1968
Born in Remscheid, Germany

1987–1990
Lives and works in Hamburg

1990-1992
Studies at Bournemouth and Poole College of Art and Design, Bournemouth, UK

1992–1994
Lives and works in London

1994–1995
Lives and works in New York

1995
Ars Viva Prize, Germany
Kunstpreis der Böttcherstraße, Bremen, Germany / Art award of the Böttcherstraße, Bremen, German

1996–2007
Lives and works in London

1998–1999
Visiting professorship at the Hochschule für bildende Künste Hamburg

2000
Turner Prize, Tate Britain, London

2001
Honorary Fellowship, The Arts Institute at Bournemouth, UK

2003–2009
Professorship of interdisciplinary art at Städelschule, Frankfurt am Main

2006–2011
runs exhibition space "Between Bridges", London

Since 2007–2011
Lives in London and Berlin

2009
Kulturpreis der Deutschen Gesellschaft für Photographie, Heidelberg, Germany / Cultural award of the German Society for Photography, Heidelberg, Germany

2009–2014
Artist Trustee on the Board of Tate, London

Since 2011
Lives and works in Berlin and London

Since 2012
Member of the Akademie der Künste, Berlin

Since 2013
Member of the Royal Academy of Arts, London

2014
Wollaston Award, Royal Academy of Arts, London

2014–2019
runs exhibition space "Between Bridges", Berlin

2015
The Hasselblad Foundation International Award in Photography, Göteborg Museum of Art, Sweden
Centenary Medal and Honorary Fellowship Award, Royal Photographic Society, London

2016
The Gold Medal of Honorary Patronage of the University Philosophical Society, Trinity College, Dublin

2017
BZ Kulturpreis, Berlin
Foundation "Between Bridges"

2017–2018
Nominated for the Beazley Designs of the Year Awards, The Design Museum London, Commonwealth Institute, Kensington, London, UK

2018
Goslar Kaiserring Prize
Nino Gennaro Award, Sicilia Queer International New Visions filmfest 2018
German order of Merit

Since 2019
Chair of the Institute of Contemporary Art, London

(C) = Catalogue or artist‘s book

Centre Pompidou, Paris, France

"The Point Is Matter", David Zwirner, Hong Kong, China

"Books are liquid", Librairie Delpire & co, Paris, France
“Fold Me”, David Zwirner, New York, NY, USA
“To look without fear”, Art Gallery of Ontario, Toronto, Canada
“To look without fear”, San Francisco Museum of Modern Art, San Francisco, USA

“To Look Without Fear”, Museum of Modern Art, New York, USA (C)
David Zwirner, New York, NY, USA
“Fragile”, MuCAT (Musée des Cultures Contemporaines Adama Toungara), Abobo, Rond-point de la Mairie; Abidjan, Ivory Coast, touring: Art Twenty One, Lagos and CCA Centre for Contemporary Art, Yaba, Nigeria
“After Venice”, Peder Lund, Oslo, Norway

"Moon in Earthlight", Maureen Paley: Morena di Luna, Hove, UK
“Your body is yours", Trafó Gallery, Budapest, Hungary
“Lumière du matin", Galerie Chantel Crousel, Paris, France
“Wolfgang Tillmans – Sounds is Liquid", mumok - The Museum Moderner Kunst Stiftung Ludwig Wien, Vienna, Austria (C)
"Fragile", Museum for Science and Technology, Accra, Ghana
“Concrete Column", Regen Projects, Los Angeles, CA, USA

"How does it feel?", WAKO Works of Art, Tokyo, Japan
Galerie Buchholz, Berlin, Germany
“Today Is The First Day", Wiels Centre d’Art Contemporain, Brussels, Belgium,
"Isa Genzken und Wolfgang Tillmans", KAT_A, Bad Honnef-Rhöndorf, Germany

Maureen Paley, London, UK
“Fragile”, Modern Art Museum-Gebre Kristos Desta Center Addis Ababa, Ethiopia, touring: Galerie d’Art Contemporain de Yaoundé (GACY) Yaoundé, Cameroon
Galeria Juana de Aizpuru, Madrid, Spain

David Zwirner, Hong Kong
“Fest”, Galerie Buchholz, Cologne, Germany
“Fragile”, Musée d'Art Contemporain et Multimédias, Kinshasa, Democratic Republic of Congo; travelling to Circle Art Gallery, Nairobi; The GoDown Arts Centre, Nairobi, Kenya and Johannesburg Art Gallery, Johannesburg, South Africa
“How likely is it that only I am right in this matter?” David Zwirner, New York, NY, USA
“Qu’est-ce qui est différent?”, Carré d’Art – Musée d’art contemporain, Nîmes, France
“Rebuilding the Future”, Irish Museum of Modern Art, Dublin, Ireland
“window display”, Aidshilfe Goslar e.V., Goslar, Germany
“War Requiem”, Benjamin Britten, English National Opera, London, UK (production design for opera)
“Wolfgang Tillmans: Kaiserringträger der Stadt Goslar 2018”, Mönchehaus Museum Goslar, Goslar, Germany
“Wolfgang Tillmans, Vereinsgabe 2018”, Kölnischer Kunstverein, Playback room on the occasion of Wolfgang Tillmans’ 12’’ vinyl members edition for Kölnischer Kunstverein, 2018, Kölnischer Kunstverein, Cologne, Germany

Fondation Beyeler, Riehen, Switzerland (C)
“Wolfgang Tillmans: 2017”, Tate Modern, London, UK (C)
“There were 30 years between 1943 and 1973. 30 years from 1973 was the year 2003.”, Kunstverein in Hamburg, Hamburg, Germany

Regen Projects, Los Angeles
Maureen Paley, London, UK
“Leben Ist Astronomisch Installation (2001–2012)“, K21 Ständehaus, Dusseldorf
“PCR“, Art Basel Unlimited, Basel
“Playback Room – Ein Raum für Studiomusik”, Städtische Galerie im Lenbachhaus und Kunstbau München, Munich
„¿dónde estamos?“ (project for billboard), Mexico City
“On the Verge of Visibility“, Museu de Arte Contemporânea de Serralves, Porto, Portugal (C)
“Studio”, Galerie Buchholz, Berlin, Germany
“Pictures from New World”, Gallery of Modern Art, Glasgow, Glasgow, UK

Wolfgang Tillmans – Hasselblad Award 2015, Hasselblad Foundation, Gothenburg, Sweden (C)
Dům Umění – House of Art, České Budějovice, Czech Republic
PCR, David Zwirner, New York
Your Body is Yours, The National Museum of Modern Art, Osaka, Japan (C)
Lignine Duress, Galerie Chantal Crousel, Paris
Panoramabar, Berlin (permanent installation)
Book for Architects, The Metropolitan Museum of Art, New York

Fondation Beyeler (collection display with works by and curated by Wolfgang Tillmans), Riehen, Switzerland
“Affinity”, Wako Works of Art, Tokyo (C)

“Silver”, Galerie Buchholz, Berlin
“central nervous system”, Maureen Paley, London
“Neue Welt”, Rencontres d’Arles, Arles, France (C)
“from Neue Welt”, Andrea Rosen Gallery, New York
“Wolfgang Tillmans – Düsseldorf Raum 2001–2007” (collection display), Museum Kunstpalast, Dusseldorf (C)

“Wolfgang Tillmans”, Moderna Museet, Stockholm (C); travelled to “Wolfgang Tillmans”, Kunstsammlung Nordrhein-Westfalen, K21 Ständehaus, Dusseldorf (C) (2013)
“Neue Welt”, Kunsthalle Zürich, Zurich (C)
“Works from the Arts Council Collection, Onion and Headlights”, The Common Guild, Glasgow, UK
MAM – Museu de Arte Moderna de São Paulo, Brasil (C); travelled to Museo de Arte del Banco de la República, Bogotá, Columbia (C), MALI – Museo de Arte de Lima, Lima, Peru (C) (2013) and MAVI – Museo de Artes Visuales, Santiago de Chile (C) (2013)

Galerie Chantal Crousel, Paris
“New Entrants”, Staatsgalerie Stuttgart (collection display)
“Out of the Boxes Part 1, Gallery 3: Wolfgang Tillmans, curated by Beatrix Ruf”, Andrea Rosen Gallery, New York
“Out of the Boxes Part 2, Gallery 3: Wolfgang Tillmans, curated by Stefan Kalmár”, Andrea Rosen Gallery, New York
Regen Projects, Los Angeles
“Wolfgang Tillmans y Franz West”, Galería Juana de Aizpuru, Madrid
“Zachęta Ermutigung”, Nationale Kunstgalerie Zachęta, Warsaw (C)

Galerie Daniel Buchholz, Berlin
Walker Art Gallery, Liverpool (C)
Serpentine Gallery, London (C)
Andrea Rosen Gallery, New York
Panoramabar, Berlin (permanent installation)

“Ten: 1999–2009 at Sommer Contemporary Art“, Sommer Contemporary Art, Tel Aviv

“Half Page”, Regen Projects, Los Angeles
“Lichter”, Wako Works of Art, Tokyo (C)
Maureen Paley, London
“String”, Galerie Chantal Crousel, Paris
“Tegenwoordigheid van Geest – Presence of Mind” (collection display curated by Wolfgang Tillmans) and “Stedelijk Room” (installation for the permanent collection by Wolfgang Tillmans), Stedelijk Museum, Amsterdam
“Wolfgang Tillmans – Düsseldorf Raum 2001–2007”, Museum Kunstpalast, Dusseldorf (C)
“2008”, Galería Juana de Aizpuru, Madrid
Neugerriemschneider, Berlin
Tate Britain, London (collection display)
“Lighter”, Hamburger Bahnhof – Museum für Gegenwart, Berlin (C)

“All The Time / Time”, Galleria S.A.L.E.S., Rome
“Atair”, Andrea Rosen Gallery, New York
“Bali”, Kestner-Gesellschaft, Hannover
“Beugung”, Kunstverein München, Munich
“Bibliographie”, Buchhandlung Walther König, Cologne
“Carciofo – Still Lifes”, Oroom Gallery, Seoul, Korea (C)
“Faltung”, Camera Austria, Graz
“paper drop”, Galerie Daniel Buchholz, Cologne
“Richard Branson”, White Cubicle Gallery, George & Dragon, London

“Freedom from the Known”, MoMA PS1, New York (C)
Helsinki-Festival, Taidehalli, Helsinki
“München Installation”, Pinakothek der Moderne, Munich (collection display)
Museum of Contemporary Art Chicago (C); travelled to Hammer Museum, Los Angeles (C), Hirshhorn Museum and Sculpture Garden, Washington, DC (2007) and Museo Tamayo, Mexico City (2008
“Sprengel Installation (+4), Sprengel Museum, Hannover (C) (collection display)

2005, Galería Juana de Aizpuru, Madrid
Markt, Galerie Meerrettich, Berlin
Truth Study Center, Maureen Paley, London
Press to Exit Project Space, Skopje, Macedonia

“Freischwimmer”, Neugerriemschneider, Berlin
“Freischwimmer”, Tokyo Opera City Art Gallery, Tokyo (C)
“New Photographs”, Wako Works of Art, Tokyo (C)
Panoramabar, Berlin (permanent installation)
Regen Projects, Los Angeles

Andrea Rosen Gallery, New York
Frans Hals Museum, Haarlem, Netherlands
Galerie Daniel Buchholz, Cologne
“if one thing matters, everything matters”, Tate Britain, London (C)
“View From Above”, Louisiana Museum of Modern Art, Humlebæk, Denmark (C)

“Lights (Body)”, Andrea Rosen Gallery, New York
“Lights (Body)”, Galleria S.A.L.E.S., Rome
Maureen Paley / Interim Art, London
“Partnerschaften” (with Jochen Klein), nGbK – neue Gesellschaft für bildende Kunst, Berlin (C)
Regen Projects, Los Angeles
Sommer Contemporary Art, Tel Aviv
“Vue d’en Haut”, Palais de Tokyo, Paris (C)
“Veduta dall’alto”, Castello di Rivoli – Museo d’arte contemporanea, Turin (C)
“Wolfgang Tillmans – Still Lives”, Fogg Art Gallery, Busch Reisinger Museum, Harvard, Cambridge, MA (C)

“AC: Isa Genzken / Wolfgang Tillmans, Science Fiction / Hier und jetzt zufrieden sein”, Museum Ludwig, Cologne (C)
Andrea Rosen Gallery, New York
“Aufsicht”, Deichtorhallen Hamburg (C)
“Super Collider”, Galerie Daniel Buchholz, Cologne
Wako Works of Art, Tokyo (C)

“Blushes”, fig-1, London
Galerie Rüdiger Schöttle (with Thomas Ruff), Munich
Galerie Meyer Kainer (with Jochen Klein), Vienna

“Eins ist sicher: Es kommt immer ganz anders, als man denkt”, Städtische Galerie, Remscheid, Germany
Galleria S.A.L.E.S., Rome
Neugerriemschneider, Berlin
"part I: Recent Works / part II: Concorde", Wako Works of Art, Tokyo (C)
Regen Projects, Los Angeles
“Saros”, Galerie Daniel Buchholz, Cologne (C)
“Soldiers – The Nineties”, Andrea Rosen Gallery, New York (C)
“Soldiers – The Nineties”, arsFutura Galerie, Zurich
“Soldiers – The Nineties”, Neuer Aachener Kunstverein, Aachen, Germany
“Space between Two Buildings / Soldiers – The Nineties”, Maureen Paley / Interim Art, London

Andrea Rosen Gallery, New York
Café Gnosa, Hamburg
“Fruicciones”, Museo Nacional Centro de Arte Reina Sofía, Espacio Uno, Madrid (C)

Galleria S.A.L.E.S., Rome
“Hale-Bopp”, Galerie Daniel Buchholz, Art Cologne, Cologne
“I didn’t inhale”, Chisenhale Gallery, London

Andrea Rosen Gallery, New York
arsFutura Galerie, Zurich
“Faltenwürfe”, Galerie Daniel Buchholz, Cologne
Galleri Nicolai Wallner, Copenhagen
Kunstverein Elsterpark, Leipzig
“Wer Liebe wagt, lebt morgen”, Kunstmuseum Wolfsburg, Germany (C)

Neugerriemschneider, Berlin
Kunsthalle Zürich, Zurich (C)
Stills Gallery, Edinburgh
Portikus, Frankfurt am Main (C)
Regen Projects, Los Angeles
Interim Art, London

Galerie Thaddaeus Ropac, Paris
Galerie Daniel Buchholz, Cologne
Andrea Rosen Gallery, New York

Interim Art, London
arsFutura Galerie, Zurich
L.A. Galerie, Frankfurt am Main
Galerie Daniel Buchholz – Buchholz & Buchholz, Cologne (C)

“Diptychen, 1990–1992”, PPS. Galerie F. C. Gundlach, Hamburg

Grauwert Galerie, Hamburg

Café Gnosa, Hamburg

“Approaches’, Café Gnosa, Hamburg
“Approaches”, Fabrik – Fotoforum, Hamburg, Stadtbücherei Remscheid, Germany
“Blutsturz”, Front, Hamburg

“EXPOSED", Torino Foto Festival, Turin, Italy
“Transmissions: Selections from the Marciano Collection”, Marciano Art Foundation, LA, USA
“The Shape of Things: Still Life in Britain”, Pallant House Gallery, Chichester, UK
“Soup, Socks and Spiders! Art of the Everyday”, Mobile Museum – In collaboration with TATE, UK
“Fragile Beauty: Photographs from the Elton John and David Furnish Collection”, Victoria and Albert Museum, London, UK
“Kyiv Perennial 2024”, nGbK am Alex, Berlin, Germany
”Le monde comme il va“, Bourse de Commerce - Pinault Collection, Paris, France
“Turner The Sublime Legacy Exhibition”, Grimaldi Forum – In collaboration with TATE, Monaco
“Composition for the Left Hand”, Kode Bergen Art Museum, Bergen, Norway
“Isa Mona Lisa”, Hamburger Kunsthalle, Hamburg, Germany
“Glitch: The Art of Interference”, Pinakothek der Moderne, Munich, Germany

“40th anniversary of the Frac! Gunaikeîon”, Frac Île-de-France, Romainville, France
“A Theatre of Waiting”, The Cloud Collection, Nangjing, China
“Yuen-Yeung”, K11 Art Foundation, Shanghai, China
“Amour Systémique”, CAPC Musée d'art Contemporain, Bordeaux, France
“Aux Temps du sida, œuvres, récits et entrelacs, Musée d’Art Moderne et Contemporain de Strasbourg, Strasbourg, France
“Behind Abstract Forms”, Fragment Gallery, New York, USA
“Bohemia: History of an Idea, 1950-2000”, Kunsthalle Praha, Prague, Czech Republic
“BUTTERFLY!”, Arken Museum for Modern Art, Ishøj, Denmark
“Deep Deep Down”, MUDAM Grand Duke Jean Museum of Modern Art, Luxembourg City, Luxembourg
“Dust to Dust”, Zabludowicz Collection, London, UK
“Everything Gets Lighter”, Museo Jumex, Mexico City, Mexico
“Expanded Visions: Photography and Experimentation”, CaixaForum, Barcelona, Spain
“Grace Ndiritu Reimagines the FOMU Collection”, Fomu Fotomuseum Antwerp, Antwerp, Belgium
“Images”, Frac Normandie Rouen, Sotteville-lès-Rouen, France
“Interior Visions: From Bonnard to Tillmans and Contemporary Artists”, Pola museum of Art, Hakone, Japan
“Interstellar”, Foundation Opale, Lens Switzerland
“Jochen Klien, After the Light”, Museo de Arte Contemporáneo de Roma, Rome, Italy
“Kyiv Biennial 2023”, Augarten Contemporary, Vienna, Austria
“L’épreuve de la matière", BnF F.Mitterrand, Paris, France
“outer view, inner world”, Maureen Paley: Morena di Luna, Hove, UK
“Over the Rainbow", Centre Pompidou, Paris, France
“Photographic Notes, Works from the Contemporary Art Collection”, Museum für Gegenwartskunst Siegen, Siegen, Germany
“Reaching for the Stars: Works from the Sandretto Re Rebaudengo Collection”, Fondazione Palazzo Strozzi, Florence, Italy
“Scotiabank CONTACT Photography Festival", Toronto, Canada
“The Mind’s Eye: Images of Nature from Claude Monet to Otobong Nkanga”, Foundation Beyeler, Riehen, Switzerland
“The Royal Academy Platinum Jubilee Gift”, The Queen’s Gallery, Buckingham Palace, London, UK
“Through the Unfolding Glass", Palazzo del Podestà, Fabriano Contemporanea, Fabriano, Italy
“(Un)Defining Queer”, The Whitworth, Manchester, UK
“Youth vs. Crisis: A Generation in Search of a Future, Kunsthalle Bremen, Bremen, Germany

“A Century of the Artist’s Studio 1920-2020”, Whitechapel Gallery, London, UK
“at dawn”, Julia Stoschek Collection, Berlin, Germany
“Bells”, Galerie Buchholz, Cologne, Germany
“body/spaces: Fotografie”, eine Raumerfahrung, Staatsgalerie Stuttgart, Stuttgart, Germany
“Broken Music Vol. 2: 70 Years of Records and Sound Works by Artists”, Hamburger Bahnhof, Museum of Contemporary Art, Berlin, Germany
“Images for Sounds: Artist Covers for Music Records”, Villa Lontana, Rome, Italy
"Je suis la chaise", Galerie Chantal Crousel, Paris, France 2022-2023
“Linger On, Fair Moment. A History of Photography", Fundación Juan March, Madrid, Spain
“Les Fleurs du Mâle”, Musée International d’art Naïf, Nice, France
“Founding Portraits Campaign", Foundling Museum, London, UK
“Je Veux: Vienna 1975-2022”, Galerie Meyer Kainer, Vienna, Austria
“La Pensee Corps”, Pernod Ricard Foundation, Paris, France
“Michael Clark: Cosmic Dancer", V&A Dundee, Dundee, Scotland
“Mixed Feelings", G2 #18, G2 Kunsthalle, Dittrichring, Leipzig, Germany
“My Reflection of You”, The Perimeter, London, UK
“Photographic Pictures”, Anton Kern Gallery, New York, USA
“Red, Green, and Yellow”, Flat Time House, London, UK,
“Reframed: The Woman in The Window”, Dulwich Picture Gallery, London, UK
“Something in the Air“, Haubrok Foundation, Berlin, Germany
“something new, something old, something desired", Hamburger Kunsthalle, Hamburg, Germany
“Stars Don’t Stand Still in the Sky: A Tribute to Lawrence Weiner”, Regen Projects, Los Angeles, USA
“Sightlines: Photographs from the Collection”, San Francisco Museum of Modern Art, San Francisco, USA
“Summer Exhibition 2022”, Royal Academy of Art, London, UK
“Sunset: A Celebration of the Sinking Sun”, Kunsthalle Bremen, Bremen, Germany
“The Narrow Gate of the Here-and-Now”, IMMA, Dublin, Ireland
“To be seen: Queer lives 1900–1950”, Munich Documentation Center for the History of National Socialism, Munich, Germany
“Tracing Absence”, Whitechapel Art Gallery, London, UK
“Tuntenhaus Forellenhof 1990: The short summer of gay communism”, Schwules Museum, Berlin, Germany
“Une seconde d’éternité", Bourse de Commerce, Pinault Collection, Paris, France (C)

“Allied Editions 10th Anniversary”, Allied Editions, No.9 Cork Street, London, United Kingdom
“Windows", The Artist Room, London, United Kingdom
“Same Same But Different: Art from Germany and Austria”, Crone Side, Berlin, Germany
“Male Nudes: a salon from 1800 to 2021”, Mendes Wood DM, São Paulo, Brazil
“Diversity United. Contemporary European Art. Berlin. Moscow. Paris”, The State Tretyakov Gallery, Moscow, Russia (C)
"Feast for the Eyes: The Story of Food in Photography", The Polygon, North Vancouver, British Columbia, Canada
“X is Not a Small Country – Unravelling the Post-Global Era”, MAAT Lisbon, Lisbon, Portugal
“Capture Photography Festival”, Vancouver, Canada
“Crossing Borders. Sammeln für die Zukunft”, Kupferstich-Kabinett, Dresden, Germany
“Derek Jarman’s Modern Nature”, John Handsard Gallery, Southampton, United Kingdom
“Documents from The Edges of Conflict”, James Hockey Gallery, University of the Creative Arts, Farnham, UK
“Carte blanche à Anne Imhof”, Natures Mortes, Palais de Tokyo, Paris, France
“Artists’ Library: 1989 – 2021”, MACRO – Museum of Contemporary Art, Rome, Italy
“Face à Arcimboldo – Arcimboldo Face to Face”, Centre Pompidou-Metz , Metz, France
“Sensing Scale”, Kunsthalle Münster, Münster, Germany
“Selections: Gallery Artists", Regen Projects, Los Angeles, CA, USA
“Land Art: Expanding the Atlas”, Nevada Museum of Art, NV, USA
“Any distance between us”, RISD Museum, Providence, Rhode Island, USA
“Studio Berlin”, Berghain, Berlin, Germany
“Happy together”, Pavillon Carré de Baudouin, Paris, France
“Nothing is Lost: Art and Matter in Transformation”, GAMeC – Galleria d’Arte Moderna e Contemporanea di Bergamo, Bergamo, Italy
“Now or Never – 50 Years of the LBBW Collection", Kunstmuseum Stuttgart, Stuttgart, Germany (C)
“The Point of Sculpture”, Fundació Joan Miró, Barcelona, Spain
“Panoramas", Galeria Juana de Aizpuru, Madrid, Spain
“The Narrow Gate of the Here-and-Now”, IMMA: 30 Years of the Global Contemporary, Dublin, Ireland
“The Way We Are 3.0", Weserburg Museum für Moderne Kunst, Bremen, Germany
“Oil Beauty and Horror in the Petrol Age”, Kunstmuseum Wolfsburg, Germany
“Crip Time”, Museum Für Moderne Kunst, Frankfurt, Germany “Blanc International Contemporary Art Space”, Blanc International Contemporary Art Space, Beijing, People's Republic of China
“Inaspettatamente”, Cloud Seven, Brussels, Belgium
“Collection 3: Between Visible and Invisible”, National Museum of Art, Osaka, Japan
“Pride 2021”, Caviar20, Toronto, Canada
“Relay: Sherrie Levine / Wolfgang Tillmans”, Leo Koenig Inc., New York, USA
“Tomorrow is a Different Day", Stedelijk Museum Amsterdam, Amsterdam, Netherlands

"Controlling the Chaos", Carnegie Museum of Art, Pittsburgh, Pennsylvania, USA: The Erling Kagge Collection”, Fondation Vincent van Gogh Arles, Arles, France
“WALKING. Movements North of Bolzano”, Museion – Museum of Modern and Contemporary Art, Bolzano, Bolzano, Italy
“La Photographie à l'épreuve de l'abstraction”, Frac Normandie Rouen, Sotteville-lèsRouen, France; travelling to Centre photographique d’Ile-de-France, Pontault-Combault, France, Micro Onde centre d’art, Vélizy-Villacoublay, France
“Corona Sound System”, Kunstverein in Hamburg, Hamburg, Germany
“Collective Care: A House with Many Guests”, M Woods, Beijing, China
“Come Out!”, Kistefos Museet, Jevnaker, Norway
“Diversity United. Contemporary European Art. Berlin. Moscow. Paris”, Tempelhof Airport Berlin, Berlin, Germany (C)
“Out of Order: Works from the Haubrok Collection, Part 2”, Neues Museum, Nuremberg, Germany
“In aller Munde. Von Piter Bruegel bis Cindy Sherman/ In the whole World. From Pieter Bruegel to Cindy Sherman”, Kunstmuseum Wolfsburg, Germany
“Among the Trees”, Hayward Gallery, London, UK
“Brainwashed – Sammlung Goetz im Haus der Kunst”, Haus der Kunst, Munich, Germany
“Duro Olowu: Seeing Chicago”, Museum of Contemporary Art Chicago, Chicago, IL, USA (C)
“Meditations in an Emergency”, UCCA Center for Contemporary Art, Beijing, China
“Back to the Present”, Städel Museum, Frankfurt, Germany
“K21 On Display”, Kunstsammlung Nordrhein Westfalen, Düsseldorf, Germany
“00’s. Cranford Collection: the 2000’s”, MO.CO., Hôtel des collections, Montpellier, France
“myselves", Kohn Gallery, Los Angeles, CA, USA
“Black Album/ White Cube”, Kunsthal Rotterdam, Rotterdam, Netherlands
“Counterpart - Portraits From August Sander To Rineke Dijkstra”, Kunstreal München, Munich, Germany
“Michael Clark: Cosmic Dancer”, Barbican, London, UK
“International Summer Festival Hamburg 2020”, Hamburg, Germany
“Freischwimmer: Photography from the Viehof Collection and Museum Kurhaus Kleve”, Museum Kurhaus Kleve, Kleve, Germany
“STUDIO BERLIN”, Berghain, Berlin, Germany
“Summer Exhibition”, Royal Academy of Arts, London, UK
“Being laid up was no excuse for not making art: Corona sound system", Kunstverein in Hamburg, Hamburg, Germany
“Basel & Paris", Galerie Chantal Crousel, Paris, France
“Resonance: Artists on Niemeyer", Halle 9, Techne Sphere, Leipzig, Germany
“Lìxià", David Zwirner, Hong Kong
“Me, Family", Mudam Luxembourg, Luxembourg (C)
“Crossing Views”, Fondation Louis Vuitton, Paris, France
“Masculinities: Liberation Through Photography”, Barbican, London, UK; travelling to: Gropius Bau, Berlin, Germany; Les Rencontres d’Arles, Arles, France; FOMU, Antwerp, Belgium (C)
“New Visions”, Inaugural Henie Onstad Triennial, Henie Onstad Art Center, Høvikodden, Norway
“Silent Water”, Galeria Mascota, Mexico City, Mexico

“Karol Radziszewski: The Power of Secrets”, Ujazdowski Castle Centre for Contemporary Art Jazdów, Warsaw
“Schluss”, Schau Fenster, Berlin, Germany
“Dämonkratie”, A.K.T, Pforzheim, Germany
“A Time Capsule Continued”, Parkett Zurich, Zurich, Switzerland
“Art & Porn”, Kunsthal Charlottenborg, Copenhagen, Denmark
“Bauhaus and Photography”, NRW-Forum Kultur und Wirtschaft, Düsseldorf, Germany
“Ecstacy”, Kunstmuseum, Hamburg, Germany; travelling to Zentrum Paul Klee, Bern, Switzerland
“Europa Endlos”, Kunsthal Charlottenborg, Copenhagen, Denmark
“Everyday Life – Global Economy and Contemporary Image”, Galleria Civica di Trento, Trento, Italy
“Expanded: Fiction and Fabrication”, MAAT, Lisbon, Portugal
“Feast for the Eyes – The Story of Food in Photography”, The Photographers’ Gallery, London, UK, touring: The Polygon Gallery, Vancouver, Canada, The Akron Art Museum, Ohio, USA
“Fiction and Fabrication: photography of architecture after the digital turn”, MAAT Museum of Art, Architecture and Technology, Lisbon, Portugal
“Food for the Eyes”, C/O Berlin, Berlin, Germany
“Forever Young: 10 Years of Museum Brandhorst”, Museum Brandhorst, Munich, Germany
“Good Night: Energy Flash”, Storage, Seoul, Korea
“Hyper! – A journey into art and music”, Deichtorhallen, Hamburg, Germany
“If I was a rich girl” (an exhibition by Clare Kenny featuring her fantasy collection), Kunstraum Riehen, Riehen, Switzerland
“La Pintura un Reto Permanente”, CaixaForum Madrid, Madrid, Spain
“LIGHT SENSITIVE 2: Photography from the Shaufler collection”, Schauwerk Sindelfingen, Sindelfingen, German
“Los cinco elementos de la Naturaleza”, r/e projects in conjunction with PhotoEspaña festival, Madrid, Spain
“MAISON D’HISTOIRE(S) (NON)NATURELLES”, Nicoletti, London, UK
“Never Again, Art against War and Fascism in the 20th and 21st centuries”, Museum of Modern Art in Warsaw, Warsaw, Poland
“No Photos on the Dancefloor! Berlin 1989-Today”, C/O Berlin, Berlin, Germany
“Sammlung Beyeler / Lost in Time like Tears in Rain”, Foundation Beyeler, Riehen, Switzerland
“Selbstbildnis”, Société, Berlin, Germany
“Singing the Body Electric”, David Zwirner, Hong Kong
“STEREO-TYPEN – works from the graphic collection of the Kunstmuseum Bonn”, Kunstmuseum Bonn, Bonn, Germany
“Studio Photography: 1887–2019”, Simon Lee Gallery, New York, USA “Summer Exhibition”, Royal Academy of Arts, London, UK
“Subjects of Life”, Photography in the MUDAM Collection (collection display), MUDAM Luxembourg, Luxembourg-Kirchburg, Luxembourg
“Syncopation: Contemporary encounters with the Modern Masters”, Pola Museum of Art, Kanagawa, Japan
“The Warmth of Other Suns: Stories of Global Displacement”, The Phillips Collection, Washington D.C., USA
“The Way We Are 1.0”, Weserburg Museum für moderne Kunst, Bremen, Germany
“Travelling the World. Art from Germany”, Museum of Contemporary Art Belgrade (MoCAB), Belgrade, Serbia; travelling to Kapana Gallery, Plovdiv, Bulgaria (2019)
“United By Aids- An Exhibition about Loss, Remembrance, Activism and Art in response to HIV/AIDS”, Migros Museum fur Gegenwartskunst, Zurich, Switzerland
“Van Horn Presents Fuck Your Fear”, Van Horn, Dusseldorf, Germany

“All is Quiet, Kaiser Chiefs in Conversation with York Art Gallery”, York Art Gallery, York, UK
“Archive Gallery 2018/19: Archives in Residence – Archive Artist Publications”, Haus der Kunst, Munich, Germany
“David Zwirner: 25 Years”, David Zwirner, New York City, New York, USA
“Der Duft der Bilder” – Werke der colección olorVISUAL, Barcelona, Spain
“Do I Have to Draw You a Picture?”, The Heong Gallery, Downing College, Cambridge University, UK
“Doing the Document. Fotografien von Diane Arbus bis Piet Zwart Die Schenkung Bartenbach”, Museum Ludwig, Koln, Germany
“Double Lives: Visual Artists Making Music”, mumok, Vienna, Austria
“Ekstacy”, Kunstmuseum Stuttgart, Stuttgart, Germany
“LIGHT SENSITIVE 2: Photography from the Shaufler collection”, Schauwerk Sindelfingen, Sindelfingen, Germany
“Feast for the Eyes – The story of Food in Photography”, FOAM, Amsterdam, Netherlands
“Fashion Drive. Extreme Clothing in the Visual Arts”, Kunsthaus Zurich, Zurich, Switzerland
“German Art”, Galleri K, Oslo, Norway
“I Still Believe In Miracles – Works from Selvaag Art Collection”, Astrup Fearnley Museet, Oslo, Denmark
“In Part: Writings by Julie Ault”, Galerie Bucholz, New York, NY, USA
“Intimacy”, Yossi Milo Gallery, New York, NY, USA
“Lush Strokes, Phantom Forms”, Galerie Isa, Mumbai, India
“Masterworks on paper: Prints – Drawing – Photography” (collection display), Print Room, Residenzschloss, Dresden, Germany
“MMK 2”, MMK’s Photography Collection, MMK Frankfurt, Frankfurt, Germany.
“Money with a Capital “M”, Haifa Museum of Art, Haifa, Israel
“#myMuseum – 175 Years Staatsgalerie”, Staatsgalerie, Stuttgart, Germany
“On Paper” – Arts Council Touring Exhibition, Perth Museum and Art Gallery, Perth, UK; travelling to Gallery Oldham, Oldham; Inverness Museum and Art Gallery, Inverness; Oriel Wrecsam, Wrexham; Glynn Vivian Art Gallery, Swansea; Victoria Art Gallery, Bath and Thelma Hubert Gallery, Honiton (C)
“One Day at a Time: Manny Farber and Termite Art”, The Geffen Contemporary at MOCA, Los Angeles, USA
“Picture Industry: A Provisional History of the Technical Image, 1844–2018”, Luma Arles, Parc des Ateliers, Arles, France
“Presentation of the Contemporary Art Collection”, Museum für Gegenwartskunst Siegen, Siegen, Germany
“Quel Amour!?”, Museu Coleção Berardo, Lisbon, Portugal
“Resistance”, Centrale for Contemporary Art, Brussels, Belgium
“ReCycle”, Galerie Chantal Crousel, Paris, France
“Resist!”, BOZAR Centre for Fine Art Brussels, Brussels, Belgium
“Résonance – Part 1” Musée des Beaux-Arts de Rouen, Rouen, France
“Revolutionize” Mystetskyi Arsenal, Kiev, Ukraine
“Social Facades”, Museum für Moderne Kunst, Frankfurt, Germany
“Tacita Dean: Still Life”, National Gallery, London, UK (C)
“Take Me (I’m Yours)”, Villa Médicis – Académie de France à Rome, Rome, Italy
“That Obscure Object of Desire”, Fortes D’Aloia & Gabriel, Rio de Janeiro, Brazil
“The Moment is Eternity – Works from the Olbricht Collection”, me Collectors Room Berlin
“The Pull of a Well Placed Comma” Museu de Arte Contemporânea de Elvas, Portugal
“The Scent of Images”, Opelvillen, Rüsselsheim, Germany
“The Trick Brain”, Aïshti Foundation, Beirut, Lebanon
“There not There”, The Courtald Institute of Art, London, UK
“The Great Spectacle”, The Royal Academy, London, UK
“There not There”, The Courtald Institute of Art, London, UK
“Ubu asks, Tell me, what is the difference between actuality and potentiality?”, Espacio Artskunstrate, Madrid, Spain
“Very British”, Stiftung Haus der Geschichte der Bundesrepublik Deutschland, Bonn
“Wasser & Wein. Neupräsentation der Sammlung I”, Museum Kurhaus Kleve, Kleve, Germany
“What is Love? Von Amor bis Tinder”, Kunsthalle Bremen, Germany

“aroundabout Jack Jaeger”, Kunstverein Langenhagen e.V., Langenhagen, Germany
“Historias de Secualidade – Histories of Sexualities”, MASP – Museu de Arte de São Paulo, Brazil
“The Photographic I – Other Pictures”, S.M.A.K., Gent, Belgium
“Les Visitants: Guillermo Kuitca y la colección de la Fondation Cartier”, CCK, Argentina
“Raum & Fotografie”, Museum der Moderne Salzburg, Austria
“ISelf Collection – The Upset Bucket”, Whitechapel Gallery, London United Kingdom (C)
“Artist Spaces”, Weserburg | Museum für moderne Kunst, Bremen Germany
“Take Me (I’m Yours)”, Pirelli HangarBicocca, Milan, Italy
“Domestic Space | Christmas Edition, Neue Galerie Landshut, Landshut, Germany
“Photography on a postcard”, theprintspace, London, UK
“I am you, you are too”, Walker Art Center, Minneapolis, Minnesota, USA
“Show and Tell”, Malmö Konstmuseum, Malmö, Sweden
“The Art of Dissonance”, Seoul Museum of Art, Seoul, South Korea
“The force of photography. Works from the Museion Collection”, Museion, Bolzano, Italy
“Marching to the Beat”, Jessica Silverman Gallery, San Francisco, California, USA
“This Is Not a Selfie: Photographic Self-Portraits from the Audrey and Sydney Irmas Collection”, The San José Museum of Art, San José, California, USA (C)
“The Coffins of Paa Joe and the Pursuit of Happiness”,The School, Kinderhook, NY and Jack Shainman Gallery, New York City , NY, USA
“Close Up: The ROCCA Foundation Dresden/ Berlin”, Galerie Gebr. Lehmann, Dresden, Germany
“Generation Loss: 10 Years of the Julia Stoscheck Collection”, Julia Stoscheck Collection, Dusseldorf, Germany
“Mix it: Pop Music and Video Art”, Marta Herford, Herford, Germany
“Coming Out: Sexuality, Gender & Identity”, Walker Art Gallery, Liverpool
“Fall is Cancelled”, Gladstone 64, New York, NY, USA
“Farewell Photography”, Biennale für aktuelle Fotografie 2017, Mannheim, Germany
“(X) A Fantasy”, David Roberts Art Foundation, London, UK
“CORPUS: The Body Unbound”, The Courtauld Gallery, London, UK
“Home is not a place”, Embassy of the Federal Republic of Germany, London, UK
“How to Live Together”, Kunsthalle Wien, Vienna, Austria
“Light Play: Experiments in Photography, 1970 to the Present”, Los Angeles County Museum of Art (LACMA), Los Angeles, California, USA
“Faraway Focus: Photographers go travelling (1880 – 2015)”, Berlinische Galerie, Berlin, Germany
“Mentally Yellow. High Noon, The KICO Collection”, Lenbachhaus München, Munich, Germany
Museum Ludwig, Köln (collection display)
“Transparency”, Walker Art Gallery, Liverpool, UK
“Wolfgang Tillmans from Xue Bing’s Collection”, Pond Society, Shanghai
“Unfinished Conversations: New Work from the Collection”, The Museum of Modern Art, New York, USA
“Auto Photo”, Fondation Cartier pour l’art contemporain, Paris, France
“moving is in every direction”, Hamburger Bahnhof, Museum für Gegenwart, Berlin, Germany
“The Beguiling Siren Is Thy Crest”, Museum of Modern Art, Warsaw, Poland
“Utopia/Dystopia: A Paradigm Shift”, MAAT Museum of Art, Architecture and Technology, Lisbon
“What I Loved: Selected Works from the ‘90s”, Regen Projects, Los Angeles, California, USA
“10 Years Old”, Fondazione Fotographia Modena, Modena, Italy
“KiCo Foundation”, Städtische Galerie im Lenbachhaus und Kunstbau München, Munich (collection display)
“Eternal Youth“, Museum of Contemporary Art Chicago
“Infinite Garden. From Giverny to Amazonia“, Centre Pompidou-Metz, France
“Cámara de Maravillas/ Camera of Wonders”, Casa França-Brasil, Rio de Janeiro, Brazil
“You Are Looking At Something That Never Occurred”, Zabludowicz Collection, London (C), travelling to Multimedia Art Museum, Moscow, Russia, 2018
“The Absent Museum”, WIELS Centre d’Art Contemporain, Brussels
“Weltreise”, ifa-Galerie, Stuttgart, Germany
“Space Force Construction” V-A-C Foundation, Venice, Italy
“Travelling the World. Art from Germany”, Institut für Auslandsbeziehungen, Stuttgart, Germany (C) (touring)
“Freiheit, die ich meine…”, MEWO Kunsthalle, Memmingen, Germany
“Disappearance at Sea – Mare Nostrum”, BALTIC Center for Contemporary Art, Gateshead, UK
“We need to talk…Artists and the public respond to present conditions in America”, Petzel Gallery, New York
“A History of Photography: The Body”, Victoria & Albert Museum, London, UK
“Versus Rodin: bodies across time and space”, Art Gallery of South Australia, Adelaide, Australia (C)

Regen Projects, Los Angeles
Maureen Paley, London, UK
“Leben Ist Astronomisch Installation (2001–2012)“, K21 Ständehaus, Dusseldorf
“PCR”, Art Basel Unlimited, Basel
“Playback Room – Ein Raum für Studiomusik”, Städtische Galerie im Lenbachhaus und Kunstbau München, Munich
„¿dónde estamos?” (project for billboard), Mexico City
“On the Verge of Visibility”, Museu de Arte Contemporânea de Serralves, Porto, Portugal (C)
“Studio”, Galerie Buchholz, Berlin, Germany
“Pictures from New World”, Gallery of Modern Art, Glasgow, Glasgow, UK

