection display with works by and curated by Wolfgang Tillmans), Riehen, Switzerland
    Affinity, Wako Works of Art, Tokyo, Japan (C)

  • 2013

    Silver, Galerie Buchholz, Berlin
    central nervous system, Maureen Paley, London
    Neue Welt, Rencontres d’Arles, Arles, France (C)
    from Neue Welt, Andrea Rosen Gallery, New York
    Wolfgang Tillmans – Düsseldorf Raum 2001–2007 (collection display), Museum Kunstpalast, Dusseldorf (C)

  • 2012

    Wolfgang Tillmans, Moderna Museet, Stockholm (C); travelled to Wolfgang Tillmans, Kunstsammlung Nordrhein-Westfalen, K21 Ständehaus, Dusseldorf (C) (2013)
    Neue Welt, Kunsthalle Zürich, Zurich (C)
    Works from the Arts Council Collection, Onion and Headlights, The Common Guild, Glasgow, UK
    MAM – Museu de Arte Moderna de São Paulo, Brasil (C); travelled to Museo de Arte del Banco de la República, Bogotá, Columbia (C), MALI – Museo de Arte de Lima, Lima, Peru (C) (2013) and MAVI – Museo de Artes Visuales, Santiago de Chile (C) (2013)

  • 2011

    Zachęta Ermutigung, Nationale Kunstgalerie Zachęta, Warsaw (C)
    Galerie Chantal Crousel, Paris
    Out of the Boxes Part 1, Gallery 3: Wolfgang Tillmans, curated by Beatrix Ruf, Andrea Rosen Gallery, New York
    Out of the Boxes Part 2, Gallery 3: Wolfgang Tillmans, curated by Stefan Kalmár, Andrea Rosen Gallery, New York
    Regen Projects, Los Angeles
    New Entrants, Staatsgalerie Stuttgart (collection display)
    Wolfgang Tillmans y Franz West, Galería Juana de Aizpuru, Madrid

  • 2010

    Galerie Daniel Buchholz, Berlin
    Walker Art Gallery, Liverpool (C)
    Serpentine Gallery, London (C)
    Andrea Rosen Gallery, New York
    Panoramabar, Berlin (permanent installation)

  • 2009

    Ten: 1999–2009 at Sommer Contemporary Art, Sommer Contemporary Art, Tel Aviv

  • 2008

    Half Page, Regen Projects, Los Angeles
    String, Galerie Chantal Crousel, Paris
    Tegenwoordigheid van Geest – Presence of Mind (collection display curated by Wolfgang Tillmans) and Stedelijk Room”(installation for the permament collection by Wolfgang Tillmans), Stedelijk Museum, Amsterdam
    Maureen Paley, London
    Wolfgang Tillmans – Düsseldorf Raum 2001–2007, Museum Kunstpalast, Dusseldorf (C)
    Lichter, Wako Works of Art, Tokyo (C)
    2008, Galería Juana de Aizpuru, Madrid
    Neugerriemschneider, Berlin
    Tate Britain, London (collection display)
    Lighter, Hamburger Bahnhof – Museum für Gegenwart, Berlin (C)

  • 2007

    All The Time / Time, Galleria S.A.L.E.S., Rome
    Faltung, Camera Austria, Graz
    Beugung, Kunstverein München, Munich
    Carciofo – Still Lifes, Oroom Gallery, Seoul, Korea (C)
    paper drop, Galerie Daniel Buchholz, Cologne
    Bali, Kestner-Gesellschaft, Hannover
    Bibliographie, Buchhandlung Walther König, Cologne
    Atair, Andrea Rosen Gallery, New York
    Richard Branson, White Cubicle Gallery, George & Dragon, London

  • 2006

    Sprengel Installation (+4), Sprengel Museum, Hannover (C) (collection display)
    Helsinki-Festival, Taidehalli, Helsinki
    München Installation, Pinakothek der Moderne, Munich (collection display)
    Freedom from the Known, MoMA PS1, New York (C)
    Museum of Contemporary Art Chicago (C); travelled to Hammer Museum, Los Angeles (C), Hirshhorn Museum and Sculpture Garden, Washington, DC (2007) and Museo Tamayo, Mexico City (2008)

  • 2005

    2005, Galería Juana de Aizpuru, Madrid
    Markt, Galerie Meerrettich, Berlin
    Truth Study Center, Maureen Paley, London
    Press to Exit Project Space, Skopje, Macedonia

  • 2004

    Regen Projects, Los Angeles
    Freischwimmer, Tokyo Opera City Art Gallery, Tokyo (C)
    Panoramabar, Berlin (permanent installation)
    New Photographs, Wako Works of Art, Tokyo (C)
    Freischwimmer, Neugerriemschneider, Berlin

  • 2003

    Andrea Rosen Gallery, New York
    Frans Hals Museum, Haarlem, Netherlands
    Galerie Daniel Buchholz, Cologne
    if one thing matters, everything matters, Tate Britain, London (C)
    View From Above, Louisiana Museum of Modern Art, Humlebæk, Denmark (C)

  • 2002

    Wolfgang Tillmans – Still Lives, Fogg Art Gallery, Busch Reisinger Museum, Harvard, Cambridge, MA (C)
    Sommer Contemporary Art, Tel Aviv
    Lights (Body), Andrea Rosen Gallery, New York
    Partnerschaften (with Jochen Klein), nGbK – neue Gesellschaft für bildende Kunst, Berlin (C)
    Maureen Paley / Interim Art, London
    Lights (Body), Galleria S.A.L.E.S., Rome
    Regen Projects, Los Angeles
    Vue d’en Haut, Palais de Tokyo, Paris (C)
    Veduta dall’alto, Castello di Rivoli – Museo d’arte contemporanea, Turin (C)

  • 2001

    AC: Isa Genzken / Wolfgang Tillmans, Science Fiction / Hier und jetzt zufrieden sein, Museum Ludwig, Cologne (C)
    Aufsicht, Deichtorhallen Hamburg (C)
    Super Collider, Galerie Daniel Buchholz, Cologne
    Wako Works of Art, Tokyo (C)
    Andrea Rosen Gallery, New York

  • 2000

    Galerie Rüdiger Schöttle (with Thomas Ruff), Munich
    Galerie Meyer Kainer (with Jochen Klein), Vienna
    Blushes, fig-1, London

  • 1999

    Soldiers – The Nineties, arsFutura Galerie, Zurich
    Galleria S.A.L.E.S., Rome
    Regen Projects, Los Angeles
    Soldiers – The Nineties, Andrea Rosen Gallery, New York (C)
    Space between Two Buildings / Soldiers – The Nineties, Maureen Paley / Interim Art, London
    part I: Recent Works / part II: Concorde, Wako Works of Art, Tokyo (C)
    Soldiers – The Nineties, Neuer Aachener Kunstverein, Aachen, Germany
    Eins ist sicher: Es kommt immer ganz anders, als man denkt, Städtische Galerie, Remscheid, Germany
    Saros, Galerie Daniel Buchholz, Cologne (C)
    Neugerriemschneider, Berlin

  • 1998

    Andrea Rosen Gallery, New York
    Fruicciones, Museo Nacional Centro de Arte Reina Sofía, Espacio Uno, Madrid (C)
    Café Gnosa, Hamburg

  • 1996

    Wer Liebe wagt, lebt morgen, Kunstmuseum Wolfsburg, Germany (C)
    Andrea Rosen Gallery, New York
    Galleri Nicolai Wallner, Copenhagen
    arsFutura Galerie, Zurich
    Kunstverein Elsterpark, Leipzig
    Faltenwürfe, Galerie Daniel Buchholz, Cologne

  • 1995

    Neugerriemschneider, Berlin
    Kunsthalle Zürich, Zurich (C)
    Stills Gallery, Edinburgh
    Portikus, Frankfurt am Main (C)
    Regen Projects, Los Angeles
    Interim Art, London

  • 1994

    Galerie Thaddaeus Ropac, Paris
    Galerie Daniel Buchholz, Cologne
    Andrea Rosen Gallery, New York

  • 1993

    Interim Art, London
    arsFutura Galerie, Zurich
    L.A. Galerie, Frankfurt am Main
    Galerie Daniel Buchholz – Buchholz & Buchholz, Cologne (C)

  • 1992

    Diptychen, 1990–1992, PPS. Galerie F. C. Gundlach, Hamburg

  • 1991

    Grauwert Galerie, Hamburg

  • 1989

    Café Gnosa, Hamburg

  • 1988

    Approaches, Fabrik – Foto – Forum, Hamburg, Stadtbücherei Remscheid, Germany
    Blutsturz, Front, Hamburg
    Approaches, Café Gnosa, Hamburg

Group Exhibitions

  • 2018

    “Resistance”, Centrale for Contemporary Art, Brussels, Belgium
    "The Pull of a Well Placed Comma" Museu de Arte Contemporânea de Elvas, Portugal
    "The Scent of Images", Opelvillen, Rüsselsheim, Germany
    "Money with a Capital "M", Haifa Museum of Art, Haifa, Israel
    "Social Facades", Museum für Moderne Kunst, Frankfurt, Germany
    "Do I Have to Draw You a Picture?", The Heong Gallery, Downing College, Cambridge University, Cambridge, UK
    "The Trick Brain", Aïshti Foundation, Beirut, Lebanon
    "Intimacy", Yossi Milo Gallery,New York, NY, USA
    "Do I Have to Draw You a Picture?", The Heong Gallery, Downing College, Cambridge University, UK
    “Very British”, Stiftung Haus der Geschichte der Bundesrepublik Deutschland, Bonn
    “WAR REQUIEM”, English National Opera, London, UK
    “One Day at a Time: Manny Farber and Termite Art”, The Geffen Contemporary at MOCA, Los Angeles, USA
    “What is Love? Von Amor bis Tinder”, Kunsthalle Bremen, Germany
    “The Great Spectacle”, The Royal Academy, London, UK
    “#myMuseum – 175 Years Staatsgalerie”, Staatsgalerie, Stuttgart, Germany
    “LICHTEMPFINDLICH 2 – Zeitgenossische Fotografie aus der Sammlung Schaufler” Schauwerk Sindelfingen, Sindelfingen, Germany
    “MMK 2”, MMK’s Photography Collection, MMK Frankfurt, Frankfurt, Germany.
    “There not There”, The Courtald Institute of Art, London, UK
    "Resist!", BOZAR Centre for Fine Art Brussels, Brussels, Belgium
    "Take Me (I'm Yours)", Villa Médicis – Académie de France à Rome, Rome, Italy
    "I Still Believe In Miracles - Works from Selvaag Art Collection", Astrup Fearnley Museet, Oslo, Denmark
    "That Obscure Object of Desire", Fortes D'Aloia & Gabriel, Rio de Janeiro, Brazil
    “German Art”, Galleri K, Oslo, Norway
    “Wasser & Wein. Neupräsentation der Sammlung I”, Museum Kurhaus Kleve, Kleve, Germany
    "Résonance – Part 1" Musée des Beaux-Arts de Rouen, Rouen, France
    "ReCycle", Galerie Chantal Crousel, Paris, France
    "In Part: Writings by Julie Ault", Galerie Bucholz, New York, NY, USA
    "Fashion Drive. Extreme Clothing in the Visual Arts", Kunsthaus Zurich, Zurich, Switzerland
    "Masterworks on paper: Prints - Drawing - Photography" (collection display), Print Room, Residenzschloss, Dresden, Germany
    "Tacita Dean: Still Life", National Gallery, London, UK (C)
    “Presentation of the Contemporary Art Collection”, Museum für Gegenwartskunst Siegen, Siegen Germany
    "David Zwirner: 25 Years", David Zwirner, New York City, NY, USA
    “On Paper” – Arts Council Touring Exhibition, Perth Museum and Art Gallery, Perth, UK; travelling to Gallery Oldham, Oldham; Inverness Museum and Art Gallery, Inverness; Oriel Wrecsam, Wrexham; Glynn Vivian Art Gallery, Swansea; Victoria Art Gallery, Bath and Thelma Hubert Gallery, Honiton. (C)

  • 2017

    “aroundabout Jack Jaeger”, Kunstverein Langenhagen e.V., Langenhagen, Germany
    “Historias de Secualidade – Histories of Sexualities”, MASP – Museu de Arte de São Paulo, Brazil
    “The Photographic I - Other Pictures”, S.M.A.K., Gent, Belgium
    “Les Visitants: Guillermo Kuitca y la colección de la Fondation Cartier”, CCK, Argentina
    “Raum & Fotografie”, Museum der Moderne Salzburg, Austria
    "ISelf Collection – The Upset Bucket", Whitechapel Gallery, London United Kingdom (C)
    "Artist Spaces", Weserburg | Museum für moderne Kunst, Bremen Germany
    "Take Me (I’m Yours)", Pirelli HangarBicocca, Milan, Italy
    "Domestic Space | Christmas Edition, Neue Galerie Landshut, Landshut, Germany
    "Photography on a postcard", theprintspace, London, UK
    "I am you, you are too", Walker Art Center, Minneapolis, Minnesota, USA
    "Show and Tell", Malmö Konstmuseum, Malmö, Sweden
    "The Art of Dissonance", Seoul Museum of Art, Seoul, South Korea
    “The force of photography. Works from the Museion Collection”, Museion, Bolzano, Italy
    "Marching to the Beat", Jessica Silverman Gallery, San Francisco, California, USA
    "This Is Not a Selfie: Photographic Self-Portraits from the Audrey and Sydney Irmas Collection", The San José Museum of Art, San José, California, USA (C)
    "The Coffins of Paa Joe and the Pursuit of Happiness",The School, Kinderhook, NY and Jack Shainman Gallery, New York City , NY, USA
    "Close Up: The ROCCA Foundation Dresden/ Berlin", Galerie Gebr. Lehmann, Dresden, Germany
    "Generation Loss: 10 Years of the Julia Stoscheck Collection", Julia Stoscheck Collection, Dusseldorf, Germany
    "Mix it: Pop Music and Video Art", Marta Herford, Herford, Germany
    “Coming Out: Sexuality, Gender & Identity”, Walker Art Gallery, Liverpool
    "Fall is Cancelled", Gladstone 64, New York, NY, USA
    "Farewell Photography", Biennale für aktuelle Fotografie 2017, Mannheim, Germany
    "(X) A Fantasy", David Roberts Art Foundation, London, UK
    "CORPUS: The Body Unbound", The Courtauld Gallery, London, UK
    "Home is not a place", Embassy of the Federal Republic of Germany, London, UK
    "How to Live Together", Kunsthalle Wien, Vienna, Austria
    "Light Play: Experiments in Photography, 1970 to the Present", Los Angeles County Museum of Art (LACMA), Los Angeles, California, USA
    “Faraway Focus: Photographers go travelling (1880 - 2015)”, Berlinische Galerie, Berlin, Germany
    “Mentally Yellow. High Noon, The KICO Collection”, Lenbachhaus München, Munich, Germany
    Museum Ludwig, Köln (collection display)
    “Transparency”, Walker Art Gallery, Liverpool, UK
    “Wolfgang Tillmans from Xue Bing’s Collection”, Pond Society, Shanghai
    “Unfinished Conversations: New Work from the Collection”, The Museum of Modern Art, New York, USA
    "Auto Photo", Fondation Cartier pour l'art contemporain, Paris, France
    "moving is in every direction", Hamburger Bahnhof, Museum für Gegenwart, Berlin, Germany
    “The Beguiling Siren Is Thy Crest”, Museum of Modern Art, Warsaw, Poland
    “Utopia/Dystopia: A Paradigm Shift”, MAAT Museum of Art, Architecture and Technology, Lisbon
    "What I Loved: Selected Works from the ‘90s", Regen Projects, Los Angeles, California, USA
    "10 Years Old", Fondazione Fotographia Modena, Modena, Italy
    “KiCo Foundation”, Städtische Galerie im Lenbachhaus und Kunstbau München, Munich (collection display)
    “Eternal Youth“, Museum of Contemporary Art Chicago
    “Infinite Garden. From Giverny to Amazonia“, Centre Pompidou-Metz, France
    "Cámara de Maravillas/ Camera of Wonders”, Casa França-Brasil, Rio de Janeiro, Brazil
    “You Are Looking At Something That Never Occurred”, Zabludowicz Collection, London (C), travelling to Multimedia Art Museum, Moscow, Russia, 2018
    “The Absent Museum”, WIELS Centre d’Art Contemporain, Brussels
    "Weltreise", ifa-Galerie, Stuttgart, Germany
    "Space Force Construction" V-A-C Foundation, Venice, Italy
    “Travelling the World”. Art from Germany, Institut für Auslandsbeziehungen, Stuttgart, Germany (C)
    “Freiheit, die ich meine…”, MEWO Kunsthalle, Memmingen, Germany
    “Disappearance at Sea – Mare Nostrum”, BALTIC Center for Contemporary Art, Gateshead, UK
    “We need to talk...Artists and the public respond to present conditions in America”, Petzel Gallery, New York
    “A History of Photography: The Body”, Victoria & Albert Museum, London, UK
    "Versus Rodin: bodies across time and space", Art Gallery of South Australia, Adelaide, Australia (C)

  • 2016

    "SPLIT: Mirror. Light. Reflection", SCHAUWERK Sindelfingen, Sindelfingen, Germany
    “NAK Benefizauktion”, Neuer Aachener Kunstverein, Aachen Germany
    “65 Works Selected by James Welling: Exhibition and Sale to Benefit the Foundation for Contemporary Arts”, David Zwirner, New York
    “Art at the Center: 75 Years of Walker Collections”, Walker Art Center, Minneapolis, Minnesota
    “Da Fuga e do Encontro: Inversões do Olhar”, Espaço Novo Banco, Lisbon, Portugal
    “Abstract/Object”, The Art Institute of Chicago, Chicago, IL USA
    “[sic]: œuvres de la Collection du CAPC/works from the CAPC Collection“, Centre d’arts plastiques contemporains (CAPC) Musée d’art contemporain de Bordeaux, France
    “Mit anderen Augen. Das Porträt in der zeitgenössischen Fotografie“, Kunsthalle Nürnberg im KunstKulturQuartier, Nuremberg
    “The Sun Placed in the Abyss“, Columbus Museum of Art, Columbus, OH
    “Sammlung Viehof – Internationale Kunst der Gegenwart“, Deichtorhallen Hamburg
    “Die Akademie der Künste, Berlin. Zu Gast in den Kunstsammlungen Chemnitz“, Kunstsammlungen Chemnitz, Germany (c)
    “Protest“, Victoria Miro Gallery, London
    “Ether“, Chantal Crousel, Paris
    “My Abstract World“, me collectors Room – Sammlung Olbricht, Berlin (collection presentation)
    “Bilderstrom. Der Rhein und die Fotografie. 2016–1853“, Landesmuseum, Bonn (c)
    “Jugendzimmer“, Galerie Crone Wien, Vienna
    Academician’s Room, Keepers House, Royal Academy of Arts, London
    “Inside – Contemporary Artists and Writiers in Reading Prison. Reading Prison“, Reading, UK (C)
    “Folding, Refraction, Touch: Modern and Contemporary Art in Dialogue with Wolfgang Tillmans“ (collection display), Harvard Art Museums, Cambridge, MA
    “The Universe and Art“, Mori Art Museum, Tokyo (c)
    “Night in the Museum – An Arts Council Collection Exhibition“, Longside Gallery, London
    “LUX: The Radiant Sea“, Yancey Richardson Gallery, New York
    “Wolken / clouds“, Arnoldi-Livie, Munich
    “Terminal P“, La Panacée, Centre de Culture Contemporaine, Montpellier
    “130% Sprengel“ (collection display), Sprengel Museum, Hannover
    “Summer Exhibition 2016“, Royal Academy of Arts, London
    “A Change of Heart”, Hannah Hoffman Gallery, Los Angeles
    Photo London, London (EU campaign posters)
    “Collected”, Pier 24, San Francisco (c)
    “Seeing Round Corners”, Turner Contemporary, Margate, UK
    “BRD”, Haubrok Foundation, Berlin
    “FotografieInstallation”, KATA_2, Bad Honnef-Rhöndorf
    “presently”, Neugerriemschneider, Berlin
    “The Family of the Invisibles – Collections du Centre National des Arts Plastiques et du Frac Aquitane”, Seoul Museum of Art (SeMA), Seoul (c)
    “Eine Geschichte: Zeitgenössische Kunst aus dem Centre Pompidou”, Haus der Kunst, Munich
    “The BILL – for Collective Unconscious”, Artspace New Zealand, Auckland
    “ICH. Neue Formen des Selbstporträts“, Schirn Kunsthalle Frankfurt (c)
    “Image Tech: Making Pictures in a Post Digital Age“, The College of New Jersey
    “A History of Photography: The Body“, Victoria & Albert Museum, London
    “Ordinary Pictures“, Walker Art Center, Minneapolis, MN (c)
    “Mit anderen Augen – Das Porträt in der zeitgenössischen Fotografie”, Kunstmuseum Bonn (c)
    “Natureza Franciscana“, MAM – Museu de Arte Moderna de São Paulo, Brasil
    “Takashi Murakami’s Superflat Collection: From Shōhaku and Rosanjin to Anselm Kiefer”, Yokohama Museum of Art, Japan

  • 2015

    “A Few Free Years: Von Absalon bis Zobernig, Schenkungen von Friedrich Christian Flick an die Nationalgalerie“ (collection display), Hamburger Bahnhof – Museum für Gegenwart, Berlin (C)
    “The Story , teller“, Art Projects Ibiza, Ibiza
    “Stranger than Paradise“, Sies + Höke, Dusseldorf
    “Contemporary Art from Germany“, Umm El Fahem Art Gallery, Umm el-Fahem; Mishkan Museum of Art, Ein Harod, Israel (c)
    “New Skin" (collection display), Aishti Foundation, Beirut, Lebanon (c)
    Fotografia Contemporanea Dall’Europa Nord Ouest. Capitolo I" (collection display), Fondazione Fotografia Modena, Italy (c)
    “Take Me (I’m Yours)”Monnaie de Paris, Paris (c)
    Queerfest 2015, St. Petersburg
    “We The People”, The Israel Museum, Jerusalem
    "What We Call Love”, Irish Museum of Modern Art, Dublin (c)
    “A Perfect Match”, Pinakothek der Moderne, Munich (c)
    “Animal Photographers“, Acud Projektraum, Berlin
    “Colección Jumex. In Girum Imus Nocte et Consumimur Igni“, Museo Jumex, Mexico City
    "Ident-alter-ity. Organizing body: 5th Biennale of Contemporary Art of Thessaloniki,” State Museum of Contemporary Art, Thessaloniki, Greece
    “The Persistence of Objects”, Lismore Castle Arts, Lismore, Ireland
    “The Day Will Come When Man Falls“, Triennial of Photography Hamburg, Deichtorhallen Hamburg
    “Perfect Likeness: Photography and Composition” (collection display), Hammer Museum, Los Angeles
    “Slash: In Between the Normative and the Fantasy“, kim? Contemporary Art Centre, Riga, Estonia
    “Love Story – Works from Erling Kagge’s Collection” (collection display), Astrup Fearnley Museet, Oslo (c)
    “Summer Exhibition 2015”, Royal Academy of Arts, London
    "Zabludowicz Collection: 20 Years of Collecting: Between Discovery and Invention" (collection display), Zabludowicz Collection, London
    "Simple Forms: Contemplating Beauty", Mori Art Museum, Tokyo
    “Zoom! Architektur und Stadt im Bild”, Architekturmuseum der TU München, Pinakothek der Moderne, Munich (c)
    “Partial Presence”, Zabludowicz Collection, London
    “Land in Sight: 400 Years of Landscapes”, Weserburg Museum für Moderne Kunst, Bremen
    “Open Rhapsody. A Journey into Photography and Video Collection”, Beirut Exhibition Center, Beirut (c)
    “HE: The Hergott Shepard”, Photography Collection University of Michigan Museum of Art, Ann Arbor, MI (c)
    “Pretty Raw: After and Around Helen Frankenthaler”, Rose Art Museum, Waltham, MA
    “flats”, Team Gallery, New York
    “The Gesamtsexwerk” (presented by M/L artspace), The Spectrum, New York
    “The Noing Uv It”, Bergen Kunsthall, Bergen, Norway (c)
    “Weltsichten. Landschaft in der Kunst seit dem 15. Jahrhundert”, Situation Kunst, Bochum, Germany

  • 2014

    A“Dancing Light / Let it move you”, Huis Marseille / Museum voor fotografie, Amsterdam
    “Dan Graham Collection”, 3A Gallery, New York
    “Second Exhibition” (collection display), Fondation Louis Vuitton, Paris
    “They used to call it the moon, BALTIC Centre for Contemporary Art”, Gateshead, UK
    “Lumières: carte blanche à Christian Lacroix”, Musée Cognacq-Jay, Paris (c)
    “Formes Simples”, Centre Pompidou-Metz, France (c)
    “Unstable Places: New in Contemporary Art”, The Israel Museum, Jerusalem
    “In Dialogue: Wolfgang Tillmans”, Philadelphia Museum of Art, Philadelphia, PA
    “Une histoire, art, architecture et design, des années 80 à aujourd’hui” (collection display), Musée national d’art moderne, Centre Pompidou, Paris (c)
    “Manifesta 10 – European Biennial of Contemporary Art”, St. Petersburg (c)
    “In NO time”, The Modern Institute, Glasgow, UK
    “Colour on Paper”, Galeria Leme, Sao Paulo
    “(Mis)Understanding Photography. Werke und Manifeste”, Museum Folkwang, Essen, Germany (c)
    “Space Interventions – Gordon Matta Clark and beyond”, Salon Dahlmann, Berlin
    “A Private View präsentiert: Die ROCCA Stiftung”, Autocenter, Berlin
    “Dark Waters”, Galerie Chantal Crousel, Paris
    “Summer Exhibition 2014“, Royal Academy of Arts, London, UK
    “KAOS – Visions of KAOS”, The Flying Dutchman & Mori + Stein Gallery, London, UK
    “Fundamentals”, La Biennale di Venezia – 14th International Architecture Exhibition, Venice (c)
    “8. Berlin Biennale für zeitgenössische Kunst – 8th Berlin Biennale for Contemporary Art”, Berlin (c)
    “I'm Isa Genzken, The Only Female Fool“, Kunsthalle Wien, Vienna (c)
    “1984–1999. La Décennie”, Centre Pompidou-Metz, France
    “Abandon the Parents”, Statens Museum for Kunst, Copenhagen
    “Intimität – Intimacy”, Galerie der Stadt Remscheid, Germany
    “The Disappearence of the Fireflies” (collection display), The Collection Lambert at Prison St. Anne, Avignon, France (c)
    “Somewhat Abstract – Selections from The Arts Council Collection”, Nottingham Contemporary, Nottingham, UK
    “Brush Fires in the Social Landscape”, Aperture Foundation David Wojnarowicz, London (c)
    “Booster – Kunst Sound Maschine”, Marta Herford, Germany (c)
    “Love Aids Riot Sex 2”, nGbK – neue Gesellschaft für bildende Kunst, Berlin (c)
    “The Body Issue”, Hannah Hoffman Gallery, Los Angeles, USA
    "Art Project XXY", Gallery of contemporary art «Ў», Minsk, Belarus

  • 2013

    “Macho Man. Tell It To My Heart, Collected by Julie Ault”, Museum für Gegenwartskunst Basel; travelled to Culturgest, Lisbon and Artists Space, New York (C)
    “Ausweitung der Kampfzone. Die Sammlung 1968–2000”, Neue Nationalgalerie, Berlin
    “Weltreise. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des ifa 1949 – heute“, ZKM – Zentrum für Kunst und Medientechnologie Karlsruhe (c); travelled to Moscow Museum of Modern Art, Moscow (2014)
    “A Sense of Place”, Pier 24 Photography, Pittsburgh, PA (c)
    “Foto Europa. 1840 to present”, Detroit Institute of Arts, Detroit, MI
    “Heimat – no place like home – Fotografien aus der DZ BANK-Kunstsammlung”, Kunsthalle HGN, Duderstadt (c)
    “Aquatopia. The Imaginary of the Ocean Deep”, Nottingham Contemporary, Nottingham; travelled to Tate St Ives, UK (c)
    “Xerography”, First Site, London (c)
    “Der Schein. Glanz, Glamour, Illusion”, Kestnergesellschaft, Hannover (c)
    “Dear Portrait“, MOSTYN, Llandudno, Wales
    “When Now is Minimal. Die unbekannte Seite der Sammlung Goetz”, Neues Museum, Nuremberg; travelled to Museion, Bolzano, Italy (c)
    “Think First, Shoot Later: Photography from the MCA Collection” (collection display), Museum of Contemporary Art Chicago
    “LAT. 41° 7' N., LONG. 72° 19' W”, Martos Gallery, New York
    “Vue d’en Haut”, Centre Pompidou-Metz, France (c)
    “Sin motivo aparente”, Centro de Arte Dos de Mayo, Madrid (c)
    “Kunst nach 1945” (collection display), Städtische Galerie im Lenbachhaus und Kunstbau München, Munich (c)
    Tate Britain, London (collection display) (c)
    “Abstrakt”, Sammlung Haubrok, Berlin
    “Paint it Black”, Frac Ile-de-France, Paris
    “NYC 1993: Experimental Jet Set, Trash and No Star“, New Museum, New York (c)
    “La Sentinelle”, CAPC – Musée d'art contemporain de Bordeaux
    “Looking at the View” (collection display), Tate Britain, Millbank Project, London
    “Cranford Collection – Out of the House”, Fundación Banco Santander, Madrid (c)
    The Gallery of Modern Art, Glasgow, UK (collection display)

  • 2012

    “Slg. Wilhelm Otto Nachf. Werkräume von Kai Althoff bis Thomas Zipp”, Leopold-Hoesch-Museum, Düren, Germany (C)
    “A Bigger Splash: Painting After Performance“, Tate Modern, London (C)
    “Color”, Upon Paper Space, Berlin
    “Private / Corporate VII“, Daimler Contemporary, Berlin (C)
    “Durchsucht, fixiert, geordnet – Zeitgenössische Fotografie in der Sammlung Rheingold“, Museum für Gegenwartskunst, Siegen, Germany
    “Juwelen im Rheingold”, Sammlung Rheingold, Kunsthalle Düsseldorf, Dusseldorf (C)
    “Inaugural Exhibition in new Hollywood space”, Regen Projects, Los Angeles
    “Regarding Warhol: Sixty Artists, Fifty Years”, Metropolitan Museum of Art, New York; travelled to The Andy Warhol Museum, Pittsburgh, PA (2013) (C)
    “Bernadette Corporation – 2000 Wasted Years”, Artists Space, New York
    “Verlangsamte Performance”, Van Horn, Dusseldorf (C)
    “Intérieur jour”, Galerie Chantal Crousel, Paris
    “The Feverish Library” (organized in cooperation with Matthew Higgs), Petzel Gallery, New York; travelled to Capitain / Petzel, Berlin (2013)
    “Figure and Form in Contemporary Photography”, LACMA – Los Angeles County Museum of Art, Los Angeles
    “Wir sind die anderen”, DZ Bank Kunstsammlung, Frankfurt am Main
    “Treffpunkt: Berlin”, Arken Museum for Moderne Kunst, Skovvej, Denmark (C)
    “Abstraction and Motion”, Centro Andaluz de Arte Contemporáneo, Sevilla
    “Paper”, Musée d’Art moderne et d’Art contemporain, Nice (C)
    “Zauberspiegel: Die Sammlung nach 1945”, Kunsthalle Bremen
    “Superbody”, Galerie Chantal Crousel, Paris
    “Reflecting Fashion – Kunst und Mode seit der Moderne”, mumok - Museum moderner Kunst Stiftung Ludwig Wien, Vienna
    “Duplicate it!” (event June 14), Stedelijk Museum, Amsterdam
    “Malerei in Fotografie. Strategien der Aneignung”, Städel Museum, Frankfurt am Main (C)
    “Boy: A Contemporary Portrait”, Leo Xu Projects, Shanghai
    “Fotografie Total. Werke aus der Sammlung”, MMK – Museum für Moderne Kunst, Frankfurt am Main
    “Pink Caviar”, Louisiana Museum of Modern Art, Humlebæk, Denmark
    “Powerflower – Blütenzauber in der zeitgenössischen Kunst”, Galerie ABTART, Stuttgart (C)
    “Dark Sky”, Adam Art Gallery, Wellington, New Zealand (C)
    “Klang & Stille”, Sammlung Goetz im Haus der Kunst, Munich (C)
    “Contemporary collection display: The Space Between”, Tate Britain, London (collection display)
    “The Sports Show”, Minneapolis Institute of Arts, Minneapolis, MN
    “30 Künstler / 30 Räume”, Institut für moderne Kunst Nürnberg, Kunsthalle Nürnberg, Neues Museum in Nürnberg, Kunstverein Nürnberg, Nuremberg (C)
    “German Photography 1960–2012: A Survey”, Ben Brown Fine Arts, Hong Kong
    “Relocated”, Galerie Neu & MD 72, Berlin
    “Measuring the Universe: from the transit of Venus to the edge of the cosmos”, Royal Observatory Greenwich, London
    “Gegenwartskunst (1945 – heute) im Städel Museum”, Städel Museum, Frankfurt am Main (C)
    “Circus Wols – Eine Hommage”, Stiftung Neues Museum Weserburg, Bremen (C)
    “Inside a book a house of gold. Artists' editions with parkett”, UCCA – Ullens Center for Contemporary Art, Peking
    “Print / Out” (organized by Christophe Cherix, Ellen Gallagher and Sarah Suzuki), MoMA – Museum of Modern Art, New York
    “Living with Video”, The Pavilion Downtown Dubai
    “Lost & Found: Anonymous Photography in Reflection”, Ambach & Rice, Los Angeles
    “Boros Collection #2”, Sammlung Boros, Berlin (collection display) (C)
    “Stedelijk Room”, Stedelijk Museum, Amsterdam (collection display)
    “Freischwimmer: The World of Contemporary Photography”, The National Museum of Art, Osaka

  • 2011

    “Danser sa vie”, Musée national d’art moderne, Centre Pompidou, Paris (c)
    “Cultured nature“, Stedelijk Museum, Amsterdam
    “Photography Calling! Fotografie und Gegenwart”, Sprengel Museum, Hannover (c)
    “25 Jahre! Samlung Henri Nannen“, Kunsthalle Emden (c)
    “Fame”, DZ Bank Kunstsammlung, Frankfurt am Main
    “Meer Licht (More Light)”, Museum de Fundatie, Zwolle, Netherlands
    “Lichtempfindlich – Zeitgenössische Fotografie aus der Sammlung Schaufler”, Schauwerk Sindelfingen, Germany
    “Precarious Worlds. Contemporary Art from Germany“, Mildred Lane Kemper Art Museum, St. Louis, MO (c)
    “Quodlibet III – Alphabets and Instruments“, Galerie Daniel Buchholz, Berlin
    “Objectiv”, Sammlung Haubrok – Haubrokshows, Berlin
    “Jean Genet. Act 1 & Act 2“, Nottingham Contemporary, UK
    “Loud Flash: British Punk on Paper”, Honor Fraser Gallery, Los Angeles (c)
    “It's Great To Be In New Jersey”, Honor Fraser Gallery, Los Angeles
    “Distant Star – an exhibition organized around the writings of Roberto Bolaño”, Regen Projects, Los Angeles; traveling to Kurimanzotto, Mexico City
    “Syntax: Text and Symbols for a New generation”, Tampa Museum of Art, Tampa, FL
    “Number Five: Cities of Gold and Mirrors”, Julia Stoschek Foundation, Dusseldorf (c)
    “Falling Up: The Gravity of Art”, The Courtault Gallery, London
    “MMK 1991–2011: 20 Jahre Gegenwart”, MMK – Museum für Moderne Kunst, Frankfurt am Main
    “Absentee Landlord“, Walker Art Center, Minneapolis, MN
    “Streetlife and Homestories”, Museum Villa Stuck / Sammlung Goetz, Munich (c)
    "Gallery Selection – 
Slominski, Tillmans, Visch, Hayakawa, Hirokawa“, Wako Works of Art, Tokyo
    “Die Deutsche Show”, Divus Prager Kabarett, Prague
    “Catalogue de l'Exposition”, Triple V, Paris
    “Sin realidad no hay utopia”, Centro Andaluz de Arte Contemporáneo, Sevilla, Spain (c)
    “Collections contemporaines du Centre Pompidou des années 1960 à nos jours” (collection display), Musée national d’art moderne, Centre Pompidou, Paris
    “The Art of Pop Video“, Museum für Angewandte Kunst, Cologne
    “The First Last Decade“, Ellipse Foundation Contemporary Art Collection, Cascais, Portugal
    “Glimmer“, Jumex Collection, Mexico City
    “After the Gold Rush: Contemporary Photography from the Collection” (organized by Douglas Eklund), The Metropolitain Museum, New York
    “Von Engeln und Bengeln – 400 Jahre Kinder im Portrait”, Kunsthalle Krems, Austria (c)
    “Black Swan: The Exhibition”, Regen Projects, Los Angeles
    “Portraits”, Gerhardsen / Gerner, Berlin
    “The Gong Show”, Galerie Micky Schubert, Berlin
    “New Space, New Works”, Wako Works of Art, Tokyo
    “Nature Morte Vivante”, Galerie Chantal Crousel, Paris
    “Dreamscapes”, Pulitzer Foundation for the Arts, St. Louis, MO
    “Playground and Field of Disaster”, Pavillon des Images, Montpellier, France (c)
    “Anti-Photography”, Focal Point and The Beecroft Art Gallery, Southend-on-Sea, UK
    “Eating Art”, Fundació Caixa Catalunya, Barcelona
    “Past Present Future #2”, Contemporary Art Centre Winzavod, Moscow (c)

  • 2010

    “20 Jahre Texte zur Kunst: Mit Deiner Kunst, Editionen 1990-2010“, Sammlung Haubrok, Berlin
    “Pleated Blinds”, Petach Tivka Museum of Art, Petach Tivka, Israel (C)
    “BigMinis: Fetishes of Crisis”, CAPC – Musée d'art contemporain de Bordeaux (C)
    “The British Art Show 7. The Days of the Comet”, Hayward Gallery, London; travelled to Nottingham, Glasgow (C) and Plymouth, UK
    “Lust und Laster”, Kunstmuseum Bern and Zentrum Paul Klee, Bern, Switzerland (C)
    “Wolfgang Tillmans, Isa Genzken”, abc – art berlin contemporary, Berlin (C)
    “The Last Newspaper”, New Museum, New York (C)
    “Malas Calles”, IVAM – Instituto Valenciano de Arte Moderno, Valencia, Spain (C)
    “The Private Museum”, Galleria d´Arte Moderna, Bergamo, Italy
    “Not in Fashion”, MMK – Museum für Moderne Kunst, Frankfurt am Main (C)
    “Portraits de collectionneurs. Collection Jocelyne & Fabrice Petignat”, Muro, Geneva
    “Male”, Maureen Paley, London
    “Internationale Kunst aus der Sammlung Reininghaus, Köln”, Sammlung Falckenberg, Deichtorhallen Hamburg
    “Held up by Columns”, Renwick Gallery, New York
    “I am a cliché”, Les Rencontres d'Arles 2010, The International photography Festival, Arles, France
    “Just a Matter of Time”, Galerie Iris Kadel, Karlsruhe
    “Zu Tisch. Meisterwerke aus der Sammlung Ludwig von der Antike bis Picasso, von Dürer bis Demand”, Ludwig Galerie Schloss Oberhausen, Germany (C)
    “The Ground Around: idylls, earthworks & thunderbolts”, Vilma Gold, London
    “At Home/Not At Home: Works from the Collection of Martin and Rebecca Eisenberg”, Center for Curatorial Studies at Bard College, Annandale-on-Hudson, NY (C)
    “Nothing is in the place”, Photomonth, Krakow, Poland (C)
    “Weltsichten. Landschaft in der Kunst vom 17. bis zum 21. Jahrhundert”, Kunstsammlungen der Ruhr-Universität Bochum; travelled to Kunsthalle zu Kiel (2011), Museum Wiesbaden (2011), Kunstsammlungen Chemnitz (2011/12), Kunstmuseum Dieselkraftwerk Cottbus (2012), Germany (C), Bonnefantenmuseum Maastricht, Netherlands (2014) (“Weltsichten – The landscape represented in six centuries of art”)
    “Julia Stoschek Collection – I want to see you”, Deichtorhallen Hamburg
    “John Baldessari, Thorsten Brinkmann, Christopher Brown, Carsten Holler ...”, Richard Levy Gallery, Albuquerque, NM
    “In Praise of Simplicity”, Fondazione Stelline, Milan
    “Territories of Desire”, MUAC – Museo Universitario Arte Contemporáneo, Mexico City (C)
    “MEAN STREETS – Malas Calles”, IVAM – Instituto Valenciano de Arte Moderno, Valencia, Spain
    “The Future Demands Your Participation: Contemporary Art from the British Council Collection”, Minsheng Art Museum, Shanghai
    “Brave New World“, Musée d´Art Moderne Grand-Duc Jean, Luxemburg
    “PressArt. Die Sammlung Annette und Peter Nobel”, Kunstmuseum St. Gallen, Switzerland, Museum der Moderne Salzburg, Austria
    “I Put a Frame on You”, TÄT, Berlin
    “Through the Window”, Martha Parrish & James Reinish, New York
    “Ordinary Madness”, Carnegie Museum of Art, Pittsburgh, PA

  • 2009

    “Fax”, Drawing Center, New York; travelled to Contemporary Museum, Baltimore, Torrance Art Museum, Torrance, CA, Burnaby Art Gallery, Burnaby, Canada, Dowd Gallery, State University of New York, College at Cortland, Cortland, NY, Museo de Arte Carrillo Gil, Mexico City, Para/Site Art Space, Hong Kong (C)
    “Süsser Vogel Jugend”, Pinakothek der Moderne, Munich
    “The reach of realism”, MOCA Knight Exhibition Series, Museum of Contemporary Art, Miami, FL
    “Twentysix Gasoline Stations ed altri libri d’artista – Una Collezione”, Museo Regionale di Messina, Italy
    “Processed: Considering Recent Photographic Practices”, The Bertha And Karl Leubsdorf Art Gallery, Hunter College, New York
    “Carte Blanche IX: Vor heimischer Kulisse“, Galerie für Zeitgenössische Kunst, Leipzig
    “Against Exclusion”, 3rd Moscow Biennale of Contemporary Art, Moscow (C)
    “Pete and Repeat – Works from the Zabludowicz Collection”, Zabludowicz Art Projects, London (C)
    “Berlin 89 / 09 – Kunst zwischen Spurensuche und Utopie”, Berlinische Galerie, Berlin (C)
    “I Love Malmö”, KUMU Art Museum, Tallinn
    “Die Kunst ist super!”, Hamburger Bahnhof – Museum für Gegenwart, Berlin
    “Tel Aviv Time”, Tel Aviv Museum, Tel Aviv (C)
    “In Bewegung / in Motion – Leichtathletik und Fotografie 1984–2009”, Akademie der Künste am Pariser Platz; Berlin (C)
    “Sehnsucht nach dem Abbild – Das Portrait im Wandel der Zeit”, Kunsthalle Krems, Austria
    “Sammlung Reloaded“, Kunstmuseum Bonn, Germany
    “Das Porträt. Fotografie als Bühne”, Kunsthalle Wien, Vienna (C)
    “Fare Mondi – Making Worlds”, La biennale di Venezia 53 – 53rd Venice Biennale, Venice (C)
    “Quodlibet II“, Galerie Daniel Buchholz, Cologne
    “En todas as partes – Everywhere. Políticas de la diversidad sexual en el arte”, CGAC – Centro Galego de Arte contemporánea, Santiago de Compostela, Spain (C)
    “60 Jahre – 60 Werke. Kunst aus der Bundesrepublik Deutschland 1949–2009”, Martin-Gropius-Bau, Berlin (C)
    “Surface Tension: Contemporary Photographs from the Collection”, The Metropolitan Museum of Art, New York
    “Lyst – Overgaden”, Institut for Samtidskunst, Copenhagen
    “The Photographic Object“, The Photographers’ Gallery, London
    “Extended – Sammlung Landesbank Baden-Württemberg”, ZKM / Museum für Neue Kunst, Karlsruhe (C)
    “Phot(o)bjects”, Presentation House Gallery, Vancouver
    “Holbein bis Tillmans. Prominente Gäste aus dem Kunstmuseum Basel”, Schaulager, Basel (C)
    "Mi Vida – From Heaven to Hell. Life Experiences in Art From MUSAC Collection", Műcsarnok Kunsthalle in Budapest, Budapest (C)
    “Incidental Affairs”, Suntory Museum, Osaka (C)
    “Spazio Libro d’Artista”, Palazzo Manganelli, Catania, Italy
    “Bijoux de famille”, Galerie Chantal Crousel, Paris (C)
    “N’importe quoi”, Musée d’art contemporain de Lyon (C)
    “From Here To There”, The Arts Institute at Bournemouth, UK (C)
    “A Twilight Art”, Harris Lieberman, New York
    “Photography in the Abstract”, Lora Reynolds Gallery, Austin, TX

  • 2008

    “Pictures”, Wako Works of Art, Tokyo
    “8 1/2 x 11 / A4”, James Fuentes LLC, New York
    “50 moons of Saturn: T2 Torino Triennale”, Torino Triennale, Turin (C)
    “Other People: Portraits from Grunwald and Hammer Collections”, Hammer Museum, Los Angeles
    “When it’s a photograph”, Otis College of Art and Design, Los Angeles (C)
    “Noli Me Legere”, Michael Lett Gallery, Auckland, New Zealand (C)
    “Peter Saville – Accessories to an artwork”, Paul Stopler, London
    “The Art of the Real”, Vanmoerkerke Collection, Oostende, Belgium
    “Untitled (Vicarious)”, Gagosian Gallery, New York
    “Darkside. Photographic Desire and Sexuality Photographed“, Fotomuseum Winterthur, Winterthur, Switzerland (C)
    “Summer Show”, Wako Works of Art, Tokyo
    “History Keeps Me Awake at Night: A Genealogy of Wojnarowicz work related to Wojnarowicz”, PPOW Gallery, New York
    “3 a.m. Eternal”, Alexandre Pollazzon Ltd, London
    “REAL – Fotografien aus der Sammlung der DZ BANK“, Städel Museum, Frankfurt am Main (C)
    “Gewoon Anders! (Just Different!)”, Cobra Museum, Amsterdam
    “Spiegel geheimer Wünsche”, Hamburger Kunsthalle, Hamburg; travelled to Städtische Galerie Bietigheim-Bissingen, Germany
    “Street & Studio. An Urban History of Photography”, Tate Modern, London; travelled to Museum Folkwang, Essen, Germany (C)
    “Vertrautes Terrain”, ZKM – Zentrum für Kunst und Medientechnologie Karlsruhe (C)
    “Life on Mars: Carnegie International 2008”, Carnegie Museum of Art, Pittsburgh, PA (C)
    “The implications of image – Las Implicaciones de la Imagen“, MUAC – Museo Universitario Arte Contemporáneo, Mexico City
    “Every Body Counts”, Vestfossen Kunstlaboratorium, Vestfossen, Norway
    “History in the Making: A Retrospective of the Turner Prize”, Mori Art Museum, Tokyo
    “Courtesy Hans Kemna – Een keuze uit de fotografiecollectie van Hans Kemna”, Museum de Hallen, Haarlem, Netherlands (C)
    “Hotel Marienbad 002: Sammlung Rausch”, Kunst-Werke Berlin – KW Institute for Contemporary Art, Berlin
    “Konstellationen III – Neue Ankäufe und Schenkungen im Kontext der Sammlung”, Städel Museum, Frankfurt am Main
    “The Real World”, Ludlow 38, New York
    “Depreciation and Devastation”, Gavin Brown’s Enterprise, New York
    “Der große Wurf. Faltungen in der Gegenwartskunst”, Kaiser Wilhelm Museum, Museum Haus Lange, Krefeld, Germany (C)
    “The Possible Document”, Herald St, London
    “Yes, No & Other Options”, Art Sheffield 08, Sheffield, UK
    “Schöner wohnen”, Neugerriemschneider, Berlin
    ”abstract / abstract”, Museum Moderner Kunst Kärnten, Klagenfurt, Austria (C)
    “15 Years / Part III” (with Christopher Williams), Wako Works of Art, Tokyo
    “Body Work”, Le Case d´Arte, Milan

  • 2007

    “Betrifft: Israel”, Jüdisches Museum, Berlin
    “Pop am Rhein”, Stadtmuseum Köln, Cologne (C)
    “Getroffen. Otto Dix und die Kunst des Portraits”, Kunstmuseum Stuttgart (C)
    Rebecca Camhi Gallery, Athens
    “MODE:BILDER – Fotografien aus der Sammlung F. C. Gundlach”, NRW-Forum Kultur und Wirtschaft, Dusseldorf
    “PLAYBACK“, Musée d’art moderne de la Ville de Paris (C)
    “Stardust or the Last Frontier”, Musée d´art contemporain du Val-de-Marne, France (C)
    “Weltempfänger – 10 Jahre Galerie der Gegenwart”, Kunsthalle Hamburg
    “The Turner Prize: A Retrospective. 1984–2006”, Tate Britain, London (C)
    “Depth of Field: Modern Photography at the Metropolitan”, Metropolitan Museum of Art, New York
    “Existencias”, MUSAC – Museo de Arte Contemporáneo de Castilla y León, Spain (collection display) (C)
    “Seeing Things”, Dorsky Gallery, Long Island City, NY
    “Generatioanl Issue”, CGAC – Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain
    “Franz West: Soufflé”, Kunstraum Innsbruck, Austria
    “Viewfinder”, Henry Art Gallery, University of Washington, Seattle
    “At Home”, Yvon Lambert, New York
    “Edit! Photography and Film in the Ellipse Collection”, Centro de Artes Visuais, Coimbra, Portugal
    “The Droste Effect”, Esther Schipper, Berlin
    “PERSPEKTIVE 07 – Neuerwerbungen und Wünsche der Sammlung für Gegenwartskunst im Lenbachhaus”, Städtische Galerie im Lenbachhaus und Kunstbau, Munich
    “Numerica”, Palazzo delle Papesse – Centro arte contemporanea, Siena, Italy (C)
    “The Naked Portrait”, Scottish National Portrait Gallery, Edinburgh; travelled to Compton Verney, Warwickshire, UK (C)
    “Garten Eden – Der Garten in der Kunst seit 1900”, Kunsthalle Emden, Germany (C)
    “What Does the Jellyfish Want”, Museum Ludwig, Cologne
    “No Such Thing as Society. Photography in Britain 1967–87 from the Arts Council Collection and the British Council”, Hayward Touring Exhibitions, London (C)
    “Visit(e). Selection from the contemporary art collection of the Federal Republic of Germany – Werke aus der Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland”, Palais des Beaux-Arts, Brussels (C); travelled to Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn (2008) (C)
    “Dateline Israel: New Photography and Video Art”, The Jewish Museum, New York
    “Hava Boşluğu – Air Pocket”, galerist, Istanbul
    “Unter Sternen”, Museum Franz Gertsch, Burgdorf, Switzerland
    “Reality Bites: Making Avant-Garde Art in Post-Wall Germany”, Mildred Lane Kemper Art Museum, St. Louis, MO; travelled to Opelvillen Rüsselsheim, Germany
    “Into Me / Out of Me”, MACRO – Museo d'arte contemporanea, Rome (C)

  • 2006

    “Personal Affairs”, Museum Morsbroich, Städtisches Museum Leverkusen Schloss Morsbroich, Leverkusen
    “Peace Camp”, The Brick Lane Gallery, London
    “The Studio”, Dublin City Gallery The Hugh Lane, Dublin (C)
    “From Fair to Fine”, Stephen Daiter Gallery, Chicago
    “The Gold Standard”, MoMA PS1, New York
    “Modernity and Self”, Mildred Land Kemper Art Museum, St. Louis, MO
    “In the Face of History: European Photographers in the 20th Century”, Barbican Art Gallery, London (C)
    “Idylle”, Sammlung Falckenberg, Harburg; travelled to Domus Artium 2002, Salamanca, Spain and National Gallery, Prague
    “The Secret Public: The last days of the British underground 1978–1988”, Kunstverein München, Munich; travelled to Institute of Contemporary Arts, London (2007) (C)
    “The Wonderful Fund Collection”, Pallant House Gallery, Chichester, UK
    “Out of Place”, New Art Gallery Walsall, UK
    “The Heartbeat of Fashion”, Deichtorhallen Hamburg
    “Peintres de la vie moderne”, Musée national d’art moderne, Centre Pompidou, Paris
    “FASTER! BIGGER! BETTER! – Signetwerke der Sammlungen”, ZKM / Museum für Neue Kunst, Karlsruhe (C)
    “As if by Magic”, The Bethlehem Peace Centre, Bethlehem, Palestine
    “Das Achte Feld – Geschlechter, Leben und Begehren in der bildenden Kunst seit 1960”, Museum Ludwig, Cologne (C)
    “Surprise Surprise”, Institute of Contemporary Arts, London
    “Landscapes”, Wako Works of Art, Tokyo
    “Toutes Composition Florales”, Counter Gallery, London
    “The Starry Messenger: Visions of the Universe”, Compton Verney, Warwickshire, UK (C)
    “Thank You For the Music (London Beat)”, Sprüth Magers Lee, London
    “It’s Not a Photo”, Chelsea Art Museum, New York
    “Galerie Daniel Buchholz at Metro Pictures”, Metro Pictures Gallery, New York
    “Sweet Ecstasy”, Galerie Nicola von Senger, Zurich
    “Good Vibrations – Visual arts and Rock music”, Palazzo delle Papesse, Siena, Italy (C)
    “Abstract Art Now 1 – Floating Forms”, Wilhelm Hack-Museum, Ludwigshafen, Germany (C)
    “An Ongoing Low-Grade Mystery”, Paula Cooper Gallery, New York
    “Y Ahora Sin Ti …”, Galería Juana De Aizpuru, Madrid
    “Arquivar Tormentas”, CGAC – Centro Galego de Arte contemporánea, Santiago de Compostela, Spain
    “The Sublime is Now!”, Museum Franz Gertsch, Burgdorf, Switzerland (C)
    “Mas de lo que los ojos pueden ver“, MARCO Monterrey, Mexico
    “Click Doubleclick”, Haus der Kunst, Munich; travelled to Bozar Expo, Brussels (C)
    “Auto-Nom-Mobile”, Kunstverein and KulturBahnhof Kassel
    “Portrait und Menschenbild”, SK Stiftung Kultur, Cologne
    “Frankfurter Positionen – Gut ist, was gefällt”, Klasse Wolfgang Tillmans, MMK – Museum für Moderne Kunst, Frankfurt am Main
    “Gut ist was gefällt – Versuche über die zeitgenössische Urteilskraft” (with Hans-Peter Feldmann, Lucien Samaha, Wolfgang Tillmans and class), How Queer Everything is Today, Queer Festival, Copenhagen
    “Deckchair dreams”, London’s Royal Parks, London

  • 2005

    “Thank You For The Music”, Sprüth Magers, Munich
    “Superstars. Das Prinzip Prominenz. Von Warhol bis Madonna”, Kunsthalle Wien; Kunstforum Wien, Vienna (C)
    “Zwischen Wirklichkeit und Bild: German Contemporary Photography – Positionen deutscher Fotografie der Gegenwart“, National Museum of Modern Art, Tokyo; travelled to National Museum of Modern Art, Kyoto and Marugame Genichiro-Inokuma Museum of Contemporary Art, Kagawa, Japan (2006) (C)
    “Goethe abwärts – deutsche Jungs etc. The Falckenberg Collection”, Meilahti Art Museum, Helsinki; travelled to Mönchehaus-Museum, Goslar, Germany (2006) (C)
    “46th Oktobarski Salon”, Belgrad (C)
    “Projekt Migration – Roadmap to Europa”, Kölnischer Kunstverein, Cologne (C)
    “The Wonderful Fund Collection”, Marrakech Museum, Marrakech
    “Welt-Bilder”, Helmhaus Zürich, Zurich (C)
    “BYO. Bring Your Own”, MAN – Museo d’arte Provincia di Nuoro, Nuoro, Italy
    “Shadowplay – A Homage to H. C. Andersen”, Kunsthallen Brandts Klaedefabrik; travelled to Kunsthalle zu Kiel and Landesgalerie Linz (Austria) (C)
    “Projekt Migration”, Kölnischer Kunstverein
    “Nischen – von der Architketur und Landschaft bis zur ’Szene’”, Galerie der Stadt Tuttlingen, Germany
    “Coolhunters”, ZKM – Zentrum für Kunst und Medientechnologie Karlsruhe zu Gast in der Städtischen Galerie Karlsruhe (C); travelled to Künstlerhaus Wien, Vienna and Mücsarnok Kunsthalle Budapest (2006)
    “Extreme Abstraction”, Albright Knox Gallery, Buffalo, NY
    “Sammlung 2005“, Kunstsammlung Nordrhein-Westfalen, K21 Ständehaus, Dusseldorf (collection display)
    “What I did on my Summer Vacation”, Clampart, New York
    “Motor Blues – Fotografien aus der Schenkung der BMW Group”, Museum der Bildenden Künste Leipzig
    “Visions of the Body 2005”, Seoul Museum of Art, Seoul
    “Always a Little Further”, La biennale di Venezia 51 – 51st Venice Biennale, Venice (C)
    “Il Teatro dell’Arte – The Theatre of Art. Masterpieces from the collection of the Ludwig Museum, Cologne”, Villa Manin, Passariano, Italy (C)
    “Bidibidobidiboo”, Fondazione Sandretto Re Rebaudengo, Turin
    “Blumenstück”, Museum Morsbroich, Städtisches Museum Leverkusen Schloss Morsbroich, Leverkusen
    “Covering the Real. Kunst- und Pressebild von Warhol bis Tillmans”, Kunstmuseum Basel (C)
    “25 Jahre Sammlung Deutsche Bank”, Deutsche Guggenheim, Berlin (collection display)
    “Das verlorene Paradies – Die landschaft in der zeitgenössischen Photographie”, Kunst- und Kulturstiftung Opelvillen Rüsselsheim
    “Miradas y conceptos en la Colección Helga de Alvear”, MEIAC – Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, Spain
    “Europe in Art”, National Museum of Contemporary Art, Bucharest
    “In Bloom”, Mark Moore Gallery, Los Angeles
    “Atlantic & Bukarest”, Kunstmuseum Basel
    “Telefonica’s Photography Collection”, MARCO – Museo de Arte Contemporánea de Vigo, Spain
    “Growing Up Absurd”, Herbert Read Gallery, Canterbury, UK

  • 2004

    “Jetzt und zehn Jahre davor”, Kunst-Werke Berlin – KW Institute for Contemporary Art (organized by Axel John Wieder, Gertrud Berlin and Josef Strau), Berlin (C)
    “15 Jahre Deichtorhallen”, Deichtorhallen Hamburg (C)
    “Colección Taschen”, Museo Nacional Centro de Arte Reina Sofía, Madrid
    “Encounters in the 21st Century”, 21st Century Museum of Contemporary Art, Kanazawa, Japan
    “Friedrich Christian Flick Collection”, Hamburger Bahnhof – Museum für Gegenwart, Berlin (C)
    “The Flower as Image”, Louisiana Museum of Modern Art, Humlebæk, Denmark (C); travelled to Fondation Beyeler, Riehen, Switzerland (C)
    “Im Rausch der Dinge”, Fotomuseum Schweiz, Winterthur, Switzerland
    “Speaking with Hands – Photographs from the Buhl Collection”, Guggenheim Museum, New York; travelled to Guggenheim, Bilbabo, Spain, Museum Folkwang, Essen and Russian Museum, St. Petersburg (all 2006)
    “Relating to Photography”, Fotografie Forum International, Frankfurt am Main
    “Von Körpern und anderen Dingen… Fotografie des 20. Jahrhunderts”, Kunstmuseum Bochum
    “Likeness: Portraits of artists by other artists”, Wattis Institute for Contemporary Arts, San Francisco (C)
    “Atmosphere”, Museum of Contemporary Art Chicago
    “Werke aus der Sammlung Boros”, ZKM / Museum für Neue Kunst, Karlsruhe (C)
    “Monument to Now”, The Dakis Joannou Collection, Athens (C)
    “Stephan Balkenhol – Wolfgang Tillmans”, Galerie Rüdiger Schöttle, Munich
    “Il Nudo”, Galleria d’Arte Moderna, Bologna (C)
    “Landscape 2”, Tower Art Gallery, Eastbourne, UK
    “Rose C’est la Vie”, Tel Aviv Museum of Art, Tel Aviv, Israel
    “Enthüllt”, Städtische Museen Heilbronn (C)

  • 2003

    “Auto-nom”, NRW-Forum Kultur und Wirtschaft, Dusseldorf
    “A Clear Vision – Photographische Werke aus der Sammlung F. C. Gundlach”, Deichtorhallen Hamburg
    “Looking in – Looking Out”, Kunstmuseum Basel
    “20th Anniversary Show”, Sprüth Magers, Cologne
    “actionbutton” (Hamburger Bahnhof – Museum für Gegenwart, Berlin (C)
    “Berlin – Moskau / Moskau – Berlin. 1950–2000”, Martin-Gropius-Bau, Berlin (C)
    “Warum!”, Martin-Gropius-Bau, Berlin (C)
    “Öffentlich / privat”, Gesellschaft für zeitgenössische Kunst, Leipzig (C)
    “Attack – Kunst und Krieg im Zeitalter der Medien”, Kunsthalle Wien, Vienna (C)
    “Heiliger Sebastian”, Kunsthalle Wien, Vienna (C)
    “M_ARS – Kunst und Krieg”, Neue Galerie Graz (C)
    “Outlook”, cultural olympiade, Athens (C)
    “Mixtapes”, California College of Arts and Crafts, San Francisco
    “Montagna: arte, scienza, mito da Dürer a Warhol”, Museo di arte moderna e contemporanea di Trento e Rovereto, Rovereto, Italy
    “Fast Forward”, Sammlung Goetz, ZKM – Zentrum für Kunst und Medientechnologie Karlsruhe (C)
    “After the Observatory”, Paula Cooper Gallery, New York
    “Deutsche Fotografie im 20. Jahrhundert”, Deutsches Historisches Museum, Berlin
    “Architektur der Obdachlosigkeit. Biss zu Gast in der Pinakothek der Moderne”, Pinakothek der Moderne, Munich (C); travelled to Museum der Arbeit, Hamburg and Berlinische Galerie, Berlin (all 2005)
    “The Society for Contemporary Art Selection”, The Art Institute Chicago
    “Abstraction in Photography”, Von Lintel Gallery, New York
    “Sex”, Karyn Lovegrove Gallery, Los Angeles
    “Anniversary Exhibition”, Gavin Brown’s Enterprise, New York
    “Somewhere Better Than This Place: Alternative Social Experience in the Spaces of Contemporary Art”, Contemporary Arts Center, Cincinatti, OH
    “Painting Pictures”, Kunstmuseum Wolfsburg (C)

  • 2002

    “Sensationen des Alltags”, Kunstmuseum Wolfsburg
    “Moving Pictures”, Solomon R. Guggenheim Museum, New York; travelled to Guggenheim Museum, Bilbao, Spain (2003)
    “Remix: Contemporary Art & Pop”, Tate Liverpool (C)
    “Hossa – Arte Alemàn del 2000”, Centro Cultural Andratx, Mallorca

  • 2001

    “Shopping”, Schirn Kunsthalle, Frankfurt am Main; travelled to Tate Liverpool (C)
    “Transform the world 2002”, Wako Works of Art, Tokyo
    “Club Club Club”, Le Confort Moderne, Poitiers
    “Record Collection”, VTO gallery, London; travelled to The International 3, Manchester, UK and Forde Espace d’Art Contemporain, Geneva
    “Why bother? – The Burger King Exhibition”, 90 Whitechapel High Street, London
    “Museum unserer Wünsche”, Museum Ludwig, Cologne
    “Un mundo feliz / Brave new world”, Galeria OMR, Mexico City
    “Sex – Vom Wissen und Wünschen”, Hygienemuseum Dresden (C)
    “La natura della natura morta”, Galleria d’Arte Moderna, Bologna (C)
    “Uniforms: Order and Disorder”, Pitti Immagine, Florence; travelled to MoMA PS1, New York (C)
    “Century City: Art and Culture in the Modern Metropolis”, Tate Modern, London (C)
    “Contemporary Utopia”, Latvian Centre for Contemporary Art, Riga (C)
    “Zero Gravity”, Kunstverein der Rheinlande und Westfalen, Kunsthalle Düsseldorf, Dusseldorf (C)
    “Neue Welt”, Frankfurter Kunstverein, Frankfurt am Main (C)
    “Open City: Street Photographs since 1950”, Museum of Modern Art, Oxford (C); travelled to Hirshhorn Museum and Sculpture Garden, Washington, DC

  • 2000

    “Landscape” (organized by The British Council); travelled to Weimar, Moscow, St. Petersburg, Rome, Madrid, Paris, Sofia, Rio de Janeiro, São Paulo, Curitiba, Brussels and Ljubljana (C)
    “Quotidiana. The Continuity of the Everyday in 20th Century Art”, Castello di Rivoli – Museo d’Arte Contemporanea, Turin (C)
    “Photography Now”, Contemporary Arts Center, New Orleans (C)
    “Lost”, Ikon Gallery, Birmingham (C)
    “Some Parts of this World”, Helsinki Photography Festival, Helsinki (C)
    "Look at Me: Fashion and Photography in Britain 1960 to the present", The British Council touring exhibition, Kunsthal, Rotterdam; travelled to Foundation Trussardi, Marina Alla Scala Art Centre, Milan, Centre for Contemporary Arts, Ujazdowski Castle, Warsaw, Mali Manezh, Moscow, State Museum of the History of St. Petersburg, St. Petersburg, Tallinna Kunstihoone Fond, Tallin, Oksnehallen, Copenhagen, Museu de Documantatio I Museu Textill, Terrasa, Spain, Recinto Ciudadela, Pamplona, Spain, Palacio de abrantes, Salamanca, Spain, House of Art, Bratislava (C)
    “Oldest Possible Memory – Collection Hauser and Wirth”, Lokremise St. Gallen, Switzerland (C)
    “British Art Show 5” (organized by the Hayward Gallery, London); travelled to Edinburgh, Southhampton, Cardiff and Birmingham (C)
    “Présumés innocents”, CAPC – Musée d’art contemporain de Bordeaux (C)
    “Deep Distance. Die Entfernung der Fotografie”, Kunsthalle Basel (C)
    “90 60 90”, Museo Jacobo Borges, Caracas (C)
    “Dire AIDS. Art in the Age of Aids”, Promotrice della Bella Arte, Turin (C)
    “The Sea & the Sky”, The Royal Hibernian Academy, Philadelphia, PA (C)
    “Complicity”, Australian Centre for Photography, Sydney
    “Eine Munition unter anderen”, Frankfurter Kunstverein, Frankfurt am Main (C)
    “Vanishing Points”, Groupe Première Heure, St-Cloud, France
    “Protest and Survive”, Whitechapel Art Gallery, London (C)
    “Apocalypse”, Royal Academy of Arts, London (C)
    “AutoWerke”, Deichtorhallen Hamburg (C)
    “Turner Prize”, Tate Britain, London

  • 1999

    “Zoom – Ansichten zur deutschen Gegenwartskunst”, Sammlung Landesbank Baden-Württemberg, Württembergischer Kunstverein Stuttgart; travelled to Städtisches Museum Abteiberg, Mönchengladbach (C)
    “Flashes – Contemporary Trends”, Fondation Cartier pour l’art contemporain, Centro Cultural de Belèm, Lisbon; traveled to Fondacio Miró, Barcelona; Centro Arte Contemporanea Palazzo delle Papesse, Siena, Italy (C)
    “… om det sublima ... / … on the sublime ...”, Rooseum, Malmo, Sweden (C)
    “The Image of the Other”, Fundació Fòrum Universal de les Cultures, Barcelona (C)
    “Wohin kein Auge reicht – Von der Entdeckung des Unsichtbaren”, Deichtorhallen Hamburg (C)
    “Hypertronix”, Espai d’Art Contemporani de Castelló (C)
    “Vision of the Body: Fashion or Invisible Corset”, National Museum of Modern Art, Kyoto; travelled to Museum of Contemporary Art, Tokyo (C)
    “First Exhibition – Eliezer Sonnenschein, Wolfgang Tillmans, Tamar Neeman”, Sommer Contemporary Art, Tel Aviv
    “Macht und Fürsorge – Das Bild der Mutter in der zeitgenössischen Kunst”, Trinitätskirche, Cologne (C)
    “How Will We Behave?”, Robert Prime, London
    “Can You Hear Me?”, 2nd Ars Baltica Triennial of Photographic Art, Stadtgalerie im Sophienhof, Kiel, Kunsthalle Rostock et al. (C)

  • 1998

    “Collection un autre regard”, CAPC – Musée d’art contemporain de Bordeaux
    “Sunday by Matthew Higgs”, Cabinet Gallery, London
    Galerie Ghislaine Hussenot, Paris
    Kunsthalle Bremen
    “Still Life: 1900–1998”, Marlborough Graphics, Marlborough Gallery Inc., New York
    “The Sound of One Hand: The Collection of Côllier Schorr”, Apex Art, New York
    “Fast Forward Image”, Kunstverein in Hamburg, Hamburg (C)
    Galerie Daniel Buchholz, Cologne
    “Portrait – Human Figure”, Galerie Peter Kilchmann, Zurich
    “From the Corner of the Eye”, Stedelijk Museum, Amsterdam (C)
    “Fashion at the Beach” (curated and organized by Charles Cowles and Dennis Christie), Bass Museum of Art, Miami, FL; travelled to Contemporary Art Center of Virginia, Virginia Beach, VA (C)
    “The Quiet in the Land: Everyday Life – Contemporary Art and the Shakers”, The Institute of Contemporary Art, Boston
    “Stretch”, Tensta Konsthall, Stockholm (C)
    “The DG Bank Collection”, Hara Museum of Contemporary Art, Tokyo (C)
    “La Sphère de l’intime”, Le Printemps de Cahors Festival, St-Cloud, France
    “Berlin / Berlin – 1. Berlin Biennale für zeitgenössische Kunst”, 1st Berlin Biennale, Berlin (C)
    “Veronica’s Revenge”, Lambert Collection, Geneva; traveleld to Centre d’art contemporain, Geneva and Deichtorhallen Hamburg (C)

  • 1997

    “Die Kunsthalle Bremen zu Gast in Bonn”, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn (C)
    “Zeitgeist Becomes Form – German Fashion Photography 1945–1995”, Pat Hearn Gallery, New York; Morris Healy Gallery, New York (C)
    “Absolute Landscape – Between Illusion and Reality”, Yokohama Museum of Art, Yokohama (C)
    “Sous le Manteau”, Galerie Thaddaeus Ropac, Paris (C)
    “Projects”, Irish Museum of Modern Art, Dublin (C)
    “The Quiet in the Land: Everyday Life, Contemporary Art and the Shakers”, Institute of Contemporary Art at Maine College of Art, Maine, PO
    “The 90s: A Family of Man?”, Casino Luxembourg – Forum d’art contemporain, Luxembourg (C)
    “Positionen künstlerischer Photographie in Deutschland von 1945–1995”, Berlinische Galerie, Berlin; Martin-Gropius-Bau, Berlin (C)
    “Kunst … Arbeit”, Forum der Südwest LB, Stuttgart (C)
    “We Gotta Get out of this Place”, Cubitt, London

  • 1996

    Manifesta 1, Rotterdam, Netherlands
    “Glockengeschrei nach Deutz”, Galerie Daniel Buchholz, Cologne (C)
    “Le Plaisir et les ombres”, Fondation pour l’Architecture, Brussels
    “Everything that’s Interesting is New. The Dakis Joannou Collection”, Athens school of Fine Art; travelled to Arken Museum for moderne kunst, Copenhagen (C)
    “Nudo y Crudo: Sensitive Body, Visible Body”, Claudia Gian Ferrari Arte Contemporanea, Milan (C)
    “By Night”, La Fondation Cartier pour l’art contemporain, Paris (C)
    “Traffic”, CAPC – Musée d’art contemporain de Bordeaux (C)
    “Urgence”, CAPC – Musée d’art contemporain de Bordeaux (C)
    “Prospect ’96 – Fotografie in der Gegenwartskunst”, Frankfurter Kunstverein and Schirn Kunsthalle, Frankfurt am Main (C)
    “Das deutsche Auge”, Deichtorhallen Hamburg
    “Pictures of Modern Life”, Galerie Rodolphe Janssen, Brussels; École régionale des Beaux-Arts de Tours, France
    “Visitors’ Voices: Recomposing the Collection”, Walker Art Center, Minneapolis, MN
    “Shift” (organized by nGbK – neue Gesellschaft für bildende Kunst), Haus der Kulturen der Welt, Berlin (C)
    “A / drift: Scenes from the Penetrable Culture”, Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY (C)
    “New Photography #12”, MoMA – Museum of Modern Art, New York

  • 1995

    “Take Me (I’m Yours)”, Serpentine Gallery, London; travelled to Kunsthalle Nürnberg, Nuremberg and Castello di Rivoli, Turin, Italy (C)
    “Every Time I See You”, Galleri Nicolai Wallner, Malmo, Sweden; galleri index, Stockholm
    “Human Nature”, New Museum of Contemporary Art, New York
    “Mondo Nova”, Le Case d’Arte, Milan (C)
    “The Enthusiast”, Gavin Brown’s Enterprise, New York
    “Photographies”, Galerie Rodolphe Janssen, Brussels
    “ars viva 95 / 96 – Photographie”, Anhaltische Gemäldegalerie Dessau; travelled to Frankfurter Kunstverein, Frankfurt am Main; Kunsthalle Nürnberg, Nuremberg (C)
    “Kunstpreis der Böttcherstraße in Bremen”, Kunsthalle Bremen (C)

  • 1994

    “Homegrown”, Lotus Club, Cologne
    “L’hiver de l’amour”, Musée d’art moderne de la Ville de Paris (C)
    “Dinos and Jake Chapman, Georgina Starr, Wolfgang Tillmans”, Andrea Rosen Gallery, New York
    “Sonne München”, Galerie Daniel Buchholz, Cologne
    “Les Dimanches de l’amour”, École regionale des beaux-arts de Rennes
    “Mechanical Reproduction”, AP, Amsterdam (C)
    “Rien à signaler”, Galerie Analix, Geneva (C)
    “Soggetto Soggetto”, Castello di Rivoli – Museo d’arte contemporanea, Turin (C)
    “The Winter of Love”, P.S.1, New York
    “100 Umkleidekabinen”, Bad zur Sonne, Graz (C)
    “Streetstyle”, Victoria & Albert Museum, London (C)

  • 1993

    “June”, Galerie Thaddaeus Ropac, Paris
    “Atelier” (in collaboration with Isa Genzken), Galerie Daniel Buchholz, Cologne; Wilma Tolksdorf, Hamburg
    “Fuck the System”, Villa Rossi, Lucca, Italy
    “November Television”, Esther Schipper, Cologne
    “Phenylovethylamour”, Unfair 1993, Cologne (Galerie Daniel Buchholz)
    “Belcher, Höller, General Idea, Tillmans, Odenbach”, Galerie Daniel Buchholz, Cologne
    “Christmasshop”, Air de Paris, Paris

  • 1992

    i-D Now, Pitti Image, Palazzo Corsini, Florence, Italy
    tomorrow people, Imagination Gallery, London
    We Haven’t Stopped Dancing Yet, PPS, Galerie F. C. Gundlach, Hamburg, Germany

  • 1991

    Icons of a Mutinous Age: Three Photographers, Bournemouth and Poole College of Art and Design, Bournemouth, England

  • 1989

    Die Hamburg Schachtel, Museum für Kunst und Gewerbe, Hamburg, Germany (exh. cat.)