“A Few Free Years: Von Absalon bis Zobernig, Schenkungen von Friedrich Christian Flick an die Nationalgalerie“ (collection display), Hamburger Bahnhof – Museum für Gegenwart, Berlin (C)
“The Story , teller“, Art Projects Ibiza, Ibiza
“Stranger than Paradise“, Sies + Höke, Dusseldorf
“Contemporary Art from Germany“, Umm El Fahem Art Gallery, Umm el-Fahem; Mishkan Museum of Art, Ein Harod, Israel (c)
“New Skin” (collection display), Aishti Foundation, Beirut, Lebanon (c)
Fotografia Contemporanea Dall’Europa Nord Ouest. Capitolo I” (collection display), Fondazione Fotografia Modena, Italy (c)
“Take Me (I’m Yours)”Monnaie de Paris, Paris (c)
Queerfest 2015, St. Petersburg
“We The People”, The Israel Museum, Jerusalem
“What We Call Love”, Irish Museum of Modern Art, Dublin (c)
“A Perfect Match”, Pinakothek der Moderne, Munich (c)
“Animal Photographers“, Acud Projektraum, Berlin
“Colección Jumex. In Girum Imus Nocte et Consumimur Igni“, Museo Jumex, Mexico City
“Ident-alter-ity. Organizing body: 5th Biennale of Contemporary Art of Thessaloniki,” State Museum of Contemporary Art, Thessaloniki, Greece
“The Persistence of Objects”, Lismore Castle Arts, Lismore, Ireland
“The Day Will Come When Man Falls“, Triennial of Photography Hamburg, Deichtorhallen Hamburg
“Perfect Likeness: Photography and Composition” (collection display), Hammer Museum, Los Angeles
“Slash: In Between the Normative and the Fantasy“, kim? Contemporary Art Centre, Riga, Estonia
“Love Story – Works from Erling Kagge’s Collection” (collection display), Astrup Fearnley Museet, Oslo (c)
“Summer Exhibition 2015”, Royal Academy of Arts, London
“Zabludowicz Collection: 20 Years of Collecting: Between Discovery and Invention” (collection display), Zabludowicz Collection, London
“Simple Forms: Contemplating Beauty”, Mori Art Museum, Tokyo
“Zoom! Architektur und Stadt im Bild”, Architekturmuseum der TU München, Pinakothek der Moderne, Munich (c)
“Partial Presence”, Zabludowicz Collection, London
“Land in Sight: 400 Years of Landscapes”, Weserburg Museum für Moderne Kunst, Bremen
“Open Rhapsody. A Journey into Photography and Video Collection”, Beirut Exhibition Center, Beirut (c)
“HE: The Hergott Shepard”, Photography Collection University of Michigan Museum of Art, Ann Arbor, MI (c)
“Pretty Raw: After and Around Helen Frankenthaler”, Rose Art Museum, Waltham, MA
“flats”, Team Gallery, New York
“The Gesamtsexwerk” (presented by M/L artspace), The Spectrum, New York
“The Noing Uv It”, Bergen Kunsthall, Bergen, Norway (c)
“Weltsichten. Landschaft in der Kunst seit dem 15. Jahrhundert”, Situation Kunst, Bochum, Germany

A“Dancing Light / Let it move you”, Huis Marseille / Museum voor fotografie, Amsterdam
“Dan Graham Collection”, 3A Gallery, New York
“Second Exhibition” (collection display), Fondation Louis Vuitton, Paris
“They used to call it the moon, BALTIC Centre for Contemporary Art”, Gateshead, UK
“Lumières: carte blanche à Christian Lacroix”, Musée Cognacq-Jay, Paris (c)
“Formes Simples”, Centre Pompidou-Metz, France (c)
“Unstable Places: New in Contemporary Art”, The Israel Museum, Jerusalem
“In Dialogue: Wolfgang Tillmans”, Philadelphia Museum of Art, Philadelphia, PA
“Une histoire, art, architecture et design, des années 80 à aujourd’hui” (collection display), Musée national d’art moderne, Centre Pompidou, Paris (c)
“Manifesta 10 – European Biennial of Contemporary Art”, St. Petersburg (c)
“In NO time”, The Modern Institute, Glasgow, UK
“Colour on Paper”, Galeria Leme, Sao Paulo
“(Mis)Understanding Photography. Werke und Manifeste”, Museum Folkwang, Essen, Germany (c)
“Space Interventions – Gordon Matta Clark and beyond”, Salon Dahlmann, Berlin
“A Private View präsentiert: Die ROCCA Stiftung”, Autocenter, Berlin
“Dark Waters”, Galerie Chantal Crousel, Paris
“Summer Exhibition 2014“, Royal Academy of Arts, London, UK
“KAOS – Visions of KAOS”, The Flying Dutchman & Mori + Stein Gallery, London, UK
“Fundamentals”, La Biennale di Venezia – 14th International Architecture Exhibition, Venice (c)
“8. Berlin Biennale für zeitgenössische Kunst – 8th Berlin Biennale for Contemporary Art”, Berlin (c)
“I’m Isa Genzken, The Only Female Fool“, Kunsthalle Wien, Vienna (c)
“1984–1999. La Décennie”, Centre Pompidou-Metz, France
“Abandon the Parents”, Statens Museum for Kunst, Copenhagen
“Intimität – Intimacy”, Galerie der Stadt Remscheid, Germany
“The Disappearence of the Fireflies” (collection display), The Collection Lambert at Prison St. Anne, Avignon, France (c)
“Somewhat Abstract – Selections from The Arts Council Collection”, Nottingham Contemporary, Nottingham, UK
“Brush Fires in the Social Landscape”, Aperture Foundation David Wojnarowicz, London (c)
“Booster – Kunst Sound Maschine”, Marta Herford, Germany (c)
“Love Aids Riot Sex 2”, nGbK – neue Gesellschaft für bildende Kunst, Berlin (c)
“The Body Issue”, Hannah Hoffman Gallery, Los Angeles, USA
“Art Project XXY”, Gallery of contemporary art «Ў», Minsk, Belarus

“Macho Man. Tell It To My Heart, Collected by Julie Ault”, Museum für Gegenwartskunst Basel; travelled to Culturgest, Lisbon and Artists Space, New York (C)
“Ausweitung der Kampfzone. Die Sammlung 1968–2000”, Neue Nationalgalerie, Berlin
“Weltreise. Kunst aus Deutschland unterwegs. Werke aus dem Kunstbestand des ifa 1949 – heute“, ZKM – Zentrum für Kunst und Medientechnologie Karlsruhe (c); travelled to Moscow Museum of Modern Art, Moscow (2014)
“A Sense of Place”, Pier 24 Photography, Pittsburgh, PA (c)
“Foto Europa. 1840 to present”, Detroit Institute of Arts, Detroit, MI
“Heimat – no place like home – Fotografien aus der DZ BANK-Kunstsammlung”, Kunsthalle HGN, Duderstadt (c)
“Aquatopia. The Imaginary of the Ocean Deep”, Nottingham Contemporary, Nottingham; travelled to Tate St Ives, UK (c)
“Xerography”, First Site, London (c)
“Der Schein. Glanz, Glamour, Illusion”, Kestnergesellschaft, Hannover (c)
“Dear Portrait“, MOSTYN, Llandudno, Wales
“When Now is Minimal. Die unbekannte Seite der Sammlung Goetz”, Neues Museum, Nuremberg; travelled to Museion, Bolzano, Italy (c)
“Think First, Shoot Later: Photography from the MCA Collection” (collection display), Museum of Contemporary Art Chicago
“LAT. 41° 7’ N., LONG. 72° 19’ W”, Martos Gallery, New York
“Vue d’en Haut”, Centre Pompidou-Metz, France (c)
“Sin motivo aparente”, Centro de Arte Dos de Mayo, Madrid (c)
“Kunst nach 1945” (collection display), Städtische Galerie im Lenbachhaus und Kunstbau München, Munich (c)
Tate Britain, London (collection display) (c)
“Abstrakt”, Sammlung Haubrok, Berlin
“Paint it Black”, Frac Ile-de-France, Paris
“NYC 1993: Experimental Jet Set, Trash and No Star“, New Museum, New York (c)
“La Sentinelle”, CAPC – Musée d’art contemporain de Bordeaux
“Looking at the View” (collection display), Tate Britain, Millbank Project, London
“Cranford Collection – Out of the House”, Fundación Banco Santander, Madrid (c)
The Gallery of Modern Art, Glasgow, UK (collection display)

“Slg. Wilhelm Otto Nachf. Werkräume von Kai Althoff bis Thomas Zipp”, Leopold-Hoesch-Museum, Düren, Germany (C)
“A Bigger Splash: Painting After Performance“, Tate Modern, London (C)
“Color”, Upon Paper Space, Berlin
“Private / Corporate VII“, Daimler Contemporary, Berlin (C)
“Durchsucht, fixiert, geordnet – Zeitgenössische Fotografie in der Sammlung Rheingold“, Museum für Gegenwartskunst, Siegen, Germany
“Juwelen im Rheingold”, Sammlung Rheingold, Kunsthalle Düsseldorf, Dusseldorf (C)
“Inaugural Exhibition in new Hollywood space”, Regen Projects, Los Angeles
“Regarding Warhol: Sixty Artists, Fifty Years”, Metropolitan Museum of Art, New York; travelled to The Andy Warhol Museum, Pittsburgh, PA (2013) (C)
“Bernadette Corporation – 2000 Wasted Years”, Artists Space, New York
“Verlangsamte Performance”, Van Horn, Dusseldorf (C)
“Intérieur jour”, Galerie Chantal Crousel, Paris
“The Feverish Library” (organized in cooperation with Matthew Higgs), Petzel Gallery, New York; travelled to Capitain / Petzel, Berlin (2013)
“Figure and Form in Contemporary Photography”, LACMA – Los Angeles County Museum of Art, Los Angeles
“Wir sind die anderen”, DZ Bank Kunstsammlung, Frankfurt am Main
“Treffpunkt: Berlin”, Arken Museum for Moderne Kunst, Skovvej, Denmark (C)
“Abstraction and Motion”, Centro Andaluz de Arte Contemporáneo, Sevilla
“Paper”, Musée d’Art moderne et d’Art contemporain, Nice (C)
“Zauberspiegel: Die Sammlung nach 1945”, Kunsthalle Bremen
“Superbody”, Galerie Chantal Crousel, Paris
“Reflecting Fashion – Kunst und Mode seit der Moderne”, mumok – Museum moderner Kunst Stiftung Ludwig Wien, Vienna
“Duplicate it!” (event June 14), Stedelijk Museum, Amsterdam
“Malerei in Fotografie. Strategien der Aneignung”, Städel Museum, Frankfurt am Main (C)
“Boy: A Contemporary Portrait”, Leo Xu Projects, Shanghai
“Fotografie Total. Werke aus der Sammlung”, MMK – Museum für Moderne Kunst, Frankfurt am Main
“Pink Caviar”, Louisiana Museum of Modern Art, Humlebæk, Denmark
“Powerflower – Blütenzauber in der zeitgenössischen Kunst”, Galerie ABTART, Stuttgart (C)
“Dark Sky”, Adam Art Gallery, Wellington, New Zealand (C)
“Klang & Stille”, Sammlung Goetz im Haus der Kunst, Munich (C)
“Contemporary collection display: The Space Between”, Tate Britain, London (collection display)
“The Sports Show”, Minneapolis Institute of Arts, Minneapolis, MN
“30 Künstler / 30 Räume”, Institut für moderne Kunst Nürnberg, Kunsthalle Nürnberg, Neues Museum in Nürnberg, Kunstverein Nürnberg, Nuremberg (C)
“German Photography 1960–2012: A Survey”, Ben Brown Fine Arts, Hong Kong
“Relocated”, Galerie Neu & MD 72, Berlin
“Measuring the Universe: from the transit of Venus to the edge of the cosmos”, Royal Observatory Greenwich, London
“Gegenwartskunst (1945 – heute) im Städel Museum”, Städel Museum, Frankfurt am Main (C)
“Circus Wols – Eine Hommage”, Stiftung Neues Museum Weserburg, Bremen (C)
“Inside a book a house of gold. Artists’ editions with parkett”, UCCA – Ullens Center for Contemporary Art, Peking
“Print / Out” (organized by Christophe Cherix, Ellen Gallagher and Sarah Suzuki), MoMA – Museum of Modern Art, New York
“Living with Video”, The Pavilion Downtown Dubai
“Lost & Found: Anonymous Photography in Reflection”, Ambach & Rice, Los Angeles
“Boros Collection #2”, Sammlung Boros, Berlin (collection display) (C)
“Stedelijk Room”, Stedelijk Museum, Amsterdam (collection display)
“Freischwimmer: The World of Contemporary Photography”, The National Museum of Art, Osaka

“Danser sa vie”, Musée national d’art moderne, Centre Pompidou, Paris (c)
“Cultured nature“, Stedelijk Museum, Amsterdam
“Photography Calling! Fotografie und Gegenwart”, Sprengel Museum, Hannover (c)
“25 Jahre! Samlung Henri Nannen“, Kunsthalle Emden (c)
“Fame”, DZ Bank Kunstsammlung, Frankfurt am Main
“Meer Licht (More Light)”, Museum de Fundatie, Zwolle, Netherlands
“Lichtempfindlich – Zeitgenössische Fotografie aus der Sammlung Schaufler”, Schauwerk Sindelfingen, Germany
“Precarious Worlds. Contemporary Art from Germany“, Mildred Lane Kemper Art Museum, St. Louis, MO (c)
“Quodlibet III – Alphabets and Instruments“, Galerie Daniel Buchholz, Berlin
“Objectiv”, Sammlung Haubrok – Haubrokshows, Berlin
“Jean Genet. Act 1 & Act 2“, Nottingham Contemporary, UK
“Loud Flash: British Punk on Paper”, Honor Fraser Gallery, Los Angeles (c)
“It’s Great To Be In New Jersey”, Honor Fraser Gallery, Los Angeles
“Distant Star – an exhibition organized around the writings of Roberto Bolaño”, Regen Projects, Los Angeles; traveling to Kurimanzotto, Mexico City
“Syntax: Text and Symbols for a New generation”, Tampa Museum of Art, Tampa, FL
“Number Five: Cities of Gold and Mirrors”, Julia Stoschek Foundation, Dusseldorf (c)
“Falling Up: The Gravity of Art”, The Courtault Gallery, London
“MMK 1991–2011: 20 Jahre Gegenwart”, MMK – Museum für Moderne Kunst, Frankfurt am Main
“Absentee Landlord“, Walker Art Center, Minneapolis, MN
“Streetlife and Homestories”, Museum Villa Stuck / Sammlung Goetz, Munich (c)
“Gallery Selection – Slominski, Tillmans, Visch, Hayakawa, Hirokawa“, Wako Works of Art, Tokyo
“Die Deutsche Show”, Divus Prager Kabarett, Prague
“Catalogue de l’Exposition”, Triple V, Paris
“Sin realidad no hay utopia”, Centro Andaluz de Arte Contemporáneo, Sevilla, Spain (c)
“Collections contemporaines du Centre Pompidou des années 1960 à nos jours” (collection display), Musée national d’art moderne, Centre Pompidou, Paris
“The Art of Pop Video“, Museum für Angewandte Kunst, Cologne
“The First Last Decade“, Ellipse Foundation Contemporary Art Collection, Cascais, Portugal
“Glimmer“, Jumex Collection, Mexico City
“After the Gold Rush: Contemporary Photography from the Collection” (organized by Douglas Eklund), The Metropolitain Museum, New York
“Von Engeln und Bengeln – 400 Jahre Kinder im Portrait”, Kunsthalle Krems, Austria (c)
“Black Swan: The Exhibition”, Regen Projects, Los Angeles
“Portraits”, Gerhardsen / Gerner, Berlin
“The Gong Show”, Galerie Micky Schubert, Berlin
“New Space, New Works”, Wako Works of Art, Tokyo
“Nature Morte Vivante”, Galerie Chantal Crousel, Paris
“Dreamscapes”, Pulitzer Foundation for the Arts, St. Louis, MO
“Playground and Field of Disaster”, Pavillon des Images, Montpellier, France (c)
“Anti-Photography”, Focal Point and The Beecroft Art Gallery, Southend-on-Sea, UK
“Eating Art”, Fundació Caixa Catalunya, Barcelona
“Past Present Future #2”, Contemporary Art Centre Winzavod, Moscow (c)

“20 Jahre Texte zur Kunst: Mit Deiner Kunst, Editionen 1990-2010“, Sammlung Haubrok, Berlin
“Pleated Blinds”, Petach Tivka Museum of Art, Petach Tivka, Israel (C)
“BigMinis: Fetishes of Crisis”, CAPC – Musée d’art contemporain de Bordeaux (C)
“The British Art Show 7. The Days of the Comet”, Hayward Gallery, London; travelled to Nottingham, Glasgow (C) and Plymouth, UK
“Lust und Laster”, Kunstmuseum Bern and Zentrum Paul Klee, Bern, Switzerland (C)
“Wolfgang Tillmans, Isa Genzken”, abc – art berlin contemporary, Berlin (C)
“The Last Newspaper”, New Museum, New York (C)
“Malas Calles”, IVAM – Instituto Valenciano de Arte Moderno, Valencia, Spain (C)
“The Private Museum”, Galleria d´Arte Moderna, Bergamo, Italy
“Not in Fashion”, MMK – Museum für Moderne Kunst, Frankfurt am Main (C)
“Portraits de collectionneurs. Collection Jocelyne & Fabrice Petignat”, Muro, Geneva
“Male”, Maureen Paley, London
“Internationale Kunst aus der Sammlung Reininghaus, Köln”, Sammlung Falckenberg, Deichtorhallen Hamburg
“Held up by Columns”, Renwick Gallery, New York
“I am a cliché”, Les Rencontres d’Arles 2010, The International photography Festival, Arles, France
“Just a Matter of Time”, Galerie Iris Kadel, Karlsruhe
“Zu Tisch. Meisterwerke aus der Sammlung Ludwig von der Antike bis Picasso, von Dürer bis Demand”, Ludwig Galerie Schloss Oberhausen, Germany (C)
“The Ground Around: idylls, earthworks & thunderbolts”, Vilma Gold, London
“At Home/Not At Home: Works from the Collection of Martin and Rebecca Eisenberg”, Center for Curatorial Studies at Bard College, Annandale-on-Hudson, NY (C)
“Nothing is in the place”, Photomonth, Krakow, Poland (C)
“Weltsichten. Landschaft in der Kunst vom 17. bis zum 21. Jahrhundert”, Kunstsammlungen der Ruhr-Universität Bochum; travelled to Kunsthalle zu Kiel (2011), Museum Wiesbaden (2011), Kunstsammlungen Chemnitz (2011/12), Kunstmuseum Dieselkraftwerk Cottbus (2012), Germany (C), Bonnefantenmuseum Maastricht, Netherlands (2014) (“Weltsichten – The landscape represented in six centuries of art”)
“Julia Stoschek Collection – I want to see you”, Deichtorhallen Hamburg
“John Baldessari, Thorsten Brinkmann, Christopher Brown, Carsten Holler …”, Richard Levy Gallery, Albuquerque, NM
“In Praise of Simplicity”, Fondazione Stelline, Milan
“Territories of Desire”, MUAC – Museo Universitario Arte Contemporáneo, Mexico City (C)
“MEAN STREETS – Malas Calles”, IVAM – Instituto Valenciano de Arte Moderno, Valencia, Spain
“The Future Demands Your Participation: Contemporary Art from the British Council Collection”, Minsheng Art Museum, Shanghai
“Brave New World“, Musée d´Art Moderne Grand-Duc Jean, Luxemburg
“PressArt. Die Sammlung Annette und Peter Nobel”, Kunstmuseum St. Gallen, Switzerland, Museum der Moderne Salzburg, Austria
“I Put a Frame on You”, TÄT, Berlin
“Through the Window”, Martha Parrish & James Reinish, New York
“Ordinary Madness”, Carnegie Museum of Art, Pittsburgh, PA

“Fax”, Drawing Center, New York; travelled to Contemporary Museum, Baltimore, Torrance Art Museum, Torrance, CA, Burnaby Art Gallery, Burnaby, Canada, Dowd Gallery, State University of New York, College at Cortland, Cortland, NY, Museo de Arte Carrillo Gil, Mexico City, Para/Site Art Space, Hong Kong (C)
“Süsser Vogel Jugend”, Pinakothek der Moderne, Munich
“The reach of realism”, MOCA Knight Exhibition Series, Museum of Contemporary Art, Miami, FL
“Twentysix Gasoline Stations ed altri libri d’artista – Una Collezione”, Museo Regionale di Messina, Italy
“Processed: Considering Recent Photographic Practices”, The Bertha And Karl Leubsdorf Art Gallery, Hunter College, New York
“Carte Blanche IX: Vor heimischer Kulisse“, Galerie für Zeitgenössische Kunst, Leipzig
“Against Exclusion”, 3rd Moscow Biennale of Contemporary Art, Moscow (C)
“Pete and Repeat – Works from the Zabludowicz Collection”, Zabludowicz Art Projects, London (C)
“Berlin 89 / 09 – Kunst zwischen Spurensuche und Utopie”, Berlinische Galerie, Berlin (C)
“I Love Malmö”, KUMU Art Museum, Tallinn
“Die Kunst ist super!”, Hamburger Bahnhof – Museum für Gegenwart, Berlin
“Tel Aviv Time”, Tel Aviv Museum, Tel Aviv (C)
“In Bewegung / in Motion – Leichtathletik und Fotografie 1984–2009”, Akademie der Künste am Pariser Platz; Berlin (C)
“Sehnsucht nach dem Abbild – Das Portrait im Wandel der Zeit”, Kunsthalle Krems, Austria
“Sammlung Reloaded“, Kunstmuseum Bonn, Germany
“Das Porträt. Fotografie als Bühne”, Kunsthalle Wien, Vienna (C)
“Fare Mondi – Making Worlds”, La biennale di Venezia 53 – 53rd Venice Biennale, Venice (C)
“Quodlibet II“, Galerie Daniel Buchholz, Cologne
“En todas as partes – Everywhere. Políticas de la diversidad sexual en el arte”, CGAC – Centro Galego de Arte contemporánea, Santiago de Compostela, Spain (C)
“60 Jahre – 60 Werke. Kunst aus der Bundesrepublik Deutschland 1949–2009”, Martin-Gropius-Bau, Berlin (C)
“Surface Tension: Contemporary Photographs from the Collection”, The Metropolitan Museum of Art, New York
“Lyst – Overgaden”, Institut for Samtidskunst, Copenhagen
“The Photographic Object“, The Photographers’ Gallery, London
“Extended – Sammlung Landesbank Baden-Württemberg”, ZKM / Museum für Neue Kunst, Karlsruhe (C)
“Phot(o)bjects”, Presentation House Gallery, Vancouver
“Holbein bis Tillmans. Prominente Gäste aus dem Kunstmuseum Basel”, Schaulager, Basel (C)
“Mi Vida – From Heaven to Hell. Life Experiences in Art From MUSAC Collection”, Műcsarnok Kunsthalle in Budapest, Budapest (C)
“Incidental Affairs”, Suntory Museum, Osaka (C)
“Spazio Libro d’Artista”, Palazzo Manganelli, Catania, Italy
“Bijoux de famille”, Galerie Chantal Crousel, Paris (C)
“N’importe quoi”, Musée d’art contemporain de Lyon (C)
“From Here To There”, The Arts Institute at Bournemouth, UK (C)
“A Twilight Art”, Harris Lieberman, New York
“Photography in the Abstract”, Lora Reynolds Gallery, Austin, TX

“Pictures”, Wako Works of Art, Tokyo
“8 1/2 × 11 / A4”, James Fuentes LLC, New York
“50 moons of Saturn: T2 Torino Triennale”, Torino Triennale, Turin (C)
“Other People: Portraits from Grunwald and Hammer Collections”, Hammer Museum, Los Angeles
“When it’s a photograph”, Otis College of Art and Design, Los Angeles (C)
“Noli Me Legere”, Michael Lett Gallery, Auckland, New Zealand (C)
“Peter Saville – Accessories to an artwork”, Paul Stopler, London
“The Art of the Real”, Vanmoerkerke Collection, Oostende, Belgium
“Untitled (Vicarious)”, Gagosian Gallery, New York
“Darkside. Photographic Desire and Sexuality Photographed“, Fotomuseum Winterthur, Winterthur, Switzerland (C)
“Summer Show”, Wako Works of Art, Tokyo
“History Keeps Me Awake at Night: A Genealogy of Wojnarowicz work related to Wojnarowicz”, PPOW Gallery, New York
“3 a.m. Eternal”, Alexandre Pollazzon Ltd, London
“REAL – Fotografien aus der Sammlung der DZ BANK“, Städel Museum, Frankfurt am Main (C)
“Gewoon Anders! (Just Different!)”, Cobra Museum, Amsterdam
“Spiegel geheimer Wünsche”, Hamburger Kunsthalle, Hamburg; travelled to Städtische Galerie Bietigheim-Bissingen, Germany
“Street & Studio. An Urban History of Photography”, Tate Modern, London; travelled to Museum Folkwang, Essen, Germany (C)
“Vertrautes Terrain”, ZKM – Zentrum für Kunst und Medientechnologie Karlsruhe (C)
“Life on Mars: Carnegie International 2008”, Carnegie Museum of Art, Pittsburgh, PA (C)
“The implications of image – Las Implicaciones de la Imagen“, MUAC – Museo Universitario Arte Contemporáneo, Mexico City
“Every Body Counts”, Vestfossen Kunstlaboratorium, Vestfossen, Norway
“History in the Making: A Retrospective of the Turner Prize”, Mori Art Museum, Tokyo
“Courtesy Hans Kemna – Een keuze uit de fotografiecollectie van Hans Kemna”, Museum de Hallen, Haarlem, Netherlands (C)
“Hotel Marienbad 002: Sammlung Rausch”, Kunst-Werke Berlin – KW Institute for Contemporary Art, Berlin
“Konstellationen III – Neue Ankäufe und Schenkungen im Kontext der Sammlung”, Städel Museum, Frankfurt am Main
“The Real World”, Ludlow 38, New York
“Depreciation and Devastation”, Gavin Brown’s Enterprise, New York
“Der große Wurf. Faltungen in der Gegenwartskunst”, Kaiser Wilhelm Museum, Museum Haus Lange, Krefeld, Germany (C)
“The Possible Document”, Herald St, London
“Yes, No & Other Options”, Art Sheffield 08, Sheffield, UK
“Schöner wohnen”, Neugerriemschneider, Berlin
”abstract / abstract”, Museum Moderner Kunst Kärnten, Klagenfurt, Austria (C)
“15 Years / Part III” (with Christopher Williams), Wako Works of Art, Tokyo
“Body Work”, Le Case d´Arte, Milan

“Betrifft: Israel”, Jüdisches Museum, Berlin
“Pop am Rhein”, Stadtmuseum Köln, Cologne (C)
“Getroffen. Otto Dix und die Kunst des Portraits”, Kunstmuseum Stuttgart (C)
Rebecca Camhi Gallery, Athens
“MODE:BILDER – Fotografien aus der Sammlung F. C. Gundlach”, NRW-Forum Kultur und Wirtschaft, Dusseldorf
“PLAYBACK“, Musée d’art moderne de la Ville de Paris (C)
“Stardust or the Last Frontier”, Musée d´art contemporain du Val-de-Marne, France (C)
“Weltempfänger – 10 Jahre Galerie der Gegenwart”, Kunsthalle Hamburg
“The Turner Prize: A Retrospective. 1984–2006”, Tate Britain, London (C)
“Depth of Field: Modern Photography at the Metropolitan”, Metropolitan Museum of Art, New York
“Existencias”, MUSAC – Museo de Arte Contemporáneo de Castilla y León, Spain (collection display) (C)
“Seeing Things”, Dorsky Gallery, Long Island City, NY
“Generatioanl Issue”, CGAC – Centro Galego de Arte Contemporánea, Santiago de Compostela, Spain
“Franz West: Soufflé”, Kunstraum Innsbruck, Austria
“Viewfinder”, Henry Art Gallery, University of Washington, Seattle
“At Home”, Yvon Lambert, New York
“Edit! Photography and Film in the Ellipse Collection”, Centro de Artes Visuais, Coimbra, Portugal
“The Droste Effect”, Esther Schipper, Berlin
“PERSPEKTIVE 07 – Neuerwerbungen und Wünsche der Sammlung für Gegenwartskunst im Lenbachhaus”, Städtische Galerie im Lenbachhaus und Kunstbau, Munich
“Numerica”, Palazzo delle Papesse – Centro arte contemporanea, Siena, Italy (C)
“The Naked Portrait”, Scottish National Portrait Gallery, Edinburgh; travelled to Compton Verney, Warwickshire, UK (C)
“Garten Eden – Der Garten in der Kunst seit 1900”, Kunsthalle Emden, Germany (C)
“What Does the Jellyfish Want”, Museum Ludwig, Cologne
“No Such Thing as Society. Photography in Britain 1967–87 from the Arts Council Collection and the British Council”, Hayward Touring Exhibitions, London (C)
“Visit(e). Selection from the contemporary art collection of the Federal Republic of Germany – Werke aus der Sammlung zeitgenössischer Kunst der Bundesrepublik Deutschland”, Palais des Beaux-Arts, Brussels (C); travelled to Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn (2008) (C)
“Dateline Israel: New Photography and Video Art”, The Jewish Museum, New York
“Hava Boşluğu – Air Pocket”, galerist, Istanbul
“Unter Sternen”, Museum Franz Gertsch, Burgdorf, Switzerland
“Reality Bites: Making Avant-Garde Art in Post-Wall Germany”, Mildred Lane Kemper Art Museum, St. Louis, MO; travelled to Opelvillen Rüsselsheim, Germany
“Into Me / Out of Me”, MACRO – Museo d’arte contemporanea, Rome (C)

“Personal Affairs”, Museum Morsbroich, Städtisches Museum Leverkusen Schloss Morsbroich, Leverkusen
“Peace Camp”, The Brick Lane Gallery, London
“The Studio”, Dublin City Gallery The Hugh Lane, Dublin (C)
“From Fair to Fine”, Stephen Daiter Gallery, Chicago
“The Gold Standard”, MoMA PS1, New York
“Modernity and Self”, Mildred Land Kemper Art Museum, St. Louis, MO
“In the Face of History: European Photographers in the 20th Century”, Barbican Art Gallery, London (C)
“Idylle”, Sammlung Falckenberg, Harburg; travelled to Domus Artium 2002, Salamanca, Spain and National Gallery, Prague
“The Secret Public: The last days of the British underground 1978–1988”, Kunstverein München, Munich; travelled to Institute of Contemporary Arts, London (2007) (C)
“The Wonderful Fund Collection”, Pallant House Gallery, Chichester, UK
“Out of Place”, New Art Gallery Walsall, UK
“The Heartbeat of Fashion”, Deichtorhallen Hamburg
“Peintres de la vie moderne”, Musée national d’art moderne, Centre Pompidou, Paris
“FASTER! BIGGER! BETTER! – Signetwerke der Sammlungen”, ZKM / Museum für Neue Kunst, Karlsruhe (C)
“As if by Magic”, The Bethlehem Peace Centre, Bethlehem, Palestine
“Das Achte Feld – Geschlechter, Leben und Begehren in der bildenden Kunst seit 1960”, Museum Ludwig, Cologne (C)
“Surprise Surprise”, Institute of Contemporary Arts, London
“Landscapes”, Wako Works of Art, Tokyo
“Toutes Composition Florales”, Counter Gallery, London
“The Starry Messenger: Visions of the Universe”, Compton Verney, Warwickshire, UK (C)
“Thank You For the Music (London Beat)”, Sprüth Magers Lee, London
“It’s Not a Photo”, Chelsea Art Museum, New York
“Galerie Daniel Buchholz at Metro Pictures”, Metro Pictures Gallery, New York
“Sweet Ecstasy”, Galerie Nicola von Senger, Zurich
“Good Vibrations – Visual arts and Rock music”, Palazzo delle Papesse, Siena, Italy (C)
“Abstract Art Now 1 – Floating Forms”, Wilhelm Hack-Museum, Ludwigshafen, Germany (C)
“An Ongoing Low-Grade Mystery”, Paula Cooper Gallery, New York
“Y Ahora Sin Ti …”, Galería Juana De Aizpuru, Madrid
“Arquivar Tormentas”, CGAC – Centro Galego de Arte contemporánea, Santiago de Compostela, Spain
“The Sublime is Now!”, Museum Franz Gertsch, Burgdorf, Switzerland (C)
“Mas de lo que los ojos pueden ver“, MARCO Monterrey, Mexico
“Click Doubleclick”, Haus der Kunst, Munich; travelled to Bozar Expo, Brussels (C)
“Auto-Nom-Mobile”, Kunstverein and KulturBahnhof Kassel
“Portrait und Menschenbild”, SK Stiftung Kultur, Cologne
“Frankfurter Positionen – Gut ist, was gefällt”, Klasse Wolfgang Tillmans, MMK – Museum für Moderne Kunst, Frankfurt am Main
“Gut ist was gefällt – Versuche über die zeitgenössische Urteilskraft” (with Hans-Peter Feldmann, Lucien Samaha, Wolfgang Tillmans and class), How Queer Everything is Today, Queer Festival, Copenhagen
“Deckchair dreams”, London’s Royal Parks, London

“Thank You For The Music”, Sprüth Magers, Munich
“Superstars. Das Prinzip Prominenz. Von Warhol bis Madonna”, Kunsthalle Wien; Kunstforum Wien, Vienna (C)
“Zwischen Wirklichkeit und Bild: German Contemporary Photography – Positionen deutscher Fotografie der Gegenwart“, National Museum of Modern Art, Tokyo; travelled to National Museum of Modern Art, Kyoto and Marugame Genichiro-Inokuma Museum of Contemporary Art, Kagawa, Japan (2006) (C)
“Goethe abwärts – deutsche Jungs etc. The Falckenberg Collection”, Meilahti Art Museum, Helsinki; travelled to Mönchehaus-Museum, Goslar, Germany (2006) (C)
“46th Oktobarski Salon”, Belgrad (C)
“Projekt Migration – Roadmap to Europa”, Kölnischer Kunstverein, Cologne (C)
“The Wonderful Fund Collection”, Marrakech Museum, Marrakech
“Welt-Bilder”, Helmhaus Zürich, Zurich (C)
“BYO. Bring Your Own”, MAN – Museo d’arte Provincia di Nuoro, Nuoro, Italy
“Shadowplay – A Homage to H. C. Andersen”, Kunsthallen Brandts Klaedefabrik; travelled to Kunsthalle zu Kiel and Landesgalerie Linz (Austria) (C)
“Projekt Migration”, Kölnischer Kunstverein
“Nischen – von der Architketur und Landschaft bis zur ’Szene’”, Galerie der Stadt Tuttlingen, Germany
“Coolhunters”, ZKM – Zentrum für Kunst und Medientechnologie Karlsruhe zu Gast in der Städtischen Galerie Karlsruhe (C); travelled to Künstlerhaus Wien, Vienna and Mücsarnok Kunsthalle Budapest (2006)
“Extreme Abstraction”, Albright Knox Gallery, Buffalo, NY
“Sammlung 2005“, Kunstsammlung Nordrhein-Westfalen, K21 Ständehaus, Dusseldorf (collection display)
“What I did on my Summer Vacation”, Clampart, New York
“Motor Blues – Fotografien aus der Schenkung der BMW Group”, Museum der Bildenden Künste Leipzig
“Visions of the Body 2005”, Seoul Museum of Art, Seoul
“Always a Little Further”, La biennale di Venezia 51 – 51st Venice Biennale, Venice (C)
“Il Teatro dell’Arte – The Theatre of Art. Masterpieces from the collection of the Ludwig Museum, Cologne”, Villa Manin, Passariano, Italy (C)
“Bidibidobidiboo”, Fondazione Sandretto Re Rebaudengo, Turin
“Blumenstück”, Museum Morsbroich, Städtisches Museum Leverkusen Schloss Morsbroich, Leverkusen
“Covering the Real. Kunst- und Pressebild von Warhol bis Tillmans”, Kunstmuseum Basel (C)
“25 Jahre Sammlung Deutsche Bank”, Deutsche Guggenheim, Berlin (collection display)
“Das verlorene Paradies – Die landschaft in der zeitgenössischen Photographie”, Kunst- und Kulturstiftung Opelvillen Rüsselsheim
“Miradas y conceptos en la Colección Helga de Alvear”, MEIAC – Museo Extremeño e Iberoamericano de Arte Contemporáneo, Badajoz, Spain
“Europe in Art”, National Museum of Contemporary Art, Bucharest
“In Bloom”, Mark Moore Gallery, Los Angeles
“Atlantic & Bukarest”, Kunstmuseum Basel
“Telefonica’s Photography Collection”, MARCO – Museo de Arte Contemporánea de Vigo, Spain
“Growing Up Absurd”, Herbert Read Gallery, Canterbury, UK

“Jetzt und zehn Jahre davor”, Kunst-Werke Berlin – KW Institute for Contemporary Art (organized by Axel John Wieder, Gertrud Berlin and Josef Strau), Berlin (C)
“15 Jahre Deichtorhallen”, Deichtorhallen Hamburg (C)
“Colección Taschen”, Museo Nacional Centro de Arte Reina Sofía, Madrid
“Encounters in the 21st Century”, 21st Century Museum of Contemporary Art, Kanazawa, Japan
“Friedrich Christian Flick Collection”, Hamburger Bahnhof – Museum für Gegenwart, Berlin (C)
“The Flower as Image”, Louisiana Museum of Modern Art, Humlebæk, Denmark (C); travelled to Fondation Beyeler, Riehen, Switzerland (C)
“Im Rausch der Dinge”, Fotomuseum Schweiz, Winterthur, Switzerland
“Speaking with Hands – Photographs from the Buhl Collection”, Guggenheim Museum, New York; travelled to Guggenheim, Bilbabo, Spain, Museum Folkwang, Essen and Russian Museum, St. Petersburg (all 2006)
“Relating to Photography”, Fotografie Forum International, Frankfurt am Main
“Von Körpern und anderen Dingen… Fotografie des 20. Jahrhunderts”, Kunstmuseum Bochum
“Likeness: Portraits of artists by other artists”, Wattis Institute for Contemporary Arts, San Francisco (C)
“Atmosphere”, Museum of Contemporary Art Chicago
“Werke aus der Sammlung Boros”, ZKM / Museum für Neue Kunst, Karlsruhe (C)
“Monument to Now”, The Dakis Joannou Collection, Athens (C)
“Stephan Balkenhol – Wolfgang Tillmans”, Galerie Rüdiger Schöttle, Munich
“Il Nudo”, Galleria d’Arte Moderna, Bologna (C)
“Landscape 2”, Tower Art Gallery, Eastbourne, UK
“Rose C’est la Vie”, Tel Aviv Museum of Art, Tel Aviv, Israel
“Enthüllt”, Städtische Museen Heilbronn (C)

“Auto-nom”, NRW-Forum Kultur und Wirtschaft, Dusseldorf
“A Clear Vision – Photographische Werke aus der Sammlung F. C. Gundlach”, Deichtorhallen Hamburg
“Looking in – Looking Out”, Kunstmuseum Basel
“20th Anniversary Show”, Sprüth Magers, Cologne
“actionbutton” (Hamburger Bahnhof – Museum für Gegenwart, Berlin (C)
“Berlin – Moskau / Moskau – Berlin. 1950–2000”, Martin-Gropius-Bau, Berlin (C)
“Warum!”, Martin-Gropius-Bau, Berlin (C)
“Öffentlich / privat”, Gesellschaft für zeitgenössische Kunst, Leipzig (C)
“Attack – Kunst und Krieg im Zeitalter der Medien”, Kunsthalle Wien, Vienna (C)
“Heiliger Sebastian”, Kunsthalle Wien, Vienna (C)
“M_ARS – Kunst und Krieg”, Neue Galerie Graz (C)
“Outlook”, cultural olympiade, Athens (C)
“Mixtapes”, California College of Arts and Crafts, San Francisco
“Montagna: arte, scienza, mito da Dürer a Warhol”, Museo di arte moderna e contemporanea di Trento e Rovereto, Rovereto, Italy
“Fast Forward”, Sammlung Goetz, ZKM – Zentrum für Kunst und Medientechnologie Karlsruhe (C)
“After the Observatory”, Paula Cooper Gallery, New York
“Deutsche Fotografie im 20. Jahrhundert”, Deutsches Historisches Museum, Berlin
“Architektur der Obdachlosigkeit. Biss zu Gast in der Pinakothek der Moderne”, Pinakothek der Moderne, Munich (C); travelled to Museum der Arbeit, Hamburg and Berlinische Galerie, Berlin (all 2005)
“The Society for Contemporary Art Selection”, The Art Institute Chicago
“Abstraction in Photography”, Von Lintel Gallery, New York
“Sex”, Karyn Lovegrove Gallery, Los Angeles
“Anniversary Exhibition”, Gavin Brown’s Enterprise, New York
“Somewhere Better Than This Place: Alternative Social Experience in the Spaces of Contemporary Art”, Contemporary Arts Center, Cincinatti, OH
“Painting Pictures”, Kunstmuseum Wolfsburg (C)

“Sensationen des Alltags”, Kunstmuseum Wolfsburg
“Moving Pictures”, Solomon R. Guggenheim Museum, New York; travelled to Guggenheim Museum, Bilbao, Spain (2003)
“Remix: Contemporary Art & Pop”, Tate Liverpool (C)
“Hossa – Arte Alemàn del 2000”, Centro Cultural Andratx, Mallorca