Exhibitions curated by Wolfgang Tillmans

Between Bridges, Berlin:

  • 2018

    How will the weather be tomorrow?

  • 2016

    Meeting Place
    Doppelleben - Kunst und Popmusik, by Jörg Heiser (book launch)
    Peter Knoch

  • 2015

    Jochen Lempert
    Anders Clausen
    Fashion Stories
    Greer Lankton
    Bring Your Own, (Playback Room pt. III)
    American Producers, (Playback Room pt. II)

  • 2014

    Edgewise: A Picture of Cookie Mueller by Chloé Griffin (book launch)
    Colourbox - Music of the group (1982–1987)
    Scott King, Totem Motiv
    And Life Goes On… (curated by Karl Holmqvist)
    Patrick Caulfield

Between Bridges, London:

  • 2011

    Marte Eknæs, Escalate
    Len Lye, 'Free Radicals'

  • 2010

    Gerd Arntz (1900–1988) and Isotype

  • 2009

    Jenny Holzer, Truisms (1977–79) and Essays (1979–82)
    Ull Hohn

  • 2008

    25/34 Photographes (Ralf Marsault / Heino Muller), Fin de Siècle
    Wilhelm Leibl (1844 - 1900)
    The Center for Land Use Interpretation
    Isa Genzken, Ground Zero (2)

  • 2007

    Art Club 2000, Selected Works 1992 – 1994
    Charles Henri Ford, The Garden of Disorder
    Charlotte Posenenske – Series DW (corrugated cardboard) 1967
    Josef Kramhöller

  • 2006

    Sister Corita; works from the 1960s
    Wolfgang Breuer; Umbel
    David Wojnarowicz
    Jochen Klein

Others

  • 2018

    Videoart at Midnight: Wolfgang Tillmans, BABYLON, Rosa-Luxemburg-Platz, Berlin, Germany

  • 2016

    Playback Room (A space for studio music based on an idea by and in Collaboration with Wolfgang Tillmans), The Lenbachhaus, Munich, Germany

  • 2014

    Fondation Beyeler (collection display with works by and curated by Wolfgang Tillmans)

  • 2009

    Park Nights: John Maus (curated by Wolfgang Tillmans), Serpentine Gallery Pavilion, London (August 8)
    The Perpetual Dialogue (curatorial contributor), Andrea Rosen Gallery, New York

  • 2008

    Tegenwoordigheid van Geest – Presence of Mind (collection display curated by Wolfgang Tillmans) and Stedelijk Room (installation for the permament collection by Wolfgang Tillmans), Stedelijk Museum, Amsterdam
    ochen Klein (curated by Bernhart Schwenk and Wolfgang Tillmans), Pinakothek der Moderne, Munich

  • 2004

    Inventory – Scott King, Donald Urquhart (curated by Wolfgang Tillmans), Portikus, Frankfurt am Main

Bibliography

  • Artist’s books, catalogues and monographs

  • 2018

    "Wolfgang Tillmans: DZHK Book 2018", David Zwirner Books, David Zwirner, Hong Kong
    "Wolfgang Tillmans: Kaiserringträger der Stadt Goslar 2018", Mönchehaus Museum, Goslar, Germany
    “Do I have to draw you a picture?", Dr Elisa Schaar and Dr Prerona Prasad, Downing College Cambridge, 2018 (c)

  • 2017

    Jahresring 64: What is Different?, Wolfgang Tillmans and Brigitte Oetker (eds.), Sternberg Press, Berlin
    Wolfgang Tillmans 2017, Tate Publishing, London, 2017 (c)

  • 2016

    Conor Donlon, Verlag der Buchhandlung Walther König, Cologne

    On the Verge of Visibility, Serralves Museum of Contemporary Art, Porto

  • 2015

    What’s Wrong with Redistribution?, Verlag der Buchhandlung Walther König, Cologne
    Your Body Is Yours, The National Museum of Art, Osaka, Japan
    The Cars, Verlag der Buchhandlung Walther König, Cologne

  • 2014

    Wolfgang Tillmans. London and New York: Phaidon Press, Second Edition
    Wolfgang Tillmans, BT Books, Tokyo
    Wolfgang Tillmans: Wako Book 5, Wako Works of Art, Tokyo, Japan

  • 2013

    Wolfgang Tillmans, exh cat. MAM – Museu de Arte Moderna de São Paulo, Museo de Arte del Banco de la República, Bogotá, MALI – Museo de Arte de Lima, Lima, Peru, MAVI – Museo de Artes Visuales, Santiago de Chile
    Wolfgang Tillmans: Utoquai, TBW Books: Series 4, Book 4, California, U.S.A
    Wako Book 5, exh. cat., Tokyo: Wako Works of Art

  • 2012

    Neue Welt: Wolfgang Tillmans, Taschen
    Wolfgang Tillmans: FESPA Digital / Fruit Logistica, Verlag der Buchhandlung Walter König, Köln
    
Wolfgang Tillmans, Moderna Museet, Stockholm, Kunstsammlung Nordrhein-Westfalen, Düsseldorf

  • 2011

    Wolfgang Tillmans Abstract Pictures, Hatje Cantz, Ostfildern
    Wolfgang Tillmans Zachęta Ermutigung, edited by Isabelle Malz, Kunstsammlung Nordrhein-Westfalen, Düsseldorf.

  • 2010

    Wolfgang Tillmans, Serpentine Gallery, Keonig Books, London
    Wolfgang Tillmans: Interviews, Wako Works of Art, Tokyo

  • 2008

    Lighter, Hamburger Bahnhof, Museum für Gegenwart, Hatje Cantz, Ostfildern
    Wako book 4, Wako Works of Art, Tokyo, Japan

  • 2007

    Wolfgang Tillmans. Hans Ulrich Obrist. The Conversation Series Vol.6, Verlag der Buchhandlung Walther König, Cologne
    Carciofo – Still Lifes. Oroom Gallery, Seoul, Korea.
    Wolfgang Tillmans: Manual. Verlag der Buchandlung Walther König, Köln, Germany
    Why We Must Provide HIV Treatment Information, HIV i-base, London, UK
    Sprengel Installation, exh. cat. Sprengel Museum, Hannover

  • 2006

    Freedom From The Known. New York and Göttingen, Germany: PS1 and Steidl Verlag
    Wolfgang Tillmans. exh. cat., Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London

  • 2005

    Truth study center, Taschen, Cologne, 2005, reissued 2011 (with “Wolfgang Tillmans” & “Burg”)

  • 2004

    Wolfgang Tillmans: Freischwimmer. Tokyo: Tokyo Opera City Gallery
    Wako Book 3, exh. cat., Tokyo: Wako Works of Art

  • 2003

    If one thing matters, everything matters”, exh. cat. Tate Publishing, London

  • 2002

    Wolfgang Tillmans. London and New York: Phaidon Press, First Edition
    Wolfgang Tillmans: Still Life. Cambridge, Mass: Harvard University Art Museum

  • 2001

    AC: Isa Genzken/Wolfgang Tillmans. edited by Museum Ludwig, Cologne, Germany: Verlag der Buchhandlung Walther König
    Partnerschaften II, exh. cat., Berlin: Neue Gesellschaft für Bildende Kunst
    Portraits. Cologne, Germany: Verlag der Buchhandlung Walther König
    View from Above/Aufsicht, Ostfildern-Ruit, Germany: Hatje Cantz Verlag
    Wako Book 2, exh. cat., Tokyo: Wako Works of Art

  • 1999

    Soldiers: The Nineties. Cologne, Germany: Verlag der Buchhandlung Walther König
    Total Solar Eclipse/Totale Sonnenfinsternis. Cologne, Germany: Galerie Daniel Buchholz
    Wako Book 1999, exh. cat., Tokyo: Wako Works of Art

  • 1998

    Burg, Taschen, Cologne, 1998, reissued 2002 (with “Wolfgang Tillmans”), reissued 2011 (with “Wolfgang Tillmans” & “truth study center”)
    Fruiciones, exh. cat., Madrid: Museo Nacional Reina Sofia

  • 1997

    Concorde, Verlag der Buchhandlung Walther König, Cologne

  • 1996

    For When I’m Weak I’m Strong/ Wer Liebe wagt, lebt morgen, exh. cat. Ostfildern-Ruit, Kunstmuseum Wolfsburg and Hatje Cantz Verlag, Germany

  • 1995

    Wolfgang Tillmans, exh. cat. Portikus, Frankfurt am Main
    Wolfgang Tillmans, exh. cat. Kunsthalle Zürich, 1995, reissued by Ringier, Zurich, 2008
    Wolfgang Tillmans, Taschen, Cologne, 1995, reissued 2002 (with “Burg”), reissued 2011 (with “Burg” & “truth study center”)

Photography, writings, interviews, and projects for magazines, catalogues, videos, and record covers

  • 2018

    Cover for "Crudo", Olivia Laing, Picador, 2018
    Cover, Dazed A/W 18
    Cover, "Kong" (single), Neneh Cherry, 2018
    Cover, "Broken Politics" (Album) Neneh Cherry, 2018

  • 2017

    "Beach House in Drag"(photography) in: apartamento magazine issue #20 (autumn / winter) pp. 156–173
    "Conquistador III', poster for Mousse Magazine, Summer 2017
    "London, Light, Hope", cover for the Evening Standard Magazine, 7 July 2017.
    "Fragile Trilogy Part 3 --- 'South Tank'" (artist's pages), in: Arena Homme +, Summer/Autumn 2017
    “Wolfgang Tillmans 2017” (artist’s pages), in: Tate Etc, issue 39, (spring 2017), pp. 64-71
    "Dance to your own rhythm: Arca is shot and interviewed by Wolfgang Tillmans", in: i-d.vice.com, (23 February)
    "Powell: Freezer" (Music Video), XL Recordings / Diagonal Records

  • 2016

    “A Moment”, in: Pop, no. 35 (autumn / winter), p. 377
    “Arca“ (portraits), in: groove (January / February), pp. 24–27
    “Artists on Politics”, (artist’s pages) in: Artforum, (November 2016), pp.224-237
    “Augenlicht” (uppp), in: Jahresvorschau 2016/2017 Bayerische Staatsoper, München, pp. 44–45
    “Atelier” (photography), in: Camera Austria, no. 134, cover
    "Central Nervous System" (artist's pages), in: Vestoj, Issue No. 7, (Winter 2017) pp.165-175
    “Conversation: Wolfgang Tillmans Considers Three of His Own Photographs”, (interview), in: canadianart.ca, (18 October 2016)
    “EU Campaign” (Anti-Brexit poster, social media and T-shirt campaign), in various places (open source download at: http://tillmans.co.uk/campaign-eu)
    “EU Campaign“ (artist’s pages), in: Spex, no. 369, p. 114; in: 032c, no. 30, p. 264
    “Foreword“ (text), in: Insight. Astronomy Photographer of the year, Collins, Glasgow, p. 13
    “Fragile Fiction” (photography and artist’s pages) in: Arena Homme +, no.46, pp. 206-315
    “We’re living in dangerous times“ (text), in: Time Out London (June 21–27), pp. 78–79
    “HBA“ (photography/portraits), in: Fantastic Man, no. 23 (spring / summer), pp. 180–195
    “Heul weiter, leiser Verführer“ (photogtaphy), in: Spex, no. 371 (November / December), cover (2 different ones) and pp. 24–30
    “Münchner Kammerspiele“ (photography), in: Kammerspiele. Spielzeit 2016/17, n.p. (86 page insert)
    “London in Ten Iconic Photos” (text and photography), in: Time Out (March 15-21), p. 32
    “Lutz – Lutz Huelle, Paris“ (artist’s pages), in: Pop, no. 35 (autumn / winter), pp. 382–429
    “Lutz Huelle“ (photography), in: Pop, no. 35 (autumn / winter), p. 430
    “Mega: Jordon Wolfson“ (portraits), in: Fantastic Man, no. 24 (autumn / winter), pp. 222–233
    “Münchner Kammerspiele“ (photography), in: Kammerspiele. Spielzeit 2016/17, n.p. (86 page insert)
    “New Skin”, Aishti Foundation, Skira, (artist’s pages) pp. 338 - 349
    PICPUS (uppp on cover) no.18.
    Pop (Photography/ special edition cover) no. 35 (autumn / winter)
    “Reaktionen auf den Brexit“ (text), in: www.sueddeutsche.de (June 25)
    “Report: Wolfgang Tillmans and the EU” (text photography), in Art Monthly, (June 2016), p.35
    “Situasjoner preget av motstand” (text photography), in: Tribuner for diddens (2016) p. 59
    “Spectrum Montrose Ave“ (artist’s pages), in: apartamento, no. 17, pp. 129–137
    “Switch craft“ (artist’s pages), in: Wallpaper (July), pp. 96–99
    “Tate Modern and me“ (text), in: The new Tate Modern (June), pp. 4–5
    Baker, Hinemoana et al.: “Transit of Venus – Venustransit”, Victoria University Press, Wellington (cover / uppp)
    “Wolfgang Tillmans” (artist’s pages), in: Mit anderen Augen – Das Porträt in der zeitgenössischen Fotografie, exh. cat. Kunstmuseum Bonn, pp. 325–329
    “Wolfgang Tillmans” (interview), in: Agenda, The Observer (8 May 2016), p. 4
    “Wolfgang Tillmans: Augenlight, 2013” (photograph), in: Staat Soper: Was Folgt, pp.44-45
    “Wolfgang Tillmans, 24th June, for Süddeutsche Zeitung” (text), in: http://metropolism.com (June 25)
    “Wolfgang Tillmans: In Conversation with Neville Wakefield” (interview), in: Queer: Documents of Contemporary Art, pp.122 – 125
    “Wolfgang Tillmans on Brexit: ‘We’re living in dangerous times’” (text and uppp), in: Art Time Out (June 20), pp. 78–79
    Editorial (artist’s pages), in: Starship, no. 15 (October), pp. 67–72

  • 2015

    “100 Jahre Gegenwart” (posters / uppp), Haus der Kulturen der Welt, Berlin (September)
    “Abbild der Weltfrucht” (artist’s pages), in: taz, zeozwei, no. 3, pp. 20–23, 28–31
    “Arca” (interview and photography), in: www.buttmagazine.com (March 27)
    “Chloë Sevigny” (uppp), in: Chloë Sevigny, Random House, New York, cover
    “Christoph Gurk vs. Matthias Lilienthal” (portraits), in: Spex, no. 362 (July / August), pp. 89–92
    “F is for flower” (uppp), in: ABC. Fotos i Grafies per Apartamento Magazine, Nàpols, Barcelona, n.p.
    “Fade To Mind. Der Clash der Systeme” (portraits), in: Spex, no. 361 (May / June), pp. 30–39
    “Fragile. Portfolio” (artist’s pages), in: Arena Homme+, no. 44 (winter 2015 / spring 2016), pp. 250–315
    “Full Fragile Range Recordings” (artist’s pages), in: Document, no. 7, pp. 152–167
    “Great things never come from comfort zones” (artist’s pages and interview), in: i-D, no. 336 (spring), pp. 242–247
    “Introduction” (text), in: The Cars, Verlag der Buchhandlung Walther König, Cologne, n.p.
    “Isa Genzken – Presentation of ‘Hemden’” (artist’s pages), in: Arena Homme+, no. 44 (winter 2015 / spring 2016), pp. 368–393
    “Linder Sterling” (uppp), in: COS magazine (spring / summer), p. 30
    “Münchner Kammerspiele” (uppp), in: Münchner Kammerspiele, Spielzeit 2015/16, n.p. (40 page insert)
    “Ostgut Ton | Zehn“ (cover), label compilation, Ostgut Ton, Berlin
    “Quel âge as-tu?” (artist’s pages), in: Arena Homme+, no. 44 (winter 2015 / spring 2016), pp. 332–353
    “The Black Madonna” (portraits), in: groove (July / August), pp. 40–43
    “The sound of the family”, in: Mixmag (June), pp. 100–102
    “Vaginal Davis” (portraits), in: Document, no. 7, pp. 74–79
    “Visual Essay – Fespa Digital / Fruit Logistica” (artist’s pages), in: Purple Fashion, no. 3 (spring / summer), pp. 493–504
    “Wolfgang Tillmans. A multi-vectored practice” (artist’s pages), in: Wired, no. 17, pp. 24–31
    “Wolfgang Tillmans. PCR” (advertisement for exhibition at David Zwirner, New York), in: Artforum, no. 1 (September), n.p.; in: frieze, no. 173 (September), n.p.

  • 2014

    “Artistic contribution” (artist’s pages), in: Excursus, cat. 8th Berlin Biennale for Contemporary Art, KW Institute for Contemporary Art, pp. 2–5
    “astro crusto (a)” (uppp), in: Blind Spot, no. 47, p. 28
    “Bridget Riley” (portrait), in: Pop Magazine, no. 31 (autumn / winter), n.p.
    “Colourbox. Music of the band (1982–1987)” (CD compilation, design and photography), TAD 3443, 4AD
    “Face à face avec Aphex Twin” (portrait / uppp), in: Tsugi, no. 76 (October), cover
    “Fair” (excerpts of FESPA digital / FRUIT LOGISTICA), in: COS magazine (spring / summer), pp. 60–68
    “From Book for Architects” (artist’s pages), in: Fundamentals, exh. cat. La Biennale di Venezia – 14th International Architecture Exhibition, Venice, pp. 312–345
    “Neue Welt” (artist’s pages), in: Noon (spring / summer), pp. 152–166
    “Of Chance and Control” (text), in: Verwoert, Jan et al. (ed.): Wolfgang Tillmans, Phaidon Press, London, pp. 148–162
    “Printing Press Kardiogram” (artist’s pages), in: DE:BUG, no. 181 (April), pp. 42–49
    “Rem Koolhaas”, in: Halley, Peter and Bob Nickas: “Wolfgang Tillmans” (interview and photography), in: Vogel, Wendy and Rachel Ward (eds.): index A to Z. Art, design, fashion, film, and music in the indie era, Rizzoli International Publications, New York, p. 32, “Hot Chip”, pp. 48–49, “Aphex Twin”, p. 50, “Udo Kier”, p. 80 (all uppp)
    “Sleaford Mods: Die Kunst des Pöbelns” (uppp), in: Spex, no. 354 (July / August), pp. 28–33
    “Study Of Man” (text and photography), in: Bennekom, Jop van and Gert Jonkers (eds.): Forever Butt, Taschen, Cologne, pp. 8–11, “2001: First“ (photography) p. 17, ”Bernhard Willhelm German Fashion Designer designs clothes and likes designing with a hard-on“ (photography), pp. 50–53, “Bottoms“ (photography), pp. 54–57, ”John Waters baron of bad taste from Baltimore is obsessed by Michael Jackson’s polka dot penis“ (interview) pp. 240–250, ”Julian“ (photography), pp. 262–268, ”Karl“ (photography), pp. 274–282, “2014: Ear“ (photography), p. 283, ”Simon“ (photography), pp. 426–430, ”2002: Holiday“ (photography), pp. 492–493
    “Two people on stage doesn’t always mean a relationship” (portrait and interview with Michael Clark), in: Magazin im August, 26. Internationales Festival, pp. 6–11
    “Wendeseite für Wanda” (poster insert), in: Wanda, no. 25 (April), pp. 31–34
    "Wolfgang Tillmans on Tate Britain" (text), in: www.theguardian.com (July 4)

  • 2013

    “Abschiedsgruß” (photography), in: Ein Wunsch bleibt immer übrig. 12 Jahre Museum Ludwig. Eine Auswahl, exh. cat. Museum Ludwig, Cologne, pp. 76–77
    “AnOther Hemisphere” (artist’s pages), in: South (spring / summer), n.p.
    “Art on the Underground” (poster edition for London Underground)
    “Blue-sky thinking” (text), in: The Guardian (February 2), pp. 16–17
    “BUTT Calendar” (photography), n.p.
    “Club Donny. Grande Finale #10” (artist’s pages), in: Club Donny, no. 10, pp. 1, 5–8, 109–112, 116
    “Concorde Grid” (text), in: The Guardian (February 2), pp. 16–17
    “DJ Sprinkles doesn’t feel sexy” (portrait), in: BUTT, pocketsize for the summer of 2013, p. 22
    “Isa Genzken” (portrait), in: Interview (April), p. 103
    “São Paulo by Wolfgang Tillmans” (artist’s pages), in: Pin-Up, no. 14 (spring / summer), n.p.
    “The Freedoms of Photography” (artist’s pages), in: Camera Austria, no. 122, pp. 23–32
    “The Plant Life” (artist’s pages), in: The Plant, no. 4, pp. 1–13
    “Wolfgang Tillmans. central nervous system” (advertisements for exhibition at Maureen Paley, London), in: frieze, no. 158 (October), p. 28; in: ArtReview, no. 7, p. 20; in: Flash Art, no. 292 (October), p. 14; in: Mousse, no. 40 (November), n.p. and in: Hoi Polloi, no. 3, n.p.; in: Art Montly, no. 370 (October), p. 30; frieze d/e, no. 12 (December 2013 / January 2014), p. 22, in: Artforum, no. 2 (October), n.p.
    Bersani, Leo: “Queer Theory and Beyond”, State University of New York Press, New York, cover
    Dainton, Barry: “Self”; Žižek, Slavoj: “Event”; Neiman, Susan: “Why Grow Up?”; Caputo, John D.: “Truth”, Penguin Press, London (book covers; Philosophy in Transit-series)
    Insert (artist’s pages), in: Camera Austria, no. 122, pp. 23–30

  • 2012

    “BUTT Calendar” (photography), n.p.
    “Body Building” (photography), in: Abitare (November), p. 34
    “Conor Donlon – From above the shop” (photography), in: apartamento, no. 9, cover and pp. 76–89
    “Foto und Malerei / Photo and Painting“ (photography), in: EXIT, no. 47, pp. 118–121
    “Jenny Holzer” (photography), in: Spex, no. 339 (July / August), p. 339
    “John Maus: A Collection of Rarities and Prevoiusly Unreleased Material” (album cover), Ribbon Music
    “Neue Welt: Elysium. A conversation between Wolfgang Tillmans and Neil Tennant” (interview and photographs), in: 032c, no. 23 (winter), pp. 100–109
    “Precious” (portrait of Paul Weller), in: Arena Homme+, no. 37 (spring / summer), pp. 212–235
    “Step into Liquid” (in conversation with Michelle Kuo; photography), in: Artforum, 50th Anniversary Issue (September), pp. 420–429
    “Wolfgang Tillmans & Loreen” (interview and photography), in: BON, no. 62, pp. 156–167
    “Wolfgang Tillmans & Neil Tennant” (interview and photography), in: Interview (September), pp. 124–133
    “Wolfgang Tillmans. Lecture, Royal Academy of Arts, London 2011” (text), in: Cinequanon (winter), pp. 16–25
    Das Magazin der Kulturstiftung des Bundes (artist’s pages), (spring / summer), n.p.
    Foreword (text), in: FESPA Digital / FRUIT LOGISTICA, Verlag der Buchhandlung Walther König, Cologne, n.p.

  • 2011

    “Ariel Pink” (photography), in: Juke, no. 3 (summer), pp. 52–57
    “Best of 2011” (text), in: Artforum International (December), pp. 192–193
    “DANCE ehud darash” (photography), in: SEXUAL (December)
    “Es lebe London” (text), in: Die Zeit, no. 34 (August 18), p. 41
    “Francesco Tenaglia, Simon Reynolds & Mark Fisher in conversation: Stories of Glory Days” (photography), in: Kaleidoscope, no. 9 (winter), pp. 70–75
    “In Pictures: Wolfgang Tillmans in Haiti” (photography), in: www.bbc.co.uk (January 11)
    “Jochen Klein. 1967–1997” (edited and designed by Wolfgang Tillmans, also edited by Russell Ferguson and Bernhart Schwenk), exh. cat. Pinakothek der Moderne, Munich
    “John Maus – Sein Herz macht plucker und bump” (portrait), in: Spex, no. 331 (March / April), pp. 18–21
    “Lady Gaga natürlich!” (photography), in: Spex, no. 333 (July / August), cover and pp. 34–47
    “Marte Eknaes” (text / review), in: frieze, no. 144 (September), p. 126
    “No Ad Tube” (photography), in: basso, no. 8, pp. 28–29
    “Summer Solstice” (portraits, text and interview on Lady Gaga): in: i-D, The Hedonist Issue, no. 313 (summer), pp. 148–153
    “The Opiates – 'Hollywood Under The Knife'” (CD cover and booklet), Disco Activisto
    “The visonary: Tacita Dean” (portrait), in: Vogue UK (October), pp. 324–329
    “Tillmans – Mazhar” (artist’s pages), in: Arena Homme+ (spring / summer), no. 35, pp. 254–263
    “Untitled (Warsaw)” (artist’s pages), in: Dik Fagazine, no. 8, pp. 6–11
    “What's wrong with redistribution?” (text), in: frieze, no. 142 (October), pp. 140–141
    “Wolfgang Tillmans: Dunkelkammer / Darkroom” (text and photography), in: frieze, no. 3 (winter), pp. 30–31
    Burkhard, Balthasar: “Pommes” (photography), in: Une Page, Musée des arts contemporains du Grand Hornu, no. 3
    Ferguson, Russell, Bernhart Schwenk and Wolfgang Tillmans (eds.): “Jochen Klein. 1967–1997”, exh. cat. Pinakothek der Moderne, Munich
    Zolghadr, Tirdad: “Plane Talking” (photography), in: Frieze, no. 37 (March), p. 22

  • 2010

    “Actress” (portraits), in: Groove (May / June), cover and pp. 24, 26–28
    “Bubblegum Planet” (photography), in: Musikexpress, no. 3, p. 34
    “Cameron” (photography), in: BUTT Calender
    “Jenny Holzer, the outspoken artist is really quite shy” (portrait), in: The Gentlewoman (spring / summer), pp. 104–110
    “John Maus” (photography), in: i-D, The Back to the Future Issue, no. 310, pp. 246–247
    “Kele Okereke of Bloc Party” (photography), in: BUTT, no. 28 (spring), cover and pp. 8–14
    “Necks” (photography), in: Fantastic Man (spring / summer), no. 11, pp. 101–106
    “Otolith Group” (portrait), in: i-D, The Define Yourself Issue, pp. 240–242
    “Sam Barker & Andreas Baumecker: 'Candy-Flip'” (CD cover photography), Ostgut Ton
    “The Edge of Visibility. Wolfgang Tillmans and Dimitar Sasselov” (artist’s pages), in: Coyote (December)
    “Wolfgang Tillmans: My London” (photography), in: Time Out (June 24), pp. 6–8, 10
    “Neue Bilder aus Berlin” (artist’s pages), in: Monopol (October), pp. 62–76

  • 2009

    “A Dea“A Deafining Quiet” (portraits), in: Tar (spring), pp. 176–185
    “Anthony and the Johnsons” (portraits), in: Spex, no. 318 (January / February), cover and pp. 44–49
    “Be Naked” (photograpy), in: Huge (August), pp. 102–103
    “Berlin & Co. Les photographs allemands”, in: L’Insensé (photography), no. 7, p. 91
    “Der Unterwäschekatalog” (artist’s pages), in: BUTT, no. 26 (April)
    “Die Party ist vorbei” (artist’s pages), in: Süddeutsche Zeitung Magazin (December 3), pp. 10–25
    “Evidence” (artist’s pages), in: Modern Weekly International, cover and pp. 5, 8, 52–63
    “Leichtathletik 1–3” (photography), in: basso, no. 7, pp. 11–14
    “Pictured in America and Pictures of America” (artist’s pages), in: Coyote (March), pp. 105–153
    “Realness” (artist’s pages), in: First Person no. 3 (Fall), cover and pp. 32–45
    “The Shop; Jeanettes” (portrait), in: Arena Homme+ (winter / spring), p. 133
    Brampton, Sally: “Heaven knows we’re miserable now …” (photography), in: Elle (October), pp. 232–235
    Gallagher, Ellen, Olde Wolbers, Saskia and Wolfgang Tillmans: “Bloomberg New Contemporaries”, Bloomberg, London
    Takeo Desk Diary 2009, vol. 51 (photography), Takeo Co. Japan

  • 2008

    "Ein Bilderbuch der Perfektion“ (photography), in: Zeit Magazin (March 27), p. 12
    “Look, again: Pages curated by Wolfgang Tillmans” (artist’s pages), in: frieze, no. 118 (October), cover and pp. 236–244
    Le Clézio, J. M. G.: “Fever”, “Terra Amata”, “The Flood”, Penguin Press, London (book covers)

  • 2007

    “Auf der Suche nach der passenden Lust” (photography), in: Geo, no. 2 (February), p. 35
    “Barbara Panther” (portrait), in: basso, no. 4, perfectly you-issue
    “Bloc Party” (photography), in: Dummy (spring), cover and pp. 42–51
    “Brett Anderson, Love is Dead” (CD cover), Drowned in Sound, BMG / EMI Music Publishing
    “Cecil Balmond by Wolfgang Tillmans” (photography), in: 032c (winter), pp. 37–83
    “Help save your own life” (photography), in: Qvest Edition (spring / summer), pp. 222–252
    “Here Comes the Sun” (photography), in: Fantastic Man, no. 5 (spring / summer), pp. 119–124
    “Insert Wolfgang Tillmans” (artist’s pages), in: Belzer, Heike and Daniel Birnbaum (eds.): kunst lehren – teaching art. Städelschule Frankfurt/Main, Verlag der Buchhandlung Walther König, Köln, pp. 153–184
    “The Fountain of Youth” (photography), in: basso, no. 5
    “Tillmans-Feuilleton – Fundstücke der Wirklichkeit” (artist’s pages and editorial of the Feuilleton), in: Die Zeit (May 24), pp. 49–57
    “Manual”,(Forword text) Verlag der Buchhandlung Walther König, Cologne, pp. 428–431

    “Wolfgang Tillmans – Lighter / Manual” (artist’s pages), in: foam, no. 13 (winter)
    “Wolfgang Tillmans” (artist’s pages), in: Polar #2 (spring), pp. 65–72

  • 2006

    “After Disaster” (photography), in: basso, no. 3
    “Berliner Poster Verlag” (poster)
    “Blind Spot” (artist’s pages), in: Blind Spot, no. 33
    “BUTT magazine” (poster)
    “Conor Donlon Books” (photography), in: i-D, no. 272 (December), pp. 12, 166–169
    “Danke für die Blumen” (photography), in: TEMPO (December), pp. 172–183
    “HIV / AIDS – Graesrødder Samlet I Sydafrika” (photography), in: Panbladet, no. 5 (July), pp. 22–23
    “John Cameron Mitchell film director had his electric shaver nicked by hustler” (photography), in: BUTT, no. 18 (winter), pp. 45–46
    “Julian” (portrait), in: BUTT, no. 16 (summer), pp. 6–16
    “Kill to get the money” (portrait), in: i-D, no. 269 (summer), pp. 188–191
    “Krishnamurti: Freedom From The Known” (limited edition of 200 copies with a signed and numbered Ex Libris (bookplate) by WT), Salon Verlag, Cologne (dustjacket)
    “Panbladet” (artist’s pages), in: Panbladet, no. 6 (August), cover and whole issue
    “Portraits of Tiga”, in: Dummy, no. 1 (spring), pp. 66–72
    “Rossa Nøss Bendixen” (photography), in: Panbladet, no. 6 (August), p. 1
    “Susanne Oberbeck” (portrait), in: Girls Like Us: Lesbian Quarterly (summer / autumn), pp. 4–9
    “Teufelsee” (photography), in: frieze, no. 100 (June / August), pp. 14–15
    “Tiga: 3 weeks” (CD cover), PIAS Recordings
    “Viva, schlechter Geschmack!” (photography), in: Die Weltwoche (April 12), pp. 68–71
    “What’s wrong with redistribution? Wolfgang Tillmans” (photography), in: The Journal (summer)
    “Wolfgang Tillmans. Suspense, 2005” (photography and text), in: Fanzine, no. 137, pp. 39–40

  • 2005

    “Billie Ray Martin” (portrait), in: i-D, no. 258 (October), p. 257
    “Dies also ist des Pudels Club” (portrait), in: Süddeutsche Zeitung (June 2), p. 17
    “DJ Koze” (portrait), in: Groove, no. 94 (May / June), cover and pp. 16–20
    “Dominic Masters” (portrait), in: BUTT, no. 12 (spring), p. 58
    “Family” (artist’s pages), on Family re-launch flyer, London
    “Gold” (artist’s pages), in: The sky is thin as paper here, vol. 0, Galerie Daniel Buchholz, Cologne
    “Jerry Hall” (portrait), in: index, no. 5 (June / July), cover and pp. 58–63, “Slavoj Zizek” (portrait and interview), pp. 32–39, “Hot Chip” (portrait), pp. 70–71, “The Organ” (portrait), pp. 88–89
    “John Waters” (interview), in: BUTT, no. 13 (summer), pp. 15–24, “Bottoms” (artist’s pages), pp. 6–9
    “La ciudad” (photography), in: EXIT, no. 17 (February / April), pp. 24–37
    “Leaving Japan 18 Oct. 2004” (artist’s pages), in: Esquire Magazine Japan, no. 2 (February), pp. 68–77
    “M.I.A.—Louder than Bombs” (portrait), in: i-D, no. 255 (June), cover and pp. 62–67, “Make Poverty History” (artist’s pages), pp. 160–161
    “Mein Plattenschrank” (text), in: Groove, no. 97 (November / December), p. 46
    “Surface is All We Have”, in: EXIT, image and culture (summer), pp. 72–79
    “Tony Blair” (portrait), in: Attitude, no. 132 (April), cover and pp. 40–43
    “Wolfgang Tillmans” (artist’s pages and text), in: EXIT, no. 18 (May / July), pp. 70–79

  • 2004

    “21st Century Radical Chic” (artist’s pages and text), in: Purple—fashion, no. 1 (spring), pp. 336–343
    “Clubfotografien” (photography), in: Groove, no. 91, cover and pp. 48–55
    “Corrective Lens – letter to the editor” (text), in: Artforum, no. 5 (January), p. 18
    “Leaving Japan 18 Oct. 2004” (artist’s pages), in: Esquire Magazine Japan, no. 2 (February), pp. 68–77
    “Lutz with Wolfgang Tillmans” (portrait and interview), in: index (September / October), pp. 96–98
    “Lutz” (portrait), in: BUTT, no. 10 (summer), pp. 24–29
    “Michael Stipe” (portrait and interview), in: BUTT, no. 9 (spring), cover and pp. 10–19
    “Miss Kittin. I Com” (CD and record cover), EMI
    “Miss Kittin” (portrait), in: Groove, no. 87 (April / May), p. 24
    “Morrissey” (photography), in: Index, cover and …
    “Ost-West” (artist’s pages), in: Freier, no. 3
    “Page 3 Stunnas!” (artist’s pages and text), in: G2, Guardian (April 19), pp. 2–3, reprinted in: Newspaper Jan Mot, no. 42 (May), pp. 2–4; in: Der Standard (May), p. Album B3; in: Courier International, no. 711 (June), p. 16
    “R.E.M. Around the Sun” (CD insert), Warner Bros. Records Inc.
    “Self/Sweat” (artist’s pages), in: Chroma, no. 1 (summer), cover
    “Soldiers: The Nineties” (text), in: Eugen Blume, Joachim Jäger and Gabriele Knapstein (ed.): Friedrich Christian Flick Collection im Hamburger Bahnhof, exh. cat. Hamburger Bahnhof – Museum für Gegenwart
    “Superpitcher. Here Comes Love” (CD and record back cover), Kompakt
    “Tony Maestri” (text and portrait), in: Purple, no.16 (winter 03/04), pp. 71–71
    “Wolfgang Tillmans on Donald Urquhart” (text), in: Artforum, no. 5 (January), p. 139
    BT: Monthly Art Magazine Bijutsu Techo, no. 857 (November), pp. 11–64 (Special Issue of Wolfgang Tillmans and Larry Clark)