“Shopping”, Schirn Kunsthalle, Frankfurt am Main; travelled to Tate Liverpool (C)
“Transform the world 2002”, Wako Works of Art, Tokyo
“Club Club Club”, Le Confort Moderne, Poitiers
“Record Collection”, VTO gallery, London; travelled to The International 3, Manchester, UK and Forde Espace d’Art Contemporain, Geneva
“Why bother? – The Burger King Exhibition”, 90 Whitechapel High Street, London
“Museum unserer Wünsche”, Museum Ludwig, Cologne
“Un mundo feliz / Brave new world”, Galeria OMR, Mexico City
“Sex – Vom Wissen und Wünschen”, Hygienemuseum Dresden (C)
“La natura della natura morta”, Galleria d’Arte Moderna, Bologna (C)
“Uniforms: Order and Disorder”, Pitti Immagine, Florence; travelled to MoMA PS1, New York (C)
“Century City: Art and Culture in the Modern Metropolis”, Tate Modern, London (C)
“Contemporary Utopia”, Latvian Centre for Contemporary Art, Riga (C)
“Zero Gravity”, Kunstverein der Rheinlande und Westfalen, Kunsthalle Düsseldorf, Dusseldorf (C)
“Neue Welt”, Frankfurter Kunstverein, Frankfurt am Main (C)
“Open City: Street Photographs since 1950”, Museum of Modern Art, Oxford (C); travelled to Hirshhorn Museum and Sculpture Garden, Washington, DC

“Landscape” (organized by The British Council); travelled to Weimar, Moscow, St. Petersburg, Rome, Madrid, Paris, Sofia, Rio de Janeiro, São Paulo, Curitiba, Brussels and Ljubljana (C)
“Quotidiana. The Continuity of the Everyday in 20th Century Art”, Castello di Rivoli – Museo d’Arte Contemporanea, Turin (C)
“Photography Now”, Contemporary Arts Center, New Orleans (C)
“Lost”, Ikon Gallery, Birmingham (C)
“Some Parts of this World”, Helsinki Photography Festival, Helsinki (C)
“Look at Me: Fashion and Photography in Britain 1960 to the present”, The British Council touring exhibition, Kunsthal, Rotterdam; travelled to Foundation Trussardi, Marina Alla Scala Art Centre, Milan, Centre for Contemporary Arts, Ujazdowski Castle, Warsaw, Mali Manezh, Moscow, State Museum of the History of St. Petersburg, St. Petersburg, Tallinna Kunstihoone Fond, Tallin, Oksnehallen, Copenhagen, Museu de Documantatio I Museu Textill, Terrasa, Spain, Recinto Ciudadela, Pamplona, Spain, Palacio de abrantes, Salamanca, Spain, House of Art, Bratislava (C)
“Oldest Possible Memory – Collection Hauser and Wirth”, Lokremise St. Gallen, Switzerland (C)
“British Art Show 5” (organized by the Hayward Gallery, London); travelled to Edinburgh, Southhampton, Cardiff and Birmingham (C)
“Présumés innocents”, CAPC – Musée d’art contemporain de Bordeaux (C)
“Deep Distance. Die Entfernung der Fotografie”, Kunsthalle Basel (C)
“90 60 90”, Museo Jacobo Borges, Caracas (C)
“Dire AIDS. Art in the Age of Aids”, Promotrice della Bella Arte, Turin (C)
“The Sea & the Sky”, The Royal Hibernian Academy, Philadelphia, PA (C)
“Complicity”, Australian Centre for Photography, Sydney
“Eine Munition unter anderen”, Frankfurter Kunstverein, Frankfurt am Main (C)
“Vanishing Points”, Groupe Première Heure, St-Cloud, France
“Protest and Survive”, Whitechapel Art Gallery, London (C)
“Apocalypse”, Royal Academy of Arts, London (C)
“AutoWerke”, Deichtorhallen Hamburg (C)
“Turner Prize”, Tate Britain, London

“Zoom – Ansichten zur deutschen Gegenwartskunst”, Sammlung Landesbank Baden-Württemberg, Württembergischer Kunstverein Stuttgart; travelled to Städtisches Museum Abteiberg, Mönchengladbach (C)
“Flashes – Contemporary Trends”, Fondation Cartier pour l’art contemporain, Centro Cultural de Belèm, Lisbon; traveled to Fondacio Miró, Barcelona; Centro Arte Contemporanea Palazzo delle Papesse, Siena, Italy (C)
“… om det sublima … / … on the sublime …”, Rooseum, Malmo, Sweden (C)
“The Image of the Other”, Fundació Fòrum Universal de les Cultures, Barcelona (C)
“Wohin kein Auge reicht – Von der Entdeckung des Unsichtbaren”, Deichtorhallen Hamburg (C)
“Hypertronix”, Espai d’Art Contemporani de Castelló (C)
“Vision of the Body: Fashion or Invisible Corset”, National Museum of Modern Art, Kyoto; travelled to Museum of Contemporary Art, Tokyo (C)
“First Exhibition – Eliezer Sonnenschein, Wolfgang Tillmans, Tamar Neeman”, Sommer Contemporary Art, Tel Aviv
“Macht und Fürsorge – Das Bild der Mutter in der zeitgenössischen Kunst”, Trinitätskirche, Cologne (C)
“How Will We Behave?”, Robert Prime, London
“Can You Hear Me?”, 2nd Ars Baltica Triennial of Photographic Art, Stadtgalerie im Sophienhof, Kiel, Kunsthalle Rostock et al. (C)

“Collection un autre regard”, CAPC – Musée d’art contemporain de Bordeaux
“Sunday by Matthew Higgs”, Cabinet Gallery, London
Galerie Ghislaine Hussenot, Paris
Kunsthalle Bremen
“Still Life: 1900–1998”, Marlborough Graphics, Marlborough Gallery Inc., New York
“The Sound of One Hand: The Collection of Côllier Schorr”, Apex Art, New York
“Fast Forward Image”, Kunstverein in Hamburg, Hamburg (C)
Galerie Daniel Buchholz, Cologne
“Portrait – Human Figure”, Galerie Peter Kilchmann, Zurich
“From the Corner of the Eye”, Stedelijk Museum, Amsterdam (C)
“Fashion at the Beach” (curated and organized by Charles Cowles and Dennis Christie), Bass Museum of Art, Miami, FL; travelled to Contemporary Art Center of Virginia, Virginia Beach, VA (C)
“The Quiet in the Land: Everyday Life – Contemporary Art and the Shakers”, The Institute of Contemporary Art, Boston
“Stretch”, Tensta Konsthall, Stockholm (C)
“The DG Bank Collection”, Hara Museum of Contemporary Art, Tokyo (C)
“La Sphère de l’intime”, Le Printemps de Cahors Festival, St-Cloud, France
“Berlin / Berlin – 1. Berlin Biennale für zeitgenössische Kunst”, 1st Berlin Biennale, Berlin (C)
“Veronica’s Revenge”, Lambert Collection, Geneva; traveleld to Centre d’art contemporain, Geneva and Deichtorhallen Hamburg (C)

“Die Kunsthalle Bremen zu Gast in Bonn”, Kunst- und Ausstellungshalle der Bundesrepublik Deutschland, Bonn (C)
“Zeitgeist Becomes Form – German Fashion Photography 1945–1995”, Pat Hearn Gallery, New York; Morris Healy Gallery, New York (C)
“Absolute Landscape – Between Illusion and Reality”, Yokohama Museum of Art, Yokohama (C)
“Sous le Manteau”, Galerie Thaddaeus Ropac, Paris (C)
“Projects”, Irish Museum of Modern Art, Dublin (C)
“The Quiet in the Land: Everyday Life, Contemporary Art and the Shakers”, Institute of Contemporary Art at Maine College of Art, Maine, PO
“The 90s: A Family of Man?”, Casino Luxembourg – Forum d’art contemporain, Luxembourg (C)
“Positionen künstlerischer Photographie in Deutschland von 1945–1995”, Berlinische Galerie, Berlin; Martin-Gropius-Bau, Berlin (C)
“Kunst … Arbeit”, Forum der Südwest LB, Stuttgart (C)
“We Gotta Get out of this Place”, Cubitt, London

Manifesta 1, Rotterdam, Netherlands
“Glockengeschrei nach Deutz”, Galerie Daniel Buchholz, Cologne (C)
“Le Plaisir et les ombres”, Fondation pour l’Architecture, Brussels
“Everything that’s Interesting is New. The Dakis Joannou Collection”, Athens school of Fine Art; travelled to Arken Museum for moderne kunst, Copenhagen (C)
“Nudo y Crudo: Sensitive Body, Visible Body”, Claudia Gian Ferrari Arte Contemporanea, Milan (C)
“By Night”, La Fondation Cartier pour l’art contemporain, Paris (C)
“Traffic”, CAPC – Musée d’art contemporain de Bordeaux (C)
“Urgence”, CAPC – Musée d’art contemporain de Bordeaux (C)
“Prospect ’96 – Fotografie in der Gegenwartskunst”, Frankfurter Kunstverein and Schirn Kunsthalle, Frankfurt am Main (C)
“Das deutsche Auge”, Deichtorhallen Hamburg
“Pictures of Modern Life”, Galerie Rodolphe Janssen, Brussels; École régionale des Beaux-Arts de Tours, France
“Visitors’ Voices: Recomposing the Collection”, Walker Art Center, Minneapolis, MN
“Shift” (organized by nGbK – neue Gesellschaft für bildende Kunst), Haus der Kulturen der Welt, Berlin (C)
“A / drift: Scenes from the Penetrable Culture”, Bard College Center for Curatorial Studies, Annandale-on-Hudson, NY (C)
“New Photography #12”, MoMA – Museum of Modern Art, New York

“Take Me (I’m Yours)”, Serpentine Gallery, London; travelled to Kunsthalle Nürnberg, Nuremberg and Castello di Rivoli, Turin, Italy (C)
“Every Time I See You”, Galleri Nicolai Wallner, Malmo, Sweden; galleri index, Stockholm
“Human Nature”, New Museum of Contemporary Art, New York
“Mondo Nova”, Le Case d’Arte, Milan (C)
“The Enthusiast”, Gavin Brown’s Enterprise, New York
“Photographies”, Galerie Rodolphe Janssen, Brussels
“ars viva 95 / 96 – Photographie”, Anhaltische Gemäldegalerie Dessau; travelled to Frankfurter Kunstverein, Frankfurt am Main; Kunsthalle Nürnberg, Nuremberg (C)
“Kunstpreis der Böttcherstraße in Bremen”, Kunsthalle Bremen (C)

“Homegrown”, Lotus Club, Cologne
“L’hiver de l’amour”, Musée d’art moderne de la Ville de Paris (C)
“Dinos and Jake Chapman, Georgina Starr, Wolfgang Tillmans”, Andrea Rosen Gallery, New York
“Sonne München”, Galerie Daniel Buchholz, Cologne
“Les Dimanches de l’amour”, École regionale des beaux-arts de Rennes
“Mechanical Reproduction”, AP, Amsterdam (C)
“Rien à signaler”, Galerie Analix, Geneva (C)
“Soggetto Soggetto”, Castello di Rivoli – Museo d’arte contemporanea, Turin (C)
“The Winter of Love”, P.S.1, New York
“100 Umkleidekabinen”, Bad zur Sonne, Graz (C)
“Streetstyle”, Victoria & Albert Museum, London (C)

“June”, Galerie Thaddaeus Ropac, Paris
“Atelier” (in collaboration with Isa Genzken), Galerie Daniel Buchholz, Cologne; Wilma Tolksdorf, Hamburg
“Fuck the System”, Villa Rossi, Lucca, Italy
“November Television”, Esther Schipper, Cologne
“Phenylovethylamour”, Unfair 1993, Cologne (Galerie Daniel Buchholz)
“Belcher, Höller, General Idea, Tillmans, Odenbach”, Galerie Daniel Buchholz, Cologne
“Christmasshop”, Air de Paris, Paris

i-D Now, Pitti Image, Palazzo Corsini, Florence, Italy
tomorrow people, Imagination Gallery, London
We Haven’t Stopped Dancing Yet, PPS, Galerie F. C. Gundlach, Hamburg, Germany

Icons of a Mutinous Age: Three Photographers, Bournemouth and Poole College of Art and Design, Bournemouth, England

Die Hamburg Schachtel, Museum für Kunst und Gewerbe, Hamburg, Germany (exh. cat.)

“Wolfgang Tillmans: The Big Issue”, COMMERCE, Milan, Italy

“Books are Liquids”, delpire & co, Paris, France
“Juan Pablo Echeverri: Identidad Perdida”, Between Bridges, Berlin, Germany and James Fuentes Gallery, New York, USA (C)
“Jochen Klein: After The Light”, curated by Luca Lo Pinto and Wolfgang Tillmans, MACRO – Museo d'Arte Contemporanea di Roma, Italy

“Trailblazers Park”, Fire Island Pines, NY, USA

“How will the weather be tomorrow?”, Between Bridges, Berlin, Germany
“Videoart at Midnight: Wolfgang Tillmans”, Babylon, Rosa-Luxemburg-Platz, Berlin, Germany

EU ‘Remain’ Campaign (posters and T-shirts designed by Wolfgang Tillmans)
“Meeting Place”, Between Bridges, Berlin
“Doppelleben – Kunst und Popmusik, by Jörg Heiser” (book launch), Between Bridges, Berlin
“Peter Knoch”, Between Bridges, Berlin
Playback Room (A space for studio music based on an idea by and in Collaboration with Wolfgang Tillmans), The Lenbachhaus, Munich, Germany

“Jochen Lempert”, Between Bridges, Berlin
“Anders Clausen”, Between Bridges, Berlin
“Fashion Stories”, Between Bridges, Berlin
“Greer Lankton”, Between Bridges, Berlin
“Bring Your Own”, (Playback Room pt. III), Between Bridges, Berlin
“American Producers”, (Playback Room pt. II), Between Bridges, Berlin

“Edgewise: A Picture of Cookie Mueller by Chloé Griffin“ (book launch), Between Bridges, Berlin
“Colourbox – Music of the group (1982–1987)“, Between Bridges, Berlin
“Scott King, Totem Motiv“, Between Bridges, Berlin
“And Life Goes On… (curated by Karl Holmqvist)“, Between Bridges, Berlin
“Patrick Caulfield“, Between Bridges, Berlin
Fondation Beyeler (collection display with works by and curated by Wolfgang Tillmans)

“Marte Eknæs, Escalate“, Between Bridges, London
“Len Lye, ‘Free Radicals’“, Between Bridges, London

“Gerd Arntz (1900–1988) and Isotype“, Between Bridges, London

“Jenny Holzer, Truisms (1977–79) and Essays (1979–82)“, Between Bridges, London
“Ull Hohn“, Between Bridges, London
“Park Nights: John Maus” (curated by Wolfgang Tillmans), Serpentine Gallery Pavilion, London (August 8)
“The Perpetual Dialogue” (curatorial contributor), Andrea Rosen Gallery, New York

“25/34 Photographes (Ralf Marsault / Heino Muller): Fin de Siècle”, Between Bridges, London
“Wilhelm Leibl (1844 – 1900)”, Between Bridges, London
“The Center for Land Use Interpretation”, Between Bridges, London
“Isa Genzken, Ground Zero (2)”, Between Bridges, London
“Tegenwoordigheid van Geest – Presence of Mind” (collection display curated by Wolfgang Tillmans) and “Stedelijk Room” (installation for the permament collection by Wolfgang Tillmans), Stedelijk Museum, Amsterdam
“Jochen Klein” (curated by Bernhart Schwenk and Wolfgang Tillmans), Pinakothek der Moderne, Munich

“Art Club 2000, Selected Works 1992 – 1994“, Between Bridges, London
“Charles Henri Ford, The Garden of Disorder“, Between Bridges, London
“Charlotte Posenenske – Series DW (corrugated cardboard) 1967“, Between Bridges, London
“Josef Kramhöller”, Between Bridges, London

“Sister Corita; works from the 1960s“, Between Bridges, London
“Wolfgang Breuer: Umbel“, Between Bridges, London
“David Wojnarowicz“, Between Bridges, London
“Jochen Klein“, Between Bridges, London

“Inventory – Scott King, Donald Urquhart” (curated by Wolfgang Tillmans), Portikus, Frankfurt am Main

Artist’s books, catalogues and monographs

(m) monographs
(ab) artist books, edited and designed by WT
(abc) publications in which all color plates were edited and designed by WT
(c) catalogues, edited and designed by an institution

Barasch, Alex, "The New York Film Festival Kicks Off, Plus: Fall for Dance, a seedy new Wolfgang Tillmans show, the violinist Joshua Bell, and more", 22 September 2023
–––, "‘Artist-to-Artist’ Celebrates Creative Community at Frieze London 2023", in: frieze.com, 12 July 2023
"Wolfgang Tillmans: A Reader" (German edition), Wolfgang Tillmans, Roxana Marcoci, Phil Taylor, Hatje Cantz, Berlin, Germany, 2023 (c)

“Wolfgang Tillmans: To look without fear”, MoMA, NY, USA, 2022 (c)

“Saturated Light”, Galerie Buccholz, 2021 (ab)
“Wolfgang Tillmans: A Reader”, Wolfgang Tillmans, Roxana Marcoci, Phil Taylor, MoMA, NY, USA, 2021 (c)
"Wolfgang Tillmans. Sound is Liquid", Wolfgang Tillmans, Diedrich Diederichsen, Élisabeth Lebovici, George T. Baker, Felicity D. Scott, mumok, Verlag der Buchhandlung Walther, Franz König Köln, 2021 (c)

“Gifts to the Nation 2000 - 2020”, Aberdeen Art Gallery and Museum, Government Art Collection, Hatton Gallery, Newcastle University, Manchester Art Gallery, Tate, 2020
“Wolfgang Tillmans. four books. 40th Anniversary Edition”, Cologne: Taschen, 2020 (ab)
“Wako Book 6”, Wako works of Art, Tokyo, 2020 (ab)

“Local Histories: Works from the Friedrich Christian Flick Collection at Hamburger Bahnhof, the Nationalgalerie Collection and loans”, Matilda Felix (Ed.), The Nationalgalerie – Staatliche Museen zu Berlin, Berlin, 2019 (c)

“Wolfgang Tillmans: DZHK Book 2018”, David Zwirner Books, David Zwirner, Hong Kong
“Wolfgang Tillmans: Kaiserringträger der Stadt Goslar 2018”, Mönchehaus Museum, Goslar, Germany
“Do I have to draw you a picture?”, Dr Elisa Schaar and Dr Prerona Prasad, Downing College Cambridge, 2018 (c)

Jahresring 64: What is Different?, Wolfgang Tillmans and Brigitte Oetker (eds.), Sternberg Press, Berlin
Wolfgang Tillmans 2017, Tate Publishing, London, 2017 (c)

Conor Donlon, Verlag der Buchhandlung Walther König, Cologne
On the Verge of Visibility, Serralves Museum of Contemporary Art, Porto

What’s Wrong with Redistribution?, Verlag der Buchhandlung Walther König, Cologne
Your Body Is Yours, The National Museum of Art, Osaka, Japan
The Cars, Verlag der Buchhandlung Walther König, Cologne

Wolfgang Tillmans. London and New York: Phaidon Press, Second Edition
Wolfgang Tillmans, BT Books, Tokyo
Wolfgang Tillmans: Wako Book 5, Wako Works of Art, Tokyo, Japan

Wolfgang Tillmans, exh cat. MAM – Museu de Arte Moderna de São Paulo, Museo de Arte del Banco de la República, Bogotá, MALI – Museo de Arte de Lima, Lima, Peru, MAVI – Museo de Artes Visuales, Santiago de Chile
Wolfgang Tillmans: Utoquai, TBW Books: Series 4, Book 4, California, U.S.A
Wako Book 5, exh. cat., Tokyo: Wako Works of Art

Neue Welt: Wolfgang Tillmans, Taschen
Wolfgang Tillmans: FESPA Digital / Fruit Logistica, Verlag der Buchhandlung Walter König, Köln
Wolfgang Tillmans, Moderna Museet, Stockholm, Kunstsammlung Nordrhein-Westfalen, Düsseldorf

Wolfgang Tillmans Abstract Pictures, Hatje Cantz, Ostfildern
Wolfgang Tillmans Zachęta Ermutigung, edited by Isabelle Malz, Kunstsammlung Nordrhein-Westfalen, Düsseldorf.

Wolfgang Tillmans, Serpentine Gallery, Keonig Books, London
Wolfgang Tillmans: Interviews, Wako Works of Art, Tokyo

Lighter, Hamburger Bahnhof, Museum für Gegenwart, Hatje Cantz, Ostfildern
Wako book 4, Wako Works of Art, Tokyo, Japan

Wolfgang Tillmans. Hans Ulrich Obrist. The Conversation Series Vol.6, Verlag der Buchhandlung Walther König, Cologne
Carciofo – Still Lifes. Oroom Gallery, Seoul, Korea.
Wolfgang Tillmans: Manual. Verlag der Buchandlung Walther König, Köln, Germany
Why We Must Provide HIV Treatment Information, HIV i-base, London, UK
Sprengel Installation, exh. cat. Sprengel Museum, Hannover

Freedom From The Known. New York and Göttingen, Germany: PS1 and Steidl Verlag
Wolfgang Tillmans. exh. cat., Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London

Truth study center, Taschen, Cologne, 2005, reissued 2011 (with “Wolfgang Tillmans” & “Burg”)

Wolfgang Tillmans: Freischwimmer. Tokyo: Tokyo Opera City Gallery
Wako Book 3, exh. cat., Tokyo: Wako Works of Art

If one thing matters, everything matters”, exh. cat. Tate Publishing, London

Wolfgang Tillmans. London and New York: Phaidon Press, First Edition
Wolfgang Tillmans: Still Life. Cambridge, Mass: Harvard University Art Museum

AC: Isa Genzken/Wolfgang Tillmans. edited by Museum Ludwig, Cologne, Germany: Verlag der Buchhandlung Walther König
Partnerschaften II, exh. cat., Berlin: Neue Gesellschaft für Bildende Kunst
Portraits. Cologne, Germany: Verlag der Buchhandlung Walther König
View from Above/Aufsicht, Ostfildern-Ruit, Germany: Hatje Cantz Verlag
Wako Book 2, exh. cat., Tokyo: Wako Works of Art

Soldiers: The Nineties. Cologne, Germany: Verlag der Buchhandlung Walther König
Total Solar Eclipse/Totale Sonnenfinsternis. Cologne, Germany: Galerie Daniel Buchholz
Wako Book 1999, exh. cat., Tokyo: Wako Works of Art

Burg, Taschen, Cologne, 1998, reissued 2002 (with “Wolfgang Tillmans”), reissued 2011 (with “Wolfgang Tillmans” & “truth study center”)
Fruiciones, exh. cat., Madrid: Museo Nacional Reina Sofia

Concorde, Verlag der Buchhandlung Walther König, Cologne

For When I’m Weak I’m Strong/ Wer Liebe wagt, lebt morgen, exh. cat. Ostfildern-Ruit, Kunstmuseum Wolfsburg and Hatje Cantz Verlag, Germany

Wolfgang Tillmans, exh. cat. Portikus, Frankfurt am Main
Wolfgang Tillmans, exh. cat. Kunsthalle Zürich, 1995, reissued by Ringier, Zurich, 2008
Wolfgang Tillmans, Taschen, Cologne, 1995, reissued 2002 (with “Burg”), reissued 2011 (with “Burg” & “truth study center”)

(Photography / portraits) denotes pictures taken or commissioned for the publication
(artist’s pages) denotes pages that Wolfgang Tillmans designed, layout or compiled using new and / or existing pictures
(uppp) use of previously published pictures

Tillmans, Wolfgang Tillmans; Hernandez, Arlette, “Through the Lens of Humanity: Wolfgang Tillmans on Käthe Kollwitz”, moma.org, 17 April 2024
Petridis, Alexis, “‘Blue Monday is one of the 20th century’s greatest artworks’: Wolfgang Tillmans on swapping his camera for a microphone”, theguardian.com, 4 April 2024
Bhargava, Aaina, “Wolfgang Tillmans on his upcoming Hong Kong exhibition, and creating a timeless body of work that captures the cultural pulse”, tatlerasia.com, 17 March 2024
Peirson-Hagger, Ellen, “Wolfgang Tillmans: “Art doesn’t have a purpose””, newstatesman.com, 3 January 2024
“Icestorm”, Whitewall, Issue 72, Winter 2024, p. 120 (photography / portraits)
“London Morning”, Arena HOMME+, Cover, Issue 60, Winter/ Spring 2024 (photography / portraits)
“Sirius (the brightest star)”, Arena HOMME+, Cover, Issue 60, Winter/ Spring 2024 (photography / portraits)

“Mixtate: Tygapaw”, Tate etc., Issue 60, Winter 2023, p.23 (photography / portraits)
Buffalo Zine, Cover, The AW23 issue, October 2023 (photography / portraits)
Wolfgang Tillmans on Mark Barker, FT Weekend, Collecting, 7-8 October 2023, p. 5
“Wolfgang Tillmans on his artist pick for Frieze London’s 20th anniversary”, ft.com, 6 October 2023
Crown Manesis, Isaac, After MoMA, Wolfgang Tillmans, officemagazine.net, 1 October 2023
Sandstrom, Emily, Wolfgang Tillmans on New York, his latest show and AI in art, dazeddigital.com, 25 September 2023
“James Fuentes and Wolfgang Tillmans Remember Juan Pablo Echeverri”, Ernesto Macias, in: interviewmagainze.com, 7 June 2023
“LSDXOXO, a hitmaker who takes direction well”, (artist’s pages), Tillmans, Wolfgang, BUTT Magazine 32, in: buttmagazine.com, Spring 2023
“Wolfgang Tillmans”, Tovey, Russel; Diament, Robert, talk ART: The Interviews, Ilex Press, 2022, pp. 148-157

Witt, Emily; Tillmans, Wolfgang, (Int.) “Wolfgang Tillmans’s Beautiful Awareness”, in: newyorker.com, 18 September 2022

“A Century of the Artist’s Studio Is a Peek Into the Artist’s Mind”, (uppp), Michael Glover, in: hyperallergic.com, 7 April 2022
“An Art-World Capital, With Few Places for Artists to Work”, (uppp), Farah Nayeri, in: nytimes.com, 25 February 2022
“Artist in Residence: Wolfgang Tillmans, Third of a Century, Her/His/Theystory is now”, (artist’s pages), Wolfgang Tillmans, The Ultra! Issue, No. 369, i-D, Fall 2022, pp. 402 - 425
“Concrete Column III, 2021”, Wolfgang Tillmans, in: brooklynrail.org, December 22 – January 2023
“Cost of Living Poses ‘existential’ crisis to London’s young art scene”, Robert Dex, in: Evening Standard, (12 October), p. 9
“David Velasco talks with Wolfgang Tillmans about ‘To look without fear’ at MoMA”, (uppp), David Velasco, Wolfgang Tillmans, in: artforum.com, 18 October 2022
“Douglas Stuart: ​‘There was nowhere for a young gay man to turn’”, (uppp), Douglas Greenwood, in: theface.com, 7 April 2022
“Everything laid bare on Kae Tempest’s ‘The Line is a Curve’”, (uppp), Tom Blain, in: happymag.tv, 19 April 2022
“Explore 100 years of the artist’s studio”, (uppp), Claire Carponen, in: thespaces.com, 24 March 2022
“Frieze DJ in Residence: Wolfgang Tillmans”, (artist’s pages), Wolfgang Tillmans, in: frieze.com, 14 September 2022
“‘It’s a feral, animalistic energy’: Olly Shinder on his Funked-Up Workwear”, Olly Shindler, (photography / portraits), in: dazeddigital.com, 30 December 2022
“Kae Tempest: ‘I am not hiding from the world any more’”, (uppp), Laura Barton, in: independent.co.uk, 17 April 2022
“Kae Tempest: ‘I was living with this boiling hot secret in my heart’”, (uppp), Michael Segalov, in: theguardian.com, 12 March 2022
"Kae Tempest on self-discovery & release through writing", (uppp), Max Pilley, in: huckmag.com, 25 March 2022
“Kae Tempest: The Line Is a Curve — gripping intensity”, (uppp), Ludovic Hunter-Tilney, in: ft.com, 15 April 2022
"Life is a Fold", (uppp), Sara R Yazdani, in: kunstkritikk.com, 25 March 2022
“Olly Shinder, the Designer Queering the Uniforms of Utility”, (uppp), Madeleine Rothery, in: anothermag.com, 12 July 2022
“Out of the Ordinary”, Peri-Ru Keh,  in: Wallpaper*, (November 2022), pp. 98 - 100
“Poet Kae Tempest says taking a new name is a ‘powerful’ act”, (uppp), Alex Green, in: belfasttelegraph.co.uk, 19 April 2022
"Queer Wordliness", (uppp), Nicholas Gamso, in: "Art after Liberalism", Columbia Books on Architecture and the City, USA pp. 100 - 125
“Review: The Festival d’Avignon Presents The Line is a Curve by Kae Tempest”, (uppp), Wesley Doucette, in: broadwayworld.com, 28 July 2022
“Robyn Reimagines Neneh Cherry’s ‘Buffalo Stance’ with Mapei: Stream”, (uppp), in: consequence.net, 4 March 2022
“Shuggie Bain and Young Mungo: the front cover kiss-off”, (uppp), Craig McLean, in: theface.com, 11 January 2022
"Why 'woman in the window' is such an enduring theme in art", (uppp), Tracy Chevalier, in: ft.com, 21 May 2022
“Wolfgang Tillmans and Douglas Stuart on Control and Queer Liberation”, (uppp), Douglas Stuart; Wolfgang Tillmans, in: interviewmagazine.com, 13 September 2022
“Wolfgang Tillmans’s Beautiful Awareness”, (uppp), Emily Witt; Wolfgang Tillmans, in: newyorker.com, 18 September 2022
“Wolfgang Tillmans reworks his 90s i-D archive”, (artist’s pages), Nicholas Gamso, in: i-d.vice.com, 13 September 2022
“Wolfgang Tillmans: Star Gazer”, (uppp) Sarah Frere-Jones, Wolfgang Tillmans, in: Autre Magazine, Spring/Summer 2022
“Wolfgang Tillmans’s Ways of Seeing", (uppp), Jeremy Atherton Lin, in: frieze.com 21 August 2022, pp. 80 - 85

“Concrete Column” An Exhibition by Wolfgang Tillmans at Regen Projects, Los Angeles”, Interview by Johnny Le, in: purple.fr, 8 November 2021
“Excavations”, (artist’s pages), in: Arena HOMME+ Issue 55, Summer/Autumn 2021, pp. 54-85
“Face Time: A History of the Photographic Portrait”, (uppp), Phillip Prodger, Thames & Hudson, UK, 2021, p 97
“Look at This if You Love Great Photography”, (uppp), Gemma Padley, Ivy Press, 2021, pp. 172, 222
“On the creative power of fleeting moments”, Interview by Katy Diamond Hamer, in: thecreativeindependent.com, 7 December 2021
“Photography Now”, (uppp), Charlotte Jansen, Octopus Publishing Group, 2021, pp. 200-201
“museum in progress. Art in public spaces and in media - IN ONE END & OUT THE OTHER [ & THEN AGAIN ]”, (uppp), Kaspar Mühlemann Hartl, Alois Hermann, museum in progress, Verlag der Buchhandlung Walther und Franz König, Köln, 2021, p. 91
“REIF01”, (album feature), 2021
“talk ART”, (uppp), Russell Tovey and Robert Diament, Octopus Publishing Group Ltd, 2021, pp. 68-71, 221
"We Can Do Better Than This", (artist's pages), Ed. Amelia Abraham, Penguin Random House, pp. 279-283
“Wolfgang Tillmans on his eclectic debut album inspired by celestial bodies”, Interview by Emily Dinsdale, dazeddigital.com, 9 December 2021
“Zak Group: Art School-4th June 2021”, (NTS radio show), Zak Group, 2021

“A Request From Wolfgang Tillmans”, (artist’s pages), in: Limbo Magazine, 2020, p. 40
“Counter Culture. 25 Years Sammlung Falckenberg. Objects and Installations”, (uppp), Dirk Luckow, Harald Falckenberg, Snoeck, 2020, p. 95
“Flower: Exploring the World in Bloom” (uppp), Phaidon, 2020
“Interview: Wolfgang Tillmans” (artists pages) in: Mouvement issue 106, (March-April), pp. 58-80
“Isa Genzken & Wolfgang Tillmans”, (uppp), in: Monopol Magazine, March 2021, p. 106
“Looking at Photography”, (uppp), Stephen Frailey, Damiani, 2020, p. 192
“Masculinities: Liberation through Photography” (uppp), Prestel, 2020
“Me, Family: Portrait of a Young Planet”, (uppp), Mudam Luxembourg, DCV, 2020, pp. 126-128
"Sweet Salvation: how Homobloc took the queer underground to new heights", Manu Ekanayake, (artist's pages),  Mixmag, January 2020
“The Art Book”, (uppp), Phaidon, 2020
“The Fashion Issue” (cover/artist pages) in: ES Magazine, 18 September 2020
“The New Originals Issue”, (photography / portraits), in: W Magazine, Issue 04, 2020, cover
“The Photograph as Contemporary Art” (uppp), Charlotte Cotton, Thames & Hudson, 2020, p. 135
“Unquiet”, (uppp), Linn Ullmann, Penguin Random House UK, 2020, cover
“Wolfgang Tillmans Exclusive Covers”, (photography / portraits), in: Arena Homme Plus, Issue 53, 2020, covers
“Wolfgang Tillmans, Life Guarding / Growing”, (album), Wolfgang Tillmans, 2020
“Wolfgang Tillmans’s self-isolation playlist”, (playlist), in: i-d.vice.com, (29 July)
“Wolfgang Tillmans: ‘We can’t escape into space, we’re in it’” (artists pages), in: i-D no. 360, Summer 2020
“2020”, (photography/portraits), in: 2020, Ben Kelway, 2020

“Art Will Save Us” (photography) in: Fantastic Man, Spring/Summer 2019, pp. 136-145.
"Book for Architects" (photography) in: Fiction and Fabrication photography of architecture after the digital turn pp.20-21.
“Felix Maritaud”(photography) in: Dazed, Spring/Summer 2019, pp. 92-101.
“From within–history is now” (artist’s pages and text), in: Real Review, no. 8, Spring 2019, 14-page insert
“Love Will Find A Way Home” (photography), PAT, LP and Book, Pioneer Works Press, USA, cover
“Out of the Shadows” (uppp), in: Out of the Shadows, The Psychology of Gay Men’s Live’s By Walt Odets, Allen Lane Press, UK, 2019, cover
“Spirituality” (artist’s pages) in: Aperture 237, Winter 2019, cover, pp. 22-36, 62-72, 90-91
“The Art of Innovation: From Enlightenment to Dark Matter”, (uppp), Ian Blatchford; Tilly Blyth, Science Museum, 2019, pp. 212-213

“Broken Politics” (Album) Neneh Cherry, 2018, cover
“Crudo”, Olivia Laing, Picador, 2018, cover
Dazed A/W18, cover
“Fighting for LGBTI Rights in Kakuma Refugee Camp”, i-D, Winter 2018, cover and pp. 282-285
“Kong” (single), Neneh Cherry, 2018, cover
“The Ball”, MacGuffin #6 A/W18, cover

“Beach House in Drag”(photography) in: apartamento magazine issue #20 (autumn / winter) pp. 156–173
“Conquistador III’, poster for Mousse Magazine, Summer 2017
“London, Light, Hope”, cover for the Evening Standard Magazine, 7 July 2017.
“Fragile Trilogy Part 3 — ‘South Tank’” (artist’s pages), in: Arena Homme +, Summer/Autumn 2017
“Wolfgang Tillmans 2017” (artist’s pages), in: Tate Etc, issue 39, (spring 2017), pp. 64-71
“Dance to your own rhythm: Arca is shot and interviewed by Wolfgang Tillmans”, in: i-d.vice.com, (23 February)
“Powell: Freezer” (Music Video), XL Recordings / Diagonal Records

“A Moment”, in: Pop, no. 35 (autumn / winter), p. 377
“Arca“ (portraits), in: groove (January / February), pp. 24–27
“Artists on Politics”, (artist’s pages) in: Artforum, (November 2016), pp.224-237
“Augenlicht” (uppp), in: Jahresvorschau 2016/2017 Bayerische Staatsoper, München, pp. 44–45
“Atelier” (photography), in: Camera Austria, no. 134, cover
“Central Nervous System” (artist’s pages), in: Vestoj, Issue No. 7, (Winter 2017) pp.165-175
“Conversation: Wolfgang Tillmans Considers Three of His Own Photographs”, (interview), in: canadianart.ca, (18 October 2016)
“EU Campaign” (Anti-Brexit poster, social media and T-shirt campaign), in various places (open source download at: http://tillmans.co.uk/campaign-eu)
“EU Campaign“ (artist’s pages), in: Spex, no. 369, p. 114; in: 032c, no. 30, p. 264
“Foreword“ (text), in: Insight. Astronomy Photographer of the year, Collins, Glasgow, p. 13
“Fragile Fiction” (photography and artist’s pages) in: Arena Homme +, no.46, pp. 206-315
“We’re living in dangerous times“ (text), in: Time Out London (June 21–27), pp. 78–79
“HBA“ (photography/portraits), in: Fantastic Man, no. 23 (spring / summer), pp. 180–195
“Heul weiter, leiser Verführer“ (photogtaphy), in: Spex, no. 371 (November / December), cover (2 different ones) and pp. 24–30
“Münchner Kammerspiele“ (photography), in: Kammerspiele. Spielzeit 2016/17, n.p. (86 page insert)
“London in Ten Iconic Photos” (text and photography), in: Time Out (March 15-21), p. 32
“Lutz – Lutz Huelle, Paris“ (artist’s pages), in: Pop, no. 35 (autumn / winter), pp. 382–429
“Lutz Huelle“ (photography), in: Pop, no. 35 (autumn / winter), p. 430
“Mega: Jordon Wolfson“ (portraits), in: Fantastic Man, no. 24 (autumn / winter), pp. 222–233
“Münchner Kammerspiele“ (photography), in: Kammerspiele. Spielzeit 2016/17, n.p. (86 page insert)
“New Skin”, Aishti Foundation, Skira, (artist’s pages) pp. 338 – 349
PICPUS (uppp on cover) no.18.
Pop (Photography/ special edition cover) no. 35 (autumn / winter)
“Reaktionen auf den Brexit“ (text), in: www.sueddeutsche.de (June 25)
“Report: Wolfgang Tillmans and the EU” (text photography), in Art Monthly, (June 2016), p.35
“Situasjoner preget av motstand” (text photography), in: Tribuner for diddens (2016) p. 59
“Spectrum Montrose Ave“ (artist’s pages), in: apartamento, no. 17, pp. 129–137
“Switch craft“ (artist’s pages), in: Wallpaper (July), pp. 96–99
“Tate Modern and me“ (text), in: The new Tate Modern (June), pp. 4–5
Baker, Hinemoana et al.: “Transit of Venus – Venustransit”, Victoria University Press, Wellington (cover / uppp)
“Wolfgang Tillmans” (artist’s pages), in: Mit anderen Augen – Das Porträt in der zeitgenössischen Fotografie, exh. cat. Kunstmuseum Bonn, pp. 325–329
“Wolfgang Tillmans” (interview), in: Agenda, The Observer (8 May 2016), p. 4
“Wolfgang Tillmans: Augenlight, 2013” (photograph), in: Staat Soper: Was Folgt, pp.44-45
“Wolfgang Tillmans, 24th June, for Süddeutsche Zeitung” (text), in: http://metropolism.com (June 25)
“Wolfgang Tillmans: In Conversation with Neville Wakefield” (interview), in: Queer: Documents of Contemporary Art, pp.122 – 125
“Wolfgang Tillmans on Brexit: ‘We’re living in dangerous times’” (text and uppp), in: Art Time Out (June 20), pp. 78–79
Editorial (artist’s pages), in: Starship, no. 15 (October), pp. 67–72

“100 Jahre Gegenwart” (posters / uppp), Haus der Kulturen der Welt, Berlin (September)
“Abbild der Weltfrucht” (artist’s pages), in: taz, zeozwei, no. 3, pp. 20–23, 28–31
“Arca” (interview and photography), in: www.buttmagazine.com (March 27)
“Chloë Sevigny” (uppp), in: Chloë Sevigny, Random House, New York, cover
“Christoph Gurk vs. Matthias Lilienthal” (portraits), in: Spex, no. 362 (July / August), pp. 89–92
“F is for flower” (uppp), in: ABC. Fotos i Grafies per Apartamento Magazine, Nàpols, Barcelona, n.p.
“Fade To Mind. Der Clash der Systeme” (portraits), in: Spex, no. 361 (May / June), pp. 30–39
“Fragile. Portfolio” (artist’s pages), in: Arena Homme+, no. 44 (winter 2015 / spring 2016), pp. 250–315
“Full Fragile Range Recordings” (artist’s pages), in: Document, no. 7, pp. 152–167
“Great things never come from comfort zones” (artist’s pages and interview), in: i-D, no. 336 (spring), pp. 242–247
“Introduction” (text), in: The Cars, Verlag der Buchhandlung Walther König, Cologne, n.p.
“Isa Genzken – Presentation of ‘Hemden’” (artist’s pages), in: Arena Homme+, no. 44 (winter 2015 / spring 2016), pp. 368–393
“Linder Sterling” (uppp), in: COS magazine (spring / summer), p. 30
“Münchner Kammerspiele” (uppp), in: Münchner Kammerspiele, Spielzeit 2015/16, n.p. (40 page insert)
“Ostgut Ton | Zehn“ (cover), label compilation, Ostgut Ton, Berlin
“Quel âge as-tu?” (artist’s pages), in: Arena Homme+, no. 44 (winter 2015 / spring 2016), pp. 332–353
“The Black Madonna” (portraits), in: groove (July / August), pp. 40–43
“The sound of the family”, in: Mixmag (June), pp. 100–102
“Vaginal Davis” (portraits), in: Document, no. 7, pp. 74–79
“Visual Essay – Fespa Digital / Fruit Logistica” (artist’s pages), in: Purple Fashion, no. 3 (spring / summer), pp. 493–504
“Wolfgang Tillmans. A multi-vectored practice” (artist’s pages), in: Wired, no. 17, pp. 24–31
“Wolfgang Tillmans. PCR” (advertisement for exhibition at David Zwirner, New York), in: Artforum, no. 1 (September), n.p.; in: frieze, no. 173 (September), n.p.