  • 2003

    “Anti-war” (artist’s pages), in: Sleazenation (March), poster
    “Butt page” (photography), in: BUTT, no. 6 (spring), p. 6, “A True Encounter in a Hotel Room in the Middle East” (artist’s pages), pp. 44–48
    “Claudia” (portrait), in: Re-Magazine, no. 10 (spring / summer), pp. 33–35
    “Farewell” (photography and text), in: G2, Guardian (October 17), pp. 2–3
    “Film with music, words, and singing”, 45 minute video film made for Tate & Egg Live event
    “Isa Genzken” (photography), in: Isa Genzken, exh. cat. Museum Abteiberg Mönchengladbach, Kunsthalle Zürich, cover
    “Kompakt – Ein Haus aus Pop” (photography), in: Groove, no. 81 (April / May), cover and pp. 24–30
    “Normal Utilpassethed” (interview and photography), in: Panbladet (February), cover pp. 20–25
    “Pet Shop Boys: Two divided by zero. Long-term friend, collaborator and Turner Prize-winning artist Wolfgang Tillmans talks Pop Art with the disco duo” (portrait and interview), in: i-D, no. 238 (December), pp. 94–99
    “Peter Saville” (portrait), in: frieze, p. 9 (designed by Peter Saville)
    “Peter Saville” (text and portrait), in: Purple, no. 14 (winter), pp. 64–65
    “Portrait of Tony Maestri” (photography), in: I had a camera and wanted to change my life, eyesore productions, Bournemouth, p. 3
    “Ricardo Villalobos” (portrait), in: Groove, no. 84 (October / November), cover and pp. 3, 24–28
    “Thomas Eggerer” (portrait), in: Architectural Digest, Deutschland, no. 10, pp. 146–147
    “We are Not Going Back” (photography and text), in: Purple, no. 15 (spring / summer), cover and pp. 2–48
    “Wolfgang Tillmans” (artist’s pages), in: Studio Voice Fashion Extra, pp. 52–55
    “39 postcards” (artist’s pages), Gebrüder König Postkartenverlag, Cologne

  • 2002

    “Artist's book for Kunsthalle, Zurich” (text), in: Verwoert, Jan et al. (ed.): Wolfgang Tillmans, Phaidon Press, London, pp. 116–120
    “Blushes #13” (artist’s pages), in: The Face—Pop (spring / summer)
    “Crossover” (portrait), in: i-D, no. 218 (March), p. 205, “Miss Kittin” (portrait), pp. 206–207, “DJ Hell” (portrait), p. 210
    “Der Blautopf in Blaubeuren” (2001) (artist’s pages), in: NºB Magazine (February), pp. 132–137
    “Gilbert & George” (portrait), in: i-D, no. 221 (June / July), pp. 96–104
    “Isa Genzken” (portrait and text), in: Purple, no. 13 (Fall), pp. 64–65
    “Josh Hartnett” (portrait), in: Jetzt-Magazin der Süddeutschen Zeitung, no. 12 (March 18), cover and pp. 6–11
    “Lights (Body), 2000–02” (text), in: Verwoert, Jan et al. (ed.): Wolfgang Tillmans, Phaidon Press, London, p. 142
    “Marilyn” (portrait and text), in: Purple, no. 10 (winter), pp. 62–63
    “Michael Imperioli” (portrait), in: index (April / May), pp. 15–18
    “Miss Kittin” (portrait and text), in: Purple, no. 11 (spring), pp. 80–81
    “No shock, no scandal. Just a gay couple on holiday” (artist’s pages), in: BUTT, no. 5 (autumn), pp. 48–57
    “Pet Shop Boys: Home and Dry” (music video), EMI
    “Pet Shop Boys. Disco 3” (CD and record cover), EMI
    “Ryan McGinley” (portrait and text), in: Purple, no. 12 (summer), pp. 62–63
    “Soldiers – The Nineties, 1990–1999” (text), in: Verwoert, Jan et al. (ed.): Wolfgang Tillmans, Phaidon Press, London, pp. 128–129
    “Various: Septembre 2002” (CD cover), Les Inrockuptibles
    “Zandra Rhodes” (portrait), in: i-D, no. 220 (May), pp. 66–70

  • 2001

    “A Project for Artforum” (artist’s pages), in: Artforum, no. 6 (February), pp. 130–133
    “Andreas Gursky” (portrait), in: The New Yorker (January 22), p. 62
    “Bernhard Willhelm” (portrait), in: BUTT, no. 1 (spring), cover and pp. 14–18
    “Cerith Wyn Evans” (portrait and text), in: Purple, no. 9 (Fall), pp. 76–77
    “Deutschlandreise” (photography), in: Süddeutsche Zeitung (August 31), cover and pp. 11–40
    “Donald Cameron” (portrait), in: Vogue Hommes International (spring / summer), p. 86
    “Hedi Slimane” (portrait), in: i-D, no. 207 (March), pp. 186–188
    “I want to work it out” (photography), in: Sleazenation, no. 1 (February), pp. 100–107
    “London Film Festival” (artist’s pages), November (poster)
    “Neil Tennant” (portrait and text), in: Purple, no. 8 (summer), pp. 62–63
    “Richard D. James” (portrait), in: index (April / May), pp. 68–73
    “Ruth Wyner and John Brock” (portrait and text), in: Purple, no. 7 (spring), pp. 78–79
    “Siencefiction. Hier und Jetzt zufrieden sein” (artist’s pages with Isa Genzken), in: Stadtrevue (November), n.p.
    “Snap Art Collection” (postcard book), amus arts press, Osaka
    “Some Things Wolfgang Tillmans Saw and Liked” (photography), in: BUTT, no. 2 (autumn), pp. 56–60
    “Stella McCartney” (portrait), in: The New Yorker (September 17), p. 131
    “Studiomaus” (artist’s pages), in: i-D, no. 213 (September), p. 293
    “The Return of the Concorde” (photography), in: Metropolis (June), pp. 140–144

  • 2000

    “Goldfrapp: Lovely Head” (music video), Mute Records
    “Goldfrapp” (video stills), in: i-D, no. 199 (July), pp. 156–157
    “Irm Hermann” (portrait), in: Süddeutsche Zeitung Magazin, no. 12 (March 24), cover and p. 57, “Rosa von Praunheim” (portrait), p. 58
    “James Turrell” (interview by Wolfgang Tillmans), in: Vogue Hommes International (spring), pp. 74–78
    “Joshua / Zelda” (portrait), in: index (September / October), p. 2, “Rem Koolhaas” (portrait), pp. 30–38, “André Weisheit” (portrait), p. 32, “Käthe Gilles” (portrait), p. 100
    “Lutz in sanddunes” (photography), in: Spex, no. 238 (October), p. 15
    “Mode – Die Hits der Saison” (portraits of Irm Hermann, Joshua / Zelda, André Weisheit, Birgit Schrowange, Rosa von Praunheim, Käthe Gilles”, in: Süddeutsche Zeitung Magazin, no. 12 (March 24), cover and pp. 2, 32, 41, 57, 58, 100
    “Portfolio” (artist’s pages), in: Männer aktuell, no. 1 (January), pp. 37–46
    “Purple look, J’adore” (photography), in: Purple, no. 5 (summer), pp. 208–217
    “Rats” (artist’s pages), in: Tate, no. 23 (winter), pp. 48–49
    “Rem Koolhaas” (portrait)“, in: index (September / October), pp. 30–38
    “Russell Haswell. Live Salvage 1997–2000” (CD back cover), Mego
    “Sandcastle” (poster), in: taz (December 15)
    “Signal-Collection by Lutz” (photography), in: Libération, no. 4 (winter), pp. 122–123
    “The View From Here”, in: The Big Issue (August 28) (guest editorial), cover and pp. 3–24

  • 1999

    “35 postcards” (artist’s pages), Gebrüder König Postkartenverlag, Cologne
    “Anatoli Karpow” (portrait), in: Süddeutsche Zeitung Magazin, no. 16 (April 23), pp. 12–20
    “Dub Infusions 1989–1999” (CD and record cover), Sonar Kollektiv
    “Mouse on Mars” (portrait), in: Spex, no. 225 (August), cover and pp. 30–35
    “Princess Julia” (photography), in: Süddeutsche Zeitung Magazin, no. 11 (March 19), pp. 14–15
    “Silke Otto-Knapp” (photography), in: Süddeutsche Zeitung Magazin, no. 37 (September 17), p. 34
    “Soldiers: The Nineties” (artist’s pages), in: Art, no. 11 (November), pp. 86–95
    “Sonnenflecken” (text), in: Totale Sonnenfinsternis. Total Solar Eclipse, Galerie Daniel Buchholz, Cologne, n. p.
    “Strings of Life by Rhythim is Rhythim” (artist’s pages), in: Jones, Terry and Tricia and Avril Mair: “Beyond Price”,
    i-D, London, p. 238
    “Tom Ford and Ann Hamilton with Wolfgang Tillmans”, in: Index (September / October), pp. 66–78
    “Zwölf Uhr mittags” (artist’s pages), in: Süddeutsche Zeitung Magazin, no. 29 (July 23), pp. 26–33
    Domus, no. 812 (February) (uppp), cover
    Luna Córnea (uppp), no. 18 cover and pp. 1–2
    Frieze, no. 48, cover

  • 1998

    “7 postcards” (last part of a total of 27 postcards), Fotofolio, New York
    “Bianca Jagger”, in: index (June), cover and pp. 10–17
    “Blumentopf nach Hause tragen” (artist’s pages), in: Kunstbuch, Verlag der Buchhandlung Walther König, Cologne, p. 163
    “Daniel, Jochen and Christopher” (artist’s pages), in: i-D family—Future Postive, p. 146
    “Edition for Parkett. Wolfgang Tillmans” (artist’s pages), in: Parkett, no. 53, cover and pp. 138–141
    “Gala 1997” (artist’s pages), in: Vogue Italia, no. 570 (February), pp. 328–329
    “Jochen Klein”, Verlag der Buchhandlung Walther König, Cologne (edited and foreword by WT)
    “Jutta Koether and Christoph Gurk”, in: Spex, no. 207 (February), p. 65
    “K78” (artist’s pages), in: Berlin / Berlin. Anlässlich der 1. Berlin Biennale für zeitgenössische Kunst, Cantz Verlag, Ostfildern, pp. 339–340, “das Titel von die Portfolio ist Nestbeschmutzung”, pp. 377–380
    “Kodwo Eshun” (portrait), in: Spex, no. 212 (August), pp. 36–39
    “Light”, in: Visionaire, no. 24
    “Martin Margiela Summer 98” (photography), in: Purple, no. 1 / Purple Fashion, no. 5 (summer), n. p.
    “Michael Clark” (portrait), in: Dazed and Confused, no. 48 (November), pp. 142–145
    “Performance” (photography), in: RE, no. 2 (winter), pp. 32–33
    “Porno drama” (portraits by “Bruce LaBruce and Tony Ward”, in: Spex, no. 186 (May), pp. 66–67
    “Pulp”, in: Jetzt-Magazin der Süddeutschen Zeitung, no. 19, pp. 6–7
    “Pulp”, in: Spex, no. 207 (April), pp. 18–21
    “Pulp / Jarvis Cocker” (portrait), in: Ray Gun, no. 55, cover and n.p.
    “Soldiers—The Nineties” (artist’s pages and text), in: Big, no. 19
    “Stuart Shave” (portrait), in: i-D, no. 182 (December), p. 38, “Sure Shot” (photography), p. 104
    “Uniformity. Men at war” (artist’s pages and text), in: Big, no. 19, n.p.
    “Wolfgang Tillmans for 1998 Cultural Program” (poster), Gay Games Amsterdam
    Foreword (text), in: Tillmans, Wolfgang (ed.): “Jochen Klein”, Verlag der Buchhandlung Walther König, Cologne (reissued 2011 at Hatje Cantz, Ostfildern-Ruit)
    Insert in: Paradex, no. 1
    Studio Voice, vol. 265 (January) (illustration), cover

  • 1997

    “Aphex Twin” (portrait), in: Jetzt-Magazin der Süddeutschen Zeitung, no. 38, p. 18
    “Concorde” (text), in: Concorde. Wolfgang Tillmans, Verlag der Buchhandlung Walther König, Cologne, n. p.
    “Wolkenkratzer” (artist’s pages), in: Süddeutsche Zeitung Magazin, no. 26, pp. 32–41
    “Fashion Kate Moss” (photography), in: Vogue (February), pp. 246–251
    “Fashion Naomi Campbell” (photography), in: Vogue (November), pp. 356–361
    “Gilbert & George” (portrait), in: index (September / October), pp. 44–52
    “Goldie” (portrait), in: Spex, no. 202 (September), cover and pp. 24–27
    “John Lynch” (portrait), in: Interview (January), p. 44
    “John Waters” (portrait), in: index (January), cover and pp. 6, 17
    “Kate Moss” (portrait), in: Visionaire, no. 22
    “Kate Moss” (portrait), in: Vogue (March), p. 70
    “Kraftwerk” (photography), in: Spex, no. 200 (July), p. 9
    “Matsuda” (advertisement for Matsuda, also in Matsuda catalogue), in: Interview (April), p. 9
    “Matthew Collin and John Godfrey”, in: i-D, no. 163, pp. 58–65
    “Nan Goldin”, in: Zeit Magazin, no. 6, cover and pp. 11–19
    “Neil Bartlett”, in: Out, no. 40, p. 48
    “Phillip” (portrait), in: Honcho (December), pp. 3, 24–31
    “Portfolio”, in: Skool of Edge, vol. 2, pp. 52–55
    “Supergrass” (portrait), in: Spex, no. 197 (April), cover and pp. 24–27
    “Wolfgang Tillmans. Mouse Walk with Me Portfolio” (artist’s pages), in: Landscapes, no. 1, pp. 2–13
    “Wolkenkratzer” (artist’s pages), in: Süddeutsche Zeitung Magazin, no. 26, pp. 32–41
    “Wu Tang Clan” (portrait), in: Spex, no. 199 (June), cover and pp. 34–39, “Rob Playford” (portrait), pp. 26–29

  • 1996

    “Allison Folland”, in: index (February), cover and pp. 6–9
    “Bruce LaBruce”, “Tony Ward”, “Rick Castro” (portraits), in: Spex, no. 186 (May), pp. 66–69
    "Chateau Portfolio" (artist’s pages), in: Purple Prose, no. 10 (winter), pp. 84–91
    “Faridi fashion” (photography), in: Purple Fashion, no. 2, n. p.
    “Fashion Model Gillian Wearing”, in: Süddeutsche Zeitung Magazin, no. 16, cover and pp. 42–49; in: Switch, no. 3, pp. 13, 26–39, “Visual Diary #7”, pp. 136–137
    “Gallon Drunk”, in: Spex, no. 191 (November), pp. 4–5, “J. Saul Kane”, p. 12
    “Gay and Lesbian Parents” (photography), in: Out, no. 2, pp. 90–93, “Permanent Food”, p. 105
    “Larry Brown” (portrait), in: index (August), cover and pp. 6–9
    “Love Parade ’96” (photography), in: i-D, no. 156, pp. 52–57
    “Manifesta 1 Portfolio Project”, in: Blvd. Amsterdam (June), pp. 39, 46
    “Mira Nair”, in: index (June), cover and pp. 6–10
    “Nan Goldin”, in: Spin (November), p. 82
    “Parker Posey”, in: index (November), cover and pp. 6–10
    “Portfolio” (artist’s pages), in: Zine, no. 2, pp. 34–40
    “Rats” (artist’s pages), in: Shift, exh. cat. Haus der Kulturen der Welt, Berlin, pp. 145–152
    “Robbie Williams” (portrait), in: Süddeutsche Zeitung Magazin, no. 38, cover and pp. 18–22
    “Suede” (photography and interview), in: Spex, no. 191 (October), pp. 20–21
    “The KLF”, in: i-D, no. 151, pp. 36–40
    “Twister Fashion”, in: Interview (June), pp. 78–83
    “Udo Kier” (portrait), in: index (April), cover and pp. 6–7
    “Visual Diary #10” (artist’s pages), in: Switch, no. 6, pp. 156–157
    “Visual Diary #9” (artist’s pages), in: Switch, no. 5, pp. 124–125
    “Visual Diary #8” (artist’s pages), in: Switch, no. 4, pp. 122–123
    “Visual Diary #6” (artist’s pages), in: Switch, no. 2, pp. 138–139
    “Visual Diary #5” (artist’s pages), in: Switch, no. 1, pp. 154–155
    “Youth and Violence Project”, in: Spex, no. 190 (September), pp. 48–56
    Château Marmont Hollywood Handbook, inner cover and pp. 2, 48, 149
    Habitat Broadsheet (autumn) (fold out), in: i-D, no. 158, p. 98
    Series of 20 postcards, Fotofolio, New York

  • 1995

    “Aggressive Skating” (photography), in: Jetzt-Magazin der Süddeutschen Zeitung, no. 44, cover and pp. 3, 8–14
    “Andrew Sullivan” (portrait), in: Interview (September), pp. 132–135
    “Aphex Twin” (portrait), in: Jetzt-Magazin der Süddeutschen Zeitung, no. 23, p. 14
    “Bernadette Corporation”, “Gillian Haratani”, “Elizabeth Peyton” (portraits), in: Purple Fashion, no. 1, n. p.
    “Blur” (portrait), in: i-D, no. 145, p. 11
    "Blur" (portrait), in: Spex, no. 178 (September), cover, pp. 28-34 and thirty-two-page insert (exh. cat. Portikus, Frankfurt am Main 1995)
    “Boss Hog” (portrait), in: Spex, no. 181 (December), pp. 28–31
    “Bronx Skaters Reportage” (photography), in: Jetzt-Magazin der Süddeutschen Zeitung, no. 44, cover and pp. 3, 8–14
    “Carl Craig” (portrait), in: i-D, no. 139, pp. 22–27
    “Chloe Sevigny” (portrait), in: Jetzt-Magazin der Süddeutschen Zeitung, no. 45, pp. 12–13
    “Chris Ofili” (portraits), in: i-D, no. 147, p. 38, “Georgina Starr”, p. 39, “Tracey Emin”, p. 42, “Gillian Wearing”, p. 43
    “Deana”, “Sister Bliss”, “Smokin’ Jo”, “Queen Maxine and Vikki Red”, “Mrs. Wood”, “Anita Sarko”, “Princess Julia”, “Belinda Becker”, “Rachel Auburn” (portraits), in: Interview (April), pp. 84–91
    “Evangelischer Kirchentag” (photography), in: Stern, no. 26, pp. 56–66
    “Fake New York Diary”, in: Max (G) (June), p. 170
    “Fashion Tristan Webber”, “Alex Bircken Faridi”, “Alexis Panayiotou”, “Lutz Huelle”, in: i-D, no. 144, pp. 16–19, “Gay Pride London and New York”, “Isa Genzken”, “Jochen Klein”, “Inga Humpe” (photography and portraits), pp. 94–97
    “Harmony Korine” (portrait), in: i-D, no. 146, pp. 32–36
    “How Much Portfolio” (photography), in: Purple Prose, no. 9, pp. 22–29
    “Mistress Formika”, “Liv Tyler”, “Margaret Wertheim”, “Dan Matthews”, “Ed Burns”, “Morwenna Banks”, “Grandmaster Flash”, “Michael Bergin”, “Gaetano Pesce”, “Jill Sobule”, “Mariko Mori” (portraits), in: Interview (July), pp. 64–71
    “Mizrahi Skirt” (photography), in: Interview (October), p. 98
    “News, Cigs, Mags & Teens talk of danger” (photography), in: Permanent Food, no. 1
    “Paula, John & Paul Nudes” (photography), in: Brutus, no. 1, pp. 28–37
    “Project”, in: Aktuell, no. 13, pp. 10–35
    “Ritchie Hawtin / Plastikman” (portrait), in: Spex, no. 171 (February), pp. 24–26
    “Sam Sever” (portrait), in: i-D, no. 141, p. 7
    “Simon Reynolds and Joy Press” (portraits), in: i-D, no. 138, p. 13
    “Take That Fans” (photography), in: Tempo, no. 9, pp. 62–69
    “Techno Soul” (text), in: L'Hiver de l'amour, exh. cat. Musée d'art moderne de la Ville de Paris, pp. 8–9
    “Visual Diary #4” (artist’s pages), in: Switch, no. 10, pp. 154–155
    “Visual Diary #3” (artist’s pages), in: Switch, no. 9, pp. 148–149
    “Visual Diary #2” (artist’s pages), in: Switch, no. 8, pp. 146–147

  • 1994

    “A Guy called Gerald”, “Deep Blue”, “LTJ Bukem”, “Ray Keith”, “DJ Hype”, “Kenny Ken”, “Jumping Jack Frost”, “Goldie” (portraits), in: i-D, no. 128, pp. 42–46
    “Criminal Justice Bill Demo” (photography), in: i-D, no. 130, p. 9, “Erasure”, “Gus van Sant”, pp. 24–28
    “Fashion Gillian Haratani”, “Christopher Moore”, “Thuy Phem”, “Tom Borghese and Ramon” (portraits), in: Tempo (May), pp. 92–94
    “Fashion Gillian Haratani”, “Christopher Moore”, “Thuy Phem” (portraits), in: Vibe (April), pp. 84–87
    “Gay Lifestyles” (photography), in: Tempo (August), cover and pp. 20–25
    “Kai Althoff and Justus Koencke” (portrait), in: i-D, no. 132, p. 40, “X-Project / Rebel MC”, p. 83
    “Les Anneés Dix? The Nineties Haven't Happened yet!” (text), in: Purple Prose, no. 6, pp. 60–61
    “Madrid i-D Night” (photography), in: i-D, no. 131, pp. 74–75
    “Music Technology” (photography), in: i-D, no. 129, pp. 52–58
    “Oktoberfest” (photography), in: ADAC Special, no. 22, pp. 84–89
    “Portfolio”, in: Switch, no. 7, pp. 130–36
    “Portishead”, in: i-D, no. 125, pp. 3, 20, “Ewan McGregor”, p. 19, “Kaliphz”, p. 25 (portraits)
    “Ray Brady” (portrait), in: i-D, no. 133, p. 19
    “Richard Pandiscio’s Ones to Watch” (photography), in: Interview (March), pp. 26–27
    “Richie Hawtin” (portrait), in: i-D, no. 134, pp. 32–36
    “Victor & Rolf”, “Pascale Gatzen”, “Marcel Verheijen”, “Saskia van Drimmelen”, “Lucas Ossendrijver” (portraits), in: i-D, no. 126, pp. 38–43
    Lutteurs Work Wear catalogues (photography)
    Purple Prose (photography), no. 5 (winter), cover and pp. 74–75

  • 1993

    “Ambient”, in: i-D, no. 117, p. 3, “Fashion (Brown)”, pp. 14–15 (photography)
    “Amsterdam” (photography), in: Time Out Amsterdam, no. 5, pp. 49–55
    “Berlin Portraits” (photography), in: Time Out London, no. 1174 (February), cover
    “Club Portfolio” (photography), in: Tempo (July), pp. 118–125
    “Ears”, in: i-D, no. 115, pp. 12–14, “Suede”, p. 43, “Roland 303”, pp. 58–59, “Dries van Noten Devotees”, pp. 70–71 (photography)
    “Fashion Lars”, “Alex and Alex”, “Lutz and Others” (photography), in: Ray Gun (November), pp. 5, 75–80
    “Faslane Peace Camp”, in: i-D, no. 118, pp. 14–17, “Fashion Camouflage”, pp. 22–25, “Street Portraits (Lothar Hempel, Alan Belcher and Others)”, pp. 66–67 (photography)
    “i-D Night Rimini”, “Ten City”, “Graeme Park”, “Tony Humphries”, “Simon DK”, in: i-D, no. 120, pp. 67–68, “Fashion Sportswear”, pp. 70–73 (photography)
    “Liebeskommune“ (photography), in: Amokkoma, Journal Oriental, no. 11, pp. 13–14
    “Moby” (portrait), in: i-D, no. 119, pp. 3, 28–31
    “Shara Nelson” (portrait), in: Spex (September), pp. 34–35
    “Street Fashion”, in: Time Out Amsterdam, no. 3, p. 7, “Tattoo Museum”, “Squats”, p. 8, “Amsterdam”, pp. 12–13, “Clubs”, pp. 23–24, “Gay Nightlife”, p. 34, “Restaurants”, pp. 43–44 (photography)
    “Street Portraits” (photography), in: Time Out Student Guide, p. 43
    “Survival Stories” (photography), in: i-D, no. 113, pp. 4–8
    “Verheißung London: Mehr Härte, mehr Leben” (photography), in: Prinz, no. 10, pp. 54–56
    “Vic Reeves and Bob Mortimer”, in: i-D, no. 114, pp. 8–10, “Fashion (Sweaters)”, pp. 68–70 (photography)

  • 1992

    “Aids Page” (photography and text), in: i-D, no. 100, p. 50
    “Aids Page” (photography), in: i-D Japan, no. 4, p. 43
    “Athens Reportage”, “Juan Atkins”, “Darren Emmerson” (photography), in: i-D, no. 105, pp. 10–13, 18–22
    “Beastie Boys” (photography), in: Spex (May), pp. 3, 46–48
    “Fashion”, in: i-D, no. 102, p. 4, “Florence + Video Stills”, p. 12, “Cyberpunk Technology”, pp. 36–40, “Straight-up Portraits”, pp. 21, 46, 57 (photography)
    “Gay Pride London” (photography), in: i-D Japan (December), pp. 86–89
    “General Levy”, in: i-D, no. 110, p. 45, “Chemistry Club”, pp. 56–58, “Fashion Like Brother Like Sister Alex & Lutz”, pp. 80–87 (photography)
    “Glam Club” (photography), in: i-D, no. 104, pp. 81–82
    “Henry Rollins”, in: Spex (April), cover, “Soul II Soul”, pp. 3, 6–7, “Adrian Sherwood”, pp. 38–41 (portraits)
    “Levi’s” (photography), in: i-D, no. 106, p. 42
    “Mike D” (photography), in: Spex (December), cover and pp. 36–37
    “Momus” (portrait), in: Tempo
    “My Bloody Valentine”, in: Spex (March), cover and pp. 26–28, “Joey Negro”, pp. 6–7 (photography)
    “Public Enemy” (portrait), in: i-D, no. 107, pp. 18–21
    “Ragga Twins” (portrait), in: Spex, no. 6, cover
    “Ragga”, “Jamaica”, “Shabba Ranks”, “Lady Patra”, in: i-D, no. 111, pp. 4–10 (photography)
    “Sega”, in: i-D, no. 108, pp. 60–61, “Dexter Wong”, p. 75, “Chris O’Reilly”, p. 80, “Colin Harvey”, p. 82, “Gay Pride London”, pp. 86–90, “Love Parade, Berlin”, pp. 64–69 (photography)
    “Stereo MCs” (portrait), in: Spex (September), cover and p. 22
    “Street Portraits Portfolio” (photography), in: Zeit Magazin, no. 38, pp. 24–20
    “Suede”, in: i-D now (November supplement), p. 5, “St. Etienne”, p. 7, “Velda Lauder”, p. 8, “Tomoko Yoneda and Jon Barnbrook”, p. 9, “Alan Maughan”, p. 13, “Lawler Duffy”, p. 20, “Al Berlin”, p. 22, “Non-Aligned”, p. 23, “Eugene Soulemen”, p. 24, “Spiral Tribe”, p. 25 (portraits)
    “Ten City” (photography), in: Spex (October), pp. 36–38
    “Urban Warriors” (photography), in: Time Out London, no. 1201, pp. 4–5

  • 1991

    “Electronic” (photography), in: Spex (May), pp. 38–40
    “Fashion (Couples)” (photography), in: Prinz (October), pp. 76–79
    “Primal Scream”, in: Spex (August), cover and pp. 3, 26–27, “Rebel MC”, pp. 18–20 (portraits)
    “Stephen Duffy” (portrait), in: Spex (July), pp. 26–28
    “Techno Reportage Gent and Frankfurt” (photography), in: i-D, no. 99, pp. 18–23

  • 1990

    “Adamski”, in: Prinz (June), cover and p. 24, “Nightlife”, pp. 42–46, “Friedrich Kurz”, p. 112 (photography)
    “Berlin” (text and photography), in: The Face, no. 17 (January), p. 109
    “Euroclubbing” (photography), in: The Face, no. 24 (August), p. 70
    “First Fashion Story” (photography), in: Prinz (October), pp. 74–78
    “Peep Show”, in: Prinz (March), pp. 10–11, “The Weather Girls”, p. 24, “Nightlife”, pp. 30–34, “Yoko Tawada”, p. 38, “Sport Idols + Willi Schulz”, pp. 44–48, “Ulrich Wildgruber”, p. 103 (photography)
    "Soul II Soul" (portrait), in: Spex, no. 12, pp. 24–27

  • 1989

    Artist’s page (photography), in: Hamburger Rundschau, no. 49, p. 15
    “Lutz Huelle”, in: Prinz (September), p. 14, “Gaststätte Sparr”, p. 16, “Boy George”, “Christoph Schafer and Cathy Skene”, in: pp. 24–25, “Hamburg Nightlife”, pp. 30–34 (photography)
    “Nightlife” (photography), in: Tango (March), pp. 146–147
    "Martin Kippenberger", "Hendrik Martz", "Trude Unruh", "Gerhard Schröder", "Marius Müller-Westernhagen", "Alfred Mechtersheimer", "Uta Ranke-Heinemann", "Willy Millowitsch", "Natja Brunkhrse", "Rainer Fetting", "Dr. Jürgen Schreiber" (portraits), in: Tempo (September), pp. 50–56
    “Opera House” (photography), in: i-D, no. 69, p. 8, “Hamburg i-D Night”, pp. 12–14

Articles and texts on the artist

  • This chronological list is alphabetical by author.
    If no author is cited, alphabetical lists by article title and publication title then follow.

  • 2018

    Bürklein, Christiane, “After the stages in Kinshasa and Nairobi, the new travelling exhibition Fragile”, in: Floornature.com, (July)
    Assunção, Muri, "“Music Has Always Been with Me”: Wolfgang Tillmans on His Latest Single and Musical Career", in: hyperallergic.com, (22 May)
    Berry, Anna, "No Man Is an Island, and More Creative Ideas to Fight Nationalism", in: nonprofitquarterly.org (1 June)
    Brennan, Ailis, "Royal Academy Summer Exhibition 2018: Everything you need to know", in: standard.co.uk (31 May)
    Brown, Kate, "Wolfgang Tillmans Is Dropping a New EP This Friday", in: news.artnet.com (31 January)
    Bruce-Jones, Henry, "Neneh Cherry returns with Four Tet-produced LP Broken Politics", in: factmag.com (30 August 2018)
    Buys, Anthea, "The quiet activism of exposing everyday fragility", mg.co.za, (13 July)
    Cascone, Sarah, "Editors’ Picks: 17 Things Not to Miss in New York’s Art World This Week", in: news.artnet.com, (3 September 2018)
    Chew-Bose, Durga, "Dev Hynes: inner visions", in: dazeddigital.com (10 September 2018)
    Codreo–Rado, Anna, "Wolfgang Tillmans Explores the Role of Art in a Post-Truth World", in: nytimes.com (21 March 2018)
    Dama, Francesco, "A Film Probes the Legacy of BUTT Magazine", in: hyperallergic.com (13 February)
    Dawson, Aimee, "Surrealism in the digital age: Beirut exhibition looks at new wave of 20th-century art movement" in: theartnewspaper.com, (6 August)
    Dex, Robert, "Wolfgang Tillmans and ENO team up for First World War memorial production of Britten's War Requiem", in: standard.co.uk, (1 May)
    Duong, Ha, "Photographers Who Captured the Ecstasy and Abandon of Rave Culture", in: artsy.net, (7 September 2018)
    Greenberger, Alex, The Browser: On Wolfgang Tillmans, Guadalupe Rosales, Hong-An Truong, and Pati Hill, www.artnews.com (12 October 2018)
    Garreffa, Nirvana, "Finding Solidarity in Steamy '90s Clubs", in: hypebeast.com (26 April)
    Haydn Smith, Ian, "Lutz and Alex sitting in the trees", in: The Short Story of Photography, Lawerence King, London, (2018), p186.
    Gosling, Emily, "Do I Have to Draw You a Picture? New show with all-star lineup on the topic of communication", in: creativeboom.com (12 June 2018)
    Graves, Cassidy Dawn, “Queer Intimacy From Mapplethorpe and Goldin, Plus More Art This Week”, in: bedfordandbowery.com, (25 June)
    Hubbard, Sue, "Tacita Dean Landscapes Royal Academy", artlyst.com (20 May)
    Johannot, Florence, "From Boy George to Aerospace: Wolfgang Tillmans Talks Epiphanies", lofficielusa.com (10 September 2018)
    Lubell, Sam, "Rem Koolhaas is leading a workshop to make the EU cool again", archpaper.com (31 May)
    Lubow, Arthur, "Why the Art World is Focusing In on Gender Fluidity", in: wmagazine.com, (4 June)
    Madosi, Asanda ,” Wolfgang Tillmans brings Fragile to the Johannesburg Art Gallery” in: mg.co.za, (11 July)
    Marsh, Antonia and Lucy Moore, "Everything You Should See (and Eat) at Arles’ Photography Festival", in: anothermag.com, (5 July)
    Mkhondo, Nothemba, "Artist Wolfgang Tillmans blurs the line between photography & art", timeslive.co.za (26 August 2018)
    Muraben, Billie, "Wolfgang Tillmans shoots Dev Hynes for Dazed’s latest cover", in: itsnicethat.com (10 September)
    Sayej, Nadja, "Wolfgang Tillmans photographs his friends being vulnerable", in: i-d.vice.com (1 February)
    Shafaieh, Charles, "Wolfgang Tillmans: When I see borders, they trigger me", The Irish Times (13 October 2018)
    Shand Kydd, Johnnie, Who Are the Royal Academians?, RA Magazine, Summer 2018, pp.36-37.
    Siegal, Nina, "The European Union Is Under Threat. Artists Say It’s Time to Rebrand", in: nytimes.com (29 May)
    Small, Zachary, "Courtauld Institute of Art Students Mount a Political Exhibition About Absence", in: hyperallergic.com (13 July 2018)
    Stathakim Ellie, “Rem Koolhaas and Irma Boom publish in-depth survey of building details”, wallpaper.com, 4 October 2018
    Taschen, Benedikt, "Happy Birthday, Wolfgang Tillmans!", in: taschen.com, (17 August)

    Thobega, Refilwe, “Strength, Reality Shine in ‘Fragile’ By Wolfgang Tillmans at Joburg Art Gallery”, in: Eyewitness News, (July 11)
    Trojano, Giulia, "My week in the art world – Nature calling (indoors)", in: fadmagazine.com, (27 June)
    Unicomb, Matt, "Review: Wolfgang Tillmans ‎- Source (Roman Flügel Remix)", residentadvisor.net (25 May 2018)
    Waite, Thom, "Listen to Neneh Cherry’s new single, a response to the refugee crisis", in: dazeddigital.com (1 August 2018)

    Wheeler, André-Naquian "Wolfgang Tillmans is dropping a new techno ep", in: i-d.vice.com (31 January)
    Wolf, Denise (ed.), “The Photographer in the Garden”, Aperture, New York (2018), pp.80-81.
    ----, “’Culture Connects: 29 Artists receive German Order of Merit, in www.dw.com 3 October 2018
    ----, "BOZAR Presents RESIST! Exhibition: The 1960s Protests, Photography and Visual Legacy", in: broadwayworld.com (16 May)
    ----, “Britain’s Leading Artists Protest Against The Decline Of Art In Schools”, artlyst.com, (8 May)
    ----, "British artists: Ebacc will damage creativity and self-expression", theguardian.com, (8 May)
    ----, “EU Must Sell Itself Better during Periods of Populism, Experts Sa”, in: laht.com (4 June)
    ----, Listen to our favourite music this month, in the latest VF Soho Radio show, thevinylfactory.com (24 May)
    ----, "The Weekend Guide", in: mg.co.za, (13 July)
    ----, "Things To Do Today In London: Monday 21 May 2018", londonist.com (21 May)
    ----, "Wolfgang Tillmans voices his concerns (via Instagram) about the state of Germany", in: theartnewspaper.com (22 January)
    ----, "What’s on this weekend", in: citybuzz.co.za, (8 July)

  • 2017

    Aletti, Vince, "Wolfgang Tillmans", in: Artforum, (January) p.103.
    Al-Turki, Abdullah K., "Wolfgang Tillmans’ Jeddah Journey Features at the Tate Modern", in: en.vogue.me, Vogue Arabia, (21 February)
    Beech, Mark, "Thirty Artists Donate Works to £1 Million Sotheby’s Sale for Grenfell Tower Families", in: blouinartinfo.com (10 October)
    Boddington, Ruby, "Photography on a Postcard offers the chance to buy a Martin Parr or Wolfgang Tillmans original for £50", in: itsnicethat.com, (9 October)
    Buffenstein, Alyssa, “Wolfgang Tillmans Shines in Basel With Major Retrospective and Fondation Beyeler”, in:
    news.artnet.com (13 June 2017)
    Clayton, Adam: "Fronting up to the ‘backfire’ effect", in: GQ Magazine (March 2017), pp.185-186
    Coatman, Anna: "In the Studio: Wolfgang Tillmans RA", in: RA Magazine (Spring 2017), pp.38 –39
    Collings, Matthew: "A howling win for Wolfgang", in: The Evening Standard (14 February), pp. 30-31
    Conti, Ricardo: "Wolfgang Tillmans at Fondation Beyeler", in: Mousse Magazine (Summer 2017) pp. 176-177.
    Cumming, Laura, "Wolfgang Tillmans: 2017; Eduardo Paolozzi review – from the chaos of time", in: theguardian.com (19 February)
    Davies, Claire: "The Ultimate Guide to Wolfgang Tillmans", in: sleek-mag.com (1 March)
    Dege, Stefan: "Why German photographer Wolfgang Tillmans is a 21st-century Renaissance man", in:
    dw.com, Deutsche Welle, (16 February)
    Dege, Stefan, “Between insecurity and hope: What Brexit means for culture”, in: www.dw.co, Deutsche Welle (29 March)
    Dolfi Agostini, Sara ‘Elezioni, l’arte si chiama dentro’, in: Il Sole 24 Ore online (5 June)
    Donbavand, Ant, "Martin Parr and Wolfgang Tillmans in secret auction to fight hepatitis C", in: designboom.com (7 October)
    Epps, Philomena: “Your Ultimate Guide to Wolfgang Tillmans”, in: dazeddigital.com (January 23)
    Fox, Charlie, “Wolfgang Tillmans, Tate Modern, London, UK”, in: Frieze, 187, p.216, (May)
    Gleadell, Colin, "Market News", in: The Daily Telegraph (23 May)
    Gleadell, Colin, "London's art scene: The Grenfell Tower art auction and more bricks at the Tate", in: telegraph.co.uk (24 October)
    Goldstein, Caroline, "Beyond the Fair: 14 Shows to See While in Switzerland for Art Basel", in: news.artnet.com ( 9 June)
    Gush, Charlotte: “Wolfgang Tillmans launches fresh campaign to protect the European Union”, in: www.i-d.vice.com, (March)
    Haj-Nafaji, Daryoush: "Wolfgang Tillmans Wants to Tell You About a Poly-Sexual Utopia", in:noisey.vice.com, (7 November)
    Harris, Gareth: "Gay clubs, weeds and the European Union: politics mixes with the personal in Wolfgang Tillmans’s Tate Modern survey", in: theartnewspaper.com (14 February 2017)
    Judah, Hettie, "Snapshots of now", in: the i newspaper (21 February), pp.36-37.
    Kane, Ashleigh: "Wolfgang Tillmans on Tate show: this isn’t about politics", in: dazeddigital.com (15 Februrary)
    Kemp-Welch, Klara, "Reconstruction", in: Art Review (Space Force Construction, V-A-C Foundation Supplement), (May), pp. 34-42
    King, Jacob, "A Report from Somewhere Over the North Atlantic", in: Newspaper Jan Mot (No. 107, May 2017) pp. 6-7
    Kuo, Michelle, “Show of Hands”, in: Artforum (March), cover and pp. 214-15.
    Kufer, Katrina, "It’s Basel’s Turn With Wolfgang Tillmans", Harper’s Bazaar Arabia, (15 June)
    McLean, Matthew, “Wolfgang Tillmans, 2017, Tate Modern, London”, Art Review, (April)
    Mclaughlin, Rosanna, “How Wolfgang Tillmans Became a Visual Poet of Britain’s Left”, www.artsy.net (March 3)
    Muñoz-Alonso, Lorena: "Inside Wolfgang Tillmans’s Superb Tate Modern Survey", in: artnet.com, (15 February)
    Naef, Maja, "Wolfgang Tillmans, Fondation Beyeler, Basel", in: Artforum (October), pp. 237-238
    Obrist, Hans Ulrich, "Wolfgang Tillmans on Brexit, Activism and London’s Nightlife", in: anothermag.com, (20 February)
    O’Hagan, Sean: "Freedom Fighter", in: The Guardian, (13 February), pp. 16-18
    Pasori, Ceder: " a new art show lets you take home a piece from Carsten Höller or Wolfgang Tillmans", in: interviewmagazine.com, (6 November)
    Perry, Colin: "Truth to Tel", in: Art Monthly, July–August 2017, pp. 1-5
    Petty, Felix, "The state we’re in", in: i-D, (Spring), pp. 284-290
    Petty, Felix, "How did Wolfgang Tillmans become one of the defining photographers of his generation", i-d.vice.com (5 June)
    Perret, Dorothée and Barlo Perry, "Sound and Vision: Wolfgang Tillmans", in: PARIS, LA (Spring 2017), cover and pp. 48-53.
    Pithers Ellie, "All The Works Up For Auction At Art For Grenfell", in: vogue.co.uk (10 October 2017)
    Razaq, Rashid, Images of unity: artists design covers for ES Magazine in tribute to Londoners’ resilience,
    standard.co.uk, 5 July 2017.
    Reyburn, Scott, "'Basquiat Factor' and a Glut of Options Stoke Sales at Art Basel', in: nytimes.com (16 June)
    Russeth, Andrew, "Basel’s Fondation Beyeler Mounts a Superb, Moving Wolfgang Tillmans Survey",
    artnews.com, (15 June)
    Searle, Adrian: "Wolfgang Tillmans review – a rollercoaster ride around the world", in: theguardian.com (14 February)
    Searle, Adrian, "Kaleidoscope of time and place, sex and cities", in: The Guardian (15 February), p. 9.

    Schwab, Katharine, “2017’s Most Powerful Protest Art Is Quickly Making Its Way Into Museums”, in: fastcodesign.com (August 17)
    Schwarz, Gabrielle, "‘Equality is the starting point for my life and art’: An interview with Wolfgang Tillmans", in:
    apollo-magazine.com (8 March)
    Shirbon, Estelle, "Stars of British art world donate works for Grenfell fire survivors", uk.reuters.com (12 October 2017)
    Smyth, Diane, "Wolfgang Tillmans: 2017 opens at London’s Tate Modern", in: bjp-online.com, British Journal of Photography (14 Februrary)
    Smyth, Diane, "Win a Jim Goldberg print for £50", in: bjp-online.com, British Journal of Photography (6 October )
    Sooke, Alistair, "Modern life is photo dazzling", in: The Daily Telegraph, (15 February), pp. 24-25.
    Spence, Rachel: “Wolfgang Tillmans, Fondation Beyeler, Basel – ‘A forensicm less-ordinary eye”, www.ft.com, (16 August 2017)
    Stoilas, Helen, Wolfgang Tillmans: "‘It’s the great album tracks that didn’t become singles’",
    theartnewspaper.com, (16 June)
    Taylor, Laurie: “Wolfgang Tillmans”, www.frieze.com, (14 February)
    Thompson, Samantha, "Golden Ticket", in: wallpaper.com (6 October)
    Wallis, Brian, "Previews: Wolfgang Tillmans", in: Artforum, (May), p.166.
    Weir, Laura, "Editor’s Letter", in: ES Magazine (with cover by Wolfgang Tillmans) 7 July 2017, cover and p.3.
    Wittovsky, Matthew, "The State We’re in, A", in: Art Review (Space Force Construction, V-A-C Foundation Supplement), (May), pp. 29-31.
    Wullschlager, Jackie, "Heartfelt vision of the way we live now", in: Financial Times, (2 February), p. 8.
    "Contemporary Photography Now: Wolfgang Tillmans", in: lomography.com/magazine (23 October)
    "Design Museum reveals shortlist for Beazley Designs of the Year", in: blouinartinfo.com (31 October)
    "Fiery angel: The restless energy of Wolfgang Tillmans, a German artist", in: economist.com (9 February)
    “Interactive Media”, in: www.aestheticamagazine.com, (28 February 2017)
    “Previews”, in: Artforum, (May) p.166.
    "Solo shows: Simon Bainbridge, editorial director of BJP, considers their importance as a signpost in your photographic career", in: bjp-online.com (3 November)
    "Tillmans at the Tate", in: Re-Edition Magazine (Spring/ Summer 2017), unpaginated
    "The Year in Review" in: ArtReview, (November 2017) pp. 139-161.
    "Top 100", in: Monopol, p. 46 (December 2017)
    “Wolfgang Tillmans on Brexit, Activism and London’s Nightlife”, in: www.anothermag.com (February 20)
    "Wolfgang Tillmans exhibition, Tate Modern, London, UK", in: http://www.damnmagazine.net (21 March)

  • 2016

    "2016 Power 100", in: artreview.com, Art Review, (19 October)
    Aberbach, Katie: “Wolfgang Tillmans” (interview), in: http://magazine.harvardartmuseums.org/ (1 September)
    Aha, Laura: “Gestalter Wolfgang Tillmans”, in: groove, no. 36, pp. 36–41
    Apperly, Eliza: “Wolfgang Tillmans talks Brexit. Why the artist felt compelled to get political”, in: www.taschen.com
    Archy, Karena. “Gallery Weekend Berlin”, in: www.art-agenda.com (May 2)
    Argauer, Rita: “Im Lenbachhaus ist der perfekte sound zu hören”, in: www.sueddeutsche.de (February 15); “Klang-Kunst”, in: Süddeutsche Zeitung (February 16)
    Aron, Isabelle: “Wolfgang Tillmans is calling on people to register to vote with these anti-Brexit posters”; in: Time Out London (May 20)
    “Art Review Power 100”, ArtReview, (November), p.107
    “A selection of Wolfgang Tilmans anti-Brexit posters”, in: ft.com (2 June)
    “Backstage details at Hood By Air SS17”, in: www.sleek-mag.com (September 15)
    Ballard, Thea: “Wolfgang Tillmans. 2016 / 1986”, in: http://pitchfork.com (July 19)
    Bar-Or, Galia: “How we bent a rod into a bow, how we stretched a tendon-string”, in: Hilla Ben Ari. Naamah: A tribute to Nahum Benari, exh. cat. Mishkan Museum of Art, Kibbutz Ein Harod, pp. 87–94
    Barry, Robert “Coming Attractions: June Gallery Previews”, in: thequietus.com (5 June)
    Barth, Niklas: “Sound ausstellen – Sound hören. Wolfgang Tillmans schafft mit ‘Playback Room’ einen Ort für Studiomusik im Lenbachhaus”, in: superpaper, no. 76 (February), p. 4
    Bauhaus, Carsten: “Frauen, Boys und SuperQueeroes”, in: www.siegessaeule.de
    Bichard, Thea: “Wolfgang Tillmans models for Hood By Air”, in: www.dazeddigital.com (September 11)
    Biswas, Allie: “Wolfgang Tillmans with Allie Biswas” (interview), in: www.brooklynrail.org (July 11)
    Blight, Daniel C.: “Dreamtime: Wolfgang Tillmans’ EU posters”, in: www.1000wordsmag.com
    Brewer, Jen: “Artangel commissions works for Reading Prison by Wolfgang Tillmans, Ai Weiwei and Marlene Dumas”, in: www.itsnicethat.com (July 25)
    Buchholz, Daniel: “The Nineties Now”, in: Frieze Week, London 2016, pp. 73–75
    Buck, Lousia: “The painful auf wiedersehn of Wolfgang Tillmans’s anti-brexit images, Mona Hatoum’s over-egged symbolism and much more in this weeks exhibition round-up”, in: http://theartnewspaper.com (June 28)
    Buck, Louisa: “Wolfgang Tillmans’ opening is dominated by movements and departures: possible and definite, international and local”, in: http://theartnewspaper.com (June 10)
    Buck, Louisa: “Unmissable highlights at Frieze London and Frieze Masters 2016”, in: www.telegraph.co.uk (October 6)
    Buhr, Elke: “Frieze London: Die Künstler genossen größere Freiheiten”, in: monopol
    Bulut, Selim: “Witch house trio SALEM are returning with new music”, in: www.dazeddigital.com
    Bulut, Selim: “Watch Wolfgang Tillmans at the controls in his new video”, in: www.dazeddigital.com
    Cafolla, Anna, “Hari Nef stars in Wolfgang Tillmans’ visual album”, in: www.dazeddigital.com (8 December)
    Cannon, Blair: “Wolfgang Tillmans walks for Hood By Air”, in: https://i-d.vice.com (September 11)
    Cardona, Gloria: “10 Must-See Exhibitions at Gallery Weekend 2016”, in: www.sleek-mag.com
    Carretier, Benoît: “Wolfgang Tillmans” (interview), in: http://next.liberation.fr (September 30)
    Christian, Julia: “Kosmos: von Herzen”, in: Süddeutsche Zeitung Magazin (February 12), p. 38
    Creahan, D.: “London – Wolfgang Tillmans at Maureen Paley”, in: http://artobserved.com (July 14)
    Crisell, Hattie: “Five Things to Know About London’s Biggest Photography Bonanza”, in: www.nytimes.com (May 19)
    Cumming, Laura: “Inside: Artists and Writers in Reading Prison review – a momentous Artangel project”, in: www.theguardian.com (September 4)
    Cusumano, Katherine: “Wolfgang Tillmans Made A Visual Album For The Post-Trump Era, Starring Hari Nef”, in: wmagazine.com (7 December)
    Dama, Francesco: “Wolfgang Tillmans Focuses on Borders and Brexit in London”, in: http://hyperallergic.com (June 21)
    Dege, Stefan, “Photographer Wolfgang Tillmans: ‘Brexit draws on a desire to disrupt and destroy’” in: dw.com (15 June)
    Demircan, Saim: “Wolfgang Tillmans and the EU”, in: Art Monthly, no. 397 (June), p. 35
    Desplanques, Loic: “Brexit Aesthetics – Reevaluating Propaganda”, in: http://cambridgeglobalist.org (June 28)
    Duehren, Claudia von and Sarah Borufka: “Gallery Weekend Berlin”, in: www.bz-berlin.de (May 1)
    Feldhaus, Timo: “Real Time”, in: www.spikeartmagazine.com (August 23)
    Fougeirol, Valérie: “À la limite du visible. Wolfganng Tillmans chez Álvaro Siza”, in: D’Architectures, no. 244 (May), pp. 16–23
    Frank, Alex: “Art World Hero Wolfgang Tillmans Walks Hood By Air”, in: www.vogue.com (September 11)
    Frank, Arno: “Wolfgang Tillmans über politische Kunst”, in: Musikexpress (November), pp. 10–11
    Frankel, Eddy, “We’re living in dangerous times”, in Time Out London (June), pp. 78 – 79.
    frieze A to Z of Contemporary Art, Phaidon Press, London.
    German, Henry: “Wolfgang Tillmans Releases His First EP”, in: www.sleek-mag.com (July 7)
    Gintoff, Vladimir: “What the Tate Modern Means in a Post-Brexit World”, in www.metropolismag.com (July 7)
    Gush, Charlotte, “wolfgang tillmans releases 27 minute video album ahead of launch tonight”, in: i-d.vice.com (7 December)
    Gurk, Christoph: “In all shapes and sizes” (interview), in: Münchner Kammerspiele, Spielzeit 2016/17, n.p.
    Hack, Jefferson, “Talking politics, posters, and techno with Wolfgang Tillmans” in: dazeddigital.com (20 July)
    Heiser, Jörg “25 Artworks”, in: Frieze, no.181, 25th Anniversary Issue, (September), pp.116-133.
    Hogan, Marc: “Wolfgang Tillmans explains how his techno track bookended Frank Ocean's Endless” (interview), in: http://pitchfork.com (August 19)
    Hütelin, Thomas and Peter Müller: “Der Erfolg Europas nervt seine Feinde“ (interview), in: Der Spiegel, no. 24, pp. 130–135
    Huseby, Benjamin Alexander: “Bühne Berlin” (portrait of WT), in: Berlin’s Interview (May), pp. 60–61
    Jobey, Liz: “A selection of Wolfgang Tilmans anti-Brexit posters”, in: www.ft.com (June 2)
    Jobey, Liz, ''It was crazy then, and it's crazy now'', in: FT Weekend Magazine (17-18 September), pp. 21-26
    Jobey, Liz, “Frieze looks back: ‘The Nineties’”, in: ft.com (16 September 2016)
    Jobey, Liz, “Wolfgang Tilmans: the world undivided”, in: FT Weekend Magazine European Edition (4-5 June)
    Jobey, Liz, “Wolfgang Tilmans: the world undivided”, in: FT Weekend Magazine (4-5 June), pp.24-29
    Johnston Maura: “Frank Ocean’s Visual Album Endless Is the Year’s Most Curious Work in Progress”, in: http://time.com (August 19)
    Jones, Jonathan: “These anti-Brexit posters show just what we lose by leaving the EU”, in: www.theguardian.com (April 24)
    Kanai, Miki: “Brexit, Refugee Crisis and the Everyday of Here and Now”, in: BT: Monthly Art Magazine Bijutsu Techo, vol 68 (June), pp. 28–39
    Käppeler, Christine: “Cool Temperantia”, in: der freitag (May 4), p. 15
    Kedves, Jan: “Rischel, ratter, klonk”, in: Süddeutsche Zeitung (July 22), p. 12
    Kedves, Jan: “Frank Ocean, der Sisyphos mit Smartphone”, in: www.sueddeutsche.de (August 19)
    Kennedy, Nora W. et al.: “The future is not what it used to be: Changing views on contemporary color photography”, in: Studio in Conversation, no. 61, pp. 91–97
    Kuhn, Thomas W.: “Ich und die Welt. Wolfgang Tillmans arrangiert in der Galerie Buchholz eine Ausstellung über seine Ateliers”, in: Der Tagesspiegel (May 7)
    Klingelfuss, Jessica: “Wolgang Tillmans votes Remain in latest London exhibition”, in: www.wallpaper.com (June 14)
    König, Kasper: “Die Anwesenheit von Menschen”, in: Best – Kunst. Das Leben von Kasper König in 15 Ausstellungen, Strzelecki Books, Cologne, pp. 54–57
    Kumara Moore, Lucy: “Naive Me: The new pop music of Wolfgang Tillmans“, in: Pop, no. 35 (autumn / winter), pp. 378–379
    Kumara Moora, Lucy: “Amsterdam to Lima“, in: works on paper, no. 1, p. 14-15
    Lee, Valerie: “Wolfgang Tillmans took Frank Ocean to Berghain”, in: http://mixmag.net (August 19)
    Levenson, Joey: “Wolfgang Tillmans walks for Hood By Air”, in: http://hero-magazine.com (September 12)
    Löhndorf, Marion: “Ein Wendepunkt, der Mut verlangt. Londons internationale Kulturszene und der Brexit”, in: www.nzz.ch (June 30)
    “Looking Back at Brexit with Wolfgang Tillmans”, in: aqnb.com (10 August)
    Lorch, Catrin: “Bin ich richtig?”, in: Süddeutsche Zeitung (April 30 / May 1), p. 19
    Lozano, Kevin: “Salem Remix Wolfgang Tillmans’ ‘Make It Up As You Go Along’: Listen”, in: http://pitchfork.com (August 22)
    Lütticken, Sven: “Who Makes the Nazis”, in: www.e-flux.com (no. 76, October)
    Luke, Ben: “The Nineties: don’t look back in anger”, in: http://theartnewspaper.com (October 5)
    Macelarri, Augustin: “Wolfgang Tillmans adjusts his focus in search of truth”, in: http://crackmagazine.net (July 12)
    Manning, Emily: “Frank Ocean veröffentlicht ein neues Album“, in: https://i-d.vice.com (August 19)
    Martínez Sánchez, Carolina: “Sonora 128. A project of Kurimanzutto”, in: www.rotundamagazine.com (May 30)
    McDermott, Matt: “Photographer Wolfgang Tillmans releases his first record”, in: www.residentadvisor.net (July 6)
    McDonough, Tom: “The State We’re In” (interview), in: Canadian Art (autumn), pp. 146–151
    McManus, Charlotte: “Switch craft“, in: Wallpaper (July), pp. 96–99
    Menden, Alexander: “Bilder gegen den Brexit“, in: www.sueddeutsche.de (April 28)
    Minsker, Evan: “Salem Returning With New Music This Year“, in: http://pitchfork.com (August 3)
    Morris, Wesley: “The Lonely Toil of Frank Ocean: Is It Art, or Denial?“, in: www.nytimes.com (August 31)
    Mukherjee, Paroma, “Wolfgang Tillmans rings orders back in focus at Maureen Paley, London”, in: http://uk.blouinartinfo.com (June 29)
    Myers, Owen: “This Is The E.U. Referendum Merch That You Actually Want”, in: www.thefader.com (June 6)
    Myers, Owen: “The Video For Salem’s Remix Of Wolfgang Tillmans Will Give You Nightmares“, in: www.thefader.com (August 22)
    Mitchell, Heather: “Frieze Thinking“, in: British Vogue (October), p. 97
    “Navigating Fragile Borders: Wolfgang Tillmans at Maureen Paley, 9 June-31 July”, in: afternyne.com (6 June)
    Nieberding, Mareike: “Das Uncoole wird cool” (interview), in: Frankfurter Allgemeine Sonntagszeitung (May 1), p. 43
    Neuendorf, Henri: “Artist Wolfgang Tillmans releases his first techno record”, in: https://news.artnet.com (July 7)
    Neuendorf, Henri: “Wolfgang Tillmans Dedicates His Berlin Project Space to Refugee Crisis”, in: https://news.artnet.com (April 14)
    Neuendorf, Henri: “How Did Wolfgang Tillmans’ Song End Up On Frank Ocean’s New Album?”, in: www.huffingtonpost.com (August 22)
    “New Shows: The hottest exhibitions opening this week”, in: Time Out London (7 June)
    Noll, Jan: “Zeitreise”, in: Siegessäule (August), p. 25
    Noor, Tausif: “Seeing Signs of Brexit at Frieze London”, in: http://hyperallergic.com (October 11)
    O’Hagan, Sean: “Wolfgang Tillmans: ‘I see myself as a product of European cultural exchange’” (interview), in: www.theguardian.com (May 20); in: Agenda, The Observer (May 8), p. 4
    Oerding, Henrik: “Das etwas andere Wunschkonzert”, in: Süddeutsche Zeitung (April 11)
    Paul,Lowe, “Photography Mastercalss, Creative Techniques of 100 Great Photographers”, Thames and Hudson, pp.152-153.
    Patience, Jen: “Take time to see the pictures Tillmans makes”, in: www.heraldscotland.com (February 20) (ill.)
    Pearl, Max: “Wolfgang Tillmans announces Device Control EP”, in: www.residentadvisor.net (August 22)
    Petty, Felix: “Wolfgang Tillmans drops a surprise EP thirty years in the making”, in: https://i-d.vice.com (July 7)
    Petty, Felix: “your five point guide to this year’s frieze”, in: https://i-d.vice.com (October 5)
    Pietsch, Hans: “Messe-Check: Frieze 2016”, in:
    Vogue
    Ramos, Filipa: “Frieze Art Fair”, in: www.art-agenda.com(October 6)
    Reichert, Kolja: “Das System funktioniert bestens. Gallery Weekend”, in: www.faz.net (April 29)
    Rose, Julian: “’Wolfgang Tillmans. On The Verge of Visibility’”, in: Artforum (January), p. 149 (ill.)
    Roth, David Kurt Karl: “Wolfgang Tillmans modelt für Hood By Air”, in: http://dandydiary.de (September 13)
    Roux, Caroline: “The Nineties Now”, Frieze Week, (October 2016), pp.68-75.
    Rudman, Matthew: “Wolfgang Tillmans”, in: www.studiointernational.com (June 19)
    Rundgren Yazdani, Sara Elina: “Digital Flows”, in: www.kunstkritikk.com (February 10) (ill.)
    Salter, Steve: “Wolfgang Tillmans on working with Frank Ocean and returning to music”, in: https://i-d.vice.com (August 23)
    Schleicher, Michael: “’Playback Room’: Diese Musik ist museumsreif”, in: www.merkur.de (February 19)
    Schneider, Hella: “Die Highlights des Gallery Weekend 2016”, in: www.vogue.de (April 29)
    Schraven, Hannah: “Gallery Weekend Special”, in: www.gallerytalk.net (April 26)
    Siegal, Nina: “At Frieze London, Throwing Light on Tense Times”, in: The New York Times (October 6), p. S1
    Sigg, Christa: “Details, die man sonst nicht hört”, in: Abendzeitung (February 16)
    Skidmore, Maisie: “Inside Wolfgang Tillmans’ seminal 1993 exhibition”, in: www.anothermag.com (October 7)
    Sladen, Mark: “Wolfgang Tillmans: ‘Brexit’ posters (2016)”, in: http://marksladen.com
    Smyth, Diane: “Wolfgnag Tillmans’ new book” (interview), in: British Journal of Photography (October), pp. 20–21
    Spencer, Samuel: “Frieze 2016 Sneak Peek”, in: http://ende.blouinartinfo.com (October 6)
    Solari, Francesco Bruno: “In praise of Wolfgang Tillmans”, in: http://smbhmag.com
    Sonna, Birgit et al.: “Gallery Weekend. Highlights 2016. Berliner Buletten”, in: www.art-magazin.de (May 2)
    Sonnevelt, Leendert: “Wolfgang Tillmans” (interview), in: Glamcult, no. 120, pp. 42–43
    Stein, Hannes: “Was weiß Magnus”, in: Welt am Sonntag (May 8), p. 60
    Timm, Tobias: “Jetzt mit Rabatt”, in: Die Zeit (October 13), p. 54
    Timm, Tobias: “Feiern, bis es Kunst wird”, in: Die Zeit (April 28), p. 54
    Udy, Dan: “Wolfgang Tillmans – Maureen Paley, London”, in: ArtReview (October), p. 130
    Vessels, Joel “Making Remain the ‘Cool’ Vote – Wolfgang Tillmans & His Posters” in: e-ir.info (6 June)
    Walde, Gabriela: “Auf zum Gallery Weekend”, in: Berliner Morgenpost (April 28), p. 16 (ill.)
    Walter, Annette: “Der Song als Kunstwerk”, in: taz (April 1), p. 16
    Whitehouse, Matthew: “New Wolfgang Tillmans exhibition to address the Borders around us”, in: https://i-d.vice.com (June 6)
    Xavier, Ágata: “Wolfgang Tillmans em Serralves”, in: www.sabado.pt (February 24)
    Yazdani, Sara R.: “Critics’ picks: Wolfgang Tillmans, Galerie Buchholz, Berlin”, in: http://artforum.com (May 20)
    Zimmer, Louisa: “Frank Ocean war mit dem Fotografen Wolfgang Tillmans im Berghain”, in: www.musikexpress.de (August 22)
    “Borders & Barbarians: Wolfgang Tillmans at Maureen Paley Gallery”, in: https://eatthehipster.org (July 15)
    “Defiant Hood By Air show casts real people models like Wolfgang Tillmans”, in: www.wmagazine.com (September 12)
    “Der Fotograf Wolfgang Tillmans bringt neue Musik raus”, in: https://i-d.vice.com (August 19)
    “Frank Ocean veröffentlicht Musik von Wolfgang Tillmans”, in: http://monopol-magazin.de (August 22)
    “London in ten iconic photos”, in: Time Out London, no. 2372 (March 15–21), pp. 28–34
    “Londoner's Diary: Wolfgang gets to the art of the EU debate”, in: www.standard.co.uk (April 26)
    “Navigating Fragile Borders: Wolfgang Tillmans at Maureen Paley, 9 June-31 July”, in: www.afternyne.com (June 6)
    “New Shows: The hottest exhibitions opening this week”, in: Time Out London (7 June)
    “Unser Guide zum Gallery Weekend 2016 – Teil I”, in: www.interview.de
    “When Wolfgang Shot Concorde”, Phaidon.com (17 August)
    “Wohin gehst du Europa”, in: Madame (October), pp. 82–88
    “Wolfgang Tilmans”, in: artnet.com (7 June)
    Wolfgang Tillmans: Maureen Paley”, in: https://exhibitionsmith.wordpress.com (3 July)
    “Wolfgang Tillmans. The Cars”, in: Fotograf, no. 27, pp. 82–89
    “Wolfgang Tillmans – 'Brexit is unpatriotic'” (interview), in: http://de.phaidon.com (April 25)
    “Wolfgang Tillmans” (interview), in: Mit anderen Augen – Das Porträt in der zeitgenössischen Fotografie, exh. cat. Kunstmuseum Bonn, p. 324
    “Wolfgang Tillmans at Galerie Buchholz”, in: www.musemagazine.it
    “Wolfgang Tillmans at Daniel Buchholz”, in: www.artwritingdaily.com (June 21)
    “Wolfgang Tillmans: Maureen Paley”, in: https://exhibitionsmith.com (July 3)
    “Wolfgang Tillmans, Maureen Paley” in: myartguides.com (19 July)
    “Wolfgang Tillmans: Studio”, in: Siegessäule (June), p. 79
    “Wolfgang Tillmans has released his first ever record”, in: http://thevinylfactory.com (June 30)
    “Wolfgang Tillmans – The Maureen Paley Gallery, London”, in: www.cellophaneland.com (July 25)
    “Wolfgang Tillmans und der Internet-Scheiß / Videopremiere”, in: www.spex.de (September 13)
    ”Wolfgang Tillmans”, in: 10 hoch 3, p. 75
    “Wolfgang Tillmans’ ‘Make It Up As You Go Along (Daniel Wang & J.E.E.P. Remix), in: www.self-titledmag.com (September 9)
    "The Year in Review" in: ArtReview, (November 2016) pp. 159-174.

  • 2015

    Albers, Markus and Stefan Kesselhut: “Es geht um das ständige Hinterfragen” (interview), in: Einmalig 15, Magazin der Budesdruckerei, pp. 100–113
    Aletti, Vince: “Wolfgang Tillmans”, in: The New Yorker (September 28), p. 29
    Aletti, Vince: “Wolfgang Tillmans (David Zwirner, New York)”, in: artforum (December), p. 214
    Armstrong, Patrick: “American Producers – Between Bridges / Berlin”, in: www.flashartonline.com (February 26)
    Barth, Niklas: “Ich hol’ euch alle ab! Die neuen Münchner Kammerspiele unter Matthias Lilienthal“, in: superpaper, no. 73 (November), p. 4
    Bauhaus, Carsten: “Die Wahrheit liegt dazwischen: Wolfgang Tillmans im HKW“, in: www.siegessaeule.de
    Baum, Rachel: “Can’t See Straight“, in: Camera Austria, no. 131, pp. 82–84
    Beeson, John: “American Producers”, in: Artforum (March), p. 294
    Benhamou, Judith: “Trois grands de l’art contemporain à Paris: Bruce Nauman, Marcel Broodthaers, Wolfgang Tillmans”, in: http://blogs.lesechos.fr (April 19)
    Bodin, Claudia: “Im Hier und Jetzt”, in: www.art-magazin.de (September 29)
    Bostan, Ayzit: “Werk der Wahl. Modedesignerin Ayzit Bostan über das “AIDS-Memorial’”, in: www.sueddeutsche.de (May 19)
    Bullock, Michael: “AA Bronson. Bronson in Berlin”, in: apartamento, no. 16, pp. 250–263
    Eichler, Dominic: “Look Again. In Conversation with Dominic Eichler” (interview), in: Beshty, Walead (ed.): Ethics, The MIT Press, Cambridge, MA, pp. 164–166
    Calvi, Danny: “Greer Lankton”, in: www.buttmagazine.com/blog (April 10)
    Corréard, Stéphane: “Wolfgang Tillmans en ligne de mire”, in: http://next.liberation.fr (April 20)
    Dercon, Chris: “Luxus mit Verstand, Aktivismus zum Tanzen und mehr von Tillmans – meine Wünsche für das neue Jahr”, in: Monopol (February), p. 24
    Duarte, Mariana: “Uma sociedade que tem medo de abordar a sexualidade é vulnerável”, in: Publico (November 22), pp. 32–33
    Dunker, Bettina: “Strategies of Combination and Codification in Contemporary Art Installations”, in: Pahl, Hanna: Emblematic Strategies in Contemporary Art, Lit Verlag, Vienna, pp. 23–41
    Durand, Régis: “L’archive, matériau de fictions”, in: “L’Architecture d’Aujourd’hui”, no. 407 (June), pp. 138–141

    Dykstra, Jean: “Wolfgang Tillmans: PCR”, in: photograph (November / December), p. 82Ekardt, Philipp: “Fiorucci made me normcore. Fünf Beobachtungen zu Kunst, Stil und Szenen heute”, in: Texte zur Kunst, no. 97 (March), pp. 73–91
    Ekardt, Philipp: “Fiorucci made me normcore. Fünf Beobachtungen zu Kunst, Stil und Szenen heute”, in: Texte zur Kunst, no. 97 (March), pp. 73–91
    Evans, David: “The Swarn Intellegence of Wolfgang Tillmans”; in: Source, no. 82 (spring), pp. 8–13
    Farago, Jason: “Wolfgang Tillmans”, in: http://artforum.com (April 18)
    Fox, Charlie: “Postcard from Lismore Castle: ‘The Persistence of Objects”, in: http://blog.frieze.com (July 20)
    Funcke, Bettina: “Aging into new worlds: Deutsch-amerikanische Freundschaft. A survey of five fall 2015 shows in New York”, in: Texte zur Kunst, no. 100 (December), pp. 213–219
    Futoshi, Miyagi: “Wolfgang Tillmans. Your Body is Yours”, in: http://realkyoto.jp (September 21)
    Galilee, Beatrice: “Portfolio. Wolfgang Tillmans”, in: http://archpaper.com (April 21)
    Gendall, John: "Work in progress: Wolfgang Tillmans’ ‘PCR’ opens at David Zwirner, NYC", in: www.wallpaper.com (September 29)
    Gopnik, Blake: “At the Met, Wolfgang Tillmans’s View of Buildings“, in: https://news.artnet.com (April 28)
    Greenberger, Alex: “‘These pictures would not have been possible ten years ago’: Wolfgang Tillmans on his new show at David Zwirner”, in: www.artnews.com (September 21)
    Gurk, Christoph: “Gespräch mit Wolfgang Tillmans“, in: Münchner Kammerspiele, Spielzeit 2015/16, n.p.
    Hatt, Étienne: “Wolfgang Tillmans. Galerie Chantal Crousel“, in: artpress, no. 423 (June), p. 31
    Hatt, Étienne: “Wolfgang Tillmans. Des images pour aujourd’hui“ (interview), in: artpress, no. 428 (December), cover and pp. 36–44
    Hawkesworth, Jamie: “How Fragile Is This Man“ (photographs of fashion cloth by Wolfgang Tillmans 1984–1985), in: Arena Homme+, no. 44 (winter 2015 / spring 2016), pp. 354–367
    Higgs, Matthew: “Fashion Stories (Between Bridges, Berlin)“, in: artforum (December), p. 231
    Hugo, Saadi: “La photographie es tun outil qui enregistre nos pensées avec une grande précision“, in: http://toutelaculture.com (April 23)
    Indrisek, Scott: „“Wolfgang Tillmans shoots peas, pool boys, himself“, in: http://blogs.artinfo.com (September 15)
    Kagge, Erling: “The Caravan Must Move On. A Few More Words About What I Have Learned“, in: A Poor Collector’s Guide to buying Great Art. Erling Kagge, Kagge Forlag, Oslo, pp. 175–178
    Knoblauch, Loring: “Wolfgang Tillmans: Book for Architects @Met”, in: https://collectordaily.com (February 9)
    Koerner von Gustorf, Oliver: “Nennt mich Greer”, in: Monopol (July), pp. 62–67
    Kotaka, Naoki: “Wolfgang Tillmans” (interview and artist’s pages), in: Free (autumn / winter), pp. 46–59
    Kupfer, Paula: “Wolfgang Tillmans Reaches the Apogee of His Career (For Now)”, in: surfacemag.com (October 2)
    Kupfer, Paula: “Range Rover. With Metropolitan Museum of Art and David Zwirner presentations, Wolfgang Tillmans displays his genre-defying versatility”; in: Surface (October), pp. 108–115
    Lehrer, Adam: “Tillmans ‘PCR’ at David Zwirner in New York”, in: www.pasunautre.com (September 21)
    Lequeux, Emmanuelle: “Faire la paix avec cette inquiétante étrangeté du monde”, in: Le Quotidien de l’Art, no. 825 (April 30), n. p.
    Lorch, Catrin: “Ein Stilleben mit ‘Süddeutschen’ – aus dem Atelier von Wolfgang Tillmans, dem Starfotografen der
    zeitgenössischen Kunst”, in: Süddeutsche Zeitung (May 2 / 3), p. 22
    Lorch, Catrin: “Was bringt’s?”, in: Süddeutsche Zeitung (October 7), p. 13
    Lübbke-Tidow, Maren: “Hasselblad Award for Wolfgang Tillmans”, in: Camera Austria, no. 130, pp. 101
    Lubow, Arthur: "Wolfgang Tillmans Takes Pictures of Modern Life, Backlit by the Past", in: www.nytimes.com (September 25)
    Manning, Emily: “We talk to Wolfgang Tillmans as he brings his Book for Architects to the Met” (interview), in: i-d.vice.com (January 30)
    Martin, Hannah: “See Wolfgang Tillmans’s architectural photography at the Met”, in: www.architecturaldigest.com (January 26)
    McCormack, Séamus: “Wolfgang Tillmans”, in: exh. cat. What We Call Love, Irish Museum of Modern Art, Dublin, cover and pp. 70–71
    Moore, Lucy: “Fashion Stories at Between Bridges, Berlin”, in: Picpus, no. 16 (autumn), n.p.
    Moulène, Claire and Ingrid Luquet-Gad: “Le top 5 des expos de la semaine”, in: www.lesinrocks.com (April 17)
    Murakami, Kenta: “Wolfgang Tillmans: A Wandering Eye Enamored with the World”, in: http://hyperallergic.com (Ocotober 21)
    Nedo, Kito: “In Würde verbleichen”, in: Südeutsche Zeitung (August 8 / 9), p. 21
    Neuendorf, Henri: “Wolfgang Tillmans Wins 2015 Hasselblad Photography Award”, in: www.artnet.com (March 6)
    Nieberding, Mareike: “Das Ibiza von Berlin”; in: www.spiegel.de (August 18)
    Nørgaard Lykkebo, Stine: “Wolfgang Tillmans modtager årets Hasselbladpris”, in: www.kunsten.nu (March 6)
    O’Hagan Sean: “How the world caught up with Wolfgang Tillmans”, in: theguardian.com (September 17)
    Parent, Béatrice: "Correspondences", in: "Keys to a Passion", exh. cat. Fondation Louis Vuitton, Paris, p. 23
    Pofalla, Boris: “In den Körpern von Puppen”, in: Frankfurter Allgemeine Sonntagszeitung (April 12), p. 44
    Por Yoshida, Mika and David G. Imber: “Book for Architects. Wolfgang Tillmans”, in: Casa Brutus, no. 181 (April), pp. 158–159
    Rose, Julian: “Realist Estates”, in: artforum (summer), pp. 137–138
    Russeth, Andrew: “Art in the dead of winter: a painting blowout at Gavin Brown, the Winter Antiques Show and ML Artspace”, in: www.artnews.com (January 29)
    Sansom, Anna: “Between the Blur and the Flicker”, in: Damn Magazine, no. 50 (May), pp. 78–82
    Savage, Jon: “Wolfgang Tillmans. In Conversation with Jon Savage“ (interview), in: Arena Homme+, no. 44 (winter 2015 / spring 2016), pp. 316–327 (ill.)
    Skidmore, Maisie: “Wolfgang Tillmans’ Interventions“, in: www.anothermag.com (October 23)
    Smith, Roberta, "Review: Wolfgang Tillmans, a Photographer Showing His Life as an Open Book", in: nytimes.com (October 13)
    Smith, Roberta: “Wolfgang Tillmans: ‘PCR’”, in: The New York Times (October 23), p. C18
    Thomas, Gina: “Ein Schicksalskreuz als letzter Zuwachs seiner Ära”, in: Frankfurter Allgemeine Zeitung (December 18), p. 11
    Tillman, Lynne: “After Wojnarowicz”, in: Harris, Melissa (ed.): David Wojnarowicz. Brush Fires in the Social Landscape, in: aperture, New York, pp. 199–215
    Tillmans, Wolfgang: “Lecture. Royal Academy of Arts, London”, in: le morning, no. 47
    Uematsu, Yuka: “The Multiplicity of Meaning in the Work of Wolfgang Tillmans“, in: “Your Body is Yours”, exh. cat. The National Museum of Art, Osaka, pp. 15–3
    Viveros-Fauné, Christian: “Wolfgang Tillmans's Relentlessly Boho Imagery at David Zwirner is Inventive But Ugly”, in: artnet.com (October 21)
    Woodward, Richard B.: “Wolfgang Tillmans, PCR @David Zwirner“, in: https://collectordaily.com (October 15)
    Yerebakan, O. A.: “New York – Wolfgang Tillmans: ’PCR’ at David Zwirner“, in: http://artobserved.com (Ocotober 8)
    Young, Coco: “Processing the world through Tillmans’ lens“, in: http://sfaq.us (October 9)
    Zevi, Clara: "Wolfgang Tillmans’s Early Film Debut at The Kitchen Was a Packed, Sweaty Mess", in: news.artnet.com (September 16)
    “2015 Power 100. 11: Wolfgang Tillmans” in: Art Review (November), p. 130
    “Die Stille bluten. Patrick Caulfield in Wolfgang Tillmans Berliner Projektraum“, in: www.monopol-magazin.de (January 10)
    “Oral history at the British Library: what else has been happening?“, in: National Life stories 2014 / 2015, pp. 8–10
    "New Couples: From Louise Bourgeois to Jim Hodges / From the 1980s to Now", in: exh. cat. "What We Call Love: From Surrealism to Now", Irish Museum of Modern Art, Dublin, pp. cover, 70-71.
    “Purple Diary ‒ Wolfgang Tillmans ’Lignine Duress’ Opening at Galerie Chantal Crousel, Paris“, in: http://purple.fr (April 21)
    “The glittering prizes”, in: The Art Newspaper (April), p. 15
    “Traut euren Augen! Die Fotografien von Wolfgang Tillmans in New York“, in: www.stylemag.net (October 9)
    “Wolfgang Tillmans at David Zwirner“, in: www.artinamericamagazine.com
    "Wolfgang Tillmans’ unfiltered photo show", in: www.uk.phaidon.com (September 29)
    “Wolfgang Tillmans wins 2015 Hasselblad Award”, in: www.e-flux.com (March 6)
    “Wolfgang watching Wolfgang“ (portrait of WT by Jeremy Everett), in: Arena Homme+, no. 44 (winter 2015 / spring 2016), n.p.
    “Wolfgang Tillmans: ‘Book for Architects’”, in: The New Yorker (March 30), p. 9
    “Wolfgang Tillmans: Book for Architects”, in: exh. cat. “Zoom! Architektur und Stadt im Bild”, Pinakothek der Moderne, Munich, pp. 170–173
    “Wolfgang Tillmans“, in: Süddeutsche Zeitung Magazin (May 11), p. 73
    “Wolfgang Tillmans“, in: www.collectorsagenda.com
    “Wolfgang Tillmans. From the editor“, in: Four Two Nine, no. 6, p. 21