Artistic contribution” (artist’s pages), in: Excursus, cat. 8th Berlin Biennale for Contemporary Art, KW Institute for Contemporary Art, pp. 2–5
“astro crusto (a)” (uppp), in: Blind Spot, no. 47, p. 28
“Bridget Riley” (portrait), in: Pop Magazine, no. 31 (autumn / winter), n.p.
“Colourbox. Music of the band (1982–1987)” (CD compilation, design and photography), TAD 3443, 4AD
“Face à face avec Aphex Twin” (portrait / uppp), in: Tsugi, no. 76 (October), cover
“Fair” (excerpts of FESPA digital / FRUIT LOGISTICA), in: COS magazine (spring / summer), pp. 60–68
“From Book for Architects” (artist’s pages), in: Fundamentals, exh. cat. La Biennale di Venezia – 14th International Architecture Exhibition, Venice, pp. 312–345
“Neue Welt” (artist’s pages), in: Noon (spring / summer), pp. 152–166
“Of Chance and Control” (text), in: Verwoert, Jan et al. (ed.): Wolfgang Tillmans, Phaidon Press, London, pp. 148–162
“Printing Press Kardiogram” (artist’s pages), in: DE:BUG, no. 181 (April), pp. 42–49
“Rem Koolhaas”, in: Halley, Peter and Bob Nickas: “Wolfgang Tillmans” (interview and photography), in: Vogel, Wendy and Rachel Ward (eds.): index A to Z. Art, design, fashion, film, and music in the indie era, Rizzoli International Publications, New York, p. 32, “Hot Chip”, pp. 48–49, “Aphex Twin”, p. 50, “Udo Kier”, p. 80 (all uppp)
“Roy” (uppp) in: “Ways of Looking”, “A is for Association”, Chapter 1, Laurence King Publishing Ltd, London, UK, (16 September) p 15
“Sleaford Mods: Die Kunst des Pöbelns” (uppp), in: Spex, no. 354 (July / August), pp. 28–33
“Study Of Man” (text and photography), in: Bennekom, Jop van and Gert Jonkers (eds.): Forever Butt, Taschen, Cologne, pp. 8–11, “2001: First“ (photography) p. 17, ”Bernhard Willhelm German Fashion Designer designs clothes and likes designing with a hard-on“ (photography), pp. 50–53, “Bottoms“ (photography), pp. 54–57, ”John Waters baron of bad taste from Baltimore is obsessed by Michael Jackson’s polka dot penis“ (interview) pp. 240–250, ”Julian“ (photography), pp. 262–268, ”Karl“ (photography), pp. 274–282, “2014: Ear“ (photography), p. 283, ”Simon“ (photography), pp. 426–430, ”2002: Holiday“ (photography), pp. 492–493
“Two people on stage doesn’t always mean a relationship” (portrait and interview with Michael Clark), in: Magazin im August, 26. Internationales Festival, pp. 6–11
“Wendeseite für Wanda” (poster insert), in: Wanda, no. 25 (April), pp. 31–34
"Wolfgang Tillmans on Tate Britain" (text), in: www.theguardian.com (July 4)
“Wolfgang Tillmans” (uppp), in: Photography: The Definitive Visual History, Tom Ang, Penguin, October 2014

“Abschiedsgruß” (photography), in: Ein Wunsch bleibt immer übrig. 12 Jahre Museum Ludwig. Eine Auswahl, exh. cat. Museum Ludwig, Cologne, pp. 76–77
“AnOther Hemisphere” (artist’s pages), in: South (spring / summer), n.p.
“Art on the Underground” (poster edition for London Underground)
“Blue-sky thinking” (text), in: The Guardian (February 2), pp. 16–17
“BUTT Calendar” (photography), n.p.
“Club Donny. Grande Finale #10” (artist’s pages), in: Club Donny, no. 10, pp. 1, 5–8, 109–112, 116
“Concorde Grid” (text), in: The Guardian (February 2), pp. 16–17
“DJ Sprinkles doesn’t feel sexy” (portrait), in: BUTT, pocketsize for the summer of 2013, p. 22
“Isa Genzken” (portrait), in: Interview (April), p. 103
“São Paulo by Wolfgang Tillmans” (artist’s pages), in: Pin-Up, no. 14 (spring / summer), n.p.
“The Freedoms of Photography” (artist’s pages), in: Camera Austria, no. 122, pp. 23–32
“The Plant Life” (artist’s pages), in: The Plant, no. 4, pp. 1–13
“Wolfgang Tillmans. central nervous system” (advertisements for exhibition at Maureen Paley, London), in: frieze, no. 158 (October), p. 28; in: ArtReview, no. 7, p. 20; in: Flash Art, no. 292 (October), p. 14; in: Mousse, no. 40 (November), n.p. and in: Hoi Polloi, no. 3, n.p.; in: Art Montly, no. 370 (October), p. 30; frieze d/e, no. 12 (December 2013 / January 2014), p. 22, in: Artforum, no. 2 (October), n.p.
Bersani, Leo: “Queer Theory and Beyond”, State University of New York Press, New York, cover
Dainton, Barry: “Self”; Žižek, Slavoj: “Event”; Neiman, Susan: “Why Grow Up?”; Caputo, John D.: “Truth”, Penguin Press, London (book covers; Philosophy in Transit-series)
Insert (artist’s pages), in: Camera Austria, no. 122, pp. 23–30

“BUTT Calendar” (photography), n.p.
“Body Building” (photography), in: Abitare (November), p. 34
“Conor Donlon – From above the shop” (photography), in: apartamento, no. 9, cover and pp. 76–89
“Foto und Malerei / Photo and Painting“ (photography), in: EXIT, no. 47, pp. 118–121
“Jenny Holzer” (photography), in: Spex, no. 339 (July / August), p. 339
“John Maus: A Collection of Rarities and Prevoiusly Unreleased Material” (album cover), Ribbon Music
“Neue Welt: Elysium. A conversation between Wolfgang Tillmans and Neil Tennant” (interview and photographs), in: 032c, no. 23 (winter), pp. 100–109
“Precious” (portrait of Paul Weller), in: Arena Homme+, no. 37 (spring / summer), pp. 212–235
“Step into Liquid” (in conversation with Michelle Kuo; photography), in: Artforum, 50th Anniversary Issue (September), pp. 420–429
“Wolfgang Tillmans & Loreen” (interview and photography), in: BON, no. 62, pp. 156–167
“Wolfgang Tillmans & Neil Tennant” (interview and photography), in: Interview (September), pp. 124–133
“Wolfgang Tillmans. Lecture, Royal Academy of Arts, London 2011” (text), in: Cinequanon (winter), pp. 16–25
Das Magazin der Kulturstiftung des Bundes (artist’s pages), (spring / summer), n.p.
Foreword (text), in: FESPA Digital / FRUIT LOGISTICA, Verlag der Buchhandlung Walther König, Cologne, n.p.

“Ariel Pink” (photography), in: Juke, no. 3 (summer), pp. 52–57
“Best of 2011” (text), in: Artforum International (December), pp. 192–193
“DANCE ehud darash” (photography), in: SEXUAL (December)
“Es lebe London” (text), in: Die Zeit, no. 34 (August 18), p. 41
“Francesco Tenaglia, Simon Reynolds & Mark Fisher in conversation: Stories of Glory Days” (photography), in: Kaleidoscope, no. 9 (winter), pp. 70–75
“In Pictures: Wolfgang Tillmans in Haiti” (photography), in: www.bbc.co.uk (January 11)
“Jochen Klein. 1967–1997” (edited and designed by Wolfgang Tillmans, also edited by Russell Ferguson and Bernhart Schwenk), exh. cat. Pinakothek der Moderne, Munich
“John Maus – Sein Herz macht plucker und bump” (portrait), in: Spex, no. 331 (March / April), pp. 18–21
“Lady Gaga natürlich!” (photography), in: Spex, no. 333 (July / August), cover and pp. 34–47
“Marte Eknaes” (text / review), in: frieze, no. 144 (September), p. 126
“No Ad Tube” (photography), in: basso, no. 8, pp. 28–29
“Summer Solstice” (portraits, text and interview on Lady Gaga): in: i-D, The Hedonist Issue, no. 313 (summer), pp. 148–153
“The Opiates – ‘Hollywood Under The Knife’” (CD cover and booklet), Disco Activisto
“The visonary: Tacita Dean” (portrait), in: Vogue UK (October), pp. 324–329
“Tillmans – Mazhar” (artist’s pages), in: Arena Homme+ (spring / summer), no. 35, pp. 254–263
“Untitled (Warsaw)” (artist’s pages), in: Dik Fagazine, no. 8, pp. 6–11
“What’s wrong with redistribution?” (text), in: frieze, no. 142 (October), pp. 140–141
“Wolfgang Tillmans: Dunkelkammer / Darkroom” (text and photography), in: frieze, no. 3 (winter), pp. 30–31
Burkhard, Balthasar: “Pommes” (photography), in: Une Page, Musée des arts contemporains du Grand Hornu, no. 3
Ferguson, Russell, Bernhart Schwenk and Wolfgang Tillmans (eds.): “Jochen Klein. 1967–1997”, exh. cat. Pinakothek der Moderne, Munich
Zolghadr, Tirdad: “Plane Talking” (photography), in: Frieze, no. 37 (March), p. 22

“Actress” (portraits), in: Groove (May / June), cover and pp. 24, 26–28
“Bubblegum Planet” (photography), in: Musikexpress, no. 3, p. 34
“Cameron” (photography), in: BUTT Calender
“Jenny Holzer, the outspoken artist is really quite shy” (portrait), in: The Gentlewoman (spring / summer), pp. 104–110
“John Maus” (photography), in: i-D, The Back to the Future Issue, no. 310, pp. 246–247
“Kele Okereke of Bloc Party” (photography), in: BUTT, no. 28 (spring), cover and pp. 8–14
“Necks” (photography), in: Fantastic Man (spring / summer), no. 11, pp. 101–106
“Otolith Group” (portrait), in: i-D, The Define Yourself Issue, pp. 240–242
“Sam Barker & Andreas Baumecker: ‘Candy-Flip’” (CD cover photography), Ostgut Ton
“The Edge of Visibility. Wolfgang Tillmans and Dimitar Sasselov” (artist’s pages), in: Coyote (December)
“Wolfgang Tillmans: My London” (photography), in: Time Out (June 24), pp. 6–8, 10
“Neue Bilder aus Berlin” (artist’s pages), in: Monopol (October), pp. 62–76

“A Dea“A Deafining Quiet” (portraits), in: Tar (spring), pp. 176–185
“Anthony and the Johnsons” (portraits), in: Spex, no. 318 (January / February), cover and pp. 44–49
“Be Naked” (photograpy), in: Huge (August), pp. 102–103
“Berlin & Co. Les photographs allemands”, in: L’Insensé (photography), no. 7, p. 91
“Der Unterwäschekatalog” (artist’s pages), in: BUTT, no. 26 (April)
“Die Party ist vorbei” (artist’s pages), in: Süddeutsche Zeitung Magazin (December 3), pp. 10–25
“Evidence” (artist’s pages), in: Modern Weekly International, cover and pp. 5, 8, 52–63
“Leichtathletik 1–3” (photography), in: basso, no. 7, pp. 11–14
“Pictured in America and Pictures of America” (artist’s pages), in: Coyote (March), pp. 105–153
“Realness” (artist’s pages), in: First Person no. 3 (Fall), cover and pp. 32–45
“The Shop; Jeanettes” (portrait), in: Arena Homme+ (winter / spring), p. 133
Brampton, Sally: “Heaven knows we’re miserable now …” (photography), in: Elle (October), pp. 232–235
Gallagher, Ellen, Olde Wolbers, Saskia and Wolfgang Tillmans: “Bloomberg New Contemporaries”, Bloomberg, London
Takeo Desk Diary 2009, vol. 51 (photography), Takeo Co. Japan

“Ein Bilderbuch der Perfektion“ (photography), in: Zeit Magazin (March 27), p. 12
“Look, again: Pages curated by Wolfgang Tillmans” (artist’s pages), in: frieze, no. 118 (October), cover and pp. 236–244
Le Clézio, J. M. G.: “Fever”, “Terra Amata”, “The Flood”, Penguin Press, London (book covers)

“Auf der Suche nach der passenden Lust” (photography), in: Geo, no. 2 (February), p. 35
“Barbara Panther” (portrait), in: basso, no. 4, perfectly you-issue
“Bloc Party” (photography), in: Dummy (spring), cover and pp. 42–51
“Brett Anderson, Love is Dead” (CD cover), Drowned in Sound, BMG / EMI Music Publishing
“Cecil Balmond by Wolfgang Tillmans” (photography), in: 032c (winter), pp. 37–83
“Help save your own life” (photography), in: Qvest Edition (spring / summer), pp. 222–252
“Here Comes the Sun” (photography), in: Fantastic Man, no. 5 (spring / summer), pp. 119–124
“Insert Wolfgang Tillmans” (artist’s pages), in: Belzer, Heike and Daniel Birnbaum (eds.): kunst lehren – teaching art. Städelschule Frankfurt/Main, Verlag der Buchhandlung Walther König, Köln, pp. 153–184
“The Fountain of Youth” (photography), in: basso, no. 5
“Tillmans-Feuilleton – Fundstücke der Wirklichkeit” (artist’s pages and editorial of the Feuilleton), in: Die Zeit (May 24), pp. 49–57
“Manual”,(Forword text) Verlag der Buchhandlung Walther König, Cologne, pp. 428–431
“Wolfgang Tillmans – Lighter / Manual” (artist’s pages), in: foam, no. 13 (winter)
“Wolfgang Tillmans” (artist’s pages), in: Polar #2 (spring), pp. 65–72

“After Disaster” (photography), in: basso, no. 3
“Berliner Poster Verlag” (poster)
“Blind Spot” (artist’s pages), in: Blind Spot, no. 33
“BUTT magazine” (poster)
“Conor Donlon Books” (photography), in: i-D, no. 272 (December), pp. 12, 166–169
“Danke für die Blumen” (photography), in: TEMPO (December), pp. 172–183
“HIV / AIDS – Graesrødder Samlet I Sydafrika” (photography), in: Panbladet, no. 5 (July), pp. 22–23
“John Cameron Mitchell film director had his electric shaver nicked by hustler” (photography), in: BUTT, no. 18 (winter), pp. 45–46
“Julian” (portrait), in: BUTT, no. 16 (summer), pp. 6–16
“Kill to get the money” (portrait), in: i-D, no. 269 (summer), pp. 188–191
“Krishnamurti: Freedom From The Known” (limited edition of 200 copies with a signed and numbered Ex Libris (bookplate) by WT), Salon Verlag, Cologne (dustjacket)
“Panbladet” (artist’s pages), in: Panbladet, no. 6 (August), cover and whole issue
“Portraits of Tiga”, in: Dummy, no. 1 (spring), pp. 66–72
“Rossa Nøss Bendixen” (photography), in: Panbladet, no. 6 (August), p. 1
“Susanne Oberbeck” (portrait), in: Girls Like Us: Lesbian Quarterly (summer / autumn), pp. 4–9
“Teufelsee” (photography), in: frieze, no. 100 (June / August), pp. 14–15
“Tiga: 3 weeks” (CD cover), PIAS Recordings
“Viva, schlechter Geschmack!” (photography), in: Die Weltwoche (April 12), pp. 68–71
“What’s wrong with redistribution? Wolfgang Tillmans” (photography), in: The Journal (summer)
“Wolfgang Tillmans. Suspense, 2005” (photography and text), in: Fanzine, no. 137, pp. 39–40

“Billie Ray Martin” (portrait), in: i-D, no. 258 (October), p. 257
“Dies also ist des Pudels Club” (portrait), in: Süddeutsche Zeitung (June 2), p. 17
“DJ Koze” (portrait), in: Groove, no. 94 (May / June), cover and pp. 16–20
“Dominic Masters” (portrait), in: BUTT, no. 12 (spring), p. 58
“Family” (artist’s pages), on Family re-launch flyer, London
“Gold” (artist’s pages), in: The sky is thin as paper here, vol. 0, Galerie Daniel Buchholz, Cologne
“Jerry Hall” (portrait), in: index, no. 5 (June / July), cover and pp. 58–63, “Slavoj Zizek” (portrait and interview), pp. 32–39, “Hot Chip” (portrait), pp. 70–71, “The Organ” (portrait), pp. 88–89
“John Waters” (interview), in: BUTT, no. 13 (summer), pp. 15–24, “Bottoms” (artist’s pages), pp. 6–9
“La ciudad” (photography), in: EXIT, no. 17 (February / April), pp. 24–37
“Leaving Japan 18 Oct. 2004” (artist’s pages), in: Esquire Magazine Japan, no. 2 (February), pp. 68–77
“M.I.A.—Louder than Bombs” (portrait), in: i-D, no. 255 (June), cover and pp. 62–67, “Make Poverty History” (artist’s pages), pp. 160–161
“Mein Plattenschrank” (text), in: Groove, no. 97 (November / December), p. 46
“Surface is All We Have”, in: EXIT, image and culture (summer), pp. 72–79
“Tony Blair” (portrait), in: Attitude, no. 132 (April), cover and pp. 40–43
“Wolfgang Tillmans” (artist’s pages and text), in: EXIT, no. 18 (May / July), pp. 70–79

“21st Century Radical Chic” (artist’s pages and text), in: Purple—fashion, no. 1 (spring), pp. 336–343
“Clubfotografien” (photography), in: Groove, no. 91, cover and pp. 48–55
“Corrective Lens – letter to the editor” (text), in: Artforum, no. 5 (January), p. 18
“Leaving Japan 18 Oct. 2004” (artist’s pages), in: Esquire Magazine Japan, no. 2 (February), pp. 68–77
“Lutz with Wolfgang Tillmans” (portrait and interview), in: index (September / October), pp. 96–98
“Lutz” (portrait), in: BUTT, no. 10 (summer), pp. 24–29
“Michael Stipe” (portrait and interview), in: BUTT, no. 9 (spring), cover and pp. 10–19
“Miss Kittin. I Com” (CD and record cover), EMI
“Miss Kittin” (portrait), in: Groove, no. 87 (April / May), p. 24
“Morrissey” (photography), in: Index, cover and …
“Ost-West” (artist’s pages), in: Freier, no. 3
“Page 3 Stunnas!” (artist’s pages and text), in: G2, Guardian (April 19), pp. 2–3, reprinted in: Newspaper Jan Mot, no. 42 (May), pp. 2–4; in: Der Standard (May), p. Album B3; in: Courier International, no. 711 (June), p. 16
“R.E.M. Around the Sun” (CD insert), Warner Bros. Records Inc.
“Self/Sweat” (artist’s pages), in: Chroma, no. 1 (summer), cover
“Soldiers: The Nineties” (text), in: Eugen Blume, Joachim Jäger and Gabriele Knapstein (ed.): Friedrich Christian Flick Collection im Hamburger Bahnhof, exh. cat. Hamburger Bahnhof – Museum für Gegenwart
“Superpitcher. Here Comes Love” (CD and record back cover), Kompakt
“Tony Maestri” (text and portrait), in: Purple, no.16 (winter 03/04), pp. 71–71
“Wolfgang Tillmans on Donald Urquhart” (text), in: Artforum, no. 5 (January), p. 139
BT: Monthly Art Magazine Bijutsu Techo, no. 857 (November), pp. 11–64 (Special Issue of Wolfgang Tillmans and Larry Clark)

“Anti-war” (artist’s pages), in: Sleazenation (March), poster
“Butt page” (photography), in: BUTT, no. 6 (spring), p. 6, “A True Encounter in a Hotel Room in the Middle East” (artist’s pages), pp. 44–48
“Claudia” (portrait), in: Re-Magazine, no. 10 (spring / summer), pp. 33–35
“Farewell” (photography and text), in: G2, Guardian (October 17), pp. 2–3
“Film with music, words, and singing”, 45 minute video film made for Tate & Egg Live event
“Isa Genzken” (photography), in: Isa Genzken, exh. cat. Museum Abteiberg Mönchengladbach, Kunsthalle Zürich, cover
“Kompakt – Ein Haus aus Pop” (photography), in: Groove, no. 81 (April / May), cover and pp. 24–30
“Normal Utilpassethed” (interview and photography), in: Panbladet (February), cover pp. 20–25
“Pet Shop Boys: Two divided by zero. Long-term friend, collaborator and Turner Prize-winning artist Wolfgang Tillmans talks Pop Art with the disco duo” (portrait and interview), in: i-D, no. 238 (December), pp. 94–99
“Peter Saville” (portrait), in: frieze, p. 9 (designed by Peter Saville)
“Peter Saville” (text and portrait), in: Purple, no. 14 (winter), pp. 64–65
“Portrait of Tony Maestri” (photography), in: I had a camera and wanted to change my life, eyesore productions, Bournemouth, p. 3
“Ricardo Villalobos” (portrait), in: Groove, no. 84 (October / November), cover and pp. 3, 24–28
“Thomas Eggerer” (portrait), in: Architectural Digest, Deutschland, no. 10, pp. 146–147
“We are Not Going Back” (photography and text), in: Purple, no. 15 (spring / summer), cover and pp. 2–48
“Wolfgang Tillmans” (artist’s pages), in: Studio Voice Fashion Extra, pp. 52–55
“39 postcards” (artist’s pages), Gebrüder König Postkartenverlag, Cologne

“Artist's book for Kunsthalle, Zurich” (text), in: Verwoert, Jan et al. (ed.): Wolfgang Tillmans, Phaidon Press, London, pp. 116–120
“Blushes #13” (artist’s pages), in: The Face—Pop (spring / summer)
“Contemporary Artists”, (uppp), Phaidon, 2002, p.104
“Crossover” (portrait), in: i-D, no. 218 (March), p. 205, “Miss Kittin” (portrait), pp. 206–207, “DJ Hell” (portrait), p. 210
“Der Blautopf in Blaubeuren” (2001) (artist’s pages), in: NºB Magazine (February), pp. 132–137
“Electrique Babylone”, (uppp), in: Jalouse, no.47, February 2002, p.91
“Gilbert & George” (portrait), in: i-D, no. 221 (June / July), pp. 96–104
“Isa Genzken” (portrait and text), in: Purple, no. 13 (Fall), pp. 64–65
“Josh Hartnett” (portrait), in: Jetzt-Magazin der Süddeutschen Zeitung, no. 12 (March 18), cover and pp. 6–11
“Lights (Body), 2000–02” (text), in: Verwoert, Jan et al. (ed.): Wolfgang Tillmans, Phaidon Press, London, p. 142
“Marilyn” (portrait and text), in: Purple, no. 10 (winter), pp. 62–63
“Michael Imperioli” (portrait), in: index (April / May), pp. 15–18
“Miss Kittin” (portrait and text), in: Purple, no. 11 (spring), pp. 80–81
“No shock, no scandal. Just a gay couple on holiday” (artist’s pages), in: BUTT, no. 5 (autumn), pp. 48–57
“Pet Shop Boys: Home and Dry” (music video), EMI
“Pet Shop Boys. Disco 3” (CD and record cover), EMI
“Ryan McGinley” (portrait and text), in: Purple, no. 12 (summer), pp. 62–63
“Soldiers – The Nineties, 1990–1999” (text), in: Verwoert, Jan et al. (ed.): Wolfgang Tillmans, Phaidon Press, London, pp. 128–129
“Various: Septembre 2002” (CD cover), Les Inrockuptibles
“Zandra Rhodes” (portrait), in: i-D, no. 220 (May), pp. 66–70

“A Project for Artforum” (artist’s pages), in: Artforum, no. 6 (February), pp. 130–133
“Andreas Gursky” (portrait), in: The New Yorker (January 22), p. 62
“Bernhard Willhelm” (portrait), in: BUTT, no. 1 (spring), cover and pp. 14–18
“Cerith Wyn Evans” (portrait and text), in: Purple, no. 9 (Fall), pp. 76–77
“Deutschlandreise” (photography), in: Süddeutsche Zeitung (August 31), cover and pp. 11–40
“Donald Cameron” (portrait), in: Vogue Hommes International (spring / summer), p. 86
“Hedi Slimane” (portrait), in: i-D, no. 207 (March), pp. 186–188
“I want to work it out” (photography), in: Sleazenation, no. 1 (February), pp. 100–107
“London Film Festival” (artist’s pages), November (poster)
“Neil Tennant” (portrait and text), in: Purple, no. 8 (summer), pp. 62–63
“Richard D. James” (portrait), in: index (April / May), pp. 68–73
“Ruth Wyner and John Brock” (portrait and text), in: Purple, no. 7 (spring), pp. 78–79
“Siencefiction. Hier und Jetzt zufrieden sein” (artist’s pages with Isa Genzken), in: Stadtrevue (November), n.p.
“Snap Art Collection” (postcard book), amus arts press, Osaka
“Some Things Wolfgang Tillmans Saw and Liked” (photography), in: BUTT, no. 2 (autumn), pp. 56–60
“Stella McCartney” (portrait), in: The New Yorker (September 17), p. 131
“Studiomaus” (artist’s pages), in: i-D, no. 213 (September), p. 293
“The Return of the Concorde” (photography), in: Metropolis (June), pp. 140–144

“Goldfrapp: Lovely Head” (music video), Mute Records
“Goldfrapp” (video stills), in: i-D, no. 199 (July), pp. 156–157
“Irm Hermann” (portrait), in: Süddeutsche Zeitung Magazin, no. 12 (March 24), cover and p. 57, “Rosa von Praunheim” (portrait), p. 58
“James Turrell” (interview by Wolfgang Tillmans), in: Vogue Hommes International (spring), pp. 74–78
“Joshua / Zelda” (portrait), in: index (September / October), p. 2, “Rem Koolhaas” (portrait), pp. 30–38, “André Weisheit” (portrait), p. 32, “Käthe Gilles” (portrait), p. 100
“Lutz in sanddunes” (photography), in: Spex, no. 238 (October), p. 15
“Mode – Die Hits der Saison” (portraits of Irm Hermann, Joshua / Zelda, André Weisheit, Birgit Schrowange, Rosa von Praunheim, Käthe Gilles”, in: Süddeutsche Zeitung Magazin, no. 12 (March 24), cover and pp. 2, 32, 41, 57, 58, 100
“Portfolio” (artist’s pages), in: Männer aktuell, no. 1 (January), pp. 37–46
“Purple look, J’adore” (photography), in: Purple, no. 5 (summer), pp. 208–217
“Rats” (artist’s pages), in: Tate, no. 23 (winter), pp. 48–49
“Rem Koolhaas” (portrait)“, in: index (September / October), pp. 30–38
“Russell Haswell. Live Salvage 1997–2000” (CD back cover), Mego
“Sandcastle” (poster), in: taz (December 15)
“Signal-Collection by Lutz” (photography), in: Libération, no. 4 (winter), pp. 122–123
“The View From Here”, in: The Big Issue (August 28) (guest editorial), cover and pp. 3–24

“35 postcards” (artist’s pages), Gebrüder König Postkartenverlag, Cologne
“Anatoli Karpow” (portrait), in: Süddeutsche Zeitung Magazin, no. 16 (April 23), pp. 12–20
“Dub Infusions 1989–1999” (CD and record cover), Sonar Kollektiv
“Mouse on Mars” (portrait), in: Spex, no. 225 (August), cover and pp. 30–35
“Princess Julia” (photography), in: Süddeutsche Zeitung Magazin, no. 11 (March 19), pp. 14–15
“Silke Otto-Knapp” (photography), in: Süddeutsche Zeitung Magazin, no. 37 (September 17), p. 34
“Soldiers: The Nineties” (artist’s pages), in: Art, no. 11 (November), pp. 86–95
“Sonnenflecken” (text), in: Totale Sonnenfinsternis. Total Solar Eclipse, Galerie Daniel Buchholz, Cologne, n. p.
“Strings of Life by Rhythim is Rhythim” (artist’s pages), in: Jones, Terry and Tricia and Avril Mair: “Beyond Price”,
i-D, London, p. 238
“Tom Ford and Ann Hamilton with Wolfgang Tillmans”, in: Index (September / October), pp. 66–78
“Zwölf Uhr mittags” (artist’s pages), in: Süddeutsche Zeitung Magazin, no. 29 (July 23), pp. 26–33
Domus, no. 812 (February) (uppp), cover
Luna Córnea (uppp), no. 18 cover and pp. 1–2
Frieze, no. 48, cover

“7 postcards” (last part of a total of 27 postcards), Fotofolio, New York
“Bianca Jagger”, in: index (June), cover and pp. 10–17
“Blumentopf nach Hause tragen” (artist’s pages), in: Kunstbuch, Verlag der Buchhandlung Walther König, Cologne, p. 163
“Daniel, Jochen and Christopher” (artist’s pages), in: i-D family—Future Postive, p. 146
“Edition for Parkett. Wolfgang Tillmans” (artist’s pages), in: Parkett, no. 53, cover and pp. 138–141
“Gala 1997” (artist’s pages), in: Vogue Italia, no. 570 (February), pp. 328–329
“Jochen Klein”, Verlag der Buchhandlung Walther König, Cologne (edited and foreword by WT)
“Jutta Koether and Christoph Gurk”, in: Spex, no. 207 (February), p. 65
“K78” (artist’s pages), in: Berlin / Berlin. Anlässlich der 1. Berlin Biennale für zeitgenössische Kunst, Cantz Verlag, Ostfildern, pp. 339–340, “das Titel von die Portfolio ist Nestbeschmutzung”, pp. 377–380
“Kodwo Eshun” (portrait), in: Spex, no. 212 (August), pp. 36–39
“Light”, in: Visionaire, no. 24
“Martin Margiela Summer 98” (photography), in: Purple, no. 1 / Purple Fashion, no. 5 (summer), n. p.
“Michael Clark” (portrait), in: Dazed and Confused, no. 48 (November), pp. 142–145
“Performance” (photography), in: RE, no. 2 (winter), pp. 32–33
“Porno drama” (portraits by “Bruce LaBruce and Tony Ward”, in: Spex, no. 186 (May), pp. 66–67
“Pulp”, in: Jetzt-Magazin der Süddeutschen Zeitung, no. 19, pp. 6–7
“Pulp”, in: Spex, no. 207 (April), pp. 18–21
“Pulp / Jarvis Cocker” (portrait), in: Ray Gun, no. 55, cover and n.p.
“Soldiers—The Nineties” (artist’s pages and text), in: Big, no. 19
“Stuart Shave” (portrait), in: i-D, no. 182 (December), p. 38, “Sure Shot” (photography), p. 104
“Uniformity. Men at war” (artist’s pages and text), in: Big, no. 19, n.p.
“Wolfgang Tillmans for 1998 Cultural Program” (poster), Gay Games Amsterdam
Foreword (text), in: Tillmans, Wolfgang (ed.): “Jochen Klein”, Verlag der Buchhandlung Walther König, Cologne (reissued 2011 at Hatje Cantz, Ostfildern-Ruit)
Insert in: Paradex, no. 1
Studio Voice, vol. 265 (January) (illustration), cover

“Aphex Twin” (portrait), in: Jetzt-Magazin der Süddeutschen Zeitung, no. 38, p. 18
“Concorde” (text), in: Concorde. Wolfgang Tillmans, Verlag der Buchhandlung Walther König, Cologne, n. p.
“Wolkenkratzer” (artist’s pages), in: Süddeutsche Zeitung Magazin, no. 26, pp. 32–41
“Fashion Kate Moss” (photography), in: Vogue (February), pp. 246–251
“Fashion Naomi Campbell” (photography), in: Vogue (November), pp. 356–361
“Gilbert & George” (portrait), in: index (September / October), pp. 44–52
“Goldie” (portrait), in: Spex, no. 202 (September), cover and pp. 24–27
“John Lynch” (portrait), in: Interview (January), p. 44
“John Waters” (portrait), in: index (January), cover and pp. 6, 17
“Kate Moss” (portrait), in: Visionaire, no. 22
“Kate Moss” (portrait), in: Vogue (March), p. 70
“Kraftwerk” (photography), in: Spex, no. 200 (July), p. 9
“Matsuda” (advertisement for Matsuda, also in Matsuda catalogue), in: Interview (April), p. 9
“Matthew Collin and John Godfrey”, in: i-D, no. 163, pp. 58–65
“Nan Goldin”, in: Zeit Magazin, no. 6, cover and pp. 11–19
“Neil Bartlett”, in: Out, no. 40, p. 48
“Phillip” (portrait), in: Honcho (December), pp. 3, 24–31
“Portfolio”, in: Skool of Edge, vol. 2, pp. 52–55
“Supergrass” (portrait), in: Spex, no. 197 (April), cover and pp. 24–27
“Wolfgang Tillmans. Mouse Walk with Me Portfolio” (artist’s pages), in: Landscapes, no. 1, pp. 2–13
“Wolkenkratzer” (artist’s pages), in: Süddeutsche Zeitung Magazin, no. 26, pp. 32–41
“Wu Tang Clan” (portrait), in: Spex, no. 199 (June), cover and pp. 34–39, “Rob Playford” (portrait), pp. 26–29

“Allison Folland”, in: index (February), cover and pp. 6–9
“Bruce LaBruce”, “Tony Ward”, “Rick Castro” (portraits), in: Spex, no. 186 (May), pp. 66–69
“Chateau Portfolio” (artist’s pages), in: Purple Prose, no. 10 (winter), pp. 84–91
“Faridi fashion” (photography), in: Purple Fashion, no. 2, n. p.
“Fashion Model Gillian Wearing”, in: Süddeutsche Zeitung Magazin, no. 16, cover and pp. 42–49; in: Switch, no. 3, pp. 13, 26–39, “Visual Diary #7”, pp. 136–137
“Gallon Drunk”, in: Spex, no. 191 (November), pp. 4–5, “J. Saul Kane”, p. 12
“Gay and Lesbian Parents” (photography), in: Out, no. 2, pp. 90–93, “Permanent Food”, p. 105
“Larry Brown” (portrait), in: index (August), cover and pp. 6–9
“Love Parade ’96” (photography), in: i-D, no. 156, pp. 52–57
“Manifesta 1 Portfolio Project”, in: Blvd. Amsterdam (June), pp. 39, 46
“Mira Nair”, in: index (June), cover and pp. 6–10
“Nan Goldin”, in: Spin (November), p. 82
“Parker Posey”, in: index (November), cover and pp. 6–10
“Portfolio” (artist’s pages), in: Zine, no. 2, pp. 34–40
“Rats” (artist’s pages), in: Shift, exh. cat. Haus der Kulturen der Welt, Berlin, pp. 145–152
“Robbie Williams” (portrait), in: Süddeutsche Zeitung Magazin, no. 38, cover and pp. 18–22
“Suede” (photography and interview), in: Spex, no. 191 (October), pp. 20–21
“The KLF”, in: i-D, no. 151, pp. 36–40
“Twister Fashion”, in: Interview (June), pp. 78–83
“Udo Kier” (portrait), in: index (April), cover and pp. 6–7
“Visual Diary #10” (artist’s pages), in: Switch, no. 6, pp. 156–157
“Visual Diary #9” (artist’s pages), in: Switch, no. 5, pp. 124–125
“Visual Diary #8” (artist’s pages), in: Switch, no. 4, pp. 122–123
“Visual Diary #6” (artist’s pages), in: Switch, no. 2, pp. 138–139
“Visual Diary #5” (artist’s pages), in: Switch, no. 1, pp. 154–155
“Youth and Violence Project”, in: Spex, no. 190 (September), pp. 48–56
Château Marmont Hollywood Handbook, inner cover and pp. 2, 48, 149
Habitat Broadsheet (autumn) (fold out), in: i-D, no. 158, p. 98
Series of 20 postcards, Fotofolio, New York

“Aggressive Skating” (photography), in: Jetzt-Magazin der Süddeutschen Zeitung, no. 44, cover and pp. 3, 8–14
“Andrew Sullivan” (portrait), in: Interview (September), pp. 132–135
“Aphex Twin” (portrait), in: Jetzt-Magazin der Süddeutschen Zeitung, no. 23, p. 14
“Bernadette Corporation”, “Gillian Haratani”, “Elizabeth Peyton” (portraits), in: Purple Fashion, no. 1, n. p.
“Blur” (portrait), in: i-D, no. 145, p. 11
“Blur” (portrait), in: Spex, no. 178 (September), cover, pp. 28-34 and thirty-two-page insert (exh. cat. Portikus, Frankfurt am Main 1995)
“Boss Hog” (portrait), in: Spex, no. 181 (December), pp. 28–31
“Bronx Skaters Reportage” (photography), in: Jetzt-Magazin der Süddeutschen Zeitung, no. 44, cover and pp. 3, 8–14
“Carl Craig” (portrait), in: i-D, no. 139, pp. 22–27
“Chloe Sevigny” (portrait), in: Jetzt-Magazin der Süddeutschen Zeitung, no. 45, pp. 12–13
“Chris Ofili” (portraits), in: i-D, no. 147, p. 38, “Georgina Starr”, p. 39, “Tracey Emin”, p. 42, “Gillian Wearing”, p. 43
“Deana”, “Sister Bliss”, “Smokin’ Jo”, “Queen Maxine and Vikki Red”, “Mrs. Wood”, “Anita Sarko”, “Princess Julia”, “Belinda Becker”, “Rachel Auburn” (portraits), in: Interview (April), pp. 84–91
“Evangelischer Kirchentag” (photography), in: Stern, no. 26, pp. 56–66
“Fake New York Diary”, in: Max (G) (June), p. 170
“Fashion Tristan Webber”, “Alex Bircken Faridi”, “Alexis Panayiotou”, “Lutz Huelle”, in: i-D, no. 144, pp. 16–19, “Gay Pride London and New York”, “Isa Genzken”, “Jochen Klein”, “Inga Humpe” (photography and portraits), pp. 94–97
“Harmony Korine” (portrait), in: i-D, no. 146, pp. 32–36
“How Much Portfolio” (photography), in: Purple Prose, no. 9, pp. 22–29
“Mistress Formika”, “Liv Tyler”, “Margaret Wertheim”, “Dan Matthews”, “Ed Burns”, “Morwenna Banks”, “Grandmaster Flash”, “Michael Bergin”, “Gaetano Pesce”, “Jill Sobule”, “Mariko Mori” (portraits), in: Interview (July), pp. 64–71
“Mizrahi Skirt” (photography), in: Interview (October), p. 98
“News, Cigs, Mags & Teens talk of danger” (photography), in: Permanent Food, no. 1
“Paula, John & Paul Nudes” (photography), in: Brutus, no. 1, pp. 28–37
“Project”, in: Aktuell, no. 13, pp. 10–35
“Ritchie Hawtin / Plastikman” (portrait), in: Spex, no. 171 (February), pp. 24–26
“Sam Sever” (portrait), in: i-D, no. 141, p. 7
“Simon Reynolds and Joy Press” (portraits), in: i-D, no. 138, p. 13
“Take That Fans” (photography), in: Tempo, no. 9, pp. 62–69
“Techno Soul” (text), in: L’Hiver de l’amour, exh. cat. Musée d’art moderne de la Ville de Paris, pp. 8–9
“Visual Diary #4” (artist’s pages), in: Switch, no. 10, pp. 154–155
“Visual Diary #3” (artist’s pages), in: Switch, no. 9, pp. 148–149
“Visual Diary #2” (artist’s pages), in: Switch, no. 8, pp. 146–147

“A Guy called Gerald”, “Deep Blue”, “LTJ Bukem”, “Ray Keith”, “DJ Hype”, “Kenny Ken”, “Jumping Jack Frost”, “Goldie” (portraits), in: i-D, no. 128, pp. 42–46
“Criminal Justice Bill Demo” (photography), in: i-D, no. 130, p. 9, “Erasure”, “Gus van Sant”, pp. 24–28
“Fashion Gillian Haratani”, “Christopher Moore”, “Thuy Phem”, “Tom Borghese and Ramon” (portraits), in: Tempo (May), pp. 92–94
“Fashion Gillian Haratani”, “Christopher Moore”, “Thuy Phem” (portraits), in: Vibe (April), pp. 84–87
“Gay Lifestyles” (photography), in: Tempo (August), cover and pp. 20–25
“Kai Althoff and Justus Koencke” (portrait), in: i-D, no. 132, p. 40, “X-Project / Rebel MC”, p. 83
“Les Anneés Dix? The Nineties Haven’t Happened yet!” (text), in: Purple Prose, no. 6, pp. 60–61
“Madrid i-D Night” (photography), in: i-D, no. 131, pp. 74–75
“Music Technology” (photography), in: i-D, no. 129, pp. 52–58
“Oktoberfest” (photography), in: ADAC Special, no. 22, pp. 84–89
“Portfolio”, in: Switch, no. 7, pp. 130–36
“Portishead”, in: i-D, no. 125, pp. 3, 20, “Ewan McGregor”, p. 19, “Kaliphz”, p. 25 (portraits)
“Ray Brady” (portrait), in: i-D, no. 133, p. 19
“Richard Pandiscio’s Ones to Watch” (photography), in: Interview (March), pp. 26–27
“Richie Hawtin” (portrait), in: i-D, no. 134, pp. 32–36
“Victor & Rolf”, “Pascale Gatzen”, “Marcel Verheijen”, “Saskia van Drimmelen”, “Lucas Ossendrijver” (portraits), in: i-D, no. 126, pp. 38–43
Lutteurs Work Wear catalogues (photography)
Purple Prose (photography), no. 5 (winter), cover and pp. 74–75