  • 2014

    Aletti, Vince: “Photobooks”, in: www.photographmag.com (January / February)
    Altmann, Susanne: “In umstrittenen Territorien”, in: www.art-magazin.de (July 1)
    Biggs, Joanna: “Wolfgang Tillmans: 'Pictures are replacing words as messages'”, in: www.theguardian.com (May 9)
    Borcherdt, Gesine: “Bei den Fetischen des alten West-Berlin”, in: www.welt.de (May 29)
    Buhr, Elke: “In St. Petersburg sucht die Manifesta nach dem Schlüssel zur Eremitage”, in: Monopol (August), pp. 100–101
    Burton, Johanna: “Pictures in the Present Tense”: in: Verwoert, Jan (et al.) (ed.): Wolfgang Tillmans, Phaidon Press, London, pp. 170–213
    Buck, Louisa: “Why Tillmans in returning to Russia”, in: www.theartnewspaper.com (June 17)
    Fite-Wassilak, Chris: “Review: Wolfgang Tillmans – Central Nervous System”, in: ArtReview (January / February), p. 112
    Guiducci, Mark: “10 Things You Can't Buy (But Will Want to See) at Art Basel”, in: www.vogue.com (June 17)
    Hinrichsen, Jens: “Nicht den Kopf zerbrechen. Im Museum Folkwang erklärt ‘(Mis)Understanding Photography’ die Fotogeschichte aus der Praxis”, in: www.monopol-magazin.de (June 11)
    Hoffmans, Christiane: “Haben Sie mit einer Schere im Kopf ausgewählt”, in: www.welt.de (June 17)
    Jones, Jonathan: “The top 10 male nudes in art”, in: www.theguardian.com (April 10)
    Knöfel, Ulrike: “Umstrittene Manifesta-Schau in Russland: ‘Wir wollen politisieren’, in: www.spiegel.de (June 26)
    Kröner, Magdalena: “Dem Licht beim Arbeiten zusehen”, in: Frankfurter Allgemeine Zeitung (July 24), p. 12
    Kuhn, Nicola: “Auf großer Reise ins Dorf”, in: www.tagesspiegel.de (June 6)
    Lorch, Catrin: “Hasenfußläufig”, in: Süddeutsche Zeitung (May 30), p. 11
    Lübbke-Tidow, Maren: “Berlin Biennale 8”, in: Kunstbulletin, no. 7 / 8, pp. 67–68
    Maak, Niklas: “Diese schönen Dinge, die keine Kunst sind”, in: www.faz.net (May 5)
    Myers, Terry M.: “Letter from BERLIN”, in: http://brooklynrail.org (February 5)
    Nedo, Kito: “Party aus Papier”, in: Süddeutsche Zeitung (July 26 / 27), p. 14
    Needham, Alex: “Wolfgang Tillmans to open music 'playback room' in Berlin gallery“, in: www.theguardian.com (September 12)
    Pofalla, Boris: “Ein Skandal ist ja wohl das Mindeste”, in: Frankfurter Allgemeine Sonntagszeitung (June 29), p. 33
    Schönegg, Kathrin: "Wolfgang Tillmans. Reprise der Abstraktion am 'Ende des fotografischen Zeitalters'“, in: Fotogeschichte, no. 133, pp. 21–28, 59–62
    Schulze, Karin: “Fotoausstellung am Folkwang Museum: Miss Verstand”, in: www.spiegel.de (June 14)
    Searle, Adrian: “The artworld takes on Russia’s regressive LGBT laws at Manifesta 10”, in: www.theguardian.com (July 1)
    Smolik, Noemi: “Manifesta 10”, in: frieze, no. 14 (September), pp. 146–147
    Stahl, Antje: “Die 90er”, in: Monopol (July), pp. 48, 56, 57
    Träger, Wolfgang: "Fotodokumentation: Manifesta 10. General Staff Building", in: Kunstforum International, no. 228 (August / September), pp. 155–175
    Vogel, Sabine B.: "8. Berlin Biennale 2014. Der komplette Rundgang", in: Kunstforum International, no. 228 (August / September), pp. 46–113
    Wilson, Rob: “A warm eye. Wolfgang Tillmans on his ‘book for architects’” (interview), in: www.uncubemagazine.com (June 27)
    Wittneven, Katrin: “Wolfgang Tillmans”, in: Künstler – Kritisches Lexikon der Gegenwartskunst, vol. 106, no. 14 (2nd quarter)
    Würfel, Caroline: “Love, Aids, Riot, Sex in der nGbK in Berlin”, in: www.vogue.de (January 28)
    “2014 The Power 100. 36: Wolfgang Tillmans”, in: http://artreview.com
    "Interview with Stuart Comer” (interview), in: Verwoert, Jan (et al.) (ed.): Wolfgang Tillmans, Phaidon Press, London, pp. 165–169
    “Jacques Herzog: The Reluctant Exhibitionist“, in: www.iconeye.com (August 15)
    “Step into Liquid” (interview by Michelle Kuo), in: The Happy Fainting of Painting, Verlag der Buchhandlung Walter König, Cologne, pp. 126–127
    “Wolfgang Tillmans on middle age and architecture”, in: http://uk.phaidon.com (June 12)
    “Wolfgang Tillmans. Damian talks to Turner prize winning photographer Wolfgang Tillmans about his new book” (radio interview), on: www.bbc.co.uk
    “Wolfgang Tillmans. Images from his latest book – in pictures”, in: www.theguardian.com (May 9)
    “Wolfgang Tillmans”, in: Love Aids Riot Sex, exh. cat. nGbK – neue Gesellschaft für bildende Kunst, Berlin, p. 84
    “Wolfgang Tillmans. Folkwang Raum (1987–2013), in: (Mis)Understanding Photography, exh. cat. Museum Folkwang, Essen, pp. 86–93
    “Wolfgang Tillmans”, in: Manifesta 10. The European Biennial of Contemporary Art, exh. cat. The State Hermitage Museum, St. Petersburg, pp. 174–177

  • 2013

    Ackermann, Tim: “Neue Welt“, in: IMA, Living with Photography (Spring), pp. 63-71
    Astorga, Daniela Silva “Wolfgang Tillmans: Ojos de Rayos X”, El Mercurio (July 6)
    Bosetti, Annette: “Die Welt des Fotokünstlers Wolfgang Tillmans“, in: Rheinische Post (February 22), pp. C1
    Bosetti, Annette: “Wolfgang Tillmans – der Foto-Rebell“, in: Rheinische Post (March 2/3), pp. C1
    Bradley, Paige K., “Wolfgang Tillmans, Andrea Rosen Gallery”, Artforum (May)
    Christensen, Rupert: “Exhilarating and exhausting: Les Rencontres d’Arles 2013” (Review), The Telegraph (July)
    “Die Bedeutung schlummert überall“, in: Die Zeit (January 10), p. 45
    Durden, Mark, “The Freedoms of Photography”, Camera Austria 122
    “Düsseldorfer K21 widmet Wolfgang Tillmans eine umfassende Werkschau“, in: http://de.blouinartinfo.com/news/story/871712/duesseldorfer-k21-widmet-wolfgang-tillmanns-eine-umfassende (April 3)
    Espinoza, Denisse: “La fotografía abstracta de Wolfgang Tillmans aterriza en el Mavi”, Latercera (July 17)
    “Framing the View, six artists reveal how they choose landscapes”, The Guardian (February 1)
    Frenzel, Sebastian: “Wolfgang Tillmans: Die Selbstporträts. Ein Interview“, in Monopol (March), pp. 60-69
    Fricke, Christiane, ‘Ein überraschend vielseitiges Werk’, Handelsblatt (March 8)
    Hanselle, Ralf: “Wahr sind immer nur die Absichten“, in: Cicero (March), pp. 113-116
    Herbert, Martin: “Wolfgang Tillmans”, in Art Review (April), pp. 62-71
    Higgie, Jennifer. "5 Still Lifes: A selective history of things on tables" in Frieze Masters (2) p 73 - 77
    “Kleidung kann die Welt auf den Kopf stellen“ (Interview), in: http://www.spiegel.de/kultur/gesellschaft/wolfgang-tillmans-grosse-foto-ausstellung-im-k-21-in-duesseldorf-a-886232.html (March 4)
    Lorch, Catrin: “Wunderbare Freiheit des Blicks“, in: Süddeutsche Zeitung (March 4), p.9
    Melgar Wong, Francisco, “Wolfgang Tillmans detrás de cámaras”, El Comercio (March 17)
    Müller, Bertram: “Mit Wolfgang Tillmans ins neue Kunstjahr“, in: Bergische Morgenpost (Januar 3)
    Müller, Hans-Joachim: “Wolgfang Tillmans – der Allesseher, Allesmacher“, in: Die Welt (March 5)
    O’Brien, Sophie, ‘The ground beneath his feet’, Art Quarterly (Spring 2013)
    O’Hagan, Sean: “Les Rencontres d’Arles 2013” (Review), in The Observer (July)
    Parreno, Philippe. "My Influences" in Frieze No.158 (October) p 194 - 199
    Reyes, Antonia, ‘Lo que significa ser humano’, MásDeco (August)
    Rosenberg, Karen, “Wolfgang Tillmans: From Neue Welt”, The New York Times (May 16)
    Schiff, Hajo, “Wolfgang Tilmans” Artist Kunstmagazin, No 95
    Schulz, Karin, “Kleidung kann die Welt auf den Kopf stellen”, Spiegel Online, (March 4)
    Stiftel, Ralf: “Die Kustsammlung NRW zeigt das Werk des Fotografen Wolfgang Tillmans”, in: Come-on.de (March 12)
    “Und bei dir so? Monopol fragt Künstler und Kuratoren“, in: Monopol (January), p. 41
    Zimmermann, Damian: “Der Messie unter den Fotografen”, taz (March 4)

  • 2012

    Ackermann, Tim: „Ein Fotograf auf großer Fahrt“, in: Welt am Sonntag (August 19), p. 48
    Artforum, (September), pp.420-429
    Bas, Borja: “El Artista que Volvió de as Estrellas“, in: El País Semanal (November 11), pp.12-14
    Beils, Martin / Hellwig, Kristina: Wolfgang Tillmans und wie er die Welt sieht“, in: „Bekannt Bedeutend, Bergisch, 33 Lebensskizzen bergischer Persönlichkeiten“, Bergisch Gladbach, pp. 114-118
    Bendlin, Julia: Dubstep der Bilder: Fotograf Wolfgang Tillmans in der Kunsthalle Zürich, Rolling Stone (http://www.rollingstone.de/news/meldungen/article321312/dubstep-der-bilder-fotograf-wolfgang-tillmans-in-der-kunsthalle-zuerich.html)
    Bergisch, 33 Lebensskizzen bergischer Persönlichkeiten, Bergisch Gladbach, pp. 114-118
    Braunerhielm, Agnes: “Wolfgang Tillmans bilder inspirerar modevärlden“, in: Dagens Nyheter (November 11), p. 6
    Brumfitt, Stuart: „Tillmans takes photos“, in: Attitude (September), p. 32
    Carey-Thomas, Lizzie: edited text of an interview on the occasion of the exhibition “Migrations: Journeys into British Art“, Tate Britain, (January – August), p.113
    Feldhaus, Timo, „Digital ist besser“, in: De:bug, (September), pp. 34-40
    Häntzschel, Jörg: „An der Oberfläche“, in: Süddeutsche Zeitung (October 16), p. 12
    Hellwig, Kristian: “Wolfgang Tillmans' neue Welt“, in: Bergische Kultur (September 8)
    Jamieson, Teddy: “The Tillmans theory of reality“, in: The Herald Scotland (May 4), p. 21
    Kissick, Dean: “The next generation of beautiful“, in: i-D (autumn), p. 72
    Kinowska, Joanna: “W galerii daję z siebie wszystko“, in: Fotografia. Nr. 38, pp. 95-102
    Khayyer, Jina: “Neue Welten“, in: L’Officiel Hommes (autumn), pp. 118-123
    Kotzé, Talitha: “Portrait of the Artist“, in: The List, Glasgow and Edinburgh, p. 119
    Kuo, Michelle, in coversation with Tillmans, Wolfgang. “Step into Liquid.”
    Langer, Freddy: „Die ganze Welt“, in: Frankfurter Allgemeine Zeitung (August 30), p. R8
    Langer, Freddy: “Im Leerraum zwischen Wildnis und Zivilisation“, in: Frankfurter Allgemeine Zeitug (Juni 2), p. 35
    Larssen, Kristiane: “Wolfgangs Verden“, in: Dagens Naeringsliv (October 5), pp. 38-45
    Madestrand, Bo: “Intima tidsbilder med humor“, in: Dagens Nyheter (October 9), p. 8
    Malmberg, Carl-Johan: “Tillmans bjuder“, in: Svenska Dagbladet, (October 18), p. 6
    Meier, Philipp: „Schöne neue Welt in der Kunstbrauerei“, in: Neue Zürcher Zeitung (September 1), p. 23
    Meier, Simone: “Total global: Wolfgang Tillmans im frisch umgebauten Kunstareal Zürichs“, in: Monopol (October), p. 103
    Neuman, Ricki: “Tillmans bildfabrik“, in: Svenska Dagbladet (Oktober 6), pp. 6-10
    Olonetzky, Nadine: Grösser als das Leben“, in: Neue Zürcher Zeitung am Sonntag (August 26), p. 71
    Persichetti, Simonetta: “Cor E Forma“, in: O Estado de S. Paulo (March 27), p. D1
    Pollock, David: „Worldly Wolfgang Tillmans sees the big picture“, in: The Independent (April 20)
    Rau, Anselm, Uhlig, Wolfgang: “Stillleben. Werkbetrachtungen von der Antike bis zur Gegenwart.“, Ernst Klett Verlag, Stuttgart, pp. 52-53
    Saletti, Adam: “Conor Donlon – From above the shop” Apartamento, Issue # 09 (April)
    Sinning, Hilka: „Die neuen Fotografien von Wolfgang Tillmans“, television piece in: titel thesen temperamente, broadcasted: 26.8.12
    (http://mediathek.daserste.de/sendungena-z/431902ttt-titel-thesen-temperamente/11525658_die-neuen-fotografien-von-wolfgang-tillmans)
    Stolle, Wanda; Zunker, Angelika: Fotografisches Inszenieren von Papierobjekten, in: Kunst + Unterricht, Heft 359, 360, pp. 51-52
    Tillmans, Wolfgang, in coversation with Tennant, Neil. “Neue Welt: Elysium.” 032c, (Autumn), pp.100-109
    Tobler, Konrad: „Die ganze Welt im neuen Haus“, in: Tages-Anzeiger (September 1), p. 29
    Weiland, Florian: „Ein anderer Blick nach außen“, in: Südkurier Nr. 217 (September 18), p. 13
    Wirfält, Johan: “Foto: Wolfgang Tillmans“, in: Rodeo (autumn), p. 59
    Zucker, Stefan: „Jäger des unvergesslichen Bildes“, television piece in: Kulturplatz (sf Kultur), broadcasted: 22.8.12 (http://www.videoportal.sf.tv/video?id=ff180102-46c8-453a-b701-08b7f6cb11c9)
    Zybok, Oliver: „Wolfgang Tillmans – Prüfsteine der Wahrnehmung, in: Kunstbulletin (October), pp. 24-31
    “Freischwimmer 24“ (2003), in: Sammlungkatalog: The National Museum of Art, Osaka, 2012, p. 242
    “Entre O Real E O Abstrato“, in: serafina, Folha De S.Paulo (March), pp. 28-33
    “Los mundos privados“, in: Semana (October 15-22), pp. 98-99
    “Photographer Anton Corbijn on Freischwimmer 118 (2005)“, in: Stedelijk in the pocket, Stedelijk Museum Amsterdam, 2012
    “Snapshot 'Tukan', in: Financial Times (October 6/7), p. 22
    “Von Dürer bis zu den Irokesen“, in: Lüneburger Landeszeitung (December 29)
    “Wolfgang Tillmans Neue Welt“, in: Photonews (September), pp. 16-17
    “Wolfgangs waarheid“ (Bededikt Taschen over Wolfgang Tillmans), in: NRC Weekend (December), pp. 30-39.

  • 2011

    Braun, Adrienne & Thon, Ute. “Ich will das Dazwischen ausloten, Art (July), pp. 50-61.
    Chieko, Kitade. “The Collection Catalog of 21st Century Museum of Contemporary Art, Kanazawa.” Museum of Contemporary Art, Kanazawa, Japan.
    Crenn, Julie: “Exposition Wolfgang Tillmans chez Chantal Crousel“, in: http://inferno-magazine.com/ (November 11)
    “Die Zukunft des Garten“, in: Süddeutsche Zeitung (October 22/23), pp. 18-19
    Fisher, Mark, Reyolds, Simon & Tenaglia, Francesco. “Stories of Glory Days.” Kaleidoscope, pp.70-75.
    Frieze d/e, (Winter), pp.30-31.
    Furness, Jo-Ann, & Hack, Jefferson. “Dazed and Confused: Making it up as we go along. “ Rizzoli, New York, p.236.
    Greig, Rob. “London’s Secret Galleries, Wolfgang Tillman’s studio, Between Bridges.” Time Out (February 23) , p.18.
    Hinrichsen, Jens: "Freischwimmer im Bildraum: Wolfgang Tillmans' abstrakte Fotografien sind keineswegs inhaltslos", in: Monopol (September), p. 122
    Huther, Christian: "°MMK 1991-2011", in: Kunstforum International, Bd. 210 (August/September), pp. 364-365
    Jarecka, Dorota: “Lenistwo Tillmansa“, in: Gazeta Wyborcza (Nov 21), p.14
    Koetzle, Hans-Michael.“Photographers A-Z.” Taschen, Cologne, p.403.
    Kosiewski, Piotr: “Warość spojrzenia“, in: Tygodnik Powszechny (Dec 11)
    “Lady Gaga: Natürlich!” Spex, (July-August) cover & pp.34-47.
    Leciejewski, Edgar. “NYC: Ghosts and Flowers How to Build the Sky.” Lubok Verlag, Leipzig, p.124.
    Leith, Caoimhín Mac Giolla. “British Art Show 7.” Frieze (January-February), pp.99-100.
    Lübbke-Tidow, Maren & Zielony, Tobias. “Finding Warmth in This Coldness is the Prop for My New Photos.” Camera Austria International, issue 114, pp.45-47.
    MacGiolla Léith, Caoimhín: "British Art Show 7", in: frieze, issue 136 (January/February), pp. 99.
    Marx, Rainer: “Wider der glatten Oberflächen“, in: Hörzu (November 25), p.126
    McKenzie, Rob: “Wolfgang Tillmans“, in: doingbird #fifteen
    McLean-Ferris, Laura. “Abstract Pictures.” Art Review (September), p.185.
    McLean-Ferris, Laura. “Anti-Photography.” Art Review (April), p.112.
    Navarro, Mariano. “Without Reality There Is No Utopia.” 11-21 (March-June), pp.78.
    Nickas, Bob. “Wolfgang Tillmans: Corinne on Gloucester Place.” Defining Contemporary Art – 25 Years in 200 pivotal artworks, Phaidon Press Limited, London and New York, pp.152-153.
    Nickas, Bob: "Wolfgang Tillmans" (portfolio & interview), in: Interview (September), pp. 258-265 & p. 271
    Noble, Kathy. “Jean Genet.” Frieze (October), p.260.
    Obrist, Hans Ulrich. “Wolfgang Tillmans: Paper Drop (gold).” Defining Contemporary Art – 25 Years in 200 pivotal artworks, Phaidon Press Limited, London and New York, pp.388-389.
    Obrist, Hans Ulrich. “Walther König.” 032c (Summer), pp. 190-197.
    Philippi, Simone, in conversation with Tillmans, Wolfgang. “Wolfgang Tillmans looks back.” Taschen magazine (Winter ), pp.90-91.
    Rayner, Ben. “Wolfgang Tillmans.” Eyescream (January), pp.20-23.
    Sayoko, Nakahara. “The Edge of Visibility.” Coyote (January), pp.94-112.
    Schwabsky, Barry. “Gerd Arntz.” Artforum (February), p.238.
    Stannard, Joseph. “Abomination’s saving grace.” Wire, (July), pp.32-33.
    Śwircz, Jakub: “Zmienne tempo patrzenia“, in: Przekroj (November), pp. 36-39
    “The next issue.” Art, (June), p.146.
    Tillmans, Wolfgang. “Best of 2011.” Artforum (December), pp.192-193.
    Tillmans, Wolfgang. “In A Word, Wolfgang Tillmans: Darkroom.”
    Tsitsovits, Yannis. “Hetaera: The Dealership of Maureen Paley.“Sebastian (June), pp.38-45.
    Wipplinger, Hans-Peter. “Von Engeln und Bengeln: 400 Jahre Kinder im Porträit.” Kunsthalle Krems, Germany, p.133.
    Ward, Ossian. “British art burns bright.” Time Out (March 3), p.53.
    “Wolfgang Tillman’s best shot“, in: The Guadian (September 19), p. 23
    Wrigley, Tish: “AnOther Thing I Wanted to Tell you / Wolfgang Tillmans on the Inner city Garten“, in: http://www.anothermag.com/current/view/1499/WolfgangTillmansontheInnerCityGarden
    (October 25)
    Zolghadr, Tirdad. “Plane Talking.” Frieze (March), pp.21-22.

  • 2010

    Ackermann, Tim, “Tillmans und wie er die Welt sieht”, Welt am Sonntag, (October 3)
    Adam, Georgina & Gerlis, Melanie. “Solid sales point to success for most galleries.” The Art Newspaper (October 16)
    Allan. “Wolfgang Tillmans at the Sepentine Gallery.” slamxhype.com (July 3).
    “Arts Summer 2010; Visual Art.” The Guardian G2 (May 24), p.18.
    Bajac, Quentin. “Après la photographie?” Découvertes Gallimard Arts, France, pp.74-75 & 89.
    “Be Nice Share Everything Have Fun.” Kunstverein München and Verlag der Buchhandlung Walther König, Köln.
    Bond, Bryony. “Wolfgang Tillmans. “ this is tomorrow.info (November 24).
    Buchhandlung Walter König, Koln, pp.106-118.
    Buhr, Elke. “Preview; Wolfgang Tillmans.” Monopol (July), pp.119 & 121.
    Burley, Isabella. “Male.” i-donline.com (September 4).
    “Critics’ choice: Wolfgang Tillmans.” Time Out (June 24), p.43.
    “Critics’ choice: Wolfgang Tillmans.” Time Out (July 1), p.114.
    “Critics’ choice: Wolfgang Tillmans.” Time Out (August 5), p.45.
    “Critics’ choice: Wolfgang Tillmans.” Time Out (August 26), p.50.
    Coomer, Martin. “Male.” Time Out (September 16), p.41.
    Coppell, Martyn Richard. Tillmans, Wolfgang, (interview). “Solo Show.” Royal College of Art, London, pp.155-157.
    Cumming, Laura. “A matter of light and depth.” The Observer; The New Review (June 27), pp.40-41.
    Clark, Robert. “British Art Show 7: The Days of The Comet.” Guardian Guide (October 23) p.38.
    Danicke, Sandra, “Ungekünstelt und authentisch”, Art (October)
    Darwent, Charles. “Wolfgang Tillmans, Serpentine Gallery, London.” The Independent (June 27).
    “Exhibitions: Pick of the week.” Guardian Guide (July 3), p.36.
    “Faithless.” Modo Design and production, p.23
    Fakray, Sarah. “Wolfgang Tillmans.” Dazed and Confused (July), pp.30-31.
    Flynn, Paul. “Mr Wolfgang Tillmans.” Fantastic Man (Spring-Summer), Cover & pp.92-108.
    Gentle, Lynne. “Scene and Herd: Forever and a Day.” artforum.com (July 3).
    “Gesellschaft: Zu Gast in der Serpentine Gallery und dem Haus am Waldsee.” Monopol (September), p.127.
    Ghon, George. “Be a Man.” Wonderland (September-October), p.50.
    Gladston, Paul. “Cultural Translation and the (Visible) Tragedy of Contemporary Art.” Leap, (December ), pp.68-71
    Glover, Michael. “Wolfgang Tillmans, Serpentine Gallery, London.” The Independent (July 5).
    Graham-Dixon, Andrew. “Wolfgang Tillmans at Serpentine Gallery, London.” Telegraph: Seven Magazine (July 29).
    Griffin, Christopher, “Wolfgang Tillmans”, The Burlington Magazine (September)
    Güner, Fisun. “The Big Interview, Wolfgang Tillmans; Evolution and Independence.” Metro (June 24), pp.42-43.

    Herbert, Martin. “British Art Show 7: In the Days of the Comet.” Art Review (December), p.16.
    Hinrichsen, Jens, “Digitale Dunkelkammer”, Tagesspiegel, (October 2)
    Housden, Chris, “Previews, Arts: Male.” Gay Times (September), p.73.
    Hunt, Andrew. “Humour v Irony.” Art Monthly (October), pp.13-16.
    Jackson, Ian. “Wolfgang Tillmans to exhibit at the Walker Art Gallery, Sept 2010.”
    Liverpool art and Culture Blog, (July 1).
    Jobey, Liz. “The lightness of being.” The Guardian: Review (June 26), pp.16-17.
    “London’s 1000 Most influential People.” Evening Standard, p.24.
    Lévy, Bernard-Henri. “La Règle du jeu a vingt ans.” Nº44, La Règle du jeu, Paris (October), pp.558-559
    Lewis, Ben, ‘Private View’, Prospect (August)
    Lotz, Corina. “The new frontier starts here.” aworldtowin.net, (July 1).
    Moore, Lucy.“Jets.” Chance Publishing, London, p.23.
    Montreuil, Gregory. “Wolfgang Tillmans.” Flash Art (May / June), p.125.
    Muñoz-Alonso, Lorena. “Male.” Kaleidoscope (September), p.122.
    Ollier, Brigitte, “Arles, d’Argentine en argentique”, Liberation (July 2)
    “Pop touched me: the art of Rob Pruitt.” Abrams, p.31.
    Rittenbach, Kari. “Male.” Frieze (November-December), pp.140-141.
    Saltz, Jerry. “Wolfgang Tillmans” New York Magazine (February 22), p.161.
    Scalan, Joe. “The Uses of Disorder.” (photo excerpt) Artforum (February), pp.162-169.
    Schäfer, Magnus. “Wolfgang Tillmans at Galerie Daniel Buccholz, Berlin.” Texte Zur Kunst, (December), pp.270-274.
    Searle, Adrian. “Everything and nothing.” Guardian G2 (June 24), pp.19-21.
    Shearman, Zoe. “British Art Show 7: In the Days of the Comet.” Art Monthly (December 2010 - January 2011), pp.26-27.
    Sherwin, Skye. “Exhibitions: Male.” Guardian Guide (September 4), p.39.
    Smyth, Diane. “Everything is Illuminated.” British Journal of Photography (July), pp.30-35.
    Steward, Sue. “Puzzle of Frowns and Smiles.” Evening Standard (June 25), p.34.
    Swenson, Kirsten. “Wolfgang Tillmans.” Art in America (June – July), p.178.
    Liebs, Holger, Obrist, Hans Ulrich, & Tillmans, Wolfgang.
    “Wolfgang Tillmans: Interviews.” Wako Works of Art, Tokyo, Japan.
    Tillmans, Wolfgang. “Wolfgang Tillmans - Texte Zur Kunst – Edition Heft Nr. 77.” Texte Zur Kunst (March), p.268.
    “The Power 100, 89: Wolfgang Tillmans.” Art Review, (November), p.145.
    “Two emails with Wolfgang Tillmans.” ES Magazine (July 16), p.8.
    “Goings on about town: Art, Wolfgang Tillmans.” newyorker.com (March 4).
    Van Eecke, Christophe, ‘Features’, Metropolis M (June-July)
    Vogel, Carol. “Big Names at Work at a London Gallery.” The New York Times (June 24)
    Ward, Ossian. “Exhibition of the week: Wolfgang Tillmans.” Time Out (August 5), p.43.
    Whitford, Frank. “Art Pick: Wolfgang Tillmans.” The Sunday Times: Culture (July 11), p.22.
    Wilson, Michael. “Critics’ Picks: Wolfgang Tillmans.” Artforum.com (February 20)
    Wullschlager, Jackie, “Here, there and everywhere”, Financial Times, (July 17)
    Zeitz, Lisa, “Eine gewisse Lässigkeit”, Frankfurter Allgemeine Sonntagszeitung, (November 28)

  • 2009

    “99-09; Sommer Contemporary Art Ten.” Sommer Contemporary Art, Tel Aviv, Israel.
    Bauhaus, Carsten. “Mysteriöse Junggesellen.” in: M – Männer (June), pp. 86-87
    Brudna, Denis. “Ein paar Fragen an Wolfgang Tillmans.” Photonews (October), pp. 10-11
    Buhr, Elke. “Wir sind Mittäter.” Monopol (June), pp. 44-48
    Bussel, David. “Looking at display, images of contemporary art in London galleries.” Rachmaninoff’s, London, p.26.
    Campagnola, Sonia. “Live From L.A.” Flash Art (January), p. 56
    Cooke, Lynne. “Venice ‘09: Play Grounds.” Artforum (September), pp. 232-237
    Craig, Jonnie. “Books you should own.” Huhmagazine.co.uk (November 12).
    Crow, Thomas. “Venice ’09: Acting the Part.” Artforum (September), pp. 226-231 & p. 316
    wes, Marcus, and Coburn, Tyler. “On the town: Whitechapel Reopening, London.” Art Review (Summer), pp. 156-157
    David, Evans. “Review: Lighter.” Extra (Summer), pp. 54-61
    De Carlo, Massimo. “A Fair Conversation.” (excerpt), Mousse (November/December), pp. 99-102
    Diederichsen, Diedrich. “Venice ’09: When Worlds Elide.” Artforum (September), pp. 240-245.
    Evans, David: „Lighter Tillmans“, in: Extra, Summer 2009, pp. 56-61
    Fisher, Alice. “Maureen.” Fantastic Man (Autumn/Winter), pp. 148-155
    Genzlinger, Neil. “Movie review: If One Thing Matters, A Portrait of a photographer.” The New York Times (October 17)
    G, L. “Geschenk!” Taz Mag, (April 4), p. 12
    Griffin, Tim, In conversation with Birnbaum, Daniel. “New Beginnings.” Artforum (May), pp. 162-165
    Gioni, Massimiliano & Mah, Sergio. “Looking Back: Solo Show.” Frieze (January). p. 107
    Heimann, Jim. & Starr, Kevin. “Los Angeles: Portrait of a City.” Taschen, Cologne, p. 2
    Lebovici, Elisabeth. “Wolfgang Tillmans, Galerie Chantal Crousel, Paris.” Frog (Spring), cover & pp. 46-53
    Liebs, Holger. “Linse in die Zukunft.” Süddeutsche Zeitung (May 30), p. 15
    Miller, Ken. “Shoot: Photography of the Moment.” Rizzoli, New York, pp. 81-20
    Muzzarelli, Federica. “L’immagine del desiderio: Fotografia di moda tra arte e comunicazione.” Bruno Mondadori, Milan. p.123.
    Perra, Daniele. “Wolfgang Tillmans.” Kult Magazine (April), pp. 38-43
    Polyviou, Natasha. “Small wonders.” Time Out (March 12), pp. 34-35
    Rinderer, Alíne / Knoll, Valérie. “Nature Morte – Neue Blicke auf das Alltägliche.” Stilleben bei, Shirana Shabazi und Wolfgang Tillmans“, in: der:die:das, (spring/summer), pp. 18-25
    Robecchi, Michele. “Making Worlds: 53rd Venice Biennale.” Flash Art (October), pp. 33-34
    Schmidt, Frank. “Soldiers – The Nineties.” Bild (July 4), p. 10
    Shaw, Amy. “Wolfgang Tillmans: Photograping the ripple effect.” The Art Newspaper (October 16)
    “Silenci?”, Actar, Catalunya, Spain, pp. 168-169
    “The 53rd Venice Biennale: Best of the rest: Wolfgang Tillmans.” Art World (August/September), p. 109
    Ullrich, Wolfgang. “Raffinierte Kunst.” Verlag Klaus Wagenbach, Berlin, p. 112
    van der Heide, Bart. “Between Bridges London: Three-Year Anniversary.” Portfolio, pp. 65-66
    Verhagen, Marcus. “53rd International Art Exhibition: Making Worlds.”Art Review (September), pp. 120-121
    “Wolfgang Tillmans.” Artchronika (December), pp.60-67.

  • 2008

    “50 Fotografen, Die Man Kennen Sollte.” Prestel Verlag, München, pp. 1 & 166-169
    Amado. Miguel. “Life on Mars: 55th Carnegie International.” Flash Art (July), pp. 241 & 244
    Antonelli, Carlo. “La Mia Generazione.” Rolling Stone Italy (August), pp. 120-123
    Heartney, Eleanor. Art & Today. London: Phaidon, 2008
    Basciano, Oliver. “New Names and Beautiful Nights at The Berlin Biennial.” www.artinfo.com (April 12)
    “Believe it or not.” Basso Magazin, issue 6, pp. 63-71
    Bisky, Jens. “Wo das Auge sich verirrt.” Suddeutsche Zeitung (March 29-30), p.15
    Blay, Zandile. “East End Glitterati Gather for Wolfgang Tillmans Opening at Maureen Paley.” www.papermag.com (May 29)
    Bonnet, Frédéric. “Wolfgang Tillmans: Encourager le visiteur a` utiliser ses yeux.” Les Journal des Arts”. (Septemer 19)
    Büscher, Wolfgang. “Darfs etwas schooner sein?.” Zeit Magazin (October 16), pp.34-35
    Comer, Stuart. “What to see this month.” Art Review (May), p. 36
    Copeland, Mathieu. “Work of Art: Wolfgang Tillmans.” Pluk issue 35 (spring), pp. 65-71
    Díaz-Guardiola, Javier. “Entrevista a Wolfgang Tillmans.” 9 ABCD (December), pp.36-37
    Dyer, Geoff. “The Lure of the Street.” Guardian: Review (May 31)
    Eichler, Dominic. “Look, again.” Frieze (October), pp. 228-235
    Ekardt, Philipp & Kedves, Jan. “Gegenöffentlichkeit Im Treppenhaus: Between Bridges.” Spex (January), pp. 114-117
    Gavin, Francesca. “Abstract eye.” Dazed & Confused (June), pp. 190-191
    Gavin, Francesca. “Wolfgang Tillmans on the art of observation.” www.ponystep.com (May 22)
    Goetz, Rainhald & Frenzel, Sebastian. “Die Uberschätzung der Freude.” (Interview), Vanity Fair (March 22) pp. 100-103
    Gronlund, Melissa. “Expanding the City.” Flash Art (October), pp. 80-82
    Halsworth, Hans Werner. “Wolfgang Tillmans.” Art Now Volume 3, Taschen, pp. 456-459
    Harris, Gareth. “Scene & Herd: Ground Plan.” www.artforum.com (April 6)
    Herbert, Martin. “Wolfgang Tillmans.” Time Out (June 26), p. 61
    Higgs, Matthew. “Best of 2008: No.6, Wolfgang Tillmans: Lighter.” Artforum (December), p. 267
    Holtom, Helen. & Wyatt, Kieran. “Wolfgang Tillmans.” www.flavorpill.com (May 27)
    Honigman, Ana Finel. “Wolfgang Tillmans Holds a Grunge.” www.style.com (May 27)
    Hruska, Jordan. “Art Fair.” Out Magazine (June), p.126
    Jeffreys, Tom. “Art Monitor: Wolfgang Tillmans at Maureen Paley.”
    www.spoonfed.co.uk (June 6)
    Kalmbach, Heiko. “If One Thing Matters-A Film About Wolfgang Tillmans.”
    Klant, Michael. And Walch, Josef. “Bilende Kunst 1.” Schroedel, Germany, p.9
    Kwade, Alicja. “Wolfgang Tillmans.” Monopol (December), p.28
    Lapp, Axel. “Wolfgang Tillmans: Lighter.” Art Review (June), p. 156
    Le Feuvre, Lisa. “Lighter / Manual.” Foam (Winter), pp. 55-74
    Lösel, Anja. “Die Wahrheit des Wolfgang Tillmans.” Stern (March 28)
    Martin, Penny. “Wolfgang Tillmans at Maureen Paley.” www.showstudio.com (May 28)
    Moltoni, Anotonio. “Wolfgang Tilmans.” The/End (September), pp. 94-97
    Morgan, Jessica. “Peripheral Visions.” Artforum (Summer), pp. 169-170
    Mortimer, Richard. “Wolfgang Tillmans Private View.” www.ponystep.com (May 28)
    Myers, Holly. “The Banal Parts Make up a Deeper Whole.” The Los Angeles Times (November 28), p. 18
    Najarian, Nairi. “Wolfgang Tillmans.” Angeleno (November), p. 36
    Pernet, Diane. “Maureen Paley Presents Wolfgang Tillmans.” www.dianepernet.typepad.com (May)
    Richter, Peter. “Auf der anderen Seite der Bilder.” Franfurter Allgemeine Zeitung, (April 7), p. 41
    Schlaeger, Anna. “London: Wolfgang Tillmans.” Qvest (August), p. 58
    Schörner, Norbert, “Abs ins Grüne-Das Naturheft.” Fluter (March), cover & p.3.
    Schwabsky, Barry. “Turner Prize: A Retrospective 1984-2006.” Artforum (January), p. 277
    Searle, Adrian. “Clocking off.” Guardian G2 (February 26), pp. 23-25
    “Tegenwoordigheid van Geest / Presence of Mind.” Stedelijk Museum CS Prospect / retrospect, Stedelijk Museum, Amsterdam, pp.52-53
    Siemes, Christoph. “Der Junge, der von den Sternen Lernte.” Der Ziet (March 27), p. 54
    Stephinson, Anthony. “Wolfgang Tillmans.” www.twoseelife.blogspot.com (April 21)
    Stewart, Christabel. “Find the Gap: Wolfgang Tillmans’ studio space salutes forgotten greats.” Tank volume 5, Issue 3, pp. 82-87
    Strange, Raimar. “Wolfgang Tillmans im Hamburger Bahnhof.” Kunst-Berlin (May), p. 79
    Strau, Josef. “The Artists’ Artists: Wolfgang Tillmans.” Artforum (December), p.100
    “Street & Studio: An Urban History of Photography.” Pluk (Summer), pp. 30-31
    Sumpter, Helen, Ward, Ossian. “Fresh Set of Eyes.” Time Out (October 23), pp. 20-23
    Turvey, Lisa. “Wolfgang Tillmans.” Artforum (January), p. 278
    “Untitled (Vicarious): Photographing the Constructed Object.” Pluk (October), pp. 32-33
    Völzke, Daniel. “Wer die Wahrheit sucht, träumt.” (interview) Tagesspiegel (March 22)
    Walde, Gabriela. “Ein Fotograf erlindet sich new.” Berliner Morgenpost (March 26)
    Ward, Ossian. “Exhibition of the week: The Photographic Object.” Time Out (May 7), pp.42 & 45
    “Wolfgang Tillmans.” www.spoonfed.co.uk (June 3)
    Werneburg, Brigitte. Wo Ambient war, wird Ambition.” taz (March 24)
    Wood, Catherine. “Looking Back: Emerging Artists.” Frieze (January), p. 139
    “Sheffield biennial lights up city.” Art World (February), p. 10

  • 2007

    Alvarez, D-L. “The Fountain of Youth: after a photo by Wolfgang Tillmans.” Basso Magazin, (November)
    App, Volkhard. “Subversiver Lifestyle als Konsumhaltung.” Dradio.de, (February 15)
    Buhr, Elke. “Die Wahrheit des Bildes.” Frankfurter Rundschau, (February 28), p. 15
    Barth, Siegfried. “Zwei Künstler untersuchen den Zustand der Welt.” Neue Presse, (February 16), p. 24
    Cimorelli, Silvana (editor), Numerica, Palazzo Delle Papesse Centro Arte Contemporanea, pp. 36-37
    Coomer, Martin. “Essential Shows.” Time Out (May 2), p. 16
    Di Blasi, Johanna. “Auf dem Drachen reiten.” Hannoversche Allgemeine Zeitung, (February 16), p. 5
    Eckmann, Sabine. “Reality Bites: Making Avant-Garde Art in Post-Wall Germany.” Hatje Cantz, pp. 122-123, 144-146, 153.
    Eichler, Dominic. “The Secret Public.” Frieze (March), p. 187
    Ellis, Patricia. “Collecting Overview: Anita Zabludowicz.” Flash Art (October), pp. 80-1
    Florian, Illies. “Ohne Zweifel kann ich nicht nach vorne gehen.” (interview) Monopol, (February)
    Fortunato, Patrizia. “Wolfgang Tillmans: All The Time / Timed.” Teknemedia.net, (November 18)
    Goetz, Rainald. “Facharbeiterflicken.” Vanity Fair, (February 28)
    Higgins, Charlotte. “Who’s Shocking Now?” The Guardian Weekend (September 8), p. 32
    Hoch, Jenny. “Ich kann über das Älterwerden nur Lachen.” www.spiegel.de, (June 2)
    Hoffmans, Christiane. “Die Welt in fremden Licht sehen.” Welt am Sonntag, (January 7), p. 67
    Kedves, Jan and Tittel, Cornelius. “ Ich Versuche nur das Richtige zu Tun.” (interview) Zoo Magazine, pp. 376-57
    Julia, Princess. “Turner Prize: A Retrospective.” I-D (December), p. 172
    Lorch, Catrin. “Am Ende ein Gong.” Frankfurter Allgemeine Zeitung, (April 20), p. 36
    Lorch, Catrin. “Studienzentrum: Wolfgang Tillmans bei Buchholz in Köln.” Frankfurter Allgemeine Zeitung, (February 3)
    Meixner, Christiane. “Lasst Tische sprechen.” Welt am Sonntag, (February 25), p. 66
    Meixner, Christiane. “Tillmans lässt Tische sprechen.” Welt.de, (February 24)
    Peitz, Dirk. “Man fotografiert, was man liebt.” (interview) Süddeutsche Zeitung, (February 20), p. 13
    Prückler, Andreas. “Visuelle Spannung an der Oberfläche.” Kleine Zeitung, (July 6), p. 80
    “Power 100: 74, Maureen Paley.” Art Review (November), p. 149
    “Remember Grenville Davey?” London Lite (October 3), p. 25
    Relyea, Lane. “Network and Community: Strolling the Wolfgang Tillmans Salon.” Afterall, no. 15, pp. 106-117
    Scheuermann, Barbara J. “ Start 2007: Actuelle Januar – Ausstellungen.” Koeln-galerien.de, (January 29)
    Schulz, Tom R. “Der Wahrheit Fallen Stellen.” Die Welt, (February 28), p. 29
    Schwabsky, Barry. “Turner Prize: A Retrospective 1984-2006.” Artforum (January), p. 277
    Sheets, Hilarie M. “Shooting from the hip.” Artnews (October) pp. 170-3 & cover
    Smarelli, Marcello. “Wolfgang Tillmans, S.A.L.E.S.” Flash Art (December), p. 120
    Staple, Polly. “Flights of Fancy.” Frieze (June), pp. 33-4
    Thomas, Tobias. “Wolfgang Tillmans: Coming Home.” Spex (February 1), p. 11
    “The Big Picture.” Metro (September 6), p. 40
    Tilmann, Christina. “In Geiselhaft.” Der Tagesspiegel, (February 22), p. 22
    Tillack, Anna. “Fotograf Wolfgang Tillmans über die Bösen, den Generationenkonflikt und Ecstasy” www.jetzt.de, (June 1)
    Tumarkin Goodman, Susan. “dateline: Israel: New Photography and Video Art.” The Jewish Museum, New York/ Yale University Press, pp. 38-41
    Weskott, Hanne. “Vom Zufall und der Schönheit eines Regentropfens”, Süddeutsche
    Williams, Eliza. “Vanessa Branson: A Wonderful Fund.” Flash Art (October), pp. 82-83
    Wilson, Andrew. “Artists’ Books: Wolfgang Tillmans.” Art Monthly (December), p. 38
    Zeitung SZ Extra, (May 31), p. 4
    Z, D, “Das Tillmans-Feuilleton.” De Zeit, (May 24), p. 4
    “Freund der Dinge.” Quest, (January), p. 22
    “Wahre Grösse: Zu Gros Für Jede Schublade.” Prinz (January), p.115
    “Wolgang Tillmans.” Monopol, (June), p. 119
    “Things as they are.” World Press Photo, pp. 282-3

  • 2006

    Aletti, Vince. “Critic’s Notebook: Abstract Thinking.” The New Yorker, (April 3), p. 18
    Aletti, Vince. “Photography: To Blessed to be Depressed.” Modern Painters, (May), pp. 46-48
    “Artists are doing it for themselves.” Harpers Bazaar, (November), p. 118
    Artner, Alan G. “King Tut returns; year of firsts.” Chicago Tribune, (January 1)
    Artner, Alan G. “Treasure amid the trivial.” Chicago Tribune, (May 25)
    Ault, Julie. "The Subject is Exhibition." Wolfgang Tillmans. Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 118-137
    Bentley, Kyle. “Chicago: Wolfgang Tillmans.” Artforum, vol. XLIV, no. 9 (May), p. 118
    Beshty, Walead. “Wolfgang Tillmans at the Hammer Museum Los Angeles and The Museum of Contemporary Art Chicago.” Texte zur Kunst, (December)
    Birnbaum, Daniel. "A New Visual Register for our Perceptual Apparatus." Wolfgang Tillmans. Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 14-33
    Bonham-Carter, Charlotte. “David Wojnarowicz.” Art Review, no. 2 (August), pp. 135
    Campbell, Clayton. “Spotlight: Wolfgang Tillmans.” Flash Art (November/ December), p. 113
    Comer, Stuart. “Wolfgang Tillmans.” (interview) Butt (Autumn), pp. 24-31
    Falconer, Morgan. “never a Hirst. Is it?. The Times, (August 1)
    Ferguson, Russell. "Faces in the crowd." Wolfgang Tillmans. MCA Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 64-83
    Finkel, Jori. “Wolfgang Tillmans In the Studio.” Art+Auction, (May), pp. 48-54
    FNB. “Fotografier av Tillmans på Helsingfors festspel.” Vasabladet, (August 20)
    FNB, Från. “Fotografier av Tillmans på Konsthallen.” Jakobstads Tidning, (August 20)
    Francis, Sean. “From the Sublime to the Obscene.” Chicago Reader, (July 7)
    Fricke, Harald. “Me and Mr. Jones.” Das Achte Felde, Ludwig Museum, Hatje Cantz, pp. 250-251
    Genocchio, Benjamin. “From Coast to Coast, What to See.” New York Times, (March 29)
    Graham-Dixon, Andrew. “ Beyond Formaldehyde.” Seven, (July 30), pp. 26-27
    Gray, Louise. “Between Bridges.” deutsche-bank-art.com/art/2006/3/e/1/431.php
    Hackworth, Nick. “Gut feeling in the gallery.” Evening Standard, (August 2) p. 36
    Haikala, Eeva-Mari. “Elämän raadollisuus ja kauneus.” Etelä-Saimaa, (August 24)
    Halmetoja, Veikko. “Aikalaiskuvaaja ei tyydy dokumentointiin.” Aamulehti, (August 22)
    Halle, Howard. “5 Things to See This June.” O, (June)
    Halle, Howard. “Abstract thinking.” Time Out New York, no. 542 (February 16-22), pp. 26-27
    Hensher, Phillip. “That’s a Hirst? It’ll never sell…” The Independent, (August 4)
    Hetfleisch, Patricio. "Fotos." Observer, Neue Zeitung für Tirol (February 7), pp. 50-51
    Howgate, Sarah and Nairne, Sandy. “The Portrait Now.” National Portrait Gallery Publications, London, p. 107
    Hübner, Katja. “Museum of Contemporary Art, Chicago, Wolfgang Tillmans.” LFI Magazine, (April)
    Hunt, Ian. “David Wojnarowicz.” Art Monthly, no. 297 (June), pp. 23-24
    Jäämeri, Hannele. “Oma Tapa Katsoa.” Suomen Kuvalehti, p.62
    Jones, Laura K. “Openings.” Sunday Telegraph Magazine (April 30), p. 8
    Jury, Louise. “Exhibition paints major artists in a fresh light.” The Independent (August 10)
    Kataja, Marika. “Mediasukupolven kasvatin hiljainen poliittisuus.” Forssan Lehti, (August 21)
    Kataja, Marika. “Mediasukupolven kasvatin hiljainen poliittisuus.” Itä-Häme, (August 22)
    Kataja, Marika. “Sulkupolvensa tulkki esillä.” Kainuun Sanomat, (August 19)
    Kataja, Marika. “Sulkupolvensa tulkki esillä.” Keskipohjanmaa, (August 20)
    M, A. “Between Bridges.” Flash Art, no. 249 (July-September), p. 61
    Milevska, Suzana. “News: Skopje.” Contemporary, no. 78, pp. 18-19
    Molon, Dominic. “A Pulse within the System: Wolfgang Tillmans and Photoconceptualism." Wolfgang Tillmans, Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 34-54
    Myers, Holly. “After Arbus.” Los Angeles Times: LA Weekly, (October 18), p. 52
    Myers, Terry R. “Wolfgang Tillmans: Hammer Museum Los Angeles.” Art Review, (December), p. 149
    Nance, Kevin. “Photography exhibit at MCA: Beautiful, but where’s the editor?” Chicago Sun-Times, (May 25)
    Nelson, Samantha. “Photo exhibit features youth and counterculture.” Medhill News Service, (May 23)
    Nelson, Samantha. “Photographer focuses on youth, counterculture in MCA exhibit,” Daily Herald, (June 9)
    Nelson, Samantha. “Photographer’s work on display at city museum.” Lansing Times, (June 1)
    Nemitz, Barbara. (editor), “Pink – The Exposed Colour in Contemporary Art and Culture.” Hatje Cantz
    Nickas, Bob. “Pictures to Perceive the World.” Freedom From The Known. New York and Göttingen, Germany: PS1 and Steidl Verlag
    Nickas, Bob. “Wolfgang Tillmans.” Stnd Magazine, vol. 1, no. 1 (May)
    Ollman, Leah. “Tillmans’ touch: Image as installation
    Palmore, Rebecca. “The Time is Right.” Chicago Tribune, (June 4)
    Pierini, Marco. “Good Vibrations – Visual Arts and Rock Culture.” Palazzo delle Papesse, Siena, Italy and Giunti, pp. 48-49
    Richer, Francesca, and Rosenzweig, Matthew. “No. 1: First Works of 362 Artists.” Distributed Art Publishers
    Relyea, Lane. "Photography's Everyday Life and the Ends of Abstraction." Wolfgang Tillmans, Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 88-105
    Scherf, Martina. "Jedes Bild ein inszenierter Zufall." SZ Extra, (January 26-February 1), p. 4
    Shihoko, Lida. “Floating Forms – Abstract Art Now.” Krebber, pp. 64-67
    Siltavuori, Emilia. “”Tillmans bjuder på det enkla i det vardagliga.” Hufvudstadsbladet, (September 9)
    Stevens, Isabel. “Wolfgang Tillmans: truth study center.” Contemporary, no. 78, p. 55
    Stillpass, Zoe, “Wolfgang Tillmans documents friends, loves in an eye-opening exhibit.” Chicago Maroon, (May 26)
    Sumpter, Helen. “Peace in our town.” Time Out (December 20), p. 46

    Taidehalli, Helsingin. “Tekisit jotain, Wolfgang!” Savon Sanomat, (August 19)
    Tedorczuk, Tom. “The pig and the penguin: ICA trots out genius of youth.” Evening Standard, p. 23
    Teir, Philip. “Inget är för obetydligt för Tillmans.” Hufvudstadsbladet, (August 19)
    Terracciano, Emilia. “On Now, On Soon.” Flash Art, vol. XXXIX, no. 247 (March-April), p. 50
    Therond, Eve. “Super Mario Reloaded.” Whitewall, no. 2, pp. 48-49
    Thomas, Tobias. “Das Ungeklärte in der Wertigkeit der Dinge.” (interview) Spex XXV, 25 Jahre Jubiläumsheft, no. 1, pp. 50–54
    Tikkinen, Hannele. “Tekisit jotain, Wolfgang!” Karjalainen, (August 20)
    Tikkinen, Hannele. “Tekisit jotain, Wolfgang!” Keskisuomalainen, (August 19)
    Timberg, Scott. “Mix and match photographs.” Los Angeles Times, (September 16), p. 20
    Väliranta, Eija. “Sukupolvensa silmä.” Apu, no. 33
    Vekkeli, Pirkko. “Wolfgang Tillmans, sukupolvensa silmä.” Gloria Syyskuu, pp. 64-67
    Wagner, Frank. “The Eighth Square.” Das Achte Feld, Museum Ludwig, Hatje Cantz, pp. 38-39
    Waldron, Glenn. “Wolfgang parade.” Nylon, (June)
    Weinstein, Michael. “The Remix: Wolfgang Tillmans spins Experimental Photography for a Cause.” Newcity, (May 25)
    Wigley, Marc. “The Space of Exposure." "Wolfgang Tillmans, Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 144-156
    West, Esme, (ed). New Art on View, Scala, p. 38, 98
    Williams, Eliza. “Top 50 Summer Highlights.” Art Review, (June), pp. 70-77
    Wolinski, Natacha. "Wolfgang Tillmans - Objet photographique non identifié." Beaux Arts, (April), pp. 76-81

    Wood, Catherine. “David Wojnarowicz.” Frieze, no. 100 (June-August), p. 260
    Zwecker, Bill. “David Schwimmer visits MCA to see Tillmans.” Chicago Sun-Times (June 14)
    “Five things to see this June.” O (Oprah), (June)
    “German Photographer Tillmans’ work on display.” Hammond Times, (June 1)
    “Hot List.” Harper’s Bazaar, (May)
    “Kohtaamiset.” Suomen Kuvalehti, p. 61
    “Kuvakulma.” Aamulehti, (August 19)
    “La espontaneidad de la artificialidad.” Masdearte.com, (May 25)
    “London Openings.” Art Monthly, no. 297 (June), p. 16
    “News & Around, Wolfgang Tillmans.” Tema Celeste, p. 103
    “Sukupolvi X:n tulkki.” Kauppalahti Presso, (August 19)
    “Surprise, Surprise.” The Guardian Guide, (July 29)
    “US tour for Tillmans.” The Art Newspaper, (May 16)
    “Valokuvan kultti-hahmo Juhlaviikoilla.” Kirkkonummen Sanomat, (August 10)
    “Wolfgang Tillmans.” Art Price, Korea, (June)
    “Wolfgang Tillmans.” Chicago Social, (May)
    “Wolfgang Tillmans.” Dwell, (June)
    “Wolfgang Tillmans.” newcitychicago.com
    “Wolfgang Tillmans.” Surprise Surprise, Institute of Contemporary Arts, London
    “Wolfgang Tillmans.” Visuell, p. 88, 217
    The Art Newspaper, March
    “Wolfgang Tillmans Deutscher Top Künstler aus London Fickt Keyboard Player von Bronski Beat” (interview), Butt, (Autumn), pp. 24-31
    “Wolfgang Tillmans vangitsee nykyhetken ilmiöitä.” Uutiset.stt.fi, (August 21)

  • 2005

    Barton, Laura. “Joy Boy.” G2, Guardian, September 23, pp. 14–17
    Bodtlander, Bernd, and Frank Nicolaus. “Eine Schule fur den Wahnsinn.” art DAS KUNSTMAGAZIN, no. 10 (October), pp. 70–77
    Bright, Susan. “Wolfgang Tillmans.” (interview) in Art Photography Now, London: Thames and Hudson
    Burg, Dominique von. “Alltagliche Schizophrenie, Kunst und Pressebild von Warhol bis Tillmans.” NZZ Online (July)
    Comer, Stuart. “On the Ground.” Artforum, vol. XLIV, no. 4 (December), pp. 227-229
    Chavez, Brenda. “Wolfgang Tillmans, Contra Indiferencia.” El Pais (Madrid) (October 7), pp. 18–19
    De Witt, Amy. “Wolfgang Tillmans, Maureen Paley.” Time Out London, no. 1813 (September 21–28), p. 57
    Diez, Georg. “Wie Sieht Die Welt aus?” Tagesanzeiger, Das Magazin, no. 40 (October 14), pp. 22–34
    Doustaly, Thomas. “Wolfgang Tillmans s’assombrit.” Tetu (October 1)

    Downey, Anthony. “Wolfgang Tillmans at Maureen Paley.” Flash Art, (November)
    Fel, Loïc. “truth study center, L’équivalenc visuell.” www.photosapiens.com (September 26)
    Guglielmo, Giorgio. “Ladies & Gentlemen.” Umberto Allemandi & C., Torino, Italy, p.120.
    Hakim, Jamie. “The truth is out.” (interview) Attitude (October), pp. 88–91
    Hakkarainen, Anna-Kaari. “Totuus on tuolla jossain.” muoto (May), p. 69
    Heidenreich, Stefan. “Wolfgang Tillmans, truth study center, 2005.” DE:BUG (October 27)
    Hilpold, Stephan. “Spiritualität im Sex-Club.” (interview) Rondo, Der Standard, no. 338 (September 30), pp. 4–5
    Hofer, Sebastian. “‘Ein schwuler Kuss ist hochgradig politisch.’” Profil (Austria) (September 12)
    Honnef, Klaus. “Details des Universums.” Die Welt, September 7, p. 29
    Iida, Shihoko. Bijutsu Gaho (January), pp. 290–291
    Illies, Florian. “Der sinnliche Protestant.” Monopol (October 1)
    Jung, Irene. “Die Schönheit der Venus und die Zufälle des Lebens.” Hamburger Abendblatt (September 17)
    Lazimbat, Sascha. “Faltenwürfe und Wellenverläufe.” Groove, no. 97 (November–December), p. 14
    Leaver-Yap, Isla. “Wolfgang Tillmans: Truth Study Center.” Map Magazine (November)
    Lelièvre, Marie-Dominique. “Les yeux au ciel.” Libération (France), October 18
    Liebs, Holger. “Der billigste, für alle zugängliche Zauber.” Süddeutsche Zeitung, September 7, p. 15
    Lorch, Katrin. “Studienzentrum: Wolfgang Tillmans bei Buchholz in Köln.” Frankfurter Allgemeine Zeitung, (February 3), p. 44
    Lübbke-Tidow, Maren. “Wolfgang Tillmans: Truth Study Center.” Camera Austria, vol. 92, pp. 91–92
    Obricht, Hans-Ullrich. “The Tillmans show (Wolfgang Tillmans in conversation with H. U. Obricht and Rem Kohlhaas).” NUMERO (France) (October 1)
    Pearl, Lydie. “Que vent la foule?: Art et Représentation” L’Harmattan, Paris, France, pp.116-139.
    Polzer, Britta. “Covering the real. Kunst und Pressebild, von Warhol bis Tillmans im Kunstmuseum.” Kunst Bulletin (July–August), p. 53.
    Pratesi, Ludovico. “Gli scatti di Tillmans pennellate di luce.” La Repubblica, (October 27)
    Preuss, Sebastian. “Arena of Passion.” 032c, no. 9 (summer), pp. 94–96
    Rehberg, Peter. “Von den Socken.” Siegessäule (October 1)
    Rubira, Sergio. “Wolfgang Tillmans.” EXIT Express, no. 9 (February), pp. 3, 19
    Schock, Axel. “Die Wahrheit des Augenblicks, Neue Fotografien von Wolfgang Tillmans.” hinnerk (November 4)
    Seidl, Claudius. “Der Zauberkünstler.” Frankfurter Allgemeine Sonntagszeitung, August 21, p. 27
    Swift, Simon. “My work isn’t just about cocks.” Pink Paper, no. 882 (September 1), p. 20
    Vitorelli, Rita. “Gespräch mit Wolfgang Tillmans.” spike, no. 6 (winter), pp. 38–49
    Walder, Martin. “Äusserst geschärfte Wahrnehmung.” Neue Zürcher Zeitung, May 1, p. 65
    Waldron, Glen. “From stargazing to people-watching.” i-D (November), pp. 84–93
    “Wolfgang Tillmans.” EXIT, no. 18 (May–July), pp. 70–79
    “Wolfgang Tillmans, Art of living people.” Esquire Magazine Japan, vol. 19, no.1 (January), p. 33

  • 2004

    Blank, Gil. “How else can we see past the fiction of certainty?” (interview) Influence, no. 2, pp. 110–21
    Danicke, Sandra. “Wie es sich anfühlt, lebendig zu sein.” (interview) art kaleidoscope (February)
    Gilmore, Jonathan. “Wolfgang Tillmans, Andrea Rosen Gallery, New York.” Tema Celeste, (January)
    Goto, Shigeo “Wolfgang Tillmans.” Hi-Fashion, no. 299 (October), p. 160
    Iida, Shihoko. “Wolfgang Tillmans: Spirit of the Freischwimmer.” In Wolfgang Tillmans: Freischwimmer, edited by Shihoko Iida, Tokyo: Tokyo Opera City Art Gallery, pp. 104–109
    Iizawa, Kotaro. “Wolfgang Tillmans.” Geijutsu Shincho, (December), pp. 86–95
    Ito, Toyoko. “Studio Voice.” Tokyo (November), pp. 118–23
    Kawachi, Taka, Kotaro Iizawa, and Kadota, Junichi. “Conversation on Photography.” Studio Voice, no. 337 (January), pp. 52–53, 72–73
    Kedves, Jan, and Cornelius Tittel. “Es geht mir um Wahrheit.” die tageszeitung, July 6, p. 25
    ———. “Ich versuche nur, das Richtige zu tun.” Zoo (March), p. 36ff
    Kojima, Yayoi. Esquire Magazine Japan (December), pp. 266–267
    Matsushita, Yukiko. “Luca.” Esquire Magazine Japan, no. 7 (October), p. 175
    Müller, Silke. “Es dreht sich jetzt nur noch um gute Kunst.” art, no. 8 (August), pp. 72–74
    Nagashima, Yurie. Switch, (December), pp. 122–25
    Ollier, Brigitte. “L’excellence Tillmans.” Libération (France), November 13
    Penelas, Seve. “Wolfgang Tillmans. Abstraction.” EXIT 14, pp. 76–81
    Rauterberg, Hanno. “Wie viel Moral braucht die Kunst.” Die Zeit, no. 39 (September 16)

    Ribbat, Christoph. “Smoke gets in your eyes.” Kunstforum International, no. 172 (September–October), cover and pp. 38–43
    Schuman, Aaron. “Master of the universal.” (interview) ARTReview (July–August), cover and pp. 48–57
    Shimizu, Minoru. “Hihyo no Fuzai, Shashin no Kajo.” Shiro to Kuro to de—Shashin to . . . , Gendaishichosha, pp. 151–67
    ———. “intoxicate.” NMNL, vol. 52 (October), pp. 6–7
    ———. “Wolfgang Tillmans: The Art of Equivalence.” In Wolfgang Tillmans: Freischwimmer, exh. cat., Tokyo: Tokyo Opera City Art Gallery, pp. 110–15
    Shimizu, Minoru, and Shigeo Goto, (conversation) Ichihara Kentaro, Tsuchiya Seiichi, Bijutsu Techo (Special Issue of Wolfgang Tillmans/Larry Clark) Bijutsu Shuppan-sha, no. 857 (November), pp. 11–31 (plates) 32–48, 49–54, 55–61, 62–64 (Selected Book Guide)
    Urae, Yumiko. “Wolfgang Tillmans.” (interview) BRUTUS, no. 553 (August), cover and pp. 20–29
    Wiedemann, Christoph. “Annäherung an das Abbild.” Süddeutsche Zeitung, no. 17, p. 4
    Wood, Catherine. “Let me entertain you.” Afterall, no. 9, pp. 43–44

  • 2003

    Aletti, Vince. “World Beat.” The Village Voice, September 24
    Barber, Lynn. “The Joy of Socks.” The Observer Magazine (January 5), cover story, pp. 14–22
    Brudna, Denis. “Wolfgang Tillmans—If one thing matters, everything matters.” Photonews, no. 7/8 (July–August), p. 19
    Durden, Mark. “Wolfgang Tillmans. Uninhibited Looking.” Portfolio, pp. 29–30
    Evans, Jason. “Review, Wolfgang Tillmans.” Photoworks, (autumn–winter)

    Flynn, Tom. “Wofgang Tillmans.” Art Review (October), p. 23
    Garret, Craig. “Moving Pictures.” Flash Art (March–April), p. 47
    Goto, Shigeo. “Wolfgang Tillmans Long Interview.” (interview) Esquire Magazine Japan, no. 3 (March), pp. 38–42
    Harris, Jane. “Wolfgang Tillmans.” Time Out New York (November 20), p. 87
    Heidenreich, Stefan. “Wolfgang Tillmans: ‘We are not going back.’” DE:BUG, no. 32 (June), p. 32
    Herbert, Martin. “Preview.” pluk (May–June), pp. 27–28
    ———. “Wolfgang Tillmans—Tate Britain.” Artforum (October), p. 167
    Hohmann, Silke. “Die außerirdische Königin.” Frankfurter Rundschau (June 27), p. 13
    Holert, Tom. “Zwischen Ästhetisierung und Ikonografie.” In Mars—Kunst und Krieg, Hatje Cantz Verlag/Neue Galerie Graz, pp. 290–303
    Hubbard, Sue. “All things must pass.” The Independent Review (June 10), pp. 14–16
    Imdahl, Georg. “Dieses unstillbare Interesse an der Oberfläche.” Frankfurter Allgemeine Zeitung, September 20, p. 45
    Jongbloed, Marjorie, Brigitte Oetker, and Christiane Schneider. Jahresring 50—Jahrbuch für moderne Kunst. Cologne, Germany: Oktagon Verlag, pp. 208–213
    Kent, Sarah. “Trivial Pursuits.” Time Out (July 23), p. 51
    Kiehl, Annette. “Wahrheitssuche.” Westfälischer Anzeiger, August 14
    Lehnartz, Sascha. “Der Maler des modernen Lebens.” Frankfurter Allgemeine Sonntagszeitung, January 12, p. 47
    Leopold, Jörg. “Lights (Body).” In Fast Forward, Karlsruhe, Germany: Sammlung Goetz, pp. 376–377
    Liebs, Holger. “Paare, Passanten.” Süddeutsche Zeitung, June 6, p. 15
    Long, Andrew. “Wolfgang Tillmans.” Departures (May–June), p. 99
    Maestri, Tony and Alex King. “I had a camera and wanted to change my life.” eyesore productions, pp. 18–20
    Morton, Tom. “Wolfgang Tillmans. Tate Britain.” frieze, no. 80 (October), p. 113
    Hernert, Martin. “Wolfgang Tillmans.” Artforum (October), p. 167
    Pitman, Joanna. “In a World of His Own.” The Times, June 9, p. 16
    Pye, Harry. “Interview.” (interview) Untitled, no. 30 (June–July), pp. 4–7
    Sagner, Karin. “Anti-homeless device.” (interview and photography) in Architektur der Obdachlosigkeit, Cologne, Germany: DuMont Buchverlag, pp. 20–27
    Schütte, Christoph. “Künstler ohne Wäschespinne.” Frankfurter Allgemeine Zeitung, June 27, p. 56
    Searle, Adrian. “The Joy of Socks.” Guardian, June 10, p. 12
    Siedenberg, Sven. “Wolfgang Tillmans über Werte.” Süddeutsche Zeitung, Wochenende, July 5–6, p. viii
    Smith, Caroline. “Rebel rebel.” (interview) Attitude (July), pp. 63–65
    Tyrrel, Rebecca. “The Big Picture Show.” Sunday Telegraph Magazine (June 1), p. 79
    Weston, Alannah. “Wolfgang Tillmans. If one thing matters, everything matters.” HotShoe International (June), pp. 5, 40–42