“Ambient”, in: i-D, no. 117, p. 3, “Fashion (Brown)”, pp. 14–15 (photography)
“Amsterdam” (photography), in: Time Out Amsterdam, no. 5, pp. 49–55
“Berlin Portraits” (photography), in: Time Out London, no. 1174 (February), cover
“Club Portfolio” (photography), in: Tempo (July), pp. 118–125
“Ears”, in: i-D, no. 115, pp. 12–14, “Suede”, p. 43, “Roland 303”, pp. 58–59, “Dries van Noten Devotees”, pp. 70–71 (photography)
“Fashion Lars”, “Alex and Alex”, “Lutz and Others” (photography), in: Ray Gun (November), pp. 5, 75–80
“Faslane Peace Camp”, in: i-D, no. 118, pp. 14–17, “Fashion Camouflage”, pp. 22–25, “Street Portraits (Lothar Hempel, Alan Belcher and Others)”, pp. 66–67 (photography)
“i-D Night Rimini”, “Ten City”, “Graeme Park”, “Tony Humphries”, “Simon DK”, in: i-D, no. 120, pp. 67–68, “Fashion Sportswear”, pp. 70–73 (photography)
“Liebeskommune“ (photography), in: Amokkoma, Journal Oriental, no. 11, pp. 13–14
“Moby” (portrait), in: i-D, no. 119, pp. 3, 28–31
“Shara Nelson” (portrait), in: Spex (September), pp. 34–35
“Street Fashion”, in: Time Out Amsterdam, no. 3, p. 7, “Tattoo Museum”, “Squats”, p. 8, “Amsterdam”, pp. 12–13, “Clubs”, pp. 23–24, “Gay Nightlife”, p. 34, “Restaurants”, pp. 43–44 (photography)
“Street Portraits” (photography), in: Time Out Student Guide, p. 43
“Survival Stories” (photography), in: i-D, no. 113, pp. 4–8
“Verheißung London: Mehr Härte, mehr Leben” (photography), in: Prinz, no. 10, pp. 54–56
“Vic Reeves and Bob Mortimer”, in: i-D, no. 114, pp. 8–10, “Fashion (Sweaters)”, pp. 68–70 (photography)

“Aids Page” (photography and text), in: i-D, no. 100, p. 50
“Aids Page” (photography), in: i-D Japan, no. 4, p. 43
“Athens Reportage”, “Juan Atkins”, “Darren Emmerson” (photography), in: i-D, no. 105, pp. 10–13, 18–22
“Beastie Boys” (photography), in: Spex (May), pp. 3, 46–48
“Fashion”, in: i-D, no. 102, p. 4, “Florence + Video Stills”, p. 12, “Cyberpunk Technology”, pp. 36–40, “Straight-up Portraits”, pp. 21, 46, 57 (photography)
“Gay Pride London” (photography), in: i-D Japan (December), pp. 86–89
“General Levy”, in: i-D, no. 110, p. 45, “Chemistry Club”, pp. 56–58, “Fashion Like Brother Like Sister Alex & Lutz”, pp. 80–87 (photography)
“Glam Club” (photography), in: i-D, no. 104, pp. 81–82
“Henry Rollins”, in: Spex (April), cover, “Soul II Soul”, pp. 3, 6–7, “Adrian Sherwood”, pp. 38–41 (portraits)
“Levi’s” (photography), in: i-D, no. 106, p. 42
“Mike D” (photography), in: Spex (December), cover and pp. 36–37
“Momus” (portrait), in: Tempo
“My Bloody Valentine”, in: Spex (March), cover and pp. 26–28, “Joey Negro”, pp. 6–7 (photography)
“Public Enemy” (portrait), in: i-D, no. 107, pp. 18–21
“Ragga Twins” (portrait), in: Spex, no. 6, cover
“Ragga”, “Jamaica”, “Shabba Ranks”, “Lady Patra”, in: i-D, no. 111, pp. 4–10 (photography)
“Sega”, in: i-D, no. 108, pp. 60–61, “Dexter Wong”, p. 75, “Chris O’Reilly”, p. 80, “Colin Harvey”, p. 82, “Gay Pride London”, pp. 86–90, “Love Parade, Berlin”, pp. 64–69 (photography)
“Stereo MCs” (portrait), in: Spex (September), cover and p. 22
“Street Portraits Portfolio” (photography), in: Zeit Magazin, no. 38, pp. 24–20
“Suede”, in: i-D now (November supplement), p. 5, “St. Etienne”, p. 7, “Velda Lauder”, p. 8, “Tomoko Yoneda and Jon Barnbrook”, p. 9, “Alan Maughan”, p. 13, “Lawler Duffy”, p. 20, “Al Berlin”, p. 22, “Non-Aligned”, p. 23, “Eugene Soulemen”, p. 24, “Spiral Tribe”, p. 25 (portraits)
“Ten City” (photography), in: Spex (October), pp. 36–38
“Urban Warriors” (photography), in: Time Out London, no. 1201, pp. 4–5

“Electronic” (photography), in: Spex (May), pp. 38–40
“Fashion (Couples)” (photography), in: Prinz (October), pp. 76–79
“Primal Scream”, in: Spex (August), cover and pp. 3, 26–27, “Rebel MC”, pp. 18–20 (portraits)
“Stephen Duffy” (portrait), in: Spex (July), pp. 26–28
“Techno Reportage Gent and Frankfurt” (photography), in: i-D, no. 99, pp. 18–23

“Adamski”, in: Prinz (June), cover and p. 24, “Nightlife”, pp. 42–46, “Friedrich Kurz”, p. 112 (photography)
“Berlin” (text and photography), in: The Face, no. 17 (January), p. 109
“Euroclubbing” (photography), in: The Face, no. 24 (August), p. 70
“First Fashion Story” (photography), in: Prinz (October), pp. 74–78
“Peep Show”, in: Prinz (March), pp. 10–11, “The Weather Girls”, p. 24, “Nightlife”, pp. 30–34, “Yoko Tawada”, p. 38, “Sport Idols + Willi Schulz”, pp. 44–48, “Ulrich Wildgruber”, p. 103 (photography)
“Soul II Soul” (portrait), in: Spex, no. 12, pp. 24–27

Artist’s page (photography), in: Hamburger Rundschau, no. 49, p. 15
“Lutz Huelle”, in: Prinz (September), p. 14, “Gaststätte Sparr”, p. 16, “Boy George”, “Christoph Schafer and Cathy Skene”, in: pp. 24–25, “Hamburg Nightlife”, pp. 30–34 (photography)
“Nightlife” (photography), in: Tango (March), pp. 146–147
“Martin Kippenberger”, “Hendrik Martz”, “Trude Unruh”, “Gerhard Schröder”, “Marius Müller-Westernhagen”, “Alfred Mechtersheimer”, “Uta Ranke-Heinemann”, “Willy Millowitsch”, “Natja Brunkhrse”, “Rainer Fetting”, “Dr. Jürgen Schreiber” (portraits), in: Tempo (September), pp. 50–56
“Opera House” (photography), in: i-D, no. 69, p. 8, “Hamburg i-D Night”, pp. 12–14

This chronological list is alphabetical by author.
If no author is cited, alphabetical lists by article title and publication title then follow.

–––, “Art Exhibitions to Check out this April 2024”, prestigeonline.com, 15 April 2024
–––, “Wolfgang Tillmans at David Zwirner”, emergentmag.com, April 2024
Chak, Ashlyn, “‘Material realities’: German photographer Wolfgang Tillmans’ unedited views of the world on display in Hong Kong show”, scmp.com, 31 March 2024
Queen’s, H, “H Queen’s Highlights Contemporary Artists from Around the World”, prestigeonline.com, 28 March 2024
Queen’s, H, “H Queen’s Brings Art to the Next Level for Arts Month in Hong Kong”, artasiapacific.com, 27 March 2024
Chan, Audrey, “The must-sees in Hong Kong Art Week, from Art Basel and Art Central fairs, to exhibitions and events”, scmp.com, 24 March 2024
Ng, Brady, “10 Must-See Shows during Art Basel Hong Kong”, artsy.net, 22 March 2024
Grouard, Salomé, “Photographer Wolfgang Tillmans wants you to put down your camera and live in the moment”, tatlerasia.com, 22 March 2024
Lai, Ophelia, “Seven must-see exhibitions in Hong Kong”, artbasel.com, 19 March 2024
–––, “Shows to See in Hong Kong: Central, March 2024”, artasiapacific.com, 18 March 2024
Dunster, Flora, Gordon, Theo, “Photography - A Queer History”, Ilex, 2024, pp. 20-21, 202
Whiddington, Richard, “Wolfgang Tillmans Preps New Album, Drops Synth-Heavy Single”, news.artnet.com, 14 March 2024
Kelly, Damara, Tyler, “Wolfgang Tillmans announces his second album, Build from Here”, thelineofbestfit.com, 12 March 2024
Downes, Annabel, "Wolfgang Tillmans Drops Dance Anthem ‘We Are Not Going Back’", ocula.com, 29 February 2024
B., Marke, "Arts Forecast: The cool, clear eye of Wolfgang Tillmans", 48hills.org, 28 February 2024
–––, “Wolfgang Tillmans “We Are Not Going Back", 032c.com, 23 February 2024
Ghassemitari, Shawn, “Wolfgang Tillmans Reflects on Time and Temporality in New Exhibition”, hypebeast.com, 22 February 2024
Flynn, Dana, “SFMOMA’s Expansive Wolfgang Tillmans Exhibition Is A Must-See”, secretsanfrancisco.com, 5 January 2024

Blue, Max, “Wolfgang Tillmans’ 'To Look Without Fear' comes to SFMOMA”, sfexaminer.com, 18 December 2023
Curran, Lara, “What is Wolfgang Tillmans Most Famous For?”, thecollector.com, 3 December 2023
Castillo, Bree, "Wolfgang Tillmans | To Look Without Fear at SFMOMA", flaunt.com, December 2023
Gaskin, Sam, “Wolfgang Tillmans’ Frank Ocean Shows in Shanghai”, ocula.com, 8 November 2023
Maul, Tim, "Wolfgang Tillmans: Fold Me By Tim Maul", brooklynrail.org, October 2023
López Cardozo, Sebastián, "To look without fear is a "constellation" of retrospective photography by Wolfgang Tillmans at Toronto’s Art Gallery of Ontario", The Architect's Newspaper, 18 September 2023
Montagnoli, Livia, "Fabriano Contemporanea. La prima Biennale d’arte nella città marchigiana della carta", Artribune, 3 September 2023
Bradette, Francois, “Tom six autumn photography exhibitions”, vigourtimes.com, 1 September 2023
Ramji, Shazia Hafiz, "Wolfgang Tillmans: Photography's trangible light and sensual witness", in: gallerieswest.ca, 28 August 2023
Lawson-Tancred, Jo, “A New Interactive Networking Site Is Connecting Artists and Curators With Alternative Arts Venues Around the Globe”, in: news.artnet.com, 23 August 2023
Dama, Francesco, "The Sensual Politics of Jochen Klein", Hyperallergic, 16 July 2023
‘Artist-to-Artist’ Celebrates Creative Community at Frieze London 2023, Frieze, 12 July 2023
Tremayne-Pengelly, Alexandra, Acclaimed Artists Will Help Shape Frieze London’s 20th Anniversary Fair, Observer, 22 June 2023
Frankel, Eddy, “Six London exhibitions we can’t wait to see in July 2023”, in: timeout.com, 27 June 2023
–––, “Celebrate Pride Month With These 8 Stunning Artworks from the Artnet Gallery Network”, in: news.artnet.com, 26 June 2023
Halle, Howard, “The ARTnews Guide to Minimalism”, in: artiness.com 26 June 2023
Blythe, Finn, Juan Pablo Echeverri took 8,000 passport-style self-portraits, i-D, 20 June 2023
Seymour, Tom, “At last, photography starts to make inroads into Art Basel”, in: theartnewspaper.com, 15 June 2023
La Barge, Emily, “Pride of Place: Emily LaBarge on Tate Britain’s Rehang”, in: artforum.com, 9 June 2023
Jesús-Szendrey, Mariana De, “Wolfgang Tillmans Braves the New York Smoke To Fête Late Artist Juan Pablo Echeverri”, in: culturedmag.com, 8 June 2023
Curtis, Alastair, “The Chameleonic Self-Portraits of Artist Juan Pablo Echeverri”, in: anothermag.com, 7 June 2023
Macias, Ernesto, James Fuentes and Wolfgang Tillmans Remember Juan Pablo Echeverri, Interview, 7 June 2023
Borrelli, Persson, Laird, “An Oral History of Susan Cianciolo’s Run Collections—And of a Long Lost 1990s New York”, in: vogue.com, 30 March 2023
Boston, Nicholas, “A Look Back for Wolfgang Tillmans”, in: gaycitynews.com, (3 January)
Boston, Nicholas, “The archive is the agent: Exhibition charts trans, feminist, and lesbian educational projects of the 1970s to 1990s, in: gaycitynews.com, (22 March)
Budick, Ariella, “Ming Smith, MoMA Review – A Photographer Who Paints With Light”, in: ft.com, (21 February)
Torrey, Owen, Archive of intimacies: the photography of Wolfgang Tillmans, Xtra, 18 April 2023
Gaskin, Sam, Which Artists Made the TIME100 List in 2023?, OCULA, 14 April 2023
Solomon, Tessa, Wolfgang Tillmans, Simone Leigh, and El Anatsui Make Time’s ‘100 Most Influential People’ List, Artnews, 13 April 2023
Carter, Sue, “Wolfgang Tillmans’ retrospective ‘To Look Without Fear’ brings ’90s style and passion – and lots of Adidas iconography – to the AGO”, in: thestar.com, (10 April)
Walker, Ebonie, Explore the work of award-winning photographer Wolfgang Tillmans at the Art Gallery of Ontario, S Magazine, 7 April 2023
Bishop, Claire, Information Overload, Claire Bishop on the superabundance of research-based art, Artforum, April 2023
Godwin, Alice, “Esben Weile Kjær’s zany tribute to 1990s teenage rebellion”, in: Wallpaper*, (18 February)
Jäger, Anton, “Everything is Hyperpolitical”, in: thepointmag.com, (22 February)
Jamieson, Robb, “Spring into the Season With These Art Shows”, in: ellecanada.com, (11 May)
Jariwala, Abhishek, “Artist Jesse Darling Wins The Prestigious 2023 Turner Prize”, in: art-insider.com, (6 December)
O. Harris, Jeremy, “The 100 Most Influential People of 2023: Wolfgang Tillmans”, in: time.com, (13 April)
Razzall, Katie, “Tate Britain has rehung its art collection: What can we learn?”, in: bbc.co.uk, (23 May)
Reybrun, Scott, “Art Market Has Climbed Above Prepandemic Level, Major Study Says” (uppp), in: nytimes.com, 4 April 2023
Singh, Anita, “BLM moves in under Tate Britain's 'inclusive' rehang”, in: telegraph.co.uk, (23 May)
Spanos, Brittany, “The Mix: Arlo Parks”, in: Rolling Stone, Issue 1372, (February), p. 12
Sausset, Damien, “Wolfgang Tillmans: To Look Without Fear”, in: Art Press, Issue 506, (January)
Shulman, Alexandra, “Alexandra Shulman on Wolfgang Tillmans Kate Sitting 1996”, in: Tate Etc, Issue 58, Summer 2023, p. 83
Sausset, Damien, “Wolfgang Tillmans: To Look Without Fear”, in: Art Press, Issue 506, (January)
Solomon, Tessa, Wolfgang Tillmans, Simone Leigh, and El Anatsui Make Time’s ‘100 Most Influential People’ List, artnews.com, 13 April 2023
Sooke, Alastair, “Six gems to see in Tate Britain’s dramatic rehang”, in: telegraph.co.uk, (7 May)
Tucker, Rebecca, “Wolfgang Tillmans’ photo retrospective starts a conversation - but leaves the dialogue up to us”, in: theglobeandmail.com, (7 April)
Renault, Stéphanie, La Divine Comédie De L'Art, The Art Newspaper, N°51, April 2023, p.24
Jordane de Faÿ, À voir à Bruxelles, Le Quotidien de l'Art, Art Brussels 2023, April 2023, p.28
Wenniger, Susanna, "Susanna Wenniger, Artnet’s Head of Photographs, Traces Ed Ruscha’s Influence in Our Important Photographs Sale", in: news.artnet.com, (20 March)
–––, “Artworks Fit for a Queen”, in: The Yorkshire Post, (26 January), p. 11
–––, “Best Exhibitions Starting in January 2023”, in: tokyoartbeat.com, (6 January)
–––, “Best Exhibitions Starting in February 2023”, in: tokyoartbeart.com, (1 February)
–––, “Photographs Spanning the Centuries to Highlight Phillips’ Spring Auction in New York”, in: artfixdaily.com, (22 March)
Block, Louis, Rae Willis, Jorja, On Wolfgang Tillmans: To look without fear, The Brooklyn Rail, December/ January 2022–23, pp. 74–83

Abraham, Amelia, “‘The inclusive, pansexual 90s seem a long way away’: Wolfgang Tillmans gets retrospective”, in: theguardian.com, (12 September)
Aletti, Vince, “A Trove of Snapshots from a Sly Master of Collage”, in: newyorker.com, (22 July)
Anderson, Matthew, “Wolfgang Tillmans: Older, Wiser, Cooler”, in: nytimes.com, (29 August)
Atherton Lin, Jeremy, “Wolfgang Tillmans’s Ways of Seeing", in: frieze.com, (21 August)
Baldridge, Aimee, “Fall 2022 Photo Exhibits to Mark in Your Calendar”, in: rangefinderonline.com, (1 September)
Bhullar, Dilpreet, “Visual Democracy Underlines Wolfgang Tillmans, ‘To Look Without Fear’”, in: stirworld.com, (November 21)
Blue, Max, “50,000 square feet of contemporary art and design takes over Fort Mason”, in: sfexaminer.com, (18 January)
Bromley, Joe, “All Men Should be More in Touch with their Butthole”, in: Evening Standard: Art Edition, pp. 28-29, (14 October)
Budds, Diana, “Candy-Inspired Tables, an Archive of NYC Water, and More Design Finds”, in: curbed.com, (29 July)
Bulie, Kare, “German star photographer ready for Oslo exhibition: - I get excited by paper”, in: dn.no, (3 March)
Byron, Grace, “Miyake Pleats Please Sightings at Lorna Simpson, Jenny Holzer, and Wolfgang Tillman Exhibitions”, in: observer.com, (20 September)
Cacouris, Christina, “Wolfgang Tillmans’s Immaculately Studied Nonchalance at the MoMA”, in: Blind Magazine, (12 October)
Can Yerebakan, Osman, “Photographer Wolfgang Tillmans shows us ways to look without fear in MoMA survey”, in: theartnewspaper.com, (16 September)
Cascone, Sarah, “Editors’ Picks: 11 Events for Your Art Calendar This Week, From Pride Parties at the Brooklyn Museum to Kimono Fashion at the Met”, in: news.artnet.com, (6 June)
Chan, TF; Tovey, Russell, “At home with Russell Tovey”, in: wallpaper.com, (27 July)
Chevalier, Tracy, Woman in the Window, in: FT Weekend Magazine, pp. 32-35, (21/22 May)
Chow, Vivienne, “What I Buy and Why: Hong Kong Fintech Exec Alan Lau on the Very Real Dangers of Not Reading an Artwork’s Condition Report”, in: news.artnet.com, (26 May)
Collinge, Miranda, “12 Arty Reasons to Visit New York This Autumn”, in: esquire.com (2 November)
Cristi, A., A., “The Museum of Modern Art Presents Wolfgang Tillmans: To look without fear,” in: broadwayworld.com, (2 June)
Cullinan, Nicholas, “A Portrait of Queer History”, in: A Magazine Curated By Erdem, Issue 24, (November)
Duncan, Adrian, “The Irish Times books of the year: Best art books of 2022”, in: irishtimes.com, (26 November)
Emms, Stephen, “The 8 best LGBT weekends away in the UK”, thetimes.co.uk, (12 February)
Enright, Robert, “The Body’s Mystery and Journey - An Interview with Wolfgang Tillmans”, in: Bordercrossings, Vol. 41, No. 2, Issue No. 160, (October 2022), pp. 36 - 53
Fajemisin, Olamiju, “Wolfgang Tillmans”, in Flash Art, No. 341, Vol. 55, (Winter 2022-23), pp. 80-95
Farago, Jason, “MoMA Photo Curator Departs for French Foundation After 2 Years”, in: nytimes.com, (16 September)
Farago, Jason, “The Disappearing World of Wolfgang Tillmans”, in: nytimes.com, (8 September)
Frailey, Stephen, “The Metaphysical Momentum of Wolfgang Tillmans”, in: magazine.photographmag.com, (29 September)
Freeman, Nate, “Inside a Billionaries’ Art-Fueled Bacchanal in the Heart of… Texas”, in: vanityfair.com, (26 October)
Freeman, Nate, ““Who…Are All These People?” Inside Balenciaga’s Unprecedented Fashion Show at the New York Stock Exchange”, in: vanityfair.com, (26 May)
Gladstone, Sophie and Hay, Holly, “10 Wallpaper* Photography Moments of 2022, From Piña coladas to Pipilotti Rist”, in: wallpaper.com, (21 December)
Gluibizzi, Amanda, “Reframed: The Woman in the Window”, in: brooklynrail.org, (31 August)
Goodman, Ellie, “Where to buy art in London: The capital’s best independent galleries”, in: luxurylondon.co.uk, (14 July)
Graver, David, “Trailblazers Park opens in Fire Island Pines Harbor”, in: coolhunting.com, (20 July)
Greenberger, Alex, "Photographer Wolfgang Tillmans’s MoMA Retrospective Is One of the Year’s Best Shows", in: artnews.com, (9 September)
Greenberger, Alex, “MoMA to Stage Extensive Wolfgang Tillmans Survey in September”, in: artnews.com, (17 February)
Greenwood, Douglas, “THE GUi-DE: Erotic art exhibitions and TikTok’s favourite new fashion brand”, in: i-d.vice.com, (18 April)
Harrier, Laura, "Laura Harrier's 5 Favourite Works on Frieze Viewing Room", in: frieze.com, (20 February)
Harris, Gareth, “Wolfgang Tillmans Curates an ICA Benefit in Sotheby’s October London Sales”, in: sothebys.com, (5 October)
Hawley, Anthony, "Euphoria and Loss: Wolfgang Tillmans at the Museum of Modern Art", in: Art in America, (14 November)
Hoffman, A.R., “Wolfgang Tillmans Takes MoMA by Storm”, in: nysun.com, (20 September)
Hullander, Megan, “Document celebrated ten years at The Broken Arm with a collection of images from the archive selected by Raf Simons”, in: documentjournal.com (29 June)
Irwin, Michael, “Taipei Dangdai’s Results Bode Well for Art Basel Hong Kong and the Asia Pacific Market”, in: ocula.com, (24 May)
K. Scott, Andrea, “Fall Art Preview”, in: newyorker.com, (6 August); “Fall Preview”, in: The New Yorker, NY, USA, (August 15)
Keh, Pei-Ru, “Wolfgang Tillmans on shaping photography as we know it: ‘I want to lay reality bare’”, in: wallpaper.com, (10 September)
Khadra, Fai, "Fai Khadra's 5 Favourite Works on Frieze Viewing Room", in: frieze.com, (16 February)
Kleber, Birgit, “Birgit Kleber: Photographers”, in: loeildelaphotographie.com, (29 July)
Kitnick, Alex, “Make Life Beautiful, Alex Kitnick on the art of Wolfgang Tillmans”, in: Artforum, Vol. 61, No. 2, October 2022, pp. 135 - 145
Lee, Denny, “Striking a Pose”, in: nytimes.com, (18 September)
Lloyd-Smith, Harriet “Year in Review: Top 10 Art Interviews of 2022, Chosen by Wallpaper* Arts Editor Harriet Lloyd-Smith”, in: wallpaper.com, (24 December)
Lowery, Vaughn, “Kae Tempest – Move”, in: the360mag.com, (11 November)
Lynskey, Dorian, “We’ve always been very good at enjoying ourselves’: Ewen Spencer’s photographs of a lost clubbing generation”, in: theguardian.com, (20 February)
Macias, Ernesto, “Joseph Altuzarra Wants You to Know Alvin Baltrop”, in: interviewmagazine.com, (December 21)
Maitland, Hayley, “14 Classic Restaurants For Outdoor Dining In London”, in: vogue.co.uk, (29 July)
Marwaha, Aastika, “Photographer Devashish Gaur on finding the true language of love in visual storytelling”, in: vogue.in, (4 May)
McCoole, Veena, “The 10 best Booths at Frieze London and Frieze Masters 2022”, in: artsy.net, (13 October)
Minoru, Shimizu, "Where do we come from? What are we? Where are we going?", in: icakyoto.art, (26 September)
Moroz, Sarah, “An art show probing intimacy & vulnerability through fashion”, i-d.vice.com, (28 November)
Moroz, Sarah, "The photographer capturing the misrepresented suburbs of northeastern Paris”, in: i-d.vice.com, (14 July)
Moss, Jack, “Why Anselm Kiefer’s majestic concrete towers backdropped Tod’s latest runway show”, in: wallpaper.com (29 September)
Needham, Alex,”Wolfgang Tillmans on making the ICA rave: ‘It is underground, progressive and has a really late licence’”, in: theguardian.com, (11 October)
Newsom, Sean, “Autumn’s six big blockbuster exhibitions and how to do them”, in: thetimes.co.uk, (14 September)
Onufrowicz, Martin, “Six BUTT fans reflect on the pink homosexual bible”, in: dazeddigital.com, (16 March)
Packard, Cassie, "The Ever-Protean Wolfgang Tillmans", in artreview.com, (22 November)
Ptak, Guillaume, “A Label Invaded: Ukrainian DJs, Musicians, Mix Art, and War”, in: whowhatwhy.org, (14 May)
Rea, Naomi, “‘It’s Just Like the Old Days’: Art Basel Opens With Eight-Figure Sales and a Wave of Global Buyers as the Market Looks to Dance ‘Til the Music Stops”, in: artnet.com, (14 June)
Rimanelli, David, "Wolfgang Tillmans: To look without fear", in: 4columns.org, (14 October)
Saltz, Jerry, “The Best New York Art Shows of 2022”, in: vulture.com, (8 December)
Saltz, Jerry, “Wolfgang Tillmans Changed What Photos Look Like”, in: vulture.com, (9 September)
Schjeldahl, Peter, “The Polymorphous Genius of Wolfgang Tillmans”, in: newyorker.com (10 October)
Schwabsky, Barry, “Schjeldajl’s Art”, in: thenation.com, (26 October)
Seward, Mahoro, “The CSM graduate bringing lingerie-like delicacy to techwear”, in: i-D.vice.com, (25 May)
Smee, Sebastian, “Wolfgang Tillmans’s ’90s photo tour is a blast. But is it great art?” in: washingtonpost.com, (15 September)
Stallabrass, Julian, “Documents for the Edges of Conflict, James Hockey Gallery, Farnham”, in: Art Monthly, No. 453, (February)
Steele, Heather, “The Best Exhibitions To Book Now” in: sheerluxe.com, (19 January)
Sandhu, Sukhdev, “Wolfgang Tillmans has the time of his life at MoMA” in: apollo-magazine.com, (24 October)
Templeton, Lily, “Exclusive; Olly Shinder is Dover street Market Paris’ Latest Recruit”, in: wwd.com, (28 September)
Tillmans, Wolfgang; Dafoe, Taylor, “If We Are All That Lonely, It Can’t be That Bad”: Wolfgang Tillmans on the Universal Thoughts Behind His Heart-Breakingly Visceral Photos”, new.artnet.com, (28 September)
Tillmans, Wolfgang, “Wolfgang Tillmans on Observation and ways of seeing”, in: crackmagazine.net, (28 January)
Wally, Maxine, “At Trailblazers Park in Fire Island Pines, Queer Icons Get Their Due”, in: wmagazine.com, 26 July 2022
Welling, James, “Icestorm, 2001”, in: brooklynrail.org, December 2022 – January 2023
Woodward, Daisy, “Fall Has fallen: Here Are the Best Things to Do This September”, in: anothermag.com, (2 September)
Woodward, Richard B., “Wolfgang Tillmans: To Look Without Fear’ Review: A Photographer’s Zest for Life”, in: wsj,com, (10 September)
Wullschläger, Jackie, "A Century of the Artist’s Studio — a spellbinding adventure through time and place", in: financialtimes.com, (16 February)
Yin Zhang, Lisa, “The Top 10 Shows in the US of 2022”, in: frieze.com, (16 December)
Zhang, Tianwei, “i-D Magazine Marks Anniversary With Book Launch at Dover Street Market”, in: wwd.com, (22 April)
–––, “10 Art Shows We Can’t Wait to See in 2022 With work by W.E.B. Du Bois, Wolfgang Tillmans, and a new, old venue for the NY Art Book Fair.”, in: vulture.com, (3 September)
–––, “Announcing the 2022 PhotoBook Awards Shortlist”, in: aperture.org, (3 October)
–––, “Art Industry News: Is the World Ready for a K-Art Explosion? South Korea Is Pouring Cash Into a Museum Boom + Other Stories”, in: news.artnet.com, (23 May)
–––, “Art Industry News: National Portrait Gallery Will Raise a Whopping $50 Million to Buy ‘Portrait of Omai’ + Other Stories”, in: news.artnet.com, (31 August)
–––, “Bildhalle: Marguerite Bornhauser: Étoile Rétine”, in: loeildelaphotographie.com, (6 September)
–––, “Introducing Wink and Smile, a book that celebrates 40 years of i-D”, in: i-D.vice.com, (20 April)
–––, “Cheerio, Duckie: regulars look back at the LGBTQ+ club that broke the mould, in: theguardian.com, (5 June)
–––, “Christie's sets new record for Wolfgang Tillmans”, in: ca.phaidon.com, (15 January)
–––, “Climate Activists Damage Rubens Paintings Frame, British Museum Receives Chinese Jades, and More: Morning Links from August 30, 2022”, in: artnews.com, (30 August)
–––, “Discover “Une Seconde d’Éternité” Exhibition at Bourse de Commerce”, in: designscene.net, (22 July)
–––, ”Photographers Wolfgang Tillmans and Adraint Khadafi Bereal Met on Instagram, Fear Its Influence”, in: culturedmag.com, (12 September)
–––, “Power 100, Wolfgang Tillmans”, in: artreview.com, (1 December)
–––, "The ICA 75th Anniversary Auction, London, Sotheby’s", (15 October) pp. 98-99 (C)
–––, “Wolfgang Tillmans: To Look Without Fear”, in: The Week (30 September)
–––, “Wolfgang Tillmans “To Look Without Fear” @ MoMA”, in: juxtapoz.com, (1 September)
–––, “V&A Dundee opens ground-breaking Michael Clark exhibition”, in: dundeeandanguschamber.co.uk, 4 March 2022
–––, “Wolfgang Tillmans’ cosmic worldview”, in: ca.phaidon.com, (18 January)
–––, “Wolfgang Tillmans donates work to AUB’s Annual Photography Auction Event”, in: aub.ac.uk, (23 March)
–––, “Wolfgang Tillmans, London Olympics, 2012”, Aperture 246, Celebrations, Spring 2022, p. 50 (Spring)
–––, ““Wolfgang Tillmans: To Look Without Fear” Is NYC’s First Comprehensive Survey of His Work”, in: lomography.com, (6 September)
–––, “Wolfgang Tillmans: To Look Without Fear”, in: apollo-magazine.com, (2 September)
–––, “Wolfgang Tillmans. Perspektive – To look without fear / MoMA, New York”, in: Verlag der Buchhandlung Walther und Franz König, (Herbst/Fall) pp. 62-63

Ackermann, John, "North Vancouver art exhibit showcases a history of photography through food", in: citynews1130.com, (27 January)
Allen, Dan, “LGBTQ at shows are lighting up museums from Boston to Berlin”, in: nbcnews.com, (10 July)
Anapur, Eli, “Mumok Presents Wolfgang Tillmans Explorations Of Our Social Landscape”, in: widewalls.ch, (27 November)
Anderson, James, “A guide to what we’re leaving in 2020 and what we’re taking into 2021”, in: i-d.vice.com, (4 January)
Baddeley, Nicole, “AUB one of the best in the UK for creatives”, in: bournemouthecho.co.uk, (7 October)
Bayar, Devrim, “Wolfgang Tillmans”, in: dasartes.com.br, (1 July)
Beanland, Chris, “A design-led city: The best of Lisbon’s arty hotels and restaurants”, in: euronews.com, (25 June)
Bengston, Ben, “Feast for the Eyes exhibit at The Polygon explores photo history through food”, in: vancouverisawesome.com, (20 February)
Berhanu, Manny, “Art World Reunites at Frieze London & Frieze Masters 2021”, in: artsandcollections.com, (19 October)
Block, Fang, “British Actor Russell Tovey Curates Sotheby’s Contemporary Sale in London”, in: barrons.com, (30 Mach)
Borchhardt Birbaumer, Brigitte, “Wolfgang Tillmans - New media folds”, in: nenroll-nenroll.com, (18 December)
Buck, Louisa, “’Like witnessing my own funeral’: Michael Landy’s possession-pulverising performance piece Break
Down turns 20”, in: theartnewspaper.com, (10 February)
Buhr, Elke, “Wir Sehen Die Verpackungen Der HIV-Medikamente, Die Wolfgang Tillmans Sammelte”, in: Monopol, (November), p.68
Capone, Emily, Ed. Blavat, Ben “Exhibition Review: Wolfgang Tillmans”, in: muséemagazine.com, (8 December)
Cassady, Daniel, “Los Angeles gallery Regen Projects brings on two new directors Bryan Barcena and Stephanie Dudzinksi”, in: theartnewspaper.com, (22 June)
Dafoe, Taylor, “‘I Like the Wetness of the Process’: Artist Trobjørn Rødland on the Pleasure and Perversion of Analog Photography”, in: news.artnet.com, (12 February)
Dawson, Brit, “Clubs are now cultural institutions in Germany”, in: dazeddigital.com, (6 May)
Dinsdale, Emily, “Marina Abramovic, Dua Lipa, and more reveal the soundtrack to their lives”, in: dazeddigital,com, (23 April)
Eede, Christian, “’No Photos on the Dancefloor!’: New Compilations Span Berlin Techno From 1992 to Today”, in: djmag.com, (7 May)
Ekserdjian, David, “four books by Wolfgang Tillmans review: thrilling, explicit and dazzling”, in: standard.co.uk, (11 February)
Elbaor, Caroline, “In Town for Paris Art Week? Here Are 7 Must-See Museum Shows From Martin Margiela, Marlene Dumas, and Other Artists”, in: news.artnet.com, (19 October)
Fairley, Gina, “Susanne Cotter appointed new MCA Director”, in: artshub.com.au, (22 July)
Farrell, Aimee, “A Swedish Design Duo’s Eclectic 18th Century Apartment”, in: nytimes.com, (18 March)
Freeman, Nate, "Wet Paint: Frank Ocean Moves Into a Storied Studio Building, Hong Kong Hits Dealers With New Quarantines, & More Art-World Gossip", in: news.artnet.com, (26 February)
Gerlls, Melanie, “Osinachi to offer first African artist’s NFT at Christies”, in: ft.com, (30 September)
Giles, Oliver, “5 Artists Who Have Been Inspired By Hong Kong”, in: asiatatler.com, (21 May)
Giles, Oliver, “10 International Galleries To Visit At Art Basel Hong Kong 2021”, in: hk.asiatatler.com, (18 May)
Gladstone, Sophie, “Through the lens of photographer Dan Ipp”, in: wallpaper.com, (9 May)
Gosling, Emily, “Juergen Teller and Wolfgang Tillmans respond to ‘digital addiction’ in new project PRSNT”, in: creativeboom.com, (13 April)
Hall, Michael, “Wolfgang Tillmans: “Concrete Column””, in: officemagazine.net, (17 November)
Hilton, Amy, “Wolfgang Tillmans: Today Is The First Day”, in: tlmagazine.com, (14 July)
Hohmann, Silke, Wolfgang Tillmans' 'Bilder ohne Kamera haben sich zur eigenen Werkgruppe formiert', in: Monopol, (May), pp.132-134
Holmes, Helen, “At Frieze New York 2021, Several Booths Sold Out Completely”, in: observer.com, (10 May)
Holmes, Helen, “David Zwirner Will Launch ‘Program’, a New Livestreaming Event, in June”, in: observer.com, (6 May)
Imola, Kiss, “Wolfgang Tillmans: Our bodies should be enjoyed, we should not be ashamed”, in: 444.hu, (15 June)
Jacquet, Matthieu, “Meet Wolfgang Tillmans, the photographer who explores the corners of the sensitive world”, in: numero.com, (28 May)
Kent-Smith, Jasmine, “Wolfgang Tillmans, Jeff Mills and rRoxymore contribute to new compilation, REIF01”, in: crackmagazine.net, (20 October)
Kinsella, Eileen, “Celeb Podcaster Russell Tovey’s Sotheby’s Sale Generates $8.5 Million – and Fierce Competition for Young Stars”, in: news.artnet.com, (14 April)
Laborie, Aurore, “A delectable food photography art exhibit is coming to Vancouver this spring”, in: dailyhive.com, (27 January)
Luquet-Gad, Ingrid, “”Lumière du matin”: Wolfgang Tillmans back at the Chantal Crousel gallery”, in: lesinrocks.com, (7 June)
M. Belmore, Ryan, “Newport Art Museum to present ‘Scandalous Conduct | 1919 Newport’”, in: whatsupnewp.com, (7 June)
Manicardi, Matilde, “Wolfgang Tillmans, Lumière du matin – Galerie Chantal Crousel”, in: exibart.com, (30 June)
Middleton, William, “Oliver Dweck's Visions of Simplicity”, in: wmagazine.com, (19 May)
Needham, Alex, “Wolfgang Tillmans on space, Brexit and Covid: ‘Let’s hope we get on a dancefloor soon’, in: theguardian.com, (30 June)
Needham, Alex, “Let’s hope we get on a dancefloor soon”, in: The Guardian G2, pp. 8-9, (30 June)
Oltermann, Philip, “Rausings targeted in protest against Berlin bookshop eviction”, in: theguardian.com, (22 April)
Oppenheimer, Daniel, “Photographer Sebastien Boncy Chronicles Life in Houston’s Concrete Jungle”, in: texasmonthly.com, (29 June)
Palumbo, Jacqui, “A photographer shows the beauty of their transition through vivid self-portraits”, in: edition.cnn.com, (24 February)
Patel, Andy, “Bottega Veneta: From the Darkness of Berghain to the Web”, in: eminetra.com, (4 September)
Quin, John, “Everything Under The Sun: The Passions Of Wolfgang Tillmans”, in: thequietus.com, (7 August)
Romack, Coco, “Anne Imhof’s Unnerving Hall of Mirrors”, in: nytimes.com, (2 June)
Sambou, Raissa, “Ghana: Exhibition of German Artist’s Work Opens Oct 8, At Museum of Science and Technology, Accra”, in: allafrica.com, (30 September)
Sisley, Dominique, “”It Shouldn’t Be Exclusive”: Russell Tovey’s Guide to Art Collecting”, in: anothermag.com, (30 March)
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Solomon, Tessa, “ICA London Director to Step Down, Citing Need to ‘Hand Over to the Next Generation’”, in: artnews.com, (10 August)
Spero, Josh, “The Disassembly line: how Michael Landy tore his life apart”, in: ft.com, (30 January)
Stathaki, Ellie, “Globalisation, urbanity, the pandemic and more explored at MAAT Lisbon show”, in: wallpaper.com, (6 April)
Strauss, Matthew and Jazz Moore, “Powell Announces Piano Music 1-7, Shares New Song: Listen”, in: pitchfork.com, (21 July)
Thompson, Rachel, “35 LGBTQ people present ‘a guidebook for the next 10 years of activism’”, in: mashable.com, (29 June)
Wallersteiner, Rebecca, “Foundling Portraits Campaign”, in: hippocraticpost.com, (11 December)
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Wheeler, Lincoln, “Exploring Hollywood, L.A.’s ‘Central Beating Heart’”, in: losangeleno.com, (22 December)
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Yazdani, Sara, “Wolfgang Tillmans's Abstract Meditations and Other Ecologies”, in: Afterimage, Vol. 48, Number 2, pp. 109–130
Yotka, Steff, “Watch Lutz Huelle Transform a Tee Into a Slinky Going Out Top”, in: vogue.com, (22 April)
–––, “Adam Charlap Hyman, Sissel Tolass and Over 100 Creatives Capture The Pandemic As Still Life”, in: culturedmag.com, (17 June)
–––, “Arles 2021: Masculinities: Liberation Through Photography”, in: loeildelaphotographie.com, (9 July)
–––, “Artangel Co-Directors James Lingwood and Michael Morris To Step Down”, in: artlyst.com, (9 July)
–––, “Businessman makes 7-Figure gift to Morehouse”, in: atlantadailyworld.com, (19 February)
–––, ““Concrete Column” Explores Wolfgang Tillmans Boundless Curiosity”, in: hypebeast.com (15 November)
–––, “Damiani : Stephen Frailey : Looking at Photography”, in: loeildelaphotographie.com, (23 March)
–––, “David Zwirner Presents More Life. Opening June 24”, in: en.martincid.com, (25 June)
–––, “Europa-T-Shirts by Wolfgang Tillmans”, in: halle-fur-kunst.at, (14 May)
–––, “Explore music made by artists in Zak Group’s NTS show”, in: thevinylfactory.com, (7 June)
–––, “German artists call for support of Afghan colleagues”, in: hindustantimes.com, (8 September)
–––, “illycaffè joins Sfmoma to give life to Art Bash”, in: efanews.eu, (8 April)
–––. “juergen teller and wolfgang tillmans address overconsuming & digital addiction in ‘PRSNT’”, in: designboom.com, (14 April)
–––, “Live Now on Artnet Auctions: A Monumental Seascape by Wolfgang Tillmans Captures the Fragility of Nature”, in: news.artnet.com, (17 November)
–––, “On the death of the photographer FC Gundlach: fashion photography as art and dialogue”, in: maretresearchtelecast.com, (26 July)
–––, “Opening of two exhibitions at the Museum moderner Kunst Stiftung Ludwig Wien”, in: art.salon, (27 November)
–––, "Power 100, Wolfgang Tillmans", in: artreview.com
–––, “Russia’s Tretyakov Gallery to exhibit wide range of modern European art”, in: tass.com, (5 October)
–––, “Saturday at Frieze New York”, in: frieze.com, (8 May)
–––, “Stefan Kalamár to Depart as Director of London ICA”, in: artforum.com, (10 August)
–––, “Summer selections”, in: monocle.com, (12 July)
–––, "TASCHEN : Wolfgang Tillmans : four books – 40th Anniversary Edition", in: loeildelaphotographie.com, (8 January)
–––, “The Artspace Art for Life Interview with Adam Clayton”, in: artspace.com, (23 June)
–––, “The Best Photography Festivals Open this April”, in: phmuseum.com, (1 April)
–––, “Wolfgang Tillmans: Moon in Earthlight at Morena di Luna”, in: artefuse.com, (4 September)
–––, “25 works under $25,000 from Frieze New York”, in: frieze.com, (5 May)