  • 2002

    Aidin, Rose. “Shooting from the Hip.” The New York Times Magazine (March 9), pp. 42–45
    Bellel, Zeva. “face to face.” Dutch, no. 38 (March–April), pp. 78–79
    Bruciati, Andrea. “Wolfgang Tillmans: Diechtorhallen Hamburg.” Tema Celeste (January–February)
    Burton, Johanna. “Bystander + Wolfgang Tillmans, Lights (Body).” Time Out New York (August 15–22), p. 46
    Bush, Kate. “Best of 2002—Wolfgang Tillmans (Palais de Tokyo, Paris).” Artforum (December), p. 121
    Eichler, Dominic. “Partnerschaften.” frieze (April), p. 96
    Eriksen, Peter. “Sokkerne på radiatoren.” Lousiana Magasin, no. 7 (November), pp. 6–12
    Graham-Dixon, Andrew. “Shooting Star.” Vogue (UK) (March), p. 342
    Guerrin, Michel. “Wolfgang Tillmans, les poils et les étoiles.” Le Monde, June 8, p. 32
    Gundlach, F. C. “Wie kommt Bedeutung in das Blatt Papier.” (interview) in reality-check, 2. Triennale der Photographie, Hamburg, pp. 24–31
    Jahn, Wolf. “Wolfgang Tillmans, Deichtorhallen, Hamburg.” Artforum (March), p. 149
    Jonkers, Gert. “De statigheid van een muis in een kartonnen doosje.” de Volkskrant, July 24, p. 14
    Kertess, Klaus. Photography Transformed: The Metropolitan Bank and Trust Collection. Harry N. Abrams Publishers, Inc., p. 222.
    Koerner von Gustorf, Oliver. “Befleckte Idyllen.” die tageszeitung, February 6
    Koether, Jutta. “Zeug aus einer besonderen Zeit.”
    Neuendorff, Torsten. “Wenn man geliebt wird, will man verstanden warden—but then you still want to be loved.” Nakas, Kassandra. “Empathie und Distanz. Zu den Werken von Jochen Klein.” Wagner, Frank. “Fährten und Verbindungslinien,” in Partnerschaften, Neue Gesellschaft für Bildende Kunst, Berlin, 2002, pp. 41–46, 49–51, 53–56, 105–13
    Lazimbat, Sascha. “Living on Video.” Groove, no. 78 (October)
    Lyttelton, Celia. “Shots from the hip.” Tatler (June)
    Matsui, Midori. Art in a New World: Postmodern in Perspective Japan: Asahi Press
    McDermott, Stephen. “Head Games.” Gay City (August 23–29)
    Mortensen, Anders S. “Normal Utilpassethed.” (interview) Panbladet, no. 1 (February), pp. 20–25
    Morton, Tom. “Everyone’s a Winner.” Tate (November-December), p. 70-75
    Nickas, Bob. “Best of 2002—Wolfgang Tillmans (Palais de Tokyo, Paris).” Artforum (December), p. 117
    Paul, Benjamin. “Wolfgang Tillmans: Still Life.” In Wolfgang Tillmans: Still Life, exh. cat., Cambridge, Mass.: Harvard University Art Museums, pp. 11–18
    Perree, Rob. “Wolfgang Tillmans.” Reviews, Kunstbeeld, no. 10
    Pieper, Cornelia. “Bester Zeitgeist.” Frankfurter Allgemeine Sonntagszeitung, no. 38, September 22, p. 28
    Roth, Claudia. “Bestes Engagement.” Frankfurter Allgemeine Sonntagszeitung, no. 38, September 22, p. 28
    Schwenk, Bernhart. “. . . etwas menschliches herübertragen.” (interview) in Aidsmemorial München, Frankfurt am Main, Germany: Revolver Verlag, pp. 14–17, 36–37
    Shimizu, Minoru. “Bijutsu Techo.” Bijutsu Shuppan-sha, no. 782 (April), pp. 82–87
    Smith, Caroline. “Wolfgang Tillmans.” Contemporary (May), p. 105.
    Sonna, Birgit. “Aus Zeit und Raum gerissen.” Süddeutsche Zeitung, July 17
    Temin, Christine. “A Dozen Options in Landscape at ‘Beyond Barbizon.’” Boston Globe, April 14
    Troncy, Eric. “Portrait of the Artist as a Young Man.” Numéro 34 (June), pp. vii–xi, 33–37
    Turner, Jim. “Wolfgang Tillmans.” Flaunt, no. 31, pp. 74–75
    Vendrame, Simona. “Wolfgang Tillmans.” (interview) Tema Celeste, no. 91 (May–June), pp. 46–51
    Wood, Catherine. “Wolfgang Tillmans.” Art Monthly, no. 256 (May), pp. 37–38
    Zahm, Olivier. “Dans le vide des apparences.” Vogue (Paris) (June), p. 22
    “Exhibitions: See this!” Guardian Guide (April 6–12), p. 42
    “Focus Germany.” Flash Art (May–June)
    “Strange Tail of New Pet Shop Boys Video.” New Musical Express (January 12), p. 5
    “Tillmans’ view from above.” Sleazenation (January–February)
    “Wolfgang’s gaze.” Out (April), pp. 40–41
    “Wolfgang Tillmans and the Pet Shop Boys.” Tema Celeste (March–April)

  • 2001

    Aletti, Vince. “Wolfgang Tillmans: A Project for Artforum.” Artforum, no. 6 (February), p. 129
    Brudna, Denis. “Wolfgang Tillmans.” Photonews (December–January), pp. 20–21
    Craddock, Sacha. “Apocalypse: Beauty and Horror in Contemporary Art.” Tema Celeste, no. 83 (January–February), pp. 114
    De Potter, Pete. “Fan.” i-D, no. 206 (February), p. 174
    Egan, Maura. “Prize Matters.” Details (January–February), pp. 124–31
    Finsterwalder, Frauke. “The rise of photography and the dominance of the German school.” Tema Celeste, no. 86 (summer), pp. 22–23
    Gardner, Belinda Grace. “Die Hand umklammert den Haltegriff.” Frankfurter Allgemeine Zeitung, October 19, p. 54
    Gioni, Massimiliano. “New York Cut Up.” Flash Art, vol. XXXIV, no. 217 (March–April), p. 73
    Herstatt, Claudia. “Elizabeth Peyton, Wolfgang Tillmans, The Contemporary Face.” Kunstforum International Bd. 157 (November–December), pp. 292–294
    Jantschek, Thorsten. “Linienmuster des Alltags.” Die Welt, October 24
    Jocks, Heinz-Norbert. “Von der Zerbrechlichkeit der Nacktheit und der unerschrockenen Suche nach Glück.” (interview) Kunstforum International (April–May)
    Keil, Frank. “Hochkultur meets Subkultur.” Frankfurter Rundschau, October 1
    Kernan, Nathan. “What They Are. A Conversation with Wolfgang Tillmans.” Art on Paper (May–June)
    König, Kasper, Isa Genzken/Wolfgang Tillmans Science Fiction/ Hier und jetz zufrieden. “Vorwort.” Museum Ludvig, Köln, Verlag der Büchhandlung, Walther König, Köln, p. 5
    Krajewski, Michael. “Science Fiction / Hier und jeltzufrieden sein – Utopische Horizonte.” In AC: Isa Genzken / Wolfgang Tillmans, 2001, p. 8
    Liebs, Holger. “Die dunkle Kammer Welt.” Süddeutsche Zeitung, September 29–30, p. 15
    Mayer, Sebastian. “re:minded.” Spex (December), p. 49
    McAuliffe, Michael James. “Collector’s Choice: Exit Art/The First World.” ReviewNY.com
    Riemschneider, Burkhard and Ute Grosenick, ed., Art Now. 137 Artists at the Rise of the New Millennium. Cologne, Germany: Taschen, pp. 500–504
    Reynolds, Cory. “Index Portraits.” Index (February–March), pp. 76–77, 85
    Rodrigues, Julian. “Tillmans for all Seasons.” Photo District News (March), p. 36
    Ruthe, Ingeborg. “Die akzeptable Oberfläche.” Berliner Zeitung, October 13
    Schmitz, Edgar. “So weit die Wände reichen.” Texte zur Kunst, no. 41 (March)
    Shimizu, Minoru. “Wolfgang Tillmans: I WAR, TILLMANS.” Ryuko Tsushin (June), pp. 120–23
    Stewart, Christabel. “Wolfgang Tillmans, week 30, August 2000.” (interview) in fig-1, exh. cat., London
    Testino, Mario. “Art Index,” interview with Sadie Coles, V Magazine (May–June)
    Weich, John. “Wolfgang Tillmans.” Dutch Magazine (March–April)
    Woodward, Richard B. “Racing for Dollars, Photography Pulls Abreast of Painting.” Arts & Leisure, The New York Times, March 25, sec. 2, p. 39–41
    “Aufsicht.” Neverscheinungen (winter), p. 43
    “There’s something about uniforms . . . .” Tema Celeste, no. 83 (January–February)
    “View from above: review.” D.A.P. (fall–winter 2001–2002)
    “Wolfgang Tillmans.” Index (April–May)

  • 2000

    Buck, Louisa. “Wolfgang Tillmans.” The Art Newspaper, no. 106 (September), p. 73
    Cork, Richard. “Farewell Then, Britart. Say Hello to the World.” The New York Times, October 25
    Cypriano, Fabio. “Mostra em Berlin destaca Wolfgang Tillmans.” O Estado de São Paulo, (February 11), p. 10
    Darwent, Charles. “Shock: it’s not a load of rubbish.” Independent on Sunday, (October 29)
    Dusini, Matthias. “Moss muss nicht aufs Klo.” Falter, no. 14, p. 65
    Eshun, Kodwo. “Under the Flightpath.” i-D, no. 203 (November), pp. 104–16
    Graham-Dixon, Andrew. The Sunday Telegraph Magazine (October 8), pp. 34–37
    Grammel, Søren. “Wolfgang Tillmans: Soldiers.” Frankfurter Kunstverein Hefte, no. 1, pp. 40–44
    Harlock, Mary. “Turner Prize 2000.” Tate Britain (October 25, 2000–January 14, 2001)
    Irving, Mark. “Hot Shot on His Way to the Top.” The Independent on Sunday (October 22)
    Kernan, Nathan. “Moments of Being.” In Apocalypse. Beauty and Horror in Contemporary Art, exh. cat., London: Royal Academy of Art, pp. 132–35
    ———. “What They Are: A Conversation with Wolfgang Tillmans.” In View From Above: Wolfgang Tillmans. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, pp. 7–11
    Kent, Sarah. “The artful dodger.” Time Out (November 15), pp. 18-19
    Kimura, Midori. “Wolfgang Tillmans.” Bijutsu Techo, no. 782 (January), p. 46
    Knofel, Ulrike. “Stilleben mit Glatzkopf.” Der Spiegel, no. 33 (August)
    Maurer, Simon. “Man sollte die Kamera ganz vergessen.” Tagesanzeiger, November 27
    McAuliffe, Michael James. “Collector’s Choice: Exit Art / The First World through December 30.” ReviewNY.com, December 15
    McCormick, Carlo. “Talking Pictures: Interview with Wolfgang Tillmans.” Artnet.com
    Müller, Silke. “Geliebter Feind.” Art, no. 11 (November), pp. 86–95
    Ratnam, Niru S. “Bodies at Rest and in Motion.” The Independent, September 19, p. 12
    Rauterberg, Hanno. “Perfektionist des Hingeschleuderten.” Die Zeit, no. 44, October 20, p. 47
    Searle, Adrian. “Beauty to Make the Spirit Soar, Rubbish to Make the Heart Sink.” Guardian (October 24), pp. 12–13
    ———. “Foreign Creativity Pierces Britart Bubble.” Guardian, June 15, p. 9
    ———. “The End of the World as We Know It.” Guardian, September 21, p. 13
    Slocombe, Steve. “Lieber Turner.” Sleazenation, pp. 40–41, 132–41
    ———. “Some Parts of This World.” In Helsinki Photography Festival, exh. cat., pp. 5, 26–27
    Sonna, Birgit. “Die Faszination der Fensterbank.” Süddeutsche Zeitung, February 17, p. 22
    Verzotti, Giorgio. “Art in the Age of AIDS.” In Dire AIDS: Arte nell’epoca del AIDS, edited by Gail Cochrane et. al. Milan and Turin: Promotrice delle belle arti, pp. 37–38, 94–97
    Ziegler, Ulf Erdmann. “Kunst mit doppeltem Gesicht.” die tageszeitung, December 15
    “Very New Art 2000.” BT magazine, vol. 52, no. 782 (January), pp. 44–49
    “The View from Here.” The Big Issue (August 28–September 3), p. 1

  • 1999

    Aletti, Vince. “Photo.” The Village Voice, September 28, p. 75
    Casati, Rebecca. “Erhabener geht’s ja wohl nicht!” (interview) Süddeutsche Zeitung Magazin, no. 29 (July), p. 32
    Hainley, Bruce. “Culture and Kleenex.” frieze, no. 44 (January–February), pp. 44–45
    Guha, Tania. “Wolgang Tillmans.” Time Out (June 23)
    Matsui, Midori. “Composite.” Hogado, no. 11 (August), p. 133
    McFarland, Dale. “Beautiful Things.” frieze, no. 48 (September–October), cover and pp. 78–83
    Miles, Christopher. “Wolfgang Tillmans.” Flaunt (November), pp. 46–48
    Nilsson, Bo. “ . . . on the sublime/om det sublime . . .” Rooseum (January 23), pp. 7–20, 106–109, 147–56
    Sergl, Anton. “Zuendgenarrt: Auf Tillmans Burg.” Our Munich (January), p. 14
    Slocombe, Steve. “Wolfgang Tillmans—The All-Seeing Eye.” (interview) Flash Art, vol. 32, no. 209 (November–December), pp. 92–95
    Tillmans, Wolfgang. “Tom Ford and Ann Hamilton with Wolfgang Tillmans.” Index (September–October), pp. 67–78
    Werneburg, Brigitte. “Zeitschriften sind Originale.” die tageszeitung, January 16–17, pp. 13–14
    “Wolfgang Tillmans.” Bijutsu Gaho, no. 22 (August), p. 281

  • 1998

    Arning, Bill. “Wolfgang Tillmans.” Time Out New York, no. 166 (November 26), p. 63
    Blasé, Christoph. “Vorwarts—und nicht vergessen.” Frankfurter Allegmeine Zeitung, April 7
    Budney, Jen. “Come On Baby.” Parkett, no. 53 (September), pp. 110–25
    Casadio, Mario. “D—dedicate.” Vogue Italia, no. 570 (February), pp. 324–331
    Celis, Bárbara. “Emergentes en Arco 68.” El Pais de las Tentaciones (February 6), p. 16f
    Cotter, Holland. “Wolfgang Tillmans.” The New York Times, November 6, p. E38
    Deitcher, David. “Lost and found.” In Wolfgang Tillmans: Burg, edited by Burkhard Riemschneider, Cologne, Germany: Taschen
    Doctor Roncero, Rafael. “Fruiciones.” In Fruiciones, exh. cat., Madrid: Museo Nacional Reina Sofia, pp. 144–77, 189
    Duursma, Mark. “Mijn versie van normal en mooi.” NRC Handelsblad, June 26
    Eshun, Kodwo. “Leader of the pack.” i-D (November)
    Knopke, Burkhard. “Identität und Sinnlichkeit.” hinnerk (February), pp. 6–9
    Matsui, Midori. “Memory Machine.” Parkett (September), pp. 94–103
    McCormick, Carlo. “Talking Pictures.” (interview)
    Camera Austria International, no. 64, pp. 48–62
    Nesbitt, Judith. “Only Connect.” Parkett, no. 53 (September), pp. 126–32

    Nieuwenhuyzen, Martijn van. “Wolfgang Tillmans.” In From The Corner Of The Eye, exh. cat., Amsterdam: Stedelijk Museum Amsterdam, pp. 13, 90–97
    Piccoli, Cloe. “Le ultime donne.” i-D, no. 94 (March–April), p. 63–72
    Price, Dick. “We gotta get out of this place.” i-D, no. 172 (January–February), p. 39
    Sager, Peter. “Sammeln ist ein Trip.” Zeit Magazin, no. 22, pp. 12–18
    Saltz, Jerry. “Heaven Knows.” The Village Voice, December 1, p. 135
    Schiff, Hajo. “Wenn Van Gogh gezappt hätte.” die tageszeitung, February 28
    Seyfarth, Ludwig. “Sensationell oder banal.” Hamburger Rundschau, no. 11 (March 12)
    ———. “Zurück in die Zukunft.” Szene Hamburg (March)
    Stange, Raimar. “Das Comeback der 80er Jahre.” neue bildene kunst (February), p. 81f
    Sutton, Tara. “Think Before You Shoot . . . Talking to Wolfgang Tillmans.” Big, no. 19 (May)
    Sweet, Matthew. “Porn again.” Frank (April), pp. 152–55
    Thompson, Charles. “Reaction.” Citizen K International, no. 7 (summer), pp. 17, 19
    Tiedemann, Holger. “Burg.” Photonews, no. 12/1, p. 21
    Walters, Helen. “Wolfgang’s World.” Creative Review (November), pp. 49-50
    Wakefield, Neville. “Concorde.” Parkett (September), pp. 104–109
    Weber, Martin. “Gut geguckt, Hirsch.” Kölner Stadt-Anzeiger, November 21–22, p. 7
    Wellershoff, Marianne. “Stilleben mit Hinterhalt.” Spiegel Kultur Extra (September), pp. 3, 6–11
    Ziegler, Ulf Erdmann. Parkett, no. 53 (autumn)
    “Nice Burg.” Gay Times (December), p. 80
    “Veronica’s Schweißtuch und andere Abbilder,” Hamburger Abendblatt (February 17)
    “Wolfgang Tillmans.” Photonews, no. 4 (April)
    Entwurf—Religionspädagogische Mitteilunger (March), back coverform, no. 161 (January)
    Hanatsubaki, no. 571 (January), p. 5
    Hanatsubaki, no. 572 (February), pp. 13, 15
    Hanatsubaki, no. 574 (April), p. 35
    The Male Nude, edited by Burkhard Riemschneider, Cologne, Germany: Taschen
    Segno, no. 160 (January–February), p. 6

  • 1997

    Allen, Vicky. “Cry Wolfgang.” Arena (July–August)
    Aronowitz, Richard. “Invasion of the sewer rats.” The Highbury and Islington Express, June 20, p. 6
    Bach, Caroline. “Photographie et mode.” Art Press (October), pp. 153–56
    Beem, Edgar Allen. “The artist as spiritual tourist.” MAINE Times, September 4, p. 20
    Bernard, Kate. “Wolfgang Tillmans.” Hot Tickets, June 5, p. 45
    Boodro, Michael. “fashion for art’s sake.” Vogue (USA) (February), pp. 118, 122
    Boogard, Oscar van den. “Ik leef nu.” Metropolis M. (August–September), cover and pp. 34–37
    Bonami, Franscesco, ed. Echoes: Contemporary Art
    at the Age of Endless Conclusions, The Monacelli Press, Inc., New York
    Brittan, David. “The Crowd.” Creative Camera, p. 35
    Brubach, Holly. “Beyond Shocking.” New York Times Magazine (May)
    Bryant, Eric. “The 10 Best Magazines of 1996.” Library Journal (May 1), pp. 42–43
    Campany, David. “Little Boxes.” Creative Camera, no. 349 (December 1997–January 1998), p. 42
    Cirant, Catherine. “Absolute Landscape.” In Absolute Landscape, exh. cat., Yokohama, Japan: Yokohama Museum of Art, 1997, p. 143
    Clancy, Luke. “Art with a sense of humour.” The Irish Times, August 18
    Coomer, Martin. “We Gotta Get Out of This Place.” Time Out London, no. 1426/7 (December), p. 69
    ———. “Wolfgang Tillmans.” Time Out London, no. 1405 (July 23–30), p. 51
    Demir, Anaïd. “L’art fait le let de la mode.” Technikart (March)
    Dominicis de, Daniela. “Wolfgang Tillmans, S.A.L.E.S.” Flash Art
    Domröse, Ulrich and Inga Knölke. Positionen künstlerischer Photographie in Deutschland seit 1945, exh. cat., Cologne, Germany: DuMont Buchverlag (September), pp. 38–39, 138–39
    Draxler, Helmut. “Requiem für einen: Jochen Klein.”
    Texte zur Kunst, no. 28 (November), pp. 179–80
    Dziewor, Yilmaz. “Tobias Rehberger.” Artforum (January), pp. 74–75
    Faller, Heike. “Aus dem Keller zu den Sternen.” Stern (January), p. 82
    Gächter, Sven. “Fotopoet der Strasse.” profil, no. 50 (December 6), pp. 26–27
    Gaskin, Vivienne. “Wolfgang Tillmans.” everything magazine (July), pp. 5–7
    Germer, Stefan. “Fluch des Modischen: Versprechungen der Kunst.” Texte zur Kunst, no. 25 (March), pp. 52–60
    Giampa, Pino. “Wolfgang Tillmans—Sociale, Sessuale e Spirituale,” Romarte (March–April)
    Gleadell, Colin. “Is This Tomorrow.” Art Monthly (October), pp. 52–53
    Goto, Shigeo. “Paradise #2: Virtual Insanity.” Dune, no. 12 (spring), pp. 56–57
    Greene, David. “Group Exhibition: New Photography #12.” Creative Camera (February–March), p. 45
    Halley, Peter, and Bob Nickas. “Wolfgang Tillmans.” index (March), pp. 39–45
    Halpert, Peter Hay. “Buy, Hold, Sell.” American Art (March–April), p. 49
    Heiferman, Marvin. “New Photography #12.” Artforum (January), p. 79
    Heiser, Jorg. “Heroin Chic.” Die Beute, no. 15/16 (winter), pp. 127–36
    Hermes, Manfred. “Kunst.” Spex (January), pp. 32–33
    Hüllenkremer, Marie. “Art Cologne 1997.” Kölner Stadt-Anzeiger, no. 261 (November 10), p. 6
    Kaufhold, Enno. “Positionen künstlerischer Photographie in Deutschland seit 1945.” Photonews (November)
    Koether, Jutta. “Kunst.” Spex (January), p. 49
    Kurtz, Thomas. “Kunst zeigt bedrohte menschenwürde.” Pforzheimer Zeitung, February 3
    Larson, Kay. “A Month in Shaker Country.” The New York Times, August 10, p. 33H
    Martin, Richard. “Zeitgeist Becomes Form.” Artforum (March), p. 87
    Marcoci, Roxana, Diana Murphy, and Eve Sinaiko (eds.). New Art, Harry N. Abrams, Inc., 1997, pp. 141–42
    McQuaid, Kate. “Maine’s ‘Quiet in the Land’ Plumbs Art of Shaker Life.” The Boston Globe, August 15
    Meyer, Claus Heinrich. “Schweres blut.” Süddeutsche Zeitung, December 5
    Millard, Rose. “The art gang.” The Independent Magazine, (August 30), pp. 8–12
    Moro, Silvia Gaspardo. “How to Marry a Million Tree.” L’uomo Vogue, no. 283 (November), pp. 60–77
    Morrissey, Simon. “Interrogating Beauty.” Contemporary Visual Art (October), pp. 26–33
    Murphy, Fiona. “A Shopping Sensation.” Guardian (weekend), September 27, pp. 56–59
    O’Flahert, Mark C. “Crazy, Sexy, Cool.” boyz (June 14)
    Parkes, James Cary. “The Cult of Wolfgang Tillmans.” Gay Times (July), pp. 15–16
    Ragozzina, Marta. “Wolfgang Tillmans.” Artel
    Remy, Patrick. “Esthétique du sursis.” Art Press (October), pp. 157–59
    Rian, Jeffrey. “The Generation Game.” Echoes: Contemporary Art at the Age of Endless Conclusions, p. 68
    Saltz, Jerry. “Camera Lucida: MoMA Takes a Clear-eyed Look at Some New Photography.” Time Out New York (January 16–23), p. 35
    Schmitz, Rudolf. “Die Raumfusion der gegenwärtigen Fotografie.” In Brigitte Kölle, ed. Portikus 1987–1997, Frankfurt am Main, Germany, pp. 70–73, 252–253
    Searle, Adrian. “Is this is the cutting edge?” The Guardian (22 July), p. 10
    Tiedemann, Holger. “Adam am Zermatt.” Deutsches Sonntagsblatt, p. 29
    “Interview: Wolfgang Tillmans/Photographer.” Hanatsubaki (August), pp. 27–28
    “Tailpiece.” Creative Camera (February–March), p. 50

  • 1996

    Aletti, Vince. “Wolfgang Tillmans.” The Village Voice, September 24, p. 10
    Beard, Steve. “No Voyeurs Allowed—Candid Camera: The Roving Eye of Wolfgang Tillmans.” i–D, no. 159 (December), pp. 68–71
    Beil, Ralf. “Deutschland, deine Photographen.” Neue Zürcher Zeitung, July 31, p. 46
    Bianchi, Paolo. “Subversion der Selbstbestimmung.” Kunstforum (May–September), pp. 56–64
    Collin, Matthew. “A Weakness for Photography.” Wired, UK (November), p. 89
    Föll, Heike. “Wolfgang Tillmans.” neue bildende kunst, no. 2 (April–May), pp. 39–46
    Göttner, Christian, and Alexander Haase. “Wolfgang
    Tillmans: Frankfurt am Maingrafie als Selbsterfahrung.” Subway (November), pp. 8–11
    Karroum, Abdellah, and Hilton Als (eds.). Urgence, exh. cat., Bordeaux, France: CAPC Musée d’art contemporain
    Lütgens, Annelie. “Not for Voyeurs.” In For When I’m Weak I’m Strong, exh. cat., Ostfildern-Ruit, Germany: Kunstmuseum Wolfsburg, pp. 6–8
    Maurer, Simon. “Fragile Schönheit.” Der Tagesanzieger Züritip, June 6, p. 60
    Molesworth, Helen. “Picture Books.” In For When I’m Weak I’m Strong, exh. cat., Ostfildern-Ruit, Germany: Kunstmuseum Wolfsburg, pp. 11–12
    Pesch, Martin. “Wolfgang Tillmans: Authentisch ist immer eine Frage des Standpunkts.” Kunstforum, no. 133 (February–April), pp. 256–269
    ———. “Obst und Gemüse.” Wochenpost, September 19, p. 36
    Sans, Jérôme. & Tillmans, Wolfgang. “Tillmans Portfolio.” East West Avenue Magazine International (July), pp. 46-53
    Sasaki, Naoya. “From Editors.” Switch (April), pp. 13, 25
    Schorr, Collier. “Things Gone and Things Still Here.” In For When I’m Weak I’m Strong, exh. cat., Kunstmuseum Wolfsburg, Ostfildern-Ruit, Germany, pp. 13–14
    Schwendener, Martha. “Wolfgang Tillmans.” Time Out New York (October 17–24), p. 28
    Wagner, Frank. Family, nation, tribe, community SHIFT: Zeitgenössische künstlerische Konzepte im Haus der Kulturen der Welt, exh. cat., Berlin: Haus der Kulturen der Welt/Neue Gesellschaft für Bildende Kunst, pp. 11, 14
    Wamberg, Jacob. “Øjebliksbilleder fra 90erne.” Politiken, June 16, p. 12
    Ziegler, Ulf Erdmann. “Wünschelrute im Themenpark.” Die Zeit, September 27, p. 62
    “Sozio- und Popkultur: Die Fotografien von Wolfgang Tillmans.” Pur (February), pp. 6–9

  • 1995

    Althoff, Kai. “Diskussion am Grat.” Texte zur Kunst (November), p. 172
    Appel, Stefanie. “Wahre Coolness.” Prinz (Frankfurt am Main, Germany) (September), p. 88
    Bartas, Magnus. “Wolfgang Tillmans.” Index (January), pp. 41–43, 61
    Bonami, Francesco. “Wolfgang Tillmans.” Flash Art (March–April), p. 95
    Boyer, Charles. “Lifestyle.” Tribus (March), p. 44
    Enslein, Thomas. “Wolfgang Tillmans.” Siegessäule (February)
    Eshun, Kodwo. “Wolfgang Tillmans.” i-D (March), p. 8
    Fricke, Harald. “Die Noblesse des Lustprinzips.” die tageszeitung, January 18, p. 13
    Hierholzer, Michael. “Von Menschen und Bäumen.” Frankfurter Allgemeine Sonntagszeitung, September 3
    Huebel, Birger. “Dabeisein, Machen, Bewegung . . .” Spex (February), pp. 44–45
    Kratzert, Armin. “Er trinkt Pepsi und glaubt an Gott.” Wochenpost, April 1
    Kuni, Verena. “Wolfgang Tillmans: Portikus Frankfurt.” Springer, vol. 1, no. 5/6 (November), p. 101
    Massery, Michel. “Nouvelles tribus culturelles en photo.” Le Nouveau Quotidien, September 19
    Molesworth, Helen. “Wolfgang Tillmans at Andrea Rosen Gallery.” Art & Text, no. 50 (January)
    Montgomery, Robert. “Street wise.” The List (August), p. 75
    Niemczyk, Ralf. “Joey Beltram.” Spex (October), pp. 18–19
    Pesch, Martin. “Wolfgang Tillmans.” Die Woche, September 1
    Sasaki, Naoya. “Wolfgang Tillmans: Because Quality Counts.” Switch (September), pp. 131–39
    Schmitz, Rudolf. “Rauskriegen was in der Luft liegt.” Frankfurter Allgemeine Zeitung, September 19
    Schönherr, Florian, and Urs Hattung. “Der Grenzgänger.” Journal Frankfurt (August 25)
    Ximenes, João. “Moda Verdade.” O Globo, June 24
    “Achtung, Achtung.” Spex (September), pp. 42–43
    “Ein ehrlicher Voyeur.” Kieler Nachrichten, February 23
    “Fotografien von Wolfgang Tillmans.” aktuell: Das Magazin der deutschen Aids-Hilfe, no. 13, pp. 10–34, 52
    “Im Zeichen des Pulp.” Neue Zürcher Zeitung, April 8/9
    “Installation und Gesellschaft.” Süddeutsche Zeitung, January
    “Die intimen Fotografien von Wolfgang Tillmans.” Frankfurter Rundschau, September 2
    “Kunstpreis für Wolfgang Tillmans.” Bremer Anzeiger, November 11
    “Pur und unverschämt.” Der Spiegel, January 30, pp. 106–7
    “Die Sehnsucht nach dem Paradies.” Allgemeine Zeitung Mainz, December 8
    “Am Selbstverständnis einer Generation mitarbeiten: Interview mit Wolfgang Tillmans.” Pakt (May–June), pp. 20–21, 40

  • 1994

    Adams, Brooks. “Wolfgang Tillmans at Andrea Rosen Gallery.” Art in America (December), pp. 101–2
    Aletti, Vincent. “Voice Choices.” The Village Voice, September 20, p. 72
    ———. “Season’s Greetings.” The Village Voice, October 24, p. 73
    Als, Hilton. “As Is, Wolfgang Tillmans’ Lifestyle.” Artforum (May), pp. 68–73
    Hainley, Bruce. “Wolfgang Tillmans at Andrea Rosen Gallery.” Artforum (December), p. 82
    Königer, Maribel. “L’Hiver de l’amour.” Kunstforum, no. 126 (March–June), pp. 344–346
    Mosselmann, Arnold, and Corinne Groot. “Wolfgang Tillmans at Thaddaeus Ropac, Paris.” Metropolis M., no. 3 (June), p. 52
    Muir, Gregor. “Wolfgang Tillmans at Interim Art, London.” frieze, no. 14 (January), p. 56
    Rian, Jeff. “Homemade Iconolgy: Snapshot Artists.” Flash Art (November), pp. 57, 59-60
    Swingewood, Sally. “The Camera Never Lies Down.” Time Out Amsterdam, no. 1 (June), p. 4
    Tillmans, Wolfgang. “Techno Soul,” in L’Hiver de l’amour, exh. cat., Musée d’art moderne de la Ville de Paris, 1994, pp. 8–9
    Verzotti, Giorgio. “L’Hiver de l’amour at Musée d’art moderne de la Ville de Paris.” Artforum (October), p. 112

  • 1993

    Poschardt, Ulf. “Ein Fleck Freiheit.” Vogue, no. 8 (August), pp. 110–12
    Reich, Elli. “Private Eye.” Prinz (Frankfurt am Main, Germany) (July), p. 92
    Zahm, Olivier. “Tendances.” Purple Prose, no. 3 (June), pp. 14–15

  • 1992

    Brudna, Denis. “I-deas für heute und übermorgen.” Photonews (June), pp. 8–9
    “Parallels.” Creative Camera (February–March), pp. 24–27

  • 1989

    Brudna, Denis. “Wolfgang Tillmans.” Photonews, (December)
    Gessulat, Stefan. “:Ikonen.” Prinz (Hamburg, Germany) (August)
    “i-D Newsflash.” i-D, no. 66, p. 7

Lectures and talks

  • 2018

    Wolfgang Tillmans with Paul Holdengräber: Art and Political Action, New York Public Library (5 September)
    Académie des Beaux-Arts, Kinshasa (13 January)

  • 2017

    “Wolfgang Tillmans in conversation with Stephan Lewandowsky”, Berliner Festspiele, Martin Gropius-Bau, Berlin, Germany (5 December)

  • 2016

    “Folding, Refraction, Touch: Modern and Contemporary Art in Dialogue with Wolfgang Tillmans”, Harvard Art Museum, Massachusetts (27 December)

  • 2015

    “Wolfgang Tillmans: A Lecture” (with UAL Chair of Visual Communication: Scott King), University of the Arts London, Podium Lecture Theatre, London
    College of Communication, London (June 15)
    “The Hugh Edwards Lecture”, Rubloff Auditorium, Art Institute of Chicago, USA (June 4)
    “Im Dialog VI”, Sammlung Hoffmann, Berlin (March 26)

  • 2014

    “Positionen ’14: Wolfgang Tillmans ‘Cladding / Verschalung’”, TU Berlin (November 20)
    “Art Basel Talks”, Art Basel, Basel (June 18)

  • 2013

    Kunstsammlung Nordrhein-Westfalen, K21 Ständehaus, Dusseldorf (May 16)
    Rencontres d'Arles, Symposium, Talk Wolfgang Tillmans und Beatrix Ruf, (July 3)
    MAVI Santiago de Chile, Conversation mit Sophie O' Brien

  • 2012

    Städelschule, Frankfurt am Main (November 12)
    Kunsthochschule Weißensee, Berlin (November 29)
    MAM Sao Paulo (March 28)
    lecture im Plaentarium/ mit Unterstützung des Goethe Instituts
    Hayward Gallery, London, Open Wide School, The Scientific Fundamentals of Photography Part 1: Optics and lenses, Wolfgang Tillmans in conversation with Peter Török/ The Scientific Fundamentals of Photography Part 2: Digital imaging, Wolfgang Tillmans in conversation with Peter Török (3 & 4 July 2012)
    Centre Pompidou, Selon Chris Dercon, DES IMAGES À L’INFINI, WT und Chris Dercon, 16 November 2012

  • 2011

    Akademie der bildenden Künste, Munich (October 27)
    “BP Artist Talk: Wolfgang Tillmans“, Tate Britain, London (October 3)
    Moderna Museet, Stockholm (March 24)
    Busch-Resinger Museum, Harvard Art Museums, Cambridge, MA (March 2)
    “Royal Academy Schools Annual Lecture”, Royal Academy of Arts, London (February 22)
    Serpentine Gallery, Garden Marathon (October 15)

  • 2010

    “Frieze Talks”, Frieze Art Fair, London (October 14)
    “Park Nights: Wolfgang Tillmans and Dimitar Sasselov”, Serpentine Gallery, London (August 2)
    ICP, New York, (October 7)
    Slade School of Fine Arts (November 17)

Public Collections

21st Century of Contemporatry Art, Kanazawa Arken Museum of Contemporary Art, Denmark Art Institute of Chicago
The Arts Council Collection, London
Carnegie Museum of Art, Pittsburgh, PA
Castello di Rivoli, Turin
Centre d’arts plastiques contemporains – (CAPC) Musée d’art Contemporain, Bordeaux Centre national des arts plastiques, Paris
Musée national d’art moderne, Centre Pompidou, Paris
Centro Andaluz de Arte Contemporáneo, Seville
Centro de Arte Dos de Mayo, Madrid
Centro de Artes Visuales Fundación Helga de Alvear, Cáceres, Spain
Contemporary Art Museum St. Louis, MO
Contemporary Arts Museum Houston, TX
Des Moines Art Center, IA
Flick Collection, Zurich
Fondation Beyeler, Riehen, Switzerland
Fonds National d'Art Contemporain, Paris
Fotomuseum Winterthur, Switzerland
FRAC – Fonds Régional d’art Contemporain d’îl de France, Paris
FRAC – Fonds Régional d’art Contemporain de Haute-Normandie, Rouen, France Galerie für Zeitgenössische Kunst (GFZK), Leipzig
Gallery of Modern Art (GoMA), Glasgow
Hamburger Kunsthalle
Hammer Museum, Los Angeles
Hirshhorn Museum and Sculpture Garden, Washington, D.C.
Institute of Contemporary Art, Boston
The Israel Museum, Jerusalem
Julia Stoschek Collection, Dusseldorf
Kunsthalle Bielefeld
Kunsthalle Bremen
Kunstmuseum Bonn
Kunstmuseum Wolfsburg
Los Angeles County Museum of Art
Louisiana Museum of Modern Art, Humlebæk, Denmark
MAXXI – the National Museum of XXI Century Arts, Rome
Metropolitan Museum, New York
Mildred Lane Kemper Art Museum, St. Louis, MO
MKM – Museum Küppersmüle für Moderne Kunst, Duisburg
MMK – Museum für Moderne Kunst, Frankfurt am Main
Moderna Museet, Stockholm
MUDAM Luxembourg
Musée d’art contmeporain de Montreal, Canada
Musée des beaux-arts de Nantes, France
Museo Tamayo, Mexico City
Museum Folkwang, Essen
Museum für Gegenwartskunst, Basel
Museum Kulturspeicher, Würzburg
Museum Kunstpalast, Dusseldorf
Museum Ludwig, Cologne
Museum Moderner Kunst Stiftung Ludwig Wien – mumok, Vienna
Museum of Contemporary Art, Chicago
Museum of Contemporary Art, Los Angeles
Museum of Modern Art, Fort Worth
Museum of Modern Art, New York
National Gallery of Canada, Ottawa National Museum of Art, Osaka National Museum of Modern Art, Kyoto National Portrait Gallery, London
Neue Nationalgalerie, Berlin
Nomas Foundation, Rome
Nottingham Castle Museum, Nottingham, UK
Philadelphia Museum of Art, Philadelphia, PA
Pinakothek der Moderne, Munich
Sammlung Boros, Berlin
Sammlung Goetz, Munich
Sammlung Haubrok, Berlin
Sammlung Rheingold, Dusseldorf
Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland, Bonn Seattle Art Museum
Smart Museum of Art, Chicago
Solomon R. Guggenheim Museum, New York
Sprengel Museum, Hannover
Staatliche Kunstsammlungen Dresden
Staatsgalerie Stuttgart
Städel Museum, Frankfurt am Main
Städtische Galerie im Lenbachhaus und Kunstbau München, Munich Städtisches Museum Abteiberg, Mönchengladbach, Germany
Statens Museum for Kunst, Copenhagen
Stedelijk Museum, Amsterdam
Tate, London
Tokyo Metropolitan Museum of Photography, Tokyo
Victoria & Albert Museum, London
University of Warwick Art Collection, UK
Walker Art Center, Minneapolis, MN
Walter art Gallery, Liverpool

Laing, Olivia, "Crudo", Picador Publishing, 2018.