Abel-Hirsch, Hannah, The £20 newspaper raising money for charities during the pandemic, in: bjp-online.com, (30 April)
Armstrong, Annie, “Inside the Arts Initiatives That Allows Those In Prison To Work with Ai Weiwei, Wolfgang Tillmans on Handmade Embroideries”, in: garage.vice.com, (1 March)
Bakare, Lanre, “Wolfgang Tillmans enlists artists to help venues threatened by Covid-19”, in: theguardian.com, (21 April)
Bear, Panda, BJ, “Foundation Louis Vuitton | Cindy Sherman Retrospective & Crossing Views”, in: flaunt.com, (5 March)
Bishara, Hakim, “Wolfgang Tillmans Gets Artists to Sell $50 Posters for Global Fundraiser”, in: hyperallergic.com, (23 April)
Brennan, Orla, “Tilda Swinton Joins the Campaign to Save Derek Jarman’s Prospect Cottage”, in: (22 January)
Brown, Kate, “’Please Believe These Days Will Pass’: David Hockney, Tomás Saraceno, and Other Famous Artists Share Messages of Hope”, in: news.artnet.com, (19 March)
Buck, Louisa, “Wolfgang Tillmans gets artist friends to make posters to help cultural spaces during lockdown”, in: theartnewspaper.com, (22 April)
Burley, Isabella, “Things to Do in Self-Isolation: Isabella Burley’s Guide”, in: anothermag.com, (8 April)
Brown, Kate, “’Record-Keeping Is Never Neutral’: Wolfgang Tillmans on How Photography Can Be used as a Potent Political Tool for Change”, in: artnet.com, (11 March)
Cascone, Sarah, “Photographer Wolfgang Tillmans Has Enlisted His Art-Star Friends to Make $50 Posters to Benefit Shuttered Nightclubs and Art Spaces”, in: news.artnet.com, (22 April)
Clarke, Patrick, “Youth & Young Manhood: Mura Masa”, in: diymag.com, (5 February)
Da Silva, Jose, “Where to buy art that supports good causes during the coronavirus pandemic”, in: theartnewspaper.com, (6 May 2020)
Da Silva, Jose, “Three exhibitions to see in London this weekend”, in: theartnewspaper.com, (28 February)
Dams, Tim, “ICA Becomes U.K.’s First Major Arts, Film and Theater Venue to Close Doors”,in: variety.com, (16 March)
Desaive, Pierre-Yves, Wolfgang Tillmans: ‘Today is the First Day’, Wiels Brussels”, in: Flash Art, (April–May), p.124
Di Liscia, Valentina, “Berlin Nightclubs Seek the Same Federal Protections as Theaters and Opera Houses”, in: hyperallergic.com, (19 February)
Dinsdale, Emily, “5 lessons from artists making work during an emergency”, in: dazeddigital.com (14 April)
Dukich, Steph, “Guanyu (Gary) Xu’s “Temporarily Censored Home” Takes a Maximalist Approach to Collective Identity”, in: wesletargus.com, (11 February)
Estiler, Keith, “Artists & Prisoners Collaborate on Unique Artworks For ‘Human Touch’ Show & Auction”, in: hypebeast.com, (5 February)
Estiler, Keith, “Wolfgang Tillmans’ Deceased-Spanning Photography Spotlighted at WIELS”, in: hypebeast.com, (11 March)
Estilier, Keith, “Wolfgang Tillmans Is Selling Art Posters to Support Venues Impacted by COVID-19”, in: hypebeast.com, (22 April)
Fisher, James, “£3.5m campaign launched to saved Derek Jarman’s iconic Prospect Cottage for the nation”, in: countrylife.co.uk, (22 January)
FIshwick, Samuel, “Masculinities: Liberation Through Photography review – Ideals of manhood to shock and delight”, in: standard.co.uk, (19 February)
Foster, Greg, “Editor’s Letter: When it clicked”, in: architecturaldigest.in, (17 March)
Hack, Jefferson, “Jefferson Hack: CANDY Magazine and the True Love of Magazine Making”, anothermag.com, (17 March)
Halperin, Julia, “With the Launch of Two More Online Sales Initiatives, Mega-Gallerist David Zwirner Says He Is Already Envisioning Less Need for Art Fairs”, in: news.artnet.com, (6 April)
Harold, Theresa, “Fashion And Art 101: 8 Fashion Brands Leading The Pack In Art Patronage”, in: asiatatler.com, (19 March)
Hawthorn, Carlos, 40 artists, including Wolfgang Tillmans and Andreas Gursky, donate posters to venues and projects hit by pandemic, in: residentadvisor.net, (27 April)
Hickley, Catherine, “Berlin museums announce ‘painful’ end to loan of ‘one of the world’s most outstanding contemporary art collections’”, in: theartnewspaper.com, (24 April 2020)
Hudson, Mark, “Does the Barbican’s Masculinities exhibition have important things to say about men?”, in: independent.co.uk, (21 February)
Lawless, Jill, “Tilda Swinton backs public appeal to buy Derek Jarman House”, in: nsnews.com, (22 January)
Malvern, Jack, “Swinton’s plea for director’s garden”, in: thetimes.co.uk, (23 January)
Maximov, Dane, “Bogdan Shirokov captures a softer side of Moscow’s youth”, in: i-d.vice.com, (11 March)
Mehr, Bob, “Famed Memphis photographer William Eggleston offers poster to aid community organizations”, in: eu.commercialappeal.com (1 June)
Nowill, Rob, “This Year’s Turner Prize Has Ten Winners”, in: hypebeast.com, (3 July)
Oliver, Huw, “Top artists are selling posters to support struggling venues”, in: timeout.com, (22 April)
Palumbo, Jacqui, “Wolfgang Tillmans Wants You to Find Spirituality in Photography”, in: artsy.net, (28 February)
Park, Ji-won, “HYUKOH says ‘love is alternative over questions for cycle of beginning and end’”, in: koreatimes.co.kr, (21 February)
Pauly, Alexandra, “Foundation Louis Vuitton To Present One of Europe’s Largest Cindy Sherman Retrospectives”, in: hypebae.com, (2 January)
Pickford, James, “Artists and actors seek £3.5m to preserve Derek Jarman’s Kent beach house, in: ft.com, (22 January)
Prisco, Jacopo, “Tilda Swinton launches $4.6m campaign to save legendary filmmaker’s home”, in: edition.cc.com, (23 January)
Raskin, Laura, “Beatrice Galilee’s Next Move”, in: architecturaldigest.com, (23 January)
Renshaw, David, “Mura Masa is looking backwards to move forwards”, in: thefader.com, (17 January)
Rosen, Miss, “The subversive photographs of ‘masculinity’ that challenged tradition before their time”,
in: documentjournal.com, (21 February)
Rugoff, Laszlo, “Wolfgang Tillmans collects prints by 40 artists in aid of cultural institutions affected by Covid-19”, in: thevinylfactory.com, (30 April)
Sharratt, Chris, “’Perverse Situation’: How the UK’s New Immigration Rules Will Hit the Art World”, in: frieze.com, (17 March)
Scott, Andrea K., “2020Solidarity Posters”, in: newyorker.com, (17 May)
Sharratt, Chris, “Why We Must Save Derek Jarman’s Cottage”, in: frieze.com, (29 January)
Smyth, Diane, “Alona Pardo on destabilising the myths surrounding masculinity”, in: bjp-online.com, (17 February)
Smyth, Diane, “Barbican curator Alona Pardo on the themes and ideas behind Masculinities: Liberation through Photography”, in: bjp-online.com, (2 May)
Song, Sanda, ‘This Art Sale Is Fundraising for Queer NYC Nightlife’,in: papermag.com, (18 July)
Stanley, Jack, “Wolfgang Tillmans, Martin Parr and More Join Anti-Racism Photography Fundraiser”, in: hypebeast.com, (3 July)
Stansfield, Ted, “Solidarity: Wolfgang Tillmans on His Poster Project to Support the Arts”, in: anothermag.com, (30 April)
Urist, Jacoba, “Independent New York offers fair fatigue anecdote”, in: theartnewspaper.com, (4 March)
Vandenbrouck, Melanie, “‘We are on the brink of a different world’ – Caroline Lucas MP turns to curating”, in: Apollo-magazine.com, (14 January)
Waite, Thom, “A suit signed by cinema stars aims to help save Derek Jarman’s cottage”, in: dazeddigital.com, (6 February)
Weaver, Ros, “Prisoner-made artworks designed with stars from Ai Weiwei to Wolfgang Tillmans on sale at Sotheby’s”, in: telegraph.co.uk, (26 February)
Whaite, Tom, “David Hockney, Olafur Eliasson, and more share hopeful messages and artwork”, in: dazeddigital.com, (19 March)
Whittle, Andrea, “Wolfgang Tillmans’s 2020 Solidarity Project Approaches Aid in a New Way”, in: wmagazine.com, (30 April)
Woodward, Daisy, “Good Trouble, the “DIY Activist-Arts Broadsheet” You Need to Read”, in: anothermanmag.com, (26 February)
Yalcinkaya, Gunseli, “A second man has been cured of HIV – here’s what you need to know”, in: dazeddigital.com, (11 March)
Yalcinkaya, Gunseli, “Wolfgang Tillmans is selling £50 artworks to help venues shut in lockdown”, in: dazeddigital.com, (23 April)
Yves-Desaive, Pierre, “Wolfgang Tillmans ‘Today is the First Day’” Wiels / Brussels, in: flash---art.com, (14 May)
Zonneveld, Rolien, “Buy a print from your favourite photographers and help tackle deforestation”, in” i-d.vice.com, (23 July)
–––, “After 47 years in the EU family, a divided Britain leaves for an uncertain future. Here voices from the other 27 states bid farewell”, in: theguardian.com, (1 February)
–––, “Artists launch fundraiser to preserve Derek Jarman’s home and garden”, in: artforum.com, (24 January)
–––, “Wolfgang Tillmans First Major Solo Exhibition In Belgium Announced”, in: artlyst.com, (29 January)
–––, “20 Essential Museum Shows to See in Europe in 2020, From Matisse at the Pompidou to Lynette Yiadom-Boakye at Tate Britain”, in: news.artnet.com, (2 January)
–––, “Art Industry News: Chloe Sevigny, Who Basically Invented the Art Boy, Is Having a Baby With Her Gallerist Boyfriend + Other Stories”, in: news.artnet.com, (9 January)
–––, “A Cindy Sherman Retrospective Arrives at the Foundation Louis Vuitton in Paris This Spring”, in: artfixdaily.com, (21 January)
–––, “Tilda Swinton and Jeremy Deller sell art to save Derek Jarman’s house”, in: news.yahoo.com, (23 January)
–––, “Artists Launch Campaign To Save Derek Jarman’s Seaside Home”, in: artlyst.com, (23 January)
–––, “Good Trouble, the “DIY Activist-Arts Broadsheet” You Need to Read”, in: anothermanmag.com, (24 February)
–––, “Sew unique: last chance to bid for textile works made by artists and prison inmates”, in: theartnewspaper.com, (2 March)
–––, “The Polygon Gallery Will Present the Canadian Premiere of FEAST FOR THE EYES”, in: broadwayworld.com, (5 March)
___, “Crowdfunding Campaign Saves Derek Jarman’s Prospect Cottage”, in: artforum.com, (31 March)
–––, “Wolfgang Tillmans rallies over 40 artists to support grass-roots organisations”, in: artreview.com, (21 April)
–––, “Wolfgang Tillmans launches $50 posters to support shuttered nightclubs and art spaces”, in: news.yahoo.com, (23 April)
–––, “Wolfgang Tillmans Enlists Artists to Make $50 Posters to Support Nightlife Venues”, in: artnews.com, (23 April)
–––, “Show solidarity! Artists’ posters to help struggling arts venues – in pictures”, in: theguardian.com, (28 April)
–––, “This week’s best culture, at home – from superlative Shakespeare to a walk along Offa’s Dyke”, in: theguardian.com, (3 May)
–––, “Art Diary: Works from the Julia Stoschek Collection”, in: apollo-magazine.com, (22 May)

Abel-Hirsch, Hannah, “Three decades of Berlin club culture”, in: bjp-online.com, (5 September)
Alleyne, Allyssia, “Edward Enninful Will Present The 2019 Turner Prize”, in: vogue.co.uk, (7 November)
Amaral, Rui Mateus, Sashay Away, in: artforum.com, (8 October)
Angeleti, Gabriella, “Wolfgang Tillmans is the new chair of London’s Institute of Contemporary Arts”, in: theartnewspaper.com, (30 September)
Bell, Elsie, “Anish Kapoor’s unfortunately suggestive Brexit artwork is a perfect lesson in how not to make art about politics”, in: prospectmagazine.co.uk, (4 April)
Bloom, Madison, “Frank Ocean reissues “Boys Don’t Cry” magazine”, in: pitchfork.com, (25 February)
Bobowicz, Joe, “Wolfgang Tillmans shows the fragile, communal and homosexual at Maureen Paley”, in: showstudio.com, 27 July 2019
Buck, Tobias, “Artist Wolfgang Tillmans: ‘This game can never mastered’”, in: FT Weekend, p. 3, (9 June)
Da Silva, Jose, “In shock move, all four nominated artists win Turner Prize 2019”,,in: theartnewspaper.com, (3 December)
Davies, Dean Mayo, “Wolfgang Tillmans in Conversation with Genderfuck Icon No Bra”, in: anothermag.com, (27 November)
Di Yu, Sandy, “Art and Pride: LGBTQ+ Artists Who Have Made an Impact”, in: artrabbit.com, (28 June)
Dove, Rachel, “My London: Molly Goddard”, in: standard.co.uk, (28 February)
Dunn, Frankie, “Wolfgang Tillmans just remixed Seth Troxler”, in: i-d.vice.com, (27 February)
Frankel, Eddy, “Wolfgang Tillmans Review”, in: Timeout.com, (21 July)
Frometa, Rj, “Othon Release ‘Samadhi’”, in: ventsmagazine.com, (20 November)
Garner, George, “Warp Records celebrates 30th anniversary with four special covers of Mixmag magazine”, in: musicweek.com, (9 December)
Haileselassie, Maheder, “Wolfgang Tillmans: I’m deep; I’m superficial”, in: ethiopaobserver.com, (17 February)
Harris, Gareth, “Cultural figures rally to save Reading Prison – where Oscar Wilde was once incarcerated – as it goes up for sale”, in: theartnewspaper.com, (9 October)
Holmes, Helen, “Artist Wolfgang Tillmans Named New Chair of London’s Institute of Contemporary Arts”, in: observer.com, (1 October)
Jeppesen, Travis, “Queer Abstraction (Or how to be a Pervert with No Body)”, in: Mousse #66, (Winter)
Kay, Juule, “Why Are We So Fascinated With Berlin’s Techno Clubs?”, in: vice.com, (15 September)
Kieron, Marchese, “Wolfgang Tillmans recruits creatives to promote EU elections in ‘vote together’ campaign”, in: designboom.com, (23 May)
Kinsella, Eileen, “Trailblazing Art Dealer Andrea Rosen Has Donated Her Gallery Archives to the Smithsonian”, in: artnet.com, (22 August)
Kumar reddy Apparigani, Shravan, “Artist Wolfgang Tillmans Named New Chair of London’s Institue of Comtemporary Arts”, in: heraldpublicist.com, (2 October)
Laing, Olivia, “Between the Acts”, in: Frieze, (March 2019)
Lucie-Smith, Edward, “Best Art Of The 21st Century? – In Your Dreams – Edward Lucie-Smith”, in: artlyst.com, (29 September)
Maguire, Rebecca, “‘Experimentation And Freedom’: Inside The Exhibition Documenting The History Of Berlin Techno”, in: mixmag.net, (28 November)
Morris, Kadish, “In Pictures: A History of Food Photography”, in: frieze.com, (22 October)
Morris, Kadish, “In Pictures: Berlin’s Ever-Thriving Club Scene”, in: frieze.com, (19 September)
Needham, Alex, “No Bra: ‘In Britain, I was seen as page-three humour’”, in: theguardian.com, (19 November)
Otten, Liam, “Decoys & Depictions’ symposium Oct. 24–26”, in: source.wustl.edu, (9 October)
Petty, Felix, “Wolfgang Tillmans: vote together and build a better future”, in: I-d.vice.com, (22 May)
Philomène, Laurence, “9 Photographers Flipping the Script on Trans and Non-Binary Representation”, in: vice.com, (12 November)
Post, Chantilly, “Frank Ocean reissues “Boys Don’t Cry” 2016 magazine”, in: hotnewhiphop.com, (25 February)
Schneider, Tim, “What I’m Buying and Why: Collector Mihail Lari on the Most Impractical Work in His Collection and Why He Regrets Buying a De Kooning”, in: news.artnet.com, (27 November)
Searle, Adrian, Jones, Jonathan, O’Hagan, Sean, Judah, Hettie, “The best art of the 21st century”, in: theguardian.com, (17 September)
Siemsen, Thora, “An Artist Who Works to Lana Del Rey and the Hum of Cable News”, in: nytimes.com, (11 October)
Sojt, Camille, “From black holes to underground raves, Wolfgang Tillmans discovers the spiritual power of collective action for Aperture magazine’s Winter 2019 edition”, in: documentjournal.com, (16 December)
Sterngast, Tal, “Selbstbildnis”, in: artforum.com, (9 October)
Stone, Leilah, “Preservationists rally to save the prison where Oscar Wilde was persecuted”, in: archpaper.com, (10 October)
Sullivan, Marek & Liney, Nicolas, “Uto/Dystopias Special Issue Editorial”, in: oxonianreview.org, (10 April)
Thomson, Lizzie, “Royal Academy Summer Exhibition 2019: From Tracey Emin to Anselm Keifer, these are the artists to look out for at this year’s show”, in: Evening Standard Online, (16 May)
Wang, Meng-Yun, “Self-Portrait Designer Han Chong Reflects on Art and Equilibrium in Venice, in: wmagazine.com, (12 November)
Westall, Mark, “Art Brussels, one of Europe’s most original and established art fairs, returns for its 38th edition with a strong and international line up”, in: fadmagazine.com, (14 December)
Westall, Mark, “House of Voltaire returns to the heart of Mayfair with over 150 new and exclusive unique artworks”, fadmagazine.com, in: (2 September)
Westall, Mark, “Wolfgang Tillmans”, fadmagazine.com, in: (24 May)
Wetmore, Brendan, “Jacolby Satterwhite’s Collab With Nick Weiss Is an Ode to His Mother”, papermag.com, in: (13 August)
White, Ryan, James Tolich’s year in photos, i-d.vice.com, (20 December)
–––, “An artwork that reminds us to try harder”, in: christies.com, (27 November)
–––, “Art Industry News: Germany Rescinds a Prize for Walid Raad Over the Artist’s Political Views + Other Stories”, in: artnet.com, (2 October)
–––, “Artnotes – People”, in: Art Monthly (November 2019)
–––, “Bong Joon-ho sign suit to save Derek Jarman’s cottage”, in: crackmagazine.com, (6 February)
–––, “Christie’s First Open Online-Only Auction of Post-War and Contemporary Art Is Now Open for Bidding through December 18”, in: webwire.com, (12 December)
–––, "Exhibition ‘Travelling the World. Art from Germany’ opens in Plovdiv in October", in: sofiaglobe.com, (19 September)
–––, “Frank Ocean reissues Boys Don’t Cry zine”, in: crackmagazine.net, (25 February)
–––, “Kara Walker Debuts Monumental Foundtain in London, Wolfgang Tillmans to Chair ICA London, and More: Morning Links from October 1, 2019”, in: artnews.com, (1 October)
–––, “Reading Gaol is up for sale – and its owners are open to all bids”, in: thespaces.com, (10 October)
–––, “Subjects of Life – Photography in the Mudam Collection”, in: loeildelaphotographie.com, (22 March)
­­­–––, “The 10 greatest Pet Shop Boys songs, ranked”, in: smoothradio.com, (27 September)
–––, “Volkswagen supports exhibition marking the presentation of the renowned art award “Kaiserring Goslar” to Barbara Kruger”, in: webwire.com, (19 September)
–––, “Wolfgang Tillmans elected chair of London’s Institute of Contemporary Arts”, in: artforum.com, (30 September)
–––, “Wolfgang Tillmans First Major SoloExhibition In Belgium Announced”, artlyst.com, (29 January)
–––, "Wolfgang Tillmans: Image-Making In An Image-Saturated World – Maureen Paley", in: artlyst.com, (6 June)
–––, “wolfgang tillmans recruits creaties to promote EU elections in ‘vote together’ campaign”, in: designboom.com, (23 May)

Arroyo, Steve, “Spoken by the Other EP”, in: pitchfork.com, (30 November)
Assunção, Muri, "“Music Has Always Been with Me”: Wolfgang Tillmans on His Latest Single and Musical Career", in: hyperallergic.com, (22 May)
Berry, Anna, "No Man Is an Island, and More Creative Ideas to Fight Nationalism", in: nonprofitquarterly.org (1 June)
Binlot, Ann, “Wolfgang Tillmans questions himself in David Zwirner exhibition”, in: documentjournal.com, (23 September)
Brennan, Ailis, "Royal Academy Summer Exhibition 2018: Everything you need to know", in: standard.co.uk (31 May)
Brown, Kate, "Wolfgang Tillmans Is Dropping a New EP This Friday", in: news.artnet.com (31 January)
Bruce-Jones, Henry, "Neneh Cherry returns with Four Tet-produced LP Broken Politics", in: factmag.com (30 August)
Bürklein, Christiane, “After the stages in Kinshasa and Nairobi, the new travelling exhibition Fragile”, in: Floornature.com, (July)
Buys, Anthea, "The quiet activism of exposing everyday fragility", in: mg.co.za, (13 July)
Cascone, Sarah, "Editors’ Picks: 17 Things Not to Miss in New York’s Art World This Week", in: news.artnet.com, (3 September 2018)
Chew-Bose, Durga, "Dev Hynes: inner visions", in: dazeddigital.com (10 September)
Codreo–Rado, Anna, "Wolfgang Tillmans Explores the Role of Art in a Post-Truth World", in: nytimes.com (21 March)
Dama, Francesco, "A Film Probes the Legacy of BUTT Magazine", in: hyperallergic.com (13 February)
Dawson, Aimee, "Surrealism in the digital age: Beirut exhibition looks at new wave of 20th-century art movement" in: theartnewspaper.com, (6 August)
Dex, Robert, "Wolfgang Tillmans and ENO team up for First World War memorial production of Britten's War Requiem", in: standard.co.uk, (1 May)
Duong, Ha, "Photographers Who Captured the Ecstasy and Abandon of Rave Culture", in: artsy.net, (7 September)
Greenberger, Alex, The Browser: On Wolfgang Tillmans, Guadalupe Rosales, Hong-An Truong, and Pati Hill, www.artnews.com (12 October)
Garreffa, Nirvana, "Finding Solidarity in Steamy '90s Clubs", in: hypebeast.com (26 April)
Gosling, Emily, "Do I Have to Draw You a Picture? New show with all-star lineup on the topic of communication", in: creativeboom.com (12 June)
Graves, Cassidy Dawn, “Queer Intimacy From Mapplethorpe and Goldin, Plus More Art This Week”, in: bedfordandbowery.com, (25 June)
Harris, Gareth, "Wolfgang Tillmans turns set designer, creating the backdrop for a Benjamin Britten production at English National Opera", in: theartnewspaper.com (13 November)
Haydn Smith, Ian, "Lutz and Alex sitting in the trees", in: The Short Story of Photography, Lawerence King, London, (2018), p186.
Helfet, Gabriela, “Wolfgang Tillmans and Powell releasing debut EP on limited 12””, in: thevinylfactory.com, (17 Octoboer)
Hubbard, Sue, "Tacita Dean Landscapes Royal Academy", in: artlyst.com (20 May)
Johannot, Florence, "From Boy George to Aerospace: Wolfgang Tillmans Talks Epiphanies", in: lofficielusa.com (10 September)
Lowe, Paul, “A Chronology of Photography”, Thames & Hudson, p. 221.
Lubell, Sam, "Rem Koolhaas is leading a workshop to make the EU cool again", in: archpaper.com (31 May)
Lubow, Arthur, "Why the Art World is Focusing In on Gender Fluidity", in: wmagazine.com, (4 June)
Madosi, Asanda ,” Wolfgang Tillmans brings Fragile to the Johannesburg Art Gallery” in: mg.co.za, (11 July)
Marsh, Antonia and Lucy Moore, "Everything You Should See (and Eat) at Arles’ Photography Festival", in: anothermag.com, (5 July)
McLean, Matthew, “Wolfgang Tillmans Delves into the Inherited Violence of Britten’s ‘War Requiem’”, in: frieze.com, (30 November)
Mkhondo, Nothemba, "Artist Wolfgang Tillmans blurs the line between photography & art", in: timeslive.co.za (26 August 2018)
Muraben, Billie, "Wolfgang Tillmans shoots Dev Hynes for Dazed’s latest cover", in: itsnicethat.com (10 September)
Sayej, Nadja, "Wolfgang Tillmans photographs his friends being vulnerable", in: i-d.vice.com (1 February)
Shafaieh, Charles, "Wolfgang Tillmans: When I see borders, they trigger me", in: The Irish Times (13 October)
Shand Kydd, Johnnie, Who Are the Royal Academians?, in: RA Magazine, Summer 2018, pp.36-37.
Sherburne, Phillip, “How Powell Turned Wolfgang Tillmans’ “Sound Photographs into Radical Noise”, in: pitchfork.com, (18 November)
Siegal, Nina, "The European Union Is Under Threat. Artists Say It’s Time to Rebrand", in: nytimes.com (29 May)
Small, Zachary, "Courtauld Institute of Art Students Mount a Political Exhibition About Absence", in: hyperallergic.com (13 July 2018)
Spice, Anton, “Wolfgang Tillmans releases latest 12” EP with five new films”, in: thevinylfactory.com, (2 February)
Stathakim Ellie, “Rem Koolhaas and Irma Boom publish in-depth survey of building details”, in: wallpaper.com, (4 October)
Tantum, Bruce, "Powell Tillmans – Spoken By The Other", in: residentadvisor.net, (15 November)
Taschen, Benedikt, "Happy Birthday, Wolfgang Tillmans!", in: taschen.com, (17 August)
Thobega, Refilwe, “Strength, Reality Shine in ‘Fragile’ By Wolfgang Tillmans at Joburg Art Gallery”, in: Eyewitness News, (July 11)
Trojano, Giulia, "My week in the art world – Nature calling (indoors)", in: fadmagazine.com, (27 June)
Unicomb, Matt, "Review: Wolfgang Tillmans ‎- Source (Roman Flügel Remix)", in: residentadvisor.net (25 May)
Waite, Thom, "Listen to Neneh Cherry’s new single, a response to the refugee crisis", in: dazeddigital.com (1 August)
Westall, Mark, "Wolfgang Tillmans collaborates with ENO to mark the centenary of the end of the First World War", in: fadmagazine.com, (15 November)
Wheeler, André-Naquian "Wolfgang Tillmans is dropping a new techno ep", in: i-d.vice.com (31 January)
Wolf, Denise (ed.), “The Photographer in the Garden”, in: Aperture, New York (2018), pp.80-81.
–––, "BOZAR Presents RESIST! Exhibition: The 1960s Protests, Photography and Visual Legacy", in: broadwayworld.com (16 May)
–––, "British artists: Ebacc will damage creativity and self-expression", in: theguardian.com, (8 May)
–––, “Britain’s Leading Artists Protest Against The Decline Of Art In Schools”, in: artlyst.com, (8 May)
–––, “’Culture Connects: 29 Artists receive German Order of Merit, in: www.dw.com (3 October)
–––, “EU Must Sell Itself Better during Periods of Populism, Experts Sa”, in: laht.com (4 June)
–––, Listen to our favourite music this month, in the latest VF Soho Radio show, in: thevinylfactory.com (24 May)
–––, "The Weekend Guide", in: mg.co.za, (13 July)
–––, "Things To Do Today In London: Monday 21 May 2018", in: londonist.com (21 May)
–––, “wolfgang tillmans and rem koolhass need you to help rebrand he European union”, in: designboom.com, (26 March)
–––, "Wolfgang Tillmans voices his concerns (via Instagram) about the state of Germany", in: theartnewspaper.com (22 January)
–––, “wolfgang tillmans ‘what is different?’ in carré d’art museum of contemporary art in nîmes”, in: designboom.com, (24 April)
–––, "What’s on this weekend", in: citybuzz.co.za, (8 July)

Aletti, Vince, "Wolfgang Tillmans", in: Artforum, (January) p.103.
Al-Turki, Abdullah K., "Wolfgang Tillmans’ Jeddah Journey Features at the Tate Modern", in: en.vogue.me, Vogue Arabia, (21 February)
Beech, Mark, "Thirty Artists Donate Works to £1 Million Sotheby’s Sale for Grenfell Tower Families", in: blouinartinfo.com (10 October)
Boddington, Ruby, "Photography on a Postcard offers the chance to buy a Martin Parr or Wolfgang Tillmans original for £50", in: itsnicethat.com, (9 October)
Buffenstein, Alyssa, “Wolfgang Tillmans Shines in Basel With Major Retrospective and Fondation Beyeler”, in:
news.artnet.com (13 June 2017)
Clayton, Adam: "Fronting up to the ‘backfire’ effect", in: GQ Magazine (March 2017), pp.185-186
Coatman, Anna, “In the studio with Wolfgang Tillmans RA”, in: royalacademy.org.uk, (17 February)
Coatman, Anna: "In the Studio: Wolfgang Tillmans RA", in: RA Magazine (Spring 2017), pp.38 –39
Collings, Matthew: "A howling win for Wolfgang", in: The Evening Standard (14 February), pp. 30-31
Conti, Ricardo: "Wolfgang Tillmans at Fondation Beyeler", in: Mousse Magazine (Summer 2017) pp. 176-177.
Cumming, Laura, "Wolfgang Tillmans: 2017; Eduardo Paolozzi review – from the chaos of time", in: theguardian.com (19 February)
Davies, Claire: "The Ultimate Guide to Wolfgang Tillmans", in: sleek-mag.com (1 March)
Dege, Stefan: "Why German photographer Wolfgang Tillmans is a 21st-century Renaissance man", in:
dw.com, Deutsche Welle, (16 February)
Dege, Stefan, “Between insecurity and hope: What Brexit means for culture”, in: www.dw.co, Deutsche Welle (29 March)
Dolfi Agostini, Sara ‘Elezioni, l’arte si chiama dentro’, in: Il Sole 24 Ore online (5 June)
Donbavand, Ant, "Martin Parr and Wolfgang Tillmans in secret auction to fight hepatitis C", in: designboom.com (7 October)
Epps, Philomena: “Your Ultimate Guide to Wolfgang Tillmans”, in: dazeddigital.com (January 23)
Fox, Charlie, “Wolfgang Tillmans, Tate Modern, London, UK”, in: Frieze, 187, p.216, (May)
Gleadell, Colin, "Market News", in: The Daily Telegraph (23 May)
Gleadell, Colin, "London's art scene: The Grenfell Tower art auction and more bricks at the Tate", in: telegraph.co.uk (24 October)
Goldstein, Caroline, "Beyond the Fair: 14 Shows to See While in Switzerland for Art Basel", in: news.artnet.com ( 9 June)
Gush, Charlotte: “Wolfgang Tillmans launches fresh campaign to protect the European Union”, in: www.i-d.vice.com, (March)
Haj-Nafaji, Daryoush: "Wolfgang Tillmans Wants to Tell You About a Poly-Sexual Utopia", in:noisey.vice.com, (7 November)
Harris, Gareth: "Gay clubs, weeds and the European Union: politics mixes with the personal in Wolfgang Tillmans’s Tate Modern survey", in: theartnewspaper.com (14 February 2017)
Judah, Hettie, "Snapshots of now", in: the i newspaper (21 February), pp.36-37.
Kane, Ashleigh: "Wolfgang Tillmans on Tate show: this isn’t about politics", in: dazeddigital.com (15 Februrary)
Kemp-Welch, Klara, "Reconstruction", in: Art Review (Space Force Construction, V-A-C Foundation Supplement), (May), pp. 34-42
King, Jacob, "A Report from Somewhere Over the North Atlantic", in: Newspaper Jan Mot (No. 107, May 2017) pp. 6-7
Kuo, Michelle, “Show of Hands”, in: Artforum (March), cover and pp. 214-15.
Kufer, Katrina, "It’s Basel’s Turn With Wolfgang Tillmans", Harper’s Bazaar Arabia, (15 June)
Messina, Rab, “Wolfgang Tillmans at the Fondation Beyeler”, in: tlmagazine.com, (17 September)
McLean, Matthew, “Wolfgang Tillmans, 2017, Tate Modern, London”, Art Review, (April)
Mclaughlin, Rosanna, “How Wolfgang Tillmans Became a Visual Poet of Britain’s Left”, www.artsy.net (March 3)
Muñoz-Alonso, Lorena: "Inside Wolfgang Tillmans’s Superb Tate Modern Survey", in: artnet.com, (15 February)
Naef, Maja, "Wolfgang Tillmans, Fondation Beyeler, Basel", in: Artforum (October), pp. 237-238
Obrist, Hans Ulrich, "Wolfgang Tillmans on Brexit, Activism and London’s Nightlife", in: anothermag.com, (20 February)
O’Hagan, Sean: "Freedom Fighter", in: The Guardian, (13 February), pp. 16-18
Pasori, Ceder: " a new art show lets you take home a piece from Carsten Höller or Wolfgang Tillmans", in: interviewmagazine.com, (6 November)
Perry, Colin: "Truth to Tel", in: Art Monthly, July–August 2017, pp. 1-5
Petty, Felix, "The state we’re in", in: i-D, (Spring), pp. 284-290
Petty, Felix, "How did Wolfgang Tillmans become one of the defining photographers of his generation", i-d.vice.com (5 June)
Perret, Dorothée and Barlo Perry, "Sound and Vision: Wolfgang Tillmans", in: PARIS, LA (Spring 2017), cover and pp. 48-53.
Pithers Ellie, "All The Works Up For Auction At Art For Grenfell", in: vogue.co.uk (10 October 2017)
Razaq, Rashid, Images of unity: artists design covers for ES Magazine in tribute to Londoners’ resilience,
standard.co.uk, 5 July 2017.
Reyburn, Scott, "'Basquiat Factor' and a Glut of Options Stoke Sales at Art Basel', in: nytimes.com (16 June)
Russeth, Andrew, "Basel’s Fondation Beyeler Mounts a Superb, Moving Wolfgang Tillmans Survey",
artnews.com, (15 June)
Searle, Adrian: "Wolfgang Tillmans review – a rollercoaster ride around the world", in: theguardian.com (14 February)
Searle, Adrian, "Kaleidoscope of time and place, sex and cities", in: The Guardian (15 February), p. 9.
Schwab, Katharine, “2017’s Most Powerful Protest Art Is Quickly Making Its Way Into Museums”, in: fastcodesign.com (August 17)
Schwarz, Gabrielle, "‘Equality is the starting point for my life and art’: An interview with Wolfgang Tillmans", in:
apollo-magazine.com (8 March)
Shirbon, Estelle, "Stars of British art world donate works for Grenfell fire survivors", uk.reuters.com (12 October 2017)
Smyth, Diane, "Wolfgang Tillmans: 2017 opens at London’s Tate Modern", in: bjp-online.com, British Journal of Photography (14 Februrary)
Smyth, Diane, "Win a Jim Goldberg print for £50", in: bjp-online.com, British Journal of Photography (6 October )
Sooke, Alistair, "Modern life is photo dazzling", in: The Daily Telegraph, (15 February), pp. 24-25.
Spence, Rachel: “Wolfgang Tillmans, Fondation Beyeler, Basel – ‘A forensicm less-ordinary eye”, www.ft.com, (16 August 2017)
Spice, Anton, “Wolfgang Tillmans compiles the music of ‘80s synth pioneers Colourbox on double vinyl”, in: thevinylfactory.com, (24 March)
Stoilas, Helen, Wolfgang Tillmans: "‘It’s the great album tracks that didn’t become singles’",
theartnewspaper.com, (16 June)
Taylor, Laurie: “Wolfgang Tillmans”, www.frieze.com, (14 February)
Thompson, Samantha, "Golden Ticket", in: wallpaper.com (6 October)
Wallis, Brian, "Previews: Wolfgang Tillmans", in: Artforum, (May), p.166.
Weir, Laura, "Editor’s Letter", in: ES Magazine (with cover by Wolfgang Tillmans) 7 July 2017, cover and p.3.
Wittovsky, Matthew, "The State We’re in, A", in: Art Review (Space Force Construction, V-A-C Foundation Supplement), (May), pp. 29-31.
Wullschlager, Jackie, "Heartfelt vision of the way we live now", in: Financial Times, (2 February), p. 8.
"Contemporary Photography Now: Wolfgang Tillmans", in: lomography.com/magazine (23 October)
"Design Museum reveals shortlist for Beazley Designs of the Year", in: blouinartinfo.com (31 October)
"Fiery angel: The restless energy of Wolfgang Tillmans, a German artist", in: economist.com (9 February)
“Interactive Media”, in: www.aestheticamagazine.com, (28 February 2017)
“Previews”, in: Artforum, (May) p.166.
"Solo shows: Simon Bainbridge, editorial director of BJP, considers their importance as a signpost in your photographic career", in: bjp-online.com (3 November)
"Tillmans at the Tate", in: Re-Edition Magazine (Spring/ Summer 2017), unpaginated
"The Year in Review" in: ArtReview, (November 2017) pp. 139-161.
"Top 100", in: Monopol, p. 46 (December 2017)
“Wolfgang Tillmans on Brexit, Activism and London’s Nightlife”, in: www.anothermag.com (February 20)
"Wolfgang Tillmans exhibition, Tate Modern, London, UK", in: http://www.damnmagazine.net (21 March)
–––, “martin parr and wolfgang tillmans in secret auction to fight hepatitis C”, in: designboom.com, (7 October)
–––, “Wolfgang Tillmans – Analogue To The Digital Revolution New Tate Exhibition”, in: artlyst.com, (14 February)
–––, “Wolfgang Tillmans’ supersonic bursts”, in: loeildelaphotographie.com, (18 September)

"2016 Power 100", in: artreview.com, Art Review, (19 October)
Aberbach, Katie: “Wolfgang Tillmans” (interview), in: http://magazine.harvardartmuseums.org/ (1 September)
Aha, Laura: “Gestalter Wolfgang Tillmans”, in: groove, no. 36, pp. 36–41
Apperly, Eliza: “Wolfgang Tillmans talks Brexit. Why the artist felt compelled to get political”, in: www.taschen.com
Archy, Karena. “Gallery Weekend Berlin”, in: www.art-agenda.com (May 2)
Argauer, Rita: “Im Lenbachhaus ist der perfekte sound zu hören”, in: www.sueddeutsche.de (February 15); “Klang-Kunst”, in: Süddeutsche Zeitung (February 16)
Aron, Isabelle: “Wolfgang Tillmans is calling on people to register to vote with these anti-Brexit posters”; in: Time Out London (May 20)
“Art Review Power 100”, ArtReview, (November), p.107
“A selection of Wolfgang Tillmans anti-Brexit posters”, in: ft.com (2 June)
“Backstage details at Hood By Air SS17”, in: www.sleek-mag.com (September 15)
Ballard, Thea: “Wolfgang Tillmans. 2016 / 1986”, in: http://pitchfork.com (July 19)
Bar-Or, Galia: “How we bent a rod into a bow, how we stretched a tendon-string”, in: Hilla Ben Ari. Naamah: A tribute to Nahum Benari, exh. cat. Mishkan Museum of Art, Kibbutz Ein Harod, pp. 87–94
Barry, Robert “Coming Attractions: June Gallery Previews”, in: thequietus.com (5 June)
Barth, Niklas: “Sound ausstellen – Sound hören. Wolfgang Tillmans schafft mit ‘Playback Room’ einen Ort für Studiomusik im Lenbachhaus”, in: superpaper, no. 76 (February), p. 4
Bauhaus, Carsten: “Frauen, Boys und SuperQueeroes”, in: www.siegessaeule.de
Bichard, Thea: “Wolfgang Tillmans models for Hood By Air”, in: www.dazeddigital.com (September 11)
Biswas, Allie: “Wolfgang Tillmans with Allie Biswas” (interview), in: www.brooklynrail.org (July 11)
Blight, Daniel C.: “Dreamtime: Wolfgang Tillmans’ EU posters”, in: www.1000wordsmag.com
Brewer, Jen: “Artangel commissions works for Reading Prison by Wolfgang Tillmans, Ai Weiwei and Marlene Dumas”, in: www.itsnicethat.com (July 25)
Buchholz, Daniel: “The Nineties Now”, in: Frieze Week, London 2016, pp. 73–75
Buck, Lousia: “The painful auf wiedersehen of Wolfgang Tillmans’s anti-brexit images, Mona Hatoum’s over-egged symbolism and much more in this weeks exhibition round-up”, in: http://theartnewspaper.com (June 28)
Buck, Louisa: “Wolfgang Tillmans’ opening is dominated by movements and departures: possible and definite, international and local”, in: http://theartnewspaper.com (June 10)
Buck, Louisa: “Unmissable highlights at Frieze London and Frieze Masters 2016”, in: www.telegraph.co.uk (October 6)
Buhr, Elke: “Frieze London: Die Künstler genossen größere Freiheiten”, in: monopol
Bulut, Selim: “Witch house trio SALEM are returning with new music”, in: www.dazeddigital.com
Bulut, Selim: “Watch Wolfgang Tillmans at the controls in his new video”, in: www.dazeddigital.com
Cafolla, Anna, “Hari Nef stars in Wolfgang Tillmans’ visual album”, in: www.dazeddigital.com (8 December)
Cannon, Blair: “Wolfgang Tillmans walks for Hood By Air”, in: https://i-d.vice.com (September 11)
Cardona, Gloria: “10 Must-See Exhibitions at Gallery Weekend 2016”, in: www.sleek-mag.com
Carretier, Benoît: “Wolfgang Tillmans” (interview), in: http://next.liberation.fr (September 30)
Christian, Julia: “Kosmos: von Herzen”, in: Süddeutsche Zeitung Magazin (February 12), p. 38
Creahan, D.: “London – Wolfgang Tillmans at Maureen Paley”, in: http://artobserved.com (July 14)
Crisell, Hattie: “Five Things to Know About London’s Biggest Photography Bonanza”, in: www.nytimes.com (May 19)
Cumming, Laura: “Inside: Artists and Writers in Reading Prison review – a momentous Artangel project”, in: www.theguardian.com (September 4)
Cusumano, Katherine: “Wolfgang Tillmans Made A Visual Album For The Post-Trump Era, Starring Hari Nef”, in: wmagazine.com (7 December)
Dama, Francesco: “Wolfgang Tillmans Focuses on Borders and Brexit in London”, in: http://hyperallergic.com (June 21)
Dege, Stefan, “Photographer Wolfgang Tillmans: ‘Brexit draws on a desire to disrupt and destroy’” in: dw.com (15 June)
Demircan, Saim: “Wolfgang Tillmans and the EU”, in: Art Monthly, no. 397 (June), p. 35asf
Desplanques, Loic: “Brexit Aesthetics – Reevaluating Propaganda”, in: http://cambridgeglobalist.org (June 28)
Duehren, Claudia von and Sarah Borufka: “Gallery Weekend Berlin”, in: www.bz-berlin.de (May 1)
Ediriwia, Amar, “Wolfgang Tillmans to release Frank Ocean-approved EP Device Control”, in: thevinylfactory.com, (23 August)
Feldhaus, Timo: “Real Time”, in: www.spikeartmagazine.com (August 23)
Fougeirol, Valérie: “À la limite du visible. Wolfganng Tillmans chez Álvaro Siza”, in: D’Architectures, no. 244 (May), pp. 16–23
Frank, Alex: “Art World Hero Wolfgang Tillmans Walks Hood By Air”, in: www.vogue.com (September 11)
Frank, Arno: “Wolfgang Tillmans über politische Kunst”, in: Musikexpress (November), pp. 10–11
Frankel, Eddy, “We’re living in dangerous times”, in Time Out London (June), pp. 78 – 79.
frieze A to Z of Contemporary Art, Phaidon Press, London.
German, Henry: “Wolfgang Tillmans Releases His First EP”, in: www.sleek-mag.com (July 7)
Gintoff, Vladimir: “What the Tate Modern Means in a Post-Brexit World”, in www.metropolismag.com (July 7)
Gush, Charlotte, “wolfgang tillmans releases 27 minute video album ahead of launch tonight”, in: i-d.vice.com (7 December)
Gurk, Christoph: “In all shapes and sizes” (interview), in: Münchner Kammerspiele, Spielzeit 2016/17, n.p.
Hack, Jefferson, “Talking politics, posters, and techno with Wolfgang Tillmans” in: dazeddigital.com (20 July)
Heiser, Jörg “25 Artworks”, in: Frieze, no.181, 25th Anniversary Issue, (September), pp.116-133.
Hogan, Marc: “Wolfgang Tillmans explains how his techno track bookended Frank Ocean's Endless” (interview), in: http://pitchfork.com (August 19)
Hütelin, Thomas and Peter Müller: “Der Erfolg Europas nervt seine Feinde“ (interview), in: Der Spiegel, no. 24, pp. 130–135
Huseby, Benjamin Alexander: “Bühne Berlin” (portrait of WT), in: Berlin’s Interview (May), pp. 60–61
Jobey, Liz: “A selection of Wolfgang Tillmans anti-Brexit posters”, in: www.ft.com (June 2)
Jobey, Liz, ''It was crazy then, and it's crazy now'', in: FT Weekend Magazine (17-18 September), pp. 21-26
Jobey, Liz, “Frieze looks back: ‘The Nineties’”, in: ft.com (16 September 2016)
Jobey, Liz, “Wolfgang Tillmans: the world undivided”, in: FT Weekend Magazine European Edition (4-5 June)
Jobey, Liz, “Wolfgang Tilmans: the world undivided”, in: FT Weekend Magazine (4-5 June), pp.24-29
Johnston Maura: “Frank Ocean’s Visual Album Endless Is the Year’s Most Curious Work in Progress”, in: http://time.com (August 19)
Jones, Jonathan: “These anti-Brexit posters show just what we lose by leaving the EU”, in: www.theguardian.com (April 24)
Kanai, Miki: “Brexit, Refugee Crisis and the Everyday of Here and Now”, in: BT: Monthly Art Magazine Bijutsu Techo, vol 68 (June), pp. 28–39
Käppeler, Christine: “Cool Temperantia”, in: der freitag (May 4), p. 15
Kedves, Jan: “Rischel, ratter, klonk”, in: Süddeutsche Zeitung (July 22), p. 12
Kedves, Jan: “Frank Ocean, der Sisyphos mit Smartphone”, in: www.sueddeutsche.de (August 19)
Kennedy, Nora W. et al.: “The future is not what it used to be: Changing views on contemporary color photography”, in: Studio in Conversation, no. 61, pp. 91–97
Kuhn, Thomas W.: “Ich und die Welt. Wolfgang Tillmans arrangiert in der Galerie Buchholz eine Ausstellung über seine Ateliers”, in: Der Tagesspiegel (May 7)
Klingelfuss, Jessica: “Wolgang Tillmans votes Remain in latest London exhibition”, in: www.wallpaper.com (June 14)
König, Kasper: “Die Anwesenheit von Menschen”, in: Best – Kunst. Das Leben von Kasper König in 15 Ausstellungen, Strzelecki Books, Cologne, pp. 54–57
Kumara Moore, Lucy: “Naive Me: The new pop music of Wolfgang Tillmans“, in: Pop, no. 35 (autumn / winter), pp. 378–379
Kumara Moora, Lucy: “Amsterdam to Lima“, in: works on paper, no. 1, p. 14-15
Lee, Valerie: “Wolfgang Tillmans took Frank Ocean to Berghain”, in: http://mixmag.net (August 19)
Levenson, Joey: “Wolfgang Tillmans walks for Hood By Air”, in: http://hero-magazine.com (September 12)
Löhndorf, Marion: “Ein Wendepunkt, der Mut verlangt. Londons internationale Kulturszene und der Brexit”, in: www.nzz.ch (June 30)
“Looking Back at Brexit with Wolfgang Tillmans”, in: aqnb.com (10 August)
Lorch, Catrin: “Bin ich richtig?”, in: Süddeutsche Zeitung (April 30 / May 1), p. 19
Lozano, Kevin: “Salem Remix Wolfgang Tillmans’ ‘Make It Up As You Go Along’: Listen”, in: http://pitchfork.com (August 22)
Lütticken, Sven: “Who Makes the Nazis”, in: www.e-flux.com (no. 76, October)
Luke, Ben: “The Nineties: don’t look back in anger”, in: http://theartnewspaper.com (October 5)
Macelari, Augustin: “Wolfgang Tillmans adjusts his focus in search of truth”, in: http://crackmagazine.net (July 12)
Manning, Emily: “Frank Ocean veröffentlicht ein neues Album“, in: https://i-d.vice.com (August 19)
Martínez Sánchez, Carolina: “Sonora 128. A project of Kurimanzutto”, in: www.rotundamagazine.com (May 30)
McDermott, Matt: “Photographer Wolfgang Tillmans releases his first record”, in: www.residentadvisor.net (July 6)
McDonough, Tom: “The State We’re In” (interview), in: Canadian Art (autumn), pp. 146–151
McManus, Charlotte: “Switch craft“, in: Wallpaper (July), pp. 96–99
Menden, Alexander: “Bilder gegen den Brexit“, in: www.sueddeutsche.de (April 28)
Minsker, Evan: “Salem Returning With New Music This Year“, in: http://pitchfork.com (August 3)
Morris, Wesley: “The Lonely Toil of Frank Ocean: Is It Art, or Denial?“, in: www.nytimes.com (August 31)
Mukherjee, Paroma, “Wolfgang Tillmans rings orders back in focus at Maureen Paley, London”, in: http://uk.blouinartinfo.com (June 29)
Myers, Owen: “This Is The E.U. Referendum Merch That You Actually Want”, in: www.thefader.com (June 6)
Myers, Owen: “The Video For Salem’s Remix Of Wolfgang Tillmans Will Give You Nightmares“, in: www.thefader.com (August 22)
Mitchell, Heather: “Frieze Thinking“, in: British Vogue (October), p. 97
“Navigating Fragile Borders: Wolfgang Tillmans at Maureen Paley, 9 June-31 July”, in: afternyne.com (6 June)
Nieberding, Mareike: “Das Uncoole wird cool” (interview), in: Frankfurter Allgemeine Sonntagszeitung (May 1), p. 43
Neuendorf, Henri: “Artist Wolfgang Tillmans releases his first techno record”, in: https://news.artnet.com (July 7)
Neuendorf, Henri: “Wolfgang Tillmans Dedicates His Berlin Project Space to Refugee Crisis”, in: https://news.artnet.com (April 14)
Neuendorf, Henri: “How Did Wolfgang Tillmans’ Song End Up On Frank Ocean’s New Album?”, in: www.huffingtonpost.com (August 22)
“New Shows: The hottest exhibitions opening this week”, in: Time Out London (7 June)
Noll, Jan: “Zeitreise”, in: Siegessäule (August), p. 25
Noor, Tausif: “Seeing Signs of Brexit at Frieze London”, in: http://hyperallergic.com (October 11)
O’Hagan, Sean: “Wolfgang Tillmans: ‘I see myself as a product of European cultural exchange’” (interview), in: www.theguardian.com (May 20); in: Agenda, The Observer (May 8), p. 4
Oerding, Henrik: “Das etwas andere Wunschkonzert”, in: Süddeutsche Zeitung (April 11)
Paul,Lowe, “Photography Mastercalss, Creative Techniques of 100 Great Photographers”, Thames and Hudson, pp.152-153.
Patience, Jen: “Take time to see the pictures Tillmans makes”, in: www.heraldscotland.com (February 20) (ill.)
Pearl, Max: “Wolfgang Tillmans announces Device Control EP”, in: www.residentadvisor.net (August 22)
Petty, Felix: “Wolfgang Tillmans drops a surprise EP thirty years in the making”, in: https://i-d.vice.com (July 7)
Petty, Felix: “your five point guide to this year’s frieze”, in: https://i-d.vice.com (October 5)
Pietsch, Hans: “Messe-Check: Frieze 2016”, in:
Vogue
Ramos, Filipa: “Frieze Art Fair”, in: www.art-agenda.com(October 6)
Reichert, Kolja: “Das System funktioniert bestens. Gallery Weekend”, in: www.faz.net (April 29)
Rose, Julian: “’Wolfgang Tillmans. On The Verge of Visibility’”, in: Artforum (January), p. 149 (ill.)
Roth, David Kurt Karl: “Wolfgang Tillmans modelt für Hood By Air”, in: http://dandydiary.de (September 13)
Roux, Caroline: “The Nineties Now”, Frieze Week, (October 2016), pp.68-75.
Rudman, Matthew: “Wolfgang Tillmans”, in: www.studiointernational.com (June 19)
Rundgren Yazdani, Sara Elina: “Digital Flows”, in: www.kunstkritikk.com (February 10) (ill.)
Salter, Steve: “Wolfgang Tillmans on working with Frank Ocean and returning to music”, in: https://i-d.vice.com (August 23)
Schleicher, Michael: “’Playback Room’: Diese Musik ist museumsreif”, in: www.merkur.de (February 19)
Schneider, Hella: “Die Highlights des Gallery Weekend 2016”, in: www.vogue.de (April 29)
Schraven, Hannah: “Gallery Weekend Special”, in: www.gallerytalk.net (April 26)
Siegal, Nina: “At Frieze London, Throwing Light on Tense Times”, in: The New York Times (October 6), p. S1
Sigg, Christa: “Details, die man sonst nicht hört”, in: Abendzeitung (February 16)
Skidmore, Maisie: “Inside Wolfgang Tillmans’ seminal 1993 exhibition”, in: www.anothermag.com (October 7)
Sladen, Mark: “Wolfgang Tillmans: ‘Brexit’ posters (2016)”, in: http://marksladen.com
Smyth, Diane: “Wolfgnag Tillmans’ new book” (interview), in: British Journal of Photography (October), pp. 20–21
Spencer, Samuel: “Frieze 2016 Sneak Peek”, in: http://ende.blouinartinfo.com (October 6)
Solari, Francesco Bruno: “In praise of Wolfgang Tillmans”, in: http://smbhmag.com
Sonna, Birgit et al.: “Gallery Weekend. Highlights 2016. Berliner Buletten”, in: www.art-magazin.de (May 2)
Sonnevelt, Leendert: “Wolfgang Tillmans” (interview), in: Glamcult, no. 120, pp. 42–43
Spice, Anton, “Hear your records on Wolfgang Tillmans’ bespoke sudio sound system”, in: thevinylfactory.com, (19 February)
Spice, Anton, “Wolfgang Tillmans has released his first ever record”, in: thevinylfactory.com, (30 June)
Stein, Hannes: “Was weiß Magnus”, in: Welt am Sonntag (May 8), p. 60

Armstrong, Patrick: “American Producers – Between Bridges / Berlin”, in: www.flashartonline.com (February 26)
Beeson, John: “American Producers”, in: Artforum (March), p. 294
Benhamou, Judith: “Trois grands de l’art contemporain à Paris: Bruce Nauman,
Marcel Broodthaers, Wolfgang Tillmans”, in: http://blogs.lesechos.fr (April 19)
Eichler, Dominic: “Look Again. In Conversation with Dominic Eichler” (interview), in: Beshty, Walead (ed.): Ethics, The MIT Press, Cambridge, MA, pp. 164–166
Calvi, Danny: “Greer Lankton”, in: www.buttmagazine.com/blog (April 10)
Corréard, Stéphane: “Wolfgang Tillmans en ligne de mire”, in: http://next.liberation.fr (April 20)
Dercon, Chris: “Luxus mit Verstand, Aktivismus zum Tanzen und mehr von Tillmans – meine Wünsche für das neue Jahr”, in: Monopol (February), p. 24
Dunker, Bettina: “Strategies of Combination and Codification in Contemporary Art Installations”, in: Pahl, Hanna: Emblematic Strategies in Contemporary Art, Lit Verlag, Vienna, pp. 23–41
Ekardt, Philipp: “Fiorucci made me normcore. Fünf Beobachtungen zu Kunst, Stil und Szenen heute”, in: Texte zur Kunst, no. 97 (March), pp. 73–91
Evans, David: “The Swarn Intellegence of Wolfgang Tillmans”; in: Source, no. 82 (spring), pp. 8–13
Farago, Jason: “Wolfgang Tillmans”, in: http://artforum.com (April 18)
Galilee, Beatrice: “Portfolio. Wolfgang Tillmans”, in: http://archpaper.com (April 21)
Gendall, John: "Work in progress: Wolfgang Tillmans’ ‘PCR’ opens at David Zwirner, NYC", in: www.wallpaper.com (September 29)
Gopnik, Blake: “At the Met, Wolfgang Tillmans’s View of Buildings“, in: https://news.artnet.com (April 28)
Gurk, Christoph: “Gespräch mit Wolfgang Tillmans“, in: Münchner Kammerspiele, Spielzeit 2015/16, n.p.
Hatt, Étienne: “Wolfgang Tillmans. Galerie Chantal Crousel“, in: artpress, no. 423 (June), p. 31
Hugo, Saadi: “La photographie es tun outil qui enregistre nos pensées avec une grande précision“, in: http://toutelaculture.com (April 23)
Knoblauch, Loring: “Wolfgang Tillmans: Book for Architects @Met”, in: https://collectordaily.com (February 9)
Koerner von Gustorf, Oliver: “Nennt mich Greer”, in: Monopol (July), pp. 62–67
Kupfer, Paula: “Range Rover”, in: Surface, issue 122 (October), pp. 108-115
Kupfer, Paula: “Wolfgang Tillmans Reaches the Apogee of His Career (For Now)”, in: surfacemag.com (October 2)
Lequeux, Emmanuelle: “Faire la paix avec cette inquiétante étrangeté du monde”, in: Le Quotidien de l’Art, no. 825 (April 30), n. p.
Lorch, Catrin: “Ein Stilleben mit ‘Süddeutschen’ – aus dem Atelier von Wolfgang Tillmans, dem Starfotografen der zeitgenössischen Kunst”, in: Süddeutsche Zeitung (May 2 / 3), p. 22
Lübbke-Tidow, Maren: “Hasselblad Award for Wolfgang Tillmans”, in: Camera Austria, no. 130, pp. 101
Lubow, Arthur: "Wolfgang Tillmans Takes Pictures of Modern Life, Backlit by the Past", in: www.nytimes.com (September 25)
Manning, Emily: “We talk to Wolfgang Tillmans as he brings his Book for Architects to the Met” (interview), in: i-d.vice.com (January 30)
Martin, Hannah: “See Wolfgang Tillmans’s architectural photography at the Met”, in: www.architecturaldigest.com (January 26)
Moulène, Claire and Ingrid Luquet-Gad: “Le top 5 des expos de la semaine”, in: www.lesinrocks.com (April 17)
Neuendorf, Henri: “Wolfgang Tillmans Wins 2015 Hasselblad Photography Award”, in: www.artnet.com (March 6)
Nørgaard Lykkebo, Stine: “Wolfgang Tillmans modtager årets Hasselbladpris”, in: www.kunsten.nu (March 6)
O’Hagan Sean: “How the world caught up with Wolfgang Tillmans”, in: theguardian.com (September 17)
Parent, Béatrice: "Correspondences", in: "Keys to a Passion", exh. cat. Fondation Louis Vuitton, Paris,p. 23
Pofalla, Boris: “In den Körpern von Puppen”, in: Frankfurter Allgemeine Sonntagszeitung (April 12), p. 44
Por Yoshida, Mika and David G. Imber: “Book for Architects. Wolfgang Tillmans”, in: Casa Brutus, no. 181 (April), pp. 158–159
Rose, Julian: “Realist Estates”, in: artforum (summer), pp. 137–138
Russeth, Andrew: “Art in the dead of winter: a painting blowout at Gavin Brown, the Winter Antiques Show and ML Artspace”, in: www.artnews.com (January 29)
Sansom, Anna: “Between the Blur and the Flicker”, in: Damn Magazine, no. 50 (May), pp. 78–82
Smith, Roberta, "Review: Wolfgang Tillmans, a Photographer Showing His Life as an Open Book", in: nytimes.com (October 13)
Tillman, Lynne: “After Wojnarowicz”, in: Harris, Melissa (ed.): David Wojnarowicz. Brush Fires in the Social Landscape, in: aperture, New York, pp. 199–215
Viveros-Fauné, Christian: “Wolfgang Tillmans's Relentlessly Boho Imagery at David Zwirner is Inventive But Ugly”, in: artnet.com (October 21).
Zevi, Clara: "Wolfgang Tillmans’s Early Film Debut at The Kitchen Was a Packed, Sweaty Mess", in: news.artnet.com (September 16)
“2015 Power 100. 11: Wolfgang Tillmans” in: Art Review (November), p. 130
"New Couples: From Louise Bourgeois to Jim Hodges / From the 1980s to Now", in: exh. cat. "What We Call Love: From Surrealism to Now", Irish Museum of Modern Art, Dublin, pp. cover, 70-71.
“Purple Diary ‒ Wolfgang Tillmans ’Lignine Duress’ Opening at Galerie Chantal Crousel, Paris“, in: http://purple.fr (April 21)
“The glittering prizes”, in: The Art Newspaper (April), p. 15
“Wolfgang Tillmans Wins The Hasselblad Photography Award 2015”, in: artlyst.com, (6 March)
“Wolfgang Tillmans wins 2015 Hasselblad Award”, in: www.e-flux.com (March 6)
"Wolfgang Tillmans’ unfiltered photo show", in: www.uk.phaidon.com (September 29)
“Wolfgang Tillmans: ‘Book for Architects’”, in: The New Yorker (March 30), p. 9
“Wolfgang Tillmans: Book for Architects“, in: exh. cat. “Zoom! Architektur und Stadt im Bild”, Pinakothek der Moderne, Munich, pp. 170–173
“Wolfgang Tillmans“, in: Süddeutsche Zeitung Magazin (May 11), p. 73

Tolley, Stuart, “Collector’s Edition: Innovative Packaging and Graphics”, Thames&Hudson, p.206, 2014.
Aletti, Vince: “Photobooks”, in: www.photographmag.com (January / February)
Altmann, Susanne: “In umstrittenen Territorien”, in: www.art-magazin.de (July 1)
Biggs, Joanna: “Wolfgang Tillmans: ‘Pictures are replacing words as messages’”, in: www.theguardian.com (May 9)
Borcherdt, Gesine: “Bei den Fetischen des alten West-Berlin”, in: www.welt.de (May 29)
Buhr, Elke: “In St. Petersburg sucht die Manifesta nach dem Schlüssel zur Eremitage”, in: Monopol (August), pp. 100–101
Burton, Johanna: “Pictures in the Present Tense”: in: Verwoert, Jan (et al.) (ed.): Wolfgang Tillmans, Phaidon Press, London, pp. 170–213
Buck, Louisa: “Why Tillmans in returning to Russia”, in: www.theartnewspaper.com (June 17)
Fite-Wassilak, Chris: “Review: Wolfgang Tillmans – Central Nervous System”, in: ArtReview (January / February), p. 112
Guiducci, Mark: “10 Things You Can’t Buy (But Will Want to See) at Art Basel”, in: www.vogue.com (June 17)
Hinrichsen, Jens: “Nicht den Kopf zerbrechen. Im Museum Folkwang erklärt ‘(Mis)Understanding Photography’ die Fotogeschichte aus der Praxis”, in: www.monopol-magazin.de (June 11)
Hoffmans, Christiane: “Haben Sie mit einer Schere im Kopf ausgewählt”, in: www.welt.de (June 17)
Jones, Jonathan: “The top 10 male nudes in art”, in: www.theguardian.com (April 10)
Knöfel, Ulrike: “Umstrittene Manifesta-Schau in Russland: ‘Wir wollen politisieren’, in: www.spiegel.de (June 26)
Kröner, Magdalena: “Dem Licht beim Arbeiten zusehen”, in: Frankfurter Allgemeine Zeitung (July 24), p. 12
Kuhn, Nicola: “Auf großer Reise ins Dorf”, in: www.tagesspiegel.de (June 6)
Lorch, Catrin: “Hasenfußläufig”, in: Süddeutsche Zeitung (May 30), p. 11
Lübbke-Tidow, Maren: “Berlin Biennale 8”, in: Kunstbulletin, no. 7 / 8, pp. 67–68
Maak, Niklas: “Diese schönen Dinge, die keine Kunst sind”, in: www.faz.net (May 5)
Myers, Terry M.: “Letter from BERLIN”, in: http://brooklynrail.org (February 5)
Nedo, Kito: “Party aus Papier”, in: Süddeutsche Zeitung (July 26 / 27), p. 14
Needham, Alex: “Wolfgang Tillmans to open music ‘playback room’ in Berlin gallery“, in: www.theguardian.com (September 12)
Pofalla, Boris: “Ein Skandal ist ja wohl das Mindeste”, in: Frankfurter Allgemeine Sonntagszeitung (June 29), p. 33
Schönegg, Kathrin: “Wolfgang Tillmans. Reprise der Abstraktion am ‘Ende des fotografischen Zeitalters’“, in: Fotogeschichte, no. 133, pp. 21–28, 59–62
Schulze, Karin: “Fotoausstellung am Folkwang Museum: Miss Verstand”, in: www.spiegel.de (June 14)
Searle, Adrian: “The artworld takes on Russia’s regressive LGBT laws at Manifesta 10”, in: www.theguardian.com (July 1)
Smolik, Noemi: “Manifesta 10”, in: frieze, no. 14 (September), pp. 146–147
Stahl, Antje: “Die 90er”, in: Monopol (July), pp. 48, 56, 57
Träger, Wolfgang: “Fotodokumentation: Manifesta 10. General Staff Building”, in: Kunstforum International, no. 228 (August / September), pp. 155–175
Vogel, Sabine B.: “8. Berlin Biennale 2014. Der komplette Rundgang”, in: Kunstforum International, no. 228 (August / September), pp. 46–113
Wilson, Rob: “A warm eye. Wolfgang Tillmans on his ‘book for architects’” (interview), in: www.uncubemagazine.com (June 27)
Wittneven, Katrin: “Wolfgang Tillmans”, in: Künstler – Kritisches Lexikon der Gegenwartskunst, vol. 106, no. 14 (2nd quarter)
Würfel, Caroline: “Love, Aids, Riot, Sex in der nGbK in Berlin”, in: www.vogue.de (January 28)
“2014 The Power 100. 36: Wolfgang Tillmans”, in: http://artreview.com
“Interview with Stuart Comer” (interview), in: Verwoert, Jan (et al.) (ed.): Wolfgang Tillmans, Phaidon Press, London, pp. 165–169
“Jacques Herzog: The Reluctant Exhibitionist“, in: www.iconeye.com (August 15)
“Step into Liquid” (interview by Michelle Kuo), in: The Happy Fainting of Painting, Verlag der Buchhandlung Walter König, Cologne, pp. 126–127
“Wolfgang Tillmans on middle age and architecture”, in: http://uk.phaidon.com (June 12)
“Wolfgang Tillmans. Damian talks to Turner prize winning photographer Wolfgang Tillmans about his new book” (radio interview), on: www.bbc.co.uk
“Wolfgang Tillmans. Images from his latest book – in pictures”, in: www.theguardian.com (May 9)
“Wolfgang Tillmans”, in: Love Aids Riot Sex, exh. cat. nGbK – neue Gesellschaft für bildende Kunst, Berlin, p. 84
“Wolfgang Tillmans. Folkwang Raum (1987–2013), in: (Mis)Understanding Photography, exh. cat. Museum Folkwang, Essen, pp. 86–93
“Wolfgang Tillmans”, in: Manifesta 10. The European Biennial of Contemporary Art, exh. cat. The State Hermitage Museum, St. Petersburg, pp. 174–177

Ackermann, Tim: “Neue Welt“, in: IMA, Living with Photography (Spring), pp. 63-71
Astorga, Daniela Silva “Wolfgang Tillmans: Ojos de Rayos X”, El Mercurio (July 6)
Bosetti, Annette: “Die Welt des Fotokünstlers Wolfgang Tillmans“, in: Rheinische Post (February 22), pp. C1
Bosetti, Annette: “Wolfgang Tillmans – der Foto-Rebell“, in: Rheinische Post (March 2/3), pp. C1
Bradley, Paige K., “Wolfgang Tillmans, Andrea Rosen Gallery”, Artforum (May)
Christensen, Rupert: “Exhilarating and exhausting: Les Rencontres d’Arles 2013” (Review), The Telegraph (July)
“Die Bedeutung schlummert überall“, in: Die Zeit (January 10), p. 45
Durden, Mark, “The Freedoms of Photography”, Camera Austria 122
“Düsseldorfer K21 widmet Wolfgang Tillmans eine umfassende Werkschau“, in: http://de.blouinartinfo.com/news/story/871712/duesseldorfer-k21-widmet-wolfgang-tillmanns-eine-umfassende (April 3)
Espinoza, Denisse: “La fotografía abstracta de Wolfgang Tillmans aterriza en el Mavi”, Latercera (July 17)
“Framing the View, six artists reveal how they choose landscapes”, The Guardian (February 1)
Frenzel, Sebastian: “Wolfgang Tillmans: Die Selbstporträts. Ein Interview“, in Monopol (March), pp. 60-69
Fricke, Christiane, ‘Ein überraschend vielseitiges Werk’, Handelsblatt (March 8)
Hanselle, Ralf: “Wahr sind immer nur die Absichten“, in: Cicero (March), pp. 113-116
Herbert, Martin: “Wolfgang Tillmans”, in Art Review (April), pp. 62-71
Higgie, Jennifer. “5 Still Lifes: A selective history of things on tables” in Frieze Masters (2) p 73 – 77
“Kleidung kann die Welt auf den Kopf stellen“ (Interview), in: http://www.spiegel.de/kultur/gesellschaft/wolfgang-tillmans-grosse-foto-ausstellung-im-k-21-in-duesseldorf-a-886232.html (March 4)
Lorch, Catrin: “Wunderbare Freiheit des Blicks“, in: Süddeutsche Zeitung (March 4), p.9
Melgar Wong, Francisco, “Wolfgang Tillmans detrás de cámaras”, El Comercio (March 17)
Müller, Bertram: “Mit Wolfgang Tillmans ins neue Kunstjahr“, in: Bergische Morgenpost (Januar 3)
Müller, Hans-Joachim: “Wolgfang Tillmans – der Allesseher, Allesmacher“, in: Die Welt (March 5)
O’Brien, Sophie, ‘The ground beneath his feet’, Art Quarterly (Spring 2013)
O’Hagan, Sean: “Les Rencontres d’Arles 2013” (Review), in The Observer (July)
Parreno, Philippe. “My Influences” in Frieze No.158 (October) p 194 – 199
Reyes, Antonia, ‘Lo que significa ser humano’, MásDeco (August)
Rosenberg, Karen, “Wolfgang Tillmans: From Neue Welt”, The New York Times (May 16)
Schiff, Hajo, “Wolfgang Tilmans” Artist Kunstmagazin, No 95
Schulz, Karin, “Kleidung kann die Welt auf den Kopf stellen”, Spiegel Online, (March 4)
Stiftel, Ralf: “Die Kustsammlung NRW zeigt das Werk des Fotografen Wolfgang Tillmans”, in: Come-on.de (March 12)
“Und bei dir so? Monopol fragt Künstler und Kuratoren“, in: Monopol (January), p. 41
Zimmermann, Damian: “Der Messie unter den Fotografen”, taz (March 4)

Ackermann, Tim: „Ein Fotograf auf großer Fahrt“, in: Welt am Sonntag (August 19), p. 48
Artforum, (September), pp.420-429
Bas, Borja: “El Artista que Volvió de as Estrellas“, in: El País Semanal (November 11), pp.12-14
Beils, Martin / Hellwig, Kristina: Wolfgang Tillmans und wie er die Welt sieht“, in: „Bekannt Bedeutend, Bergisch, 33 Lebensskizzen bergischer Persönlichkeiten“, Bergisch Gladbach, pp. 114-118
Bendlin, Julia: Dubstep der Bilder: Fotograf Wolfgang Tillmans in der Kunsthalle Zürich, Rolling Stone (http://www.rollingstone.de/news/meldungen/article321312/dubstep-der-bilder-fotograf-wolfgang-tillmans-in-der-kunsthalle-zuerich.html)
Bergisch, 33 Lebensskizzen bergischer Persönlichkeiten, Bergisch Gladbach, pp. 114-118
Braunerhielm, Agnes: “Wolfgang Tillmans bilder inspirerar modevärlden“, in: Dagens Nyheter (November 11), p. 6
Brumfitt, Stuart: „Tillmans takes photos“, in: Attitude (September), p. 32
Carey-Thomas, Lizzie: edited text of an interview on the occasion of the exhibition “Migrations: Journeys into British Art“, Tate Britain, (January – August), p.113
Feldhaus, Timo, „Digital ist besser“, in: De:bug, (September), pp. 34-40
Häntzschel, Jörg: „An der Oberfläche“, in: Süddeutsche Zeitung (October 16), p. 12
Hellwig, Kristian: “Wolfgang Tillmans' neue Welt“, in: Bergische Kultur (September 8)
Jamieson, Teddy: “The Tillmans theory of reality“, in: The Herald Scotland (May 4), p. 21
Kissick, Dean: “The next generation of beautiful“, in: i-D (autumn), p. 72
Kinowska, Joanna: “W galerii daję z siebie wszystko“, in: Fotografia. Nr. 38, pp. 95-102
Khayyer, Jina: “Neue Welten“, in: L’Officiel Hommes (autumn), pp. 118-123
Kotzé, Talitha: “Portrait of the Artist“, in: The List, Glasgow and Edinburgh, p. 119
Kuo, Michelle, in coversation with Tillmans, Wolfgang. “Step into Liquid.”
Langer, Freddy: „Die ganze Welt“, in: Frankfurter Allgemeine Zeitung (August 30), p. R8
Langer, Freddy: “Im Leerraum zwischen Wildnis und Zivilisation“, in: Frankfurter Allgemeine Zeitug (Juni 2), p. 35
Larssen, Kristiane: “Wolfgangs Verden“, in: Dagens Naeringsliv (October 5), pp. 38-45
Madestrand, Bo: “Intima tidsbilder med humor“, in: Dagens Nyheter (October 9), p. 8
Malmberg, Carl-Johan: “Tillmans bjuder“, in: Svenska Dagbladet, (October 18), p. 6
Meier, Philipp: „Schöne neue Welt in der Kunstbrauerei“, in: Neue Zürcher Zeitung (September 1), p. 23
Meier, Simone: “Total global: Wolfgang Tillmans im frisch umgebauten Kunstareal Zürichs“, in: Monopol (October), p. 103
Neuman, Ricki: “Tillmans bildfabrik“, in: Svenska Dagbladet (Oktober 6), pp. 6-10
Olonetzky, Nadine: Grösser als das Leben“, in: Neue Zürcher Zeitung am Sonntag (August 26), p. 71
Persichetti, Simonetta: “Cor E Forma“, in: O Estado de S. Paulo (March 27), p. D1
Pollock, David: „Worldly Wolfgang Tillmans sees the big picture“, in: The Independent (April 20)
Rau, Anselm, Uhlig, Wolfgang: “Stillleben. Werkbetrachtungen von der Antike bis zur Gegenwart.“, Ernst Klett Verlag, Stuttgart, pp. 52-53
Saletti, Adam: “Conor Donlon – From above the shop” Apartamento, Issue # 09 (April)
Sinning, Hilka: „Die neuen Fotografien von Wolfgang Tillmans“, television piece in: titel thesen temperamente, broadcasted: 26.8.12
(http://mediathek.daserste.de/sendungena-z/431902ttt-titel-thesen-temperamente/11525658_die-neuen-fotografien-von-wolfgang-tillmans)
Stolle, Wanda; Zunker, Angelika: Fotografisches Inszenieren von Papierobjekten, in: Kunst + Unterricht, Heft 359, 360, pp. 51-52
Tillmans, Wolfgang, in coversation with Tennant, Neil. “Neue Welt: Elysium.” 032c, (Autumn), pp.100-109
Tobler, Konrad: „Die ganze Welt im neuen Haus“, in: Tages-Anzeiger (September 1), p. 29
Weiland, Florian: „Ein anderer Blick nach außen“, in: Südkurier Nr. 217 (September 18), p. 13
Wirfält, Johan: “Foto: Wolfgang Tillmans“, in: Rodeo (autumn), p. 59
Zucker, Stefan: „Jäger des unvergesslichen Bildes“, television piece in: Kulturplatz (sf Kultur), broadcasted: 22.8.12 (http://www.videoportal.sf.tv/video?id=ff180102-46c8-453a-b701-08b7f6cb11c9)
Zybok, Oliver: „Wolfgang Tillmans – Prüfsteine der Wahrnehmung, in: Kunstbulletin (October), pp. 24-31
“Freischwimmer 24“ (2003), in: Sammlungkatalog: The National Museum of Art, Osaka, 2012, p. 242
“Entre O Real E O Abstrato“, in: serafina, Folha De S.Paulo (March), pp. 28-33
“Los mundos privados“, in: Semana (October 15-22), pp. 98-99
“Photographer Anton Corbijn on Freischwimmer 118 (2005)“, in: Stedelijk in the pocket, Stedelijk Museum Amsterdam, 2012
“Snapshot 'Tukan', in: Financial Times (October 6/7), p. 22
“Von Dürer bis zu den Irokesen“, in: Lüneburger Landeszeitung (December 29)
“Wolfgang Tillmans Neue Welt“, in: Photonews (September), pp. 16-17
“Wolfgangs waarheid“ (Bededikt Taschen over Wolfgang Tillmans), in: NRC Weekend (December), pp. 30-39.

Braun, Adrienne & Thon, Ute. “Ich will das Dazwischen ausloten, Art (July), pp. 50-61.
Chieko, Kitade. “The Collection Catalog of 21st Century Museum of Contemporary Art, Kanazawa.” Museum of Contemporary Art, Kanazawa, Japan.
Crenn, Julie: “Exposition Wolfgang Tillmans chez Chantal Crousel“, in: inferno-magazine.com (November 11)
“Die Zukunft des Garten“, in: Süddeutsche Zeitung (October 22/23), pp. 18-19
Fisher, Mark, Reyolds, Simon & Tenaglia, Francesco. “Stories of Glory Days.” Kaleidoscope, pp.70-75.
Frieze d/e, (Winter), pp.30-31.
Furness, Jo-Ann, & Hack, Jefferson. “Dazed and Confused: Making it up as we go along. “ Rizzoli, New York, p.236.
Greig, Rob. “London’s Secret Galleries, Wolfgang Tillmans studio, Between Bridges.” Time Out (February 23) , p.18.
Hinrichsen, Jens: “Freischwimmer im Bildraum: Wolfgang Tillmans’ abstrakte Fotografien sind keineswegs inhaltslos”, in: Monopol (September), p. 122
Huther, Christian: “°MMK 1991-2011”, in: Kunstforum International, Bd. 210 (August/September), pp. 364-365
Jarecka, Dorota: “Lenistwo Tillmansa“, in: Gazeta Wyborcza (Nov 21), p.14
Koetzle, Hans-Michael.“Photographers A-Z.” Taschen, Cologne, p.403.
Kosiewski, Piotr: “Warość spojrzenia“, in: Tygodnik Powszechny (Dec 11)
“Lady Gaga: Natürlich!” Spex, (July-August) cover & pp.34-47.
Leciejewski, Edgar. “NYC: Ghosts and Flowers How to Build the Sky.” Lubok Verlag, Leipzig, p.124.
Leith, Caoimhín Mac Giolla. “British Art Show 7.” Frieze (January-February), pp.99-100.
Lübbke-Tidow, Maren & Zielony, Tobias. “Finding Warmth in This Coldness is the Prop for My New Photos.” Camera Austria International, issue 114, pp.45-47.
MacGiolla Léith, Caoimhín: “British Art Show 7”, in: frieze, issue 136 (January/February), pp. 99.
Marx, Rainer: “Wider der glatten Oberflächen“, in: Hörzu (November 25), p.126
McKenzie, Rob: “Wolfgang Tillmans“, in: doingbird #fifteen
McLean-Ferris, Laura. “Abstract Pictures.” Art Review (September), p.185.
McLean-Ferris, Laura. “Anti-Photography.” Art Review (April), p.112.
Navarro, Mariano. “Without Reality There Is No Utopia.” 11-21 (March-June), pp.78.
Nickas, Bob. “Wolfgang Tillmans: Corinne on Gloucester Place.” Defining Contemporary Art – 25 Years in 200 pivotal artworks, Phaidon Press Limited, London and New York, pp.152-153.
Nickas, Bob: “Wolfgang Tillmans” (portfolio & interview), in: Interview (September), pp. 258-265 & p. 271
Noble, Kathy. “Jean Genet.” Frieze (October), p.260.
Obrist, Hans Ulrich. “Wolfgang Tillmans: Paper Drop (gold).” Defining Contemporary Art – 25 Years in 200 pivotal artworks, Phaidon Press Limited, London and New York, pp.388-389.
Obrist, Hans Ulrich. “Walther König.” 032c (Summer), pp. 190-197.
Philippi, Simone, in conversation with Tillmans, Wolfgang. “Wolfgang Tillmans looks back.” Taschen magazine (Winter ), pp.90-91.
Rayner, Ben. “Wolfgang Tillmans.” Eyescream (January), pp.20-23.
Sayoko, Nakahara. “The Edge of Visibility.” Coyote (January), pp.94-112.
Schwabsky, Barry. “Gerd Arntz.” Artforum (February), p.238.
Stannard, Joseph. “Abomination’s saving grace.” Wire, (July), pp.32-33.
Śwircz, Jakub: “Zmienne tempo patrzenia“, in: Przekroj (November), pp. 36-39
“The next issue.” Art, (June), p.146.
Tillmans, Wolfgang. “Best of 2011.” Artforum (December), pp.192-193.
Tillmans, Wolfgang. “In A Word, Wolfgang Tillmans: Darkroom.”
Tsitsovits, Yannis. “Hetaera: The Dealership of Maureen Paley.“Sebastian (June), pp.38-45.
Wipplinger, Hans-Peter. “Von Engeln und Bengeln: 400 Jahre Kinder im Porträit.” Kunsthalle Krems, Germany, p.133.
Ward, Ossian. “British art burns bright.” Time Out (March 3), p.53.
“Wolfgang Tillman’s best shot“, in: The Guardian (September 19), p. 23
Wrigley, Tish: “AnOther Thing I Wanted to Tell you / Wolfgang Tillmans on the Inner city Garten“, in: anothermag.com
(October 25)
Zolghadr, Tirdad. “Plane Talking.” Frieze (March), pp.21-22.

Ackermann, Tim, “Tillmans und wie er die Welt sieht”, Welt am Sonntag, (October 3)
Adam, Georgina & Gerlis, Melanie. “Solid sales point to success for most galleries.” The Art Newspaper (October 16)
Allan. “Wolfgang Tillmans at the Sepentine Gallery.” slamxhype.com (July 3).
“Arts Summer 2010; Visual Art.” The Guardian G2 (May 24), p.18.
Bajac, Quentin. “Après la photographie?” Découvertes Gallimard Arts, France, pp.74-75 & 89.
“Be Nice Share Everything Have Fun.” Kunstverein München and Verlag der Buchhandlung Walther König, Köln.
Bond, Bryony. “Wolfgang Tillmans. “ this is tomorrow.info (November 24).
Buchhandlung Walter König, Koln, pp.106-118.
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Le Feuvre, Lisa. “Lighter / Manual.” Foam (Winter), pp. 55-74
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Pernet, Diane. “Maureen Paley Presents Wolfgang Tillmans.” www.dianepernet.typepad.com (May)
Richter, Peter. “Auf der anderen Seite der Bilder.” Franfurter Allgemeine Zeitung, (April 7), p. 41
Schlaeger, Anna. “London: Wolfgang Tillmans.” Qvest (August), p. 58
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Stephinson, Anthony. “Wolfgang Tillmans.” www.twoseelife.blogspot.com (April 21)
Stewart, Christabel. “Find the Gap: Wolfgang Tillmans’ studio space salutes forgotten greats.” Tank volume 5, Issue 3, pp. 82-87
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Strau, Josef. “The Artists’ Artists: Wolfgang Tillmans.” Artforum (December), p.100
“Street & Studio: An Urban History of Photography.” Pluk (Summer), pp. 30-31
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“Untitled (Vicarious): Photographing the Constructed Object.” Pluk (October), pp. 32-33
Völzke, Daniel. “Wer die Wahrheit sucht, träumt.” (interview) Tagesspiegel (March 22)
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“Sheffield biennial lights up city.” Art World (February), p. 10

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Ellis, Patricia. “Collecting Overview: Anita Zabludowicz.” Flash Art (October), pp. 80-1
Florian, Illies. “Ohne Zweifel kann ich nicht nach vorne gehen.” (interview) Monopol, (February)
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Goetz, Rainald. “Facharbeiterflicken.” Vanity Fair, (February 28)
Higgins, Charlotte. “Who’s Shocking Now?” The Guardian Weekend (September 8), p. 32
Hoch, Jenny. “Ich kann über das Älterwerden nur Lachen.” www.spiegel.de, (June 2)
Hoffmans, Christiane. “Die Welt in fremden Licht sehen.” Welt am Sonntag, (January 7), p. 67
Kedves, Jan and Tittel, Cornelius. “ Ich Versuche nur das Richtige zu Tun.” (interview) Zoo Magazine, pp. 376-57
Julia, Princess. “Turner Prize: A Retrospective.” I-D (December), p. 172
Lorch, Catrin. “Am Ende ein Gong.” Frankfurter Allgemeine Zeitung, (April 20), p. 36
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Meixner, Christiane. “Tillmans lässt Tische sprechen.” Welt.de, (February 24)
Peitz, Dirk. “Man fotografiert, was man liebt.” (interview) Süddeutsche Zeitung, (February 20), p. 13
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“Power 100: 74, Maureen Paley.” Art Review (November), p. 149
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Relyea, Lane. “Network and Community: Strolling the Wolfgang Tillmans Salon.” Afterall, no. 15, pp. 106-117
Scheuermann, Barbara J. “ Start 2007: Actuelle Januar – Ausstellungen.” Koeln-galerien.de, (January 29)
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Sheets, Hilarie M. “Shooting from the hip.” Artnews (October) pp. 170-3 & cover
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Staple, Polly. “Flights of Fancy.” Frieze (June), pp. 33-4
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Tilmann, Christina. “In Geiselhaft.” Der Tagesspiegel, (February 22), p. 22
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Tumarkin Goodman, Susan. “dateline: Israel: New Photography and Video Art.” The Jewish Museum, New York/ Yale University Press, pp. 38-41
Weskott, Hanne. “Vom Zufall und der Schönheit eines Regentropfens”, Süddeutsche
Williams, Eliza. “Vanessa Branson: A Wonderful Fund.” Flash Art (October), pp. 82-83
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Zeitung SZ Extra, (May 31), p. 4
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“Things as they are.” World Press Photo, pp. 282-3

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Pierini, Marco. “Good Vibrations – Visual Arts and Rock Culture.” Palazzo delle Papesse, Siena, Italy and Giunti, pp. 48-49
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Relyea, Lane. “Photography’s Everyday Life and the Ends of Abstraction.” Wolfgang Tillmans, Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 88-105
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Stillpass, Zoe, “Wolfgang Tillmans documents friends, loves in an eye-opening exhibit.” Chicago Maroon, (May 26)
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Taidehalli, Helsingin. “Tekisit jotain, Wolfgang!” Savon Sanomat, (August 19)
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Terracciano, Emilia. “On Now, On Soon.” Flash Art, vol. XXXIX, no. 247 (March-April), p. 50
Therond, Eve. “Super Mario Reloaded.” Whitewall, no. 2, pp. 48-49
Thomas, Tobias. “Das Ungeklärte in der Wertigkeit der Dinge.” (interview) Spex XXV, 25 Jahre Jubiläumsheft, no. 1, pp. 50–54
Tikkinen, Hannele. “Tekisit jotain, Wolfgang!” Karjalainen, (August 20)
Tikkinen, Hannele. “Tekisit jotain, Wolfgang!” Keskisuomalainen, (August 19)
Timberg, Scott. “Mix and match photographs.” Los Angeles Times, (September 16), p. 20
Väliranta, Eija. “Sukupolvensa silmä.” Apu, no. 33
Vekkeli, Pirkko. “Wolfgang Tillmans, sukupolvensa silmä.” Gloria Syyskuu, pp. 64-67
Wagner, Frank. “The Eighth Square.” Das Achte Feld, Museum Ludwig, Hatje Cantz, pp. 38-39
Waldron, Glenn. “Wolfgang parade.” Nylon, (June)
Weinstein, Michael. “The Remix: Wolfgang Tillmans spins Experimental Photography for a Cause.” Newcity, (May 25)
Wigley, Marc. “The Space of Exposure.” “Wolfgang Tillmans, Museum of Contemporary Art Chicago; Hammer Museum, LA, Chicago and Los Angeles, Yale University Press, New Haven and London, pp. 144-156
West, Esme, (ed). New Art on View, Scala, p. 38, 98
Williams, Eliza. “Top 50 Summer Highlights.” Art Review, (June), pp. 70-77
Wolinski, Natacha. “Wolfgang Tillmans – Objet photographique non identifié.” Beaux Arts, (April), pp. 76-81
Wood, Catherine. “David Wojnarowicz.” Frieze, no. 100 (June-August), p. 260
Zwecker, Bill. “David Schwimmer visits MCA to see Tillmans.” Chicago Sun-Times (June 14)
“Five things to see this June.” O (Oprah), (June)
“German Photographer Tillmans’ work on display.” Hammond Times, (June 1)
“Hot List.” Harper’s Bazaar, (May)
“Kohtaamiset.” Suomen Kuvalehti, p. 61
“Kuvakulma.” Aamulehti, (August 19)
“La espontaneidad de la artificialidad.” Masdearte.com, (May 25)
“London Openings.” Art Monthly, no. 297 (June), p. 16
“News & Around, Wolfgang Tillmans.” Tema Celeste, p. 103
“Sukupolvi X:n tulkki.” Kauppalahti Presso, (August 19)
“Surprise, Surprise.” The Guardian Guide, (July 29)
“US tour for Tillmans.” The Art Newspaper, (May 16)
“Valokuvan kultti-hahmo Juhlaviikoilla.” Kirkkonummen Sanomat, (August 10)
“Wolfgang Tillmans.” Art Price, Korea, (June)
“Wolfgang Tillmans.” Chicago Social, (May)
“Wolfgang Tillmans.” Dwell, (June)
“Wolfgang Tillmans.” newcitychicago.com
“Wolfgang Tillmans.” Surprise Surprise, Institute of Contemporary Arts, London
“Wolfgang Tillmans.” Visuell, p. 88, 217
The Art Newspaper, March
“Wolfgang Tillmans Deutscher Top Künstler aus London Fickt Keyboard Player von Bronski Beat” (interview), Butt, (Autumn), pp. 24-31
“Wolfgang Tillmans vangitsee nykyhetken ilmiöitä.” Uutiset.stt.fi, (August 21)

Barton, Laura. “Joy Boy.” G2, Guardian, September 23, pp. 14–17
Bodtlander, Bernd, and Frank Nicolaus. “Eine Schule fur den Wahnsinn.” art DAS KUNSTMAGAZIN, no. 10 (October), pp. 70–77
Bright, Susan. “Wolfgang Tillmans.” (interview) in Art Photography Now, London: Thames and Hudson
Burg, Dominique von. “Alltagliche Schizophrenie, Kunst und Pressebild von Warhol bis Tillmans.” NZZ Online (July)
Comer, Stuart. “On the Ground.” Artforum, vol. XLIV, no. 4 (December), pp. 227-229
Chavez, Brenda. “Wolfgang Tillmans, Contra Indiferencia.” El Pais (Madrid) (October 7), pp. 18–19
De Witt, Amy. “Wolfgang Tillmans, Maureen Paley.” Time Out London, no. 1813 (September 21–28), p. 57
Diez, Georg. “Wie Sieht Die Welt aus?” Tagesanzeiger, Das Magazin, no. 40 (October 14), pp. 22–34
Doustaly, Thomas. “Wolfgang Tillmans s’assombrit.” Tetu (October 1)
Downey, Anthony. “Wolfgang Tillmans at Maureen Paley.” Flash Art, (November)
Fel, Loïc. “truth study center, L’équivalenc visuell.” www.photosapiens.com (September 26)
Guglielmo, Giorgio. “Ladies & Gentlemen.” Umberto Allemandi & C., Torino, Italy, p.120.
Hakim, Jamie. “The truth is out.” (interview) Attitude (October), pp. 88–91
Hakkarainen, Anna-Kaari. “Totuus on tuolla jossain.” muoto (May), p. 69
Heidenreich, Stefan. “Wolfgang Tillmans, truth study center, 2005.” DE:BUG (October 27)
Hilpold, Stephan. “Spiritualität im Sex-Club.” (interview) Rondo, Der Standard, no. 338 (September 30), pp. 4–5
Hofer, Sebastian. “‘Ein schwuler Kuss ist hochgradig politisch.’” Profil (Austria) (September 12)
Honnef, Klaus. “Details des Universums.” Die Welt, September 7, p. 29
Iida, Shihoko. Bijutsu Gaho (January), pp. 290–291
Illies, Florian. “Der sinnliche Protestant.” Monopol (October 1)
Jung, Irene. “Die Schönheit der Venus und die Zufälle des Lebens.” Hamburger Abendblatt (September 17)
Lazimbat, Sascha. “Faltenwürfe und Wellenverläufe.” Groove, no. 97 (November–December), p. 14
Leaver-Yap, Isla. “Wolfgang Tillmans: Truth Study Center.” Map Magazine (November)
Lelièvre, Marie-Dominique. “Les yeux au ciel.” Libération (France), October 18
Liebs, Holger. “Der billigste, für alle zugängliche Zauber.” Süddeutsche Zeitung, September 7, p. 15
Lorch, Katrin. “Studienzentrum: Wolfgang Tillmans bei Buchholz in Köln.” Frankfurter Allgemeine Zeitung, (February 3), p. 44
Lübbke-Tidow, Maren. “Wolfgang Tillmans: Truth Study Center.” Camera Austria, vol. 92, pp. 91–92
Obricht, Hans-Ullrich. “The Tillmans show (Wolfgang Tillmans in conversation with H. U. Obricht and Rem Kohlhaas).” NUMERO (France) (October 1)
Pearl, Lydie. “Que vent la foule?: Art et Représentation” L’Harmattan, Paris, France, pp.116-139.
Polzer, Britta. “Covering the real. Kunst und Pressebild, von Warhol bis Tillmans im Kunstmuseum.” Kunst Bulletin (July–August), p. 53.
Pratesi, Ludovico. “Gli scatti di Tillmans pennellate di luce.” La Repubblica, (October 27)
Preuss, Sebastian. “Arena of Passion.” 032c, no. 9 (summer), pp. 94–96
Rehberg, Peter. “Von den Socken.” Siegessäule (October 1)
Rubira, Sergio. “Wolfgang Tillmans.” EXIT Express, no. 9 (February), pp. 3, 19
Schock, Axel. “Die Wahrheit des Augenblicks, Neue Fotografien von Wolfgang Tillmans.” hinnerk (November 4)
Seidl, Claudius. “Der Zauberkünstler.” Frankfurter Allgemeine Sonntagszeitung, August 21, p. 27
Swift, Simon. “My work isn’t just about cocks.” Pink Paper, no. 882 (September 1), p. 20
Vitorelli, Rita. “Gespräch mit Wolfgang Tillmans.” spike, no. 6 (winter), pp. 38–49
Walder, Martin. “Äusserst geschärfte Wahrnehmung.” Neue Zürcher Zeitung, May 1, p. 65
Waldron, Glen. “From stargazing to people-watching.” i-D (November), pp. 84–93
“Wolfgang Tillmans.” EXIT, no. 18 (May–July), pp. 70–79
“Wolfgang Tillmans, Art of living people.” Esquire Magazine Japan, vol. 19, no.1 (January), p. 33

Blank, Gil. “How else can we see past the fiction of certainty?” (interview) Influence, no. 2, pp. 110–21
Danicke, Sandra. “Wie es sich anfühlt, lebendig zu sein.” (interview) art kaleidoscope (February)
Gilmore, Jonathan. “Wolfgang Tillmans, Andrea Rosen Gallery, New York.” Tema Celeste, (January)
Goto, Shigeo “Wolfgang Tillmans.” Hi-Fashion, no. 299 (October), p. 160
Iida, Shihoko. “Wolfgang Tillmans: Spirit of the Freischwimmer.” In Wolfgang Tillmans: Freischwimmer, edited by Shihoko Iida, Tokyo: Tokyo Opera City Art Gallery, pp. 104–109
Iizawa, Kotaro. “Wolfgang Tillmans.” Geijutsu Shincho, (December), pp. 86–95
Ito, Toyoko. “Studio Voice.” Tokyo (November), pp. 118–23
Kawachi, Taka, Kotaro Iizawa, and Kadota, Junichi. “Conversation on Photography.” Studio Voice, no. 337 (January), pp. 52–53, 72–73
Kedves, Jan, and Cornelius Tittel. “Es geht mir um Wahrheit.” die tageszeitung, July 6, p. 25
Kojima, Yayoi. Esquire Magazine Japan (December), pp. 266–267
Matsushita, Yukiko. “Luca.” Esquire Magazine Japan, no. 7 (October), p. 175
Müller, Silke. “Es dreht sich jetzt nur noch um gute Kunst.” art, no. 8 (August), pp. 72–74
Nagashima, Yurie. Switch, (December), pp. 122–25
Ollier, Brigitte. “L’excellence Tillmans.” Libération (France), November 13
Penelas, Seve. “Wolfgang Tillmans. Abstraction.” EXIT 14, pp. 76–81
Rauterberg, Hanno. “Wie viel Moral braucht die Kunst.” Die Zeit, no. 39 (September 16)
Ribbat, Christoph. “Smoke gets in your eyes.” Kunstforum International, no. 172 (September–October), cover and pp. 38–43
Schuman, Aaron. “Master of the universal.” (interview) ARTReview (July–August), cover and pp. 48–57
Shimizu, Minoru. “Hihyo no Fuzai, Shashin no Kajo.” Shiro to Kuro to de—Shashin to . . . , Gendaishichosha, pp. 151–67
Shimizu, Minoru, and Shigeo Goto, (conversation) Ichihara Kentaro, Tsuchiya Seiichi, Bijutsu Techo (Special Issue of Wolfgang Tillmans/Larry Clark) Bijutsu Shuppan-sha, no. 857 (November), pp. 11–31 (plates) 32–48, 49–54, 55–61, 62–64 (Selected Book Guide)
Urae, Yumiko. “Wolfgang Tillmans.” (interview) BRUTUS, no. 553 (August), cover and pp. 20–29
Wiedemann, Christoph. “Annäherung an das Abbild.” Süddeutsche Zeitung, no. 17, p. 4
Wood, Catherine. “Let me entertain you.” Afterall, no. 9, pp. 43–44
——. “Ich versuche nur, das Richtige zu tun.” Zoo (March), p. 36ff
——. “intoxicate.” NMNL, vol. 52 (October), pp. 6–7
——. “Wolfgang Tillmans: The Art of Equivalence.” In Wolfgang Tillmans: Freischwimmer, exh. cat., Tokyo: Tokyo Opera City Art Gallery, pp. 110–15

Aletti, Vince. “World Beat.” The Village Voice, September 24
Barber, Lynn. “The Joy of Socks.” The Observer Magazine (January 5), cover story, pp. 14–22
Brudna, Denis. “Wolfgang Tillmans—If one thing matters, everything matters.” Photonews, no. 7/8 (July–August), p. 19
Durden, Mark. “Wolfgang Tillmans. Uninhibited Looking.” Portfolio, pp. 29–30
Evans, Jason. “Review, Wolfgang Tillmans.” Photoworks, (autumn–winter)
Flynn, Tom. “Wofgang Tillmans.” Art Review (October), p. 23
Garret, Craig. “Moving Pictures.” Flash Art (March–April), p. 47
Goto, Shigeo. “Wolfgang Tillmans Long Interview.” (interview) Esquire Magazine Japan, no. 3 (March), pp. 38–42
Harris, Jane. “Wolfgang Tillmans.” Time Out New York (November 20), p. 87
Heidenreich, Stefan. “Wolfgang Tillmans: ‘We are not going back.’” DE:BUG, no. 32 (June), p. 32
Herbert, Martin. “Preview.” pluk (May–June), pp. 27–28
Hohmann, Silke. “Die außerirdische Königin.” Frankfurter Rundschau (June 27), p. 13
Holert, Tom. “Zwischen Ästhetisierung und Ikonografie.” In Mars—Kunst und Krieg, Hatje Cantz Verlag/Neue Galerie Graz, pp. 290–303
Hubbard, Sue. “All things must pass.” The Independent Review (June 10), pp. 14–16
Imdahl, Georg. “Dieses unstillbare Interesse an der Oberfläche.” Frankfurter Allgemeine Zeitung, September 20, p. 45
Jongbloed, Marjorie, Brigitte Oetker, and Christiane Schneider. Jahresring 50—Jahrbuch für moderne Kunst. Cologne, Germany: Oktagon Verlag, pp. 208–213
Kent, Sarah. “Trivial Pursuits.” Time Out (July 23), p. 51
Kiehl, Annette. “Wahrheitssuche.” Westfälischer Anzeiger, August 14
Lehnartz, Sascha. “Der Maler des modernen Lebens.” Frankfurter Allgemeine Sonntagszeitung, January 12, p. 47
Leopold, Jörg. “Lights (Body).” In Fast Forward, Karlsruhe, Germany: Sammlung Goetz, pp. 376–377
Liebs, Holger. “Paare, Passanten.” Süddeutsche Zeitung, June 6, p. 15
Long, Andrew. “Wolfgang Tillmans.” Departures (May–June), p. 99
Maestri, Tony and Alex King. “I had a camera and wanted to change my life.” eyesore productions, pp. 18–20
Morton, Tom. “Wolfgang Tillmans. Tate Britain.” frieze, no. 80 (October), p. 113
Hernert, Martin. “Wolfgang Tillmans.” Artforum (October), p. 167
Pitman, Joanna. “In a World of His Own.” The Times, June 9, p. 16
Pye, Harry. “Interview.” (interview) Untitled, no. 30 (June–July), pp. 4–7
Sagner, Karin. “Anti-homeless device.” (interview and photography) in Architektur der Obdachlosigkeit, Cologne, Germany: DuMont Buchverlag, pp. 20–27
Schütte, Christoph. “Künstler ohne Wäschespinne.” Frankfurter Allgemeine Zeitung, June 27, p. 56
Searle, Adrian. “The Joy of Socks.” Guardian, June 10, p. 12
Siedenberg, Sven. “Wolfgang Tillmans über Werte.” Süddeutsche Zeitung, Wochenende, July 5–6, p. viii
Smith, Caroline. “Rebel rebel.” (interview) Attitude (July), pp. 63–65
Tyrrel, Rebecca. “The Big Picture Show.” Sunday Telegraph Magazine (June 1), p. 79
Weston, Alannah. “Wolfgang Tillmans. If one thing matters, everything matters.” HotShoe International (June), pp. 5, 40–42
——. “Wolfgang Tillmans—Tate Britain.” Artforum (October), p. 167

Aidin, Rose. “Shooting from the Hip.” The New York Times Magazine (March 9), pp. 42–45
Bellel, Zeva. “face to face.” Dutch, no. 38 (March–April), pp. 78–79
Bruciati, Andrea. “Wolfgang Tillmans: Diechtorhallen Hamburg.” Tema Celeste (January–February)
Burton, Johanna. “Bystander + Wolfgang Tillmans, Lights (Body).” Time Out New York (August 15–22), p. 46
Bush, Kate. “Best of 2002—Wolfgang Tillmans (Palais de Tokyo, Paris).” Artforum (December), p. 121
Eichler, Dominic. “Partnerschaften.” frieze (April), p. 96
Eriksen, Peter. “Sokkerne på radiatoren.” Lousiana Magasin, no. 7 (November), pp. 6–12
Graham-Dixon, Andrew. “Shooting Star.” Vogue (UK) (March), p. 342
Guerrin, Michel. “Wolfgang Tillmans, les poils et les étoiles.” Le Monde, June 8, p. 32
Gundlach, F. C. “Wie kommt Bedeutung in das Blatt Papier.” (interview) in reality-check, 2. Triennale der Photographie, Hamburg, pp. 24–31
Jahn, Wolf. “Wolfgang Tillmans, Deichtorhallen, Hamburg.” Artforum (March), p. 149
Jonkers, Gert. “De statigheid van een muis in een kartonnen doosje.” de Volkskrant, July 24, p. 14
Kertess, Klaus. Photography Transformed: The Metropolitan Bank and Trust Collection. Harry N. Abrams Publishers, Inc., p. 222.
Koerner von Gustorf, Oliver. “Befleckte Idyllen.” die tageszeitung, February 6
Koether, Jutta. “Zeug aus einer besonderen Zeit.”
Neuendorff, Torsten. “Wenn man geliebt wird, will man verstanden warden—but then you still want to be loved.” Nakas, Kassandra. “Empathie und Distanz. Zu den Werken von Jochen Klein.” Wagner, Frank. “Fährten und Verbindungslinien,” in Partnerschaften, Neue Gesellschaft für Bildende Kunst, Berlin, 2002, pp. 41–46, 49–51, 53–56, 105–13
Lazimbat, Sascha. “Living on Video.” Groove, no. 78 (October)
Lyttelton, Celia. “Shots from the hip.” Tatler (June)
Matsui, Midori. Art in a New World: Postmodern in Perspective Japan: Asahi Press
McDermott, Stephen. “Head Games.” Gay City (August 23–29)
Mortensen, Anders S. “Normal Utilpassethed.” (interview) Panbladet, no. 1 (February), pp. 20–25
Morton, Tom. “Everyone’s a Winner.” Tate (November-December), p. 70-75
Nickas, Bob. “Best of 2002—Wolfgang Tillmans (Palais de Tokyo, Paris).” Artforum (December), p. 117
Paul, Benjamin. “Wolfgang Tillmans: Still Life.” In Wolfgang Tillmans: Still Life, exh. cat., Cambridge, Mass.: Harvard University Art Museums, pp. 11–18
Perree, Rob. “Wolfgang Tillmans.” Reviews, Kunstbeeld, no. 10
Pieper, Cornelia. “Bester Zeitgeist.” Frankfurter Allgemeine Sonntagszeitung, no. 38, September 22, p. 28
Roth, Claudia. “Bestes Engagement.” Frankfurter Allgemeine Sonntagszeitung, no. 38, September 22, p. 28
Schwenk, Bernhart. “. . . etwas menschliches herübertragen.” (interview) in Aidsmemorial München, Frankfurt am Main, Germany: Revolver Verlag, pp. 14–17, 36–37
Shimizu, Minoru. “Bijutsu Techo.” Bijutsu Shuppan-sha, no. 782 (April), pp. 82–87
Smith, Caroline. “Wolfgang Tillmans.” Contemporary (May), p. 105.
Sonna, Birgit. “Aus Zeit und Raum gerissen.” Süddeutsche Zeitung, July 17
Temin, Christine. “A Dozen Options in Landscape at ‘Beyond Barbizon.’” Boston Globe, April 14
Troncy, Eric. “Portrait of the Artist as a Young Man.” Numéro 34 (June), pp. vii–xi, 33–37
Turner, Jim. “Wolfgang Tillmans.” Flaunt, no. 31, pp. 74–75
Vendrame, Simona. “Wolfgang Tillmans.” (interview) Tema Celeste, no. 91 (May–June), pp. 46–51
Wood, Catherine. “Wolfgang Tillmans.” Art Monthly, no. 256 (May), pp. 37–38
Zahm, Olivier. “Dans le vide des apparences.” Vogue (Paris) (June), p. 22
“Exhibitions: See this!” Guardian Guide (April 6–12), p. 42
“Focus Germany.” Flash Art (May–June)
“Strange Tail of New Pet Shop Boys Video.” New Musical Express (January 12), p. 5
“Tillmans’ view from above.” Sleazenation (January–February)
“Wolfgang’s gaze.” Out (April), pp. 40–41
“Wolfgang Tillmans and the Pet Shop Boys.” Tema Celeste (March–April)

Aletti, Vince. “Wolfgang Tillmans: A Project for Artforum.” Artforum, no. 6 (February), p. 129
Brudna, Denis. “Wolfgang Tillmans.” Photonews (December–January), pp. 20–21
Craddock, Sacha. “Apocalypse: Beauty and Horror in Contemporary Art.” Tema Celeste, no. 83 (January–February), pp. 114
De Potter, Pete. “Fan.” i-D, no. 206 (February), p. 174
Egan, Maura. “Prize Matters.” Details (January–February), pp. 124–31
Finsterwalder, Frauke. “The rise of photography and the dominance of the German school.” Tema Celeste, no. 86 (summer), pp. 22–23
Gardner, Belinda Grace. “Die Hand umklammert den Haltegriff.” Frankfurter Allgemeine Zeitung, October 19, p. 54
Gioni, Massimiliano. “New York Cut Up.” Flash Art, vol. XXXIV, no. 217 (March–April), p. 73
Herstatt, Claudia. “Elizabeth Peyton, Wolfgang Tillmans, The Contemporary Face.” Kunstforum International Bd. 157 (November–December), pp. 292–294
Jantschek, Thorsten. “Linienmuster des Alltags.” Die Welt, October 24
Jocks, Heinz-Norbert. “Von der Zerbrechlichkeit der Nacktheit und der unerschrockenen Suche nach Glück.” (interview) Kunstforum International (April–May)
Keil, Frank. “Hochkultur meets Subkultur.” Frankfurter Rundschau, October 1
Kernan, Nathan. “What They Are. A Conversation with Wolfgang Tillmans.” Art on Paper (May–June)
König, Kasper, Isa Genzken/Wolfgang Tillmans Science Fiction/ Hier und jetz zufrieden. “Vorwort.” Museum Ludvig, Köln, Verlag der Büchhandlung, Walther König, Köln, p. 5
Krajewski, Michael. “Science Fiction / Hier und jeltzufrieden sein – Utopische Horizonte.” In AC: Isa Genzken / Wolfgang Tillmans, 2001, p. 8
Liebs, Holger. “Die dunkle Kammer Welt.” Süddeutsche Zeitung, September 29–30, p. 15
Mayer, Sebastian. “re:minded.” Spex (December), p. 49
McAuliffe, Michael James. “Collector’s Choice: Exit Art/The First World.” ReviewNY.com
Riemschneider, Burkhard and Ute Grosenick, ed., Art Now. 137 Artists at the Rise of the New Millennium. Cologne, Germany: Taschen, pp. 500–504
Reynolds, Cory. “Index Portraits.” Index (February–March), pp. 76–77, 85
Rodrigues, Julian. “Tillmans for all Seasons.” Photo District News (March), p. 36
Ruthe, Ingeborg. “Die akzeptable Oberfläche.” Berliner Zeitung, October 13
Schmitz, Edgar. “So weit die Wände reichen.” Texte zur Kunst, no. 41 (March)
Shimizu, Minoru. “Wolfgang Tillmans: I WAR, TILLMANS.” Ryuko Tsushin (June), pp. 120–23
Stewart, Christabel. “Wolfgang Tillmans, week 30, August 2000.” (interview) in fig-1, exh. cat., London
Testino, Mario. “Art Index,” interview with Sadie Coles, V Magazine (May–June)
Weich, John. “Wolfgang Tillmans.” Dutch Magazine (March–April)
Woodward, Richard B. “Racing for Dollars, Photography Pulls Abreast of Painting.” Arts & Leisure, The New York Times, March 25, sec. 2, p. 39–41
“Aufsicht.” Neverscheinungen (winter), p. 43
“There’s something about uniforms . . . .” Tema Celeste, no. 83 (January–February)
“View from above: review.” D.A.P. (fall–winter 2001–2002)
“Wolfgang Tillmans.” Index (April–May)

Buck, Louisa. “Wolfgang Tillmans.” The Art Newspaper, no. 106 (September), p. 73
Cork, Richard. “Farewell Then, Britart. Say Hello to the World.” The New York Times, October 25
Cypriano, Fabio. “Mostra em Berlin destaca Wolfgang Tillmans.” O Estado de São Paulo, (February 11), p. 10
Darwent, Charles. “Shock: it’s not a load of rubbish.” Independent on Sunday, (October 29)
Dusini, Matthias. “Moss muss nicht aufs Klo.” Falter, no. 14, p. 65
Eshun, Kodwo. “Under the Flightpath.” i-D, no. 203 (November), pp. 104–16
Graham-Dixon, Andrew. The Sunday Telegraph Magazine (October 8), pp. 34–37
Grammel, Søren. “Wolfgang Tillmans: Soldiers.” Frankfurter Kunstverein Hefte, no. 1, pp. 40–44
Harlock, Mary. “Turner Prize 2000.” Tate Britain (October 25, 2000–January 14, 2001)
Irving, Mark. “Hot Shot on His Way to the Top.” The Independent on Sunday (October 22)
Kernan, Nathan. “Moments of Being.” In Apocalypse. Beauty and Horror in Contemporary Art, exh. cat., London: Royal Academy of Art, pp. 132–35
Kent, Sarah. “The artful dodger.” Time Out (November 15), pp. 18-19
Kimura, Midori. “Wolfgang Tillmans.” Bijutsu Techo, no. 782 (January), p. 46
Knofel, Ulrike. “Stilleben mit Glatzkopf.” Der Spiegel, no. 33 (August)
Maurer, Simon. “Man sollte die Kamera ganz vergessen.” Tagesanzeiger, November 27
McAuliffe, Michael James. “Collector’s Choice: Exit Art / The First World through December 30.” ReviewNY.com, December 15
McCormick, Carlo. “Talking Pictures: Interview with Wolfgang Tillmans.” Artnet.com
Müller, Silke. “Geliebter Feind.” Art, no. 11 (November), pp. 86–95
Ratnam, Niru S. “Bodies at Rest and in Motion.” The Independent, September 19, p. 12
Rauterberg, Hanno. “Perfektionist des Hingeschleuderten.” Die Zeit, no. 44, October 20, p. 47
Searle, Adrian. “Beauty to Make the Spirit Soar, Rubbish to Make the Heart Sink.” Guardian (October 24), pp. 12–13
Slocombe, Steve. “Lieber Turner.” Sleazenation, pp. 40–41, 132–41
Sonna, Birgit. “Die Faszination der Fensterbank.” Süddeutsche Zeitung, February 17, p. 22
Verzotti, Giorgio. “Art in the Age of AIDS.” In Dire AIDS: Arte nell’epoca del AIDS, edited by Gail Cochrane et. al. Milan and Turin: Promotrice delle belle arti, pp. 37–38, 94–97
Ziegler, Ulf Erdmann. “Kunst mit doppeltem Gesicht.” die tageszeitung, December 15
“Very New Art 2000.” BT magazine, vol. 52, no. 782 (January), pp. 44–49
“The View from Here.” The Big Issue (August 28–September 3), p. 1
——. “Foreign Creativity Pierces Britart Bubble.” Guardian, June 15, p. 9
——. “Some Parts of This World.” In Helsinki Photography Festival, exh. cat., pp. 5, 26–27
——. “The End of the World as We Know It.” Guardian, September 21, p. 13
——. “What They Are: A Conversation with Wolfgang Tillmans.” In View From Above: Wolfgang Tillmans. Ostfildern-Ruit, Germany: Hatje Cantz Verlag, pp. 7–11

Aletti, Vince. “Photo.” The Village Voice, September 28, p. 75
Casati, Rebecca. “Erhabener geht’s ja wohl nicht!” (interview) Süddeutsche Zeitung Magazin, no. 29 (July), p. 32
Hainley, Bruce. “Culture and Kleenex.” frieze, no. 44 (January–February), pp. 44–45
Guha, Tania. “Wolgang Tillmans.” Time Out (June 23)
Matsui, Midori. “Composite.” Hogado, no. 11 (August), p. 133
McFarland, Dale. “Beautiful Things.” frieze, no. 48 (September–October), cover and pp. 78–83
Miles, Christopher. “Wolfgang Tillmans.” Flaunt (November), pp. 46–48
Nilsson, Bo. “ . . . on the sublime/om det sublime . . .” Rooseum (January 23), pp. 7–20, 106–109, 147–56
Sergl, Anton. “Zuendgenarrt: Auf Tillmans Burg.” Our Munich (January), p. 14
Slocombe, Steve. “Wolfgang Tillmans—The All-Seeing Eye.” (interview) Flash Art, vol. 32, no. 209 (November–December), pp. 92–95
Tillmans, Wolfgang. “Tom Ford and Ann Hamilton with Wolfgang Tillmans.” Index (September–October), pp. 67–78
Werneburg, Brigitte. “Zeitschriften sind Originale.” die tageszeitung, January 16–17, pp. 13–14
“Wolfgang Tillmans.” Bijutsu Gaho, no. 22 (August), p. 281

Arning, Bill. “Wolfgang Tillmans.” Time Out New York, no. 166 (November 26), p. 63
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——. “Zurück in die Zukunft.” Szene Hamburg (March)

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Beard, Steve. “No Voyeurs Allowed—Candid Camera: The Roving Eye of Wolfgang Tillmans.” i–D, no. 159 (December), pp. 68–71
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Bianchi, Paolo. “Subversion der Selbstbestimmung.” Kunstforum (May–September), pp. 56–64
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——. “Obst und Gemüse.” Wochenpost, September 19, p. 36

Althoff, Kai. “Diskussion am Grat.” Texte zur Kunst (November), p. 172
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Kratzert, Armin. “Er trinkt Pepsi und glaubt an Gott.” Wochenpost, April 1
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Massery, Michel. “Nouvelles tribus culturelles en photo.” Le Nouveau Quotidien, September 19
Molesworth, Helen. “Wolfgang Tillmans at Andrea Rosen Gallery.” Art & Text, no. 50 (January)
Montgomery, Robert. “Street wise.” The List (August), p. 75
Niemczyk, Ralf. “Joey Beltram.” Spex (October), pp. 18–19
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Sasaki, Naoya. “Wolfgang Tillmans: Because Quality Counts.” Switch (September), pp. 131–39
Schmitz, Rudolf. “Rauskriegen was in der Luft liegt.” Frankfurter Allgemeine Zeitung, September 19
Schönherr, Florian, and Urs Hattung. “Der Grenzgänger.” Journal Frankfurt (August 25)
Ximenes, João. “Moda Verdade.” O Globo, June 24
“Achtung, Achtung.” Spex (September), pp. 42–43
“Ein ehrlicher Voyeur.” Kieler Nachrichten, February 23
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“Im Zeichen des Pulp.” Neue Zürcher Zeitung, April 8/9
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“Die intimen Fotografien von Wolfgang Tillmans.” Frankfurter Rundschau, September 2
“Kunstpreis für Wolfgang Tillmans.” Bremer Anzeiger, November 11
“Pur und unverschämt.” Der Spiegel, January 30, pp. 106–7
“Die Sehnsucht nach dem Paradies.” Allgemeine Zeitung Mainz, December 8
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Adams, Brooks. “Wolfgang Tillmans at Andrea Rosen Gallery.” Art in America (December), pp. 101–2
Aletti, Vincent. “Voice Choices.” The Village Voice, September 20, p. 72
Als, Hilton. “As Is, Wolfgang Tillmans’ Lifestyle.” Artforum (May), pp. 68–73
Hainley, Bruce. “Wolfgang Tillmans at Andrea Rosen Gallery.” Artforum (December), p. 82
Königer, Maribel. “L’Hiver de l’amour.” Kunstforum, no. 126 (March–June), pp. 344–346
Mosselmann, Arnold, and Corinne Groot. “Wolfgang Tillmans at Thaddaeus Ropac, Paris.” Metropolis M., no. 3 (June), p. 52
Muir, Gregor. “Wolfgang Tillmans at Interim Art, London.” frieze, no. 14 (January), p. 56
Rian, Jeff. “Homemade Iconolgy: Snapshot Artists.” Flash Art (November), pp. 57, 59-60
Swingewood, Sally. “The Camera Never Lies Down.” Time Out Amsterdam, no. 1 (June), p. 4
Tillmans, Wolfgang. “Techno Soul,” in L’Hiver de l’amour, exh. cat., Musée d’art moderne de la Ville de Paris, 1994, pp. 8–9
Verzotti, Giorgio. “L’Hiver de l’amour at Musée d’art moderne de la Ville de Paris.” Artforum (October), p. 112
——. “Season’s Greetings.” The Village Voice, October 24, p. 73

Poschardt, Ulf. “Ein Fleck Freiheit.” Vogue, no. 8 (August), pp. 110–12
Reich, Elli. “Private Eye.” Prinz (Frankfurt am Main, Germany) (July), p. 92
Zahm, Olivier. “Tendances.” Purple Prose, no. 3 (June), pp. 14–15

Brudna, Denis. “I-deas für heute und übermorgen.” Photonews (June), pp. 8–9
“Parallels.” Creative Camera (February–March), pp. 24–27

Brudna, Denis. “Wolfgang Tillmans.” Photonews, (December)
Gessulat, Stefan. “:Ikonen.” Prinz (Hamburg, Germany) (August)
“i-D Newsflash.” i-D, no. 66, p. 7

“To look without fear of Wolfgang Tillmans in conversation with Erin O’Toole”, SFMOMA, San Francisco, USA, (2 November)
"Juan Pablo Echeverri: Talk by Tom Roach, Inti Guerrero, and Wolfgang Tillmans", Between Bridges, Berlin, Germany (20 June)
“Photographer Wolfgang Tillmans”, PODCAD, OCAD University, Toronto, Canada, podcast (19 April)

“How the Universe Taught Wolfgang Tillmans to Make Art”, The Art Angle, Artnet News, Wolfgang Tillmans and Andrew Goldstein, podcast, (23 September)
“Wolfgang Tillmans and DonChristian Jones in Conversation”, MoMA, New York, (22 September)
“An Evening with Wolfgang Tillmans”, MoMA, New York, (12 September)

“Wolfgang Tillmans in conversation with Hamza Walker”, Regen Projects, Roy and Edna Disney/CalArts Theatre, Los Angeles, USA (28 October)
“Conversation with Jonathan Horowitz and Wolfgang Tillmans”, Haus der Kulturen der Welt, online conversation (20 March)

“How Architectural Details Affect Real Life”, From Here; For Now, Melbourne School of Design, online talk (17 June)
“Remote Utopias”, NTS Radio, live performance (2 May)
"Talk Art: Wolfgang Tillmans", Robert Diament and Russell Tovey interview Wolfgang Tillmans, podcast (28 July) "UNIQLO Tate Lates: Night In", Wolfgang Tillmans in conversation with Frances Morris, tate.org.uk, live broadcast (29 May)
"The Monocle Weekly: Wolfgang Tillmans", Monocle.com (22 May)
“Conversation between Wolfgang Tillmans and Roxana Marcoci”, MoMA, online talk (20 May)

“The Arts and Europe - a Plea for more Unity in Life, Arts and Politics”, re:publica19, Berlin (6 May)
“Lecture at Addis Ababa University on Thursday, February 7 on the occasion of ‘Wolfgang Tillmans: Fragile,” Modern Art Museum Gebre Kristos Desta Center and Goethe-Institut Addis Abeba, Ethiopia, (7 February)

“Wolfgang Tillmans with Paul Holdengräber: Art and Political Action”, New York Public Library (5 September)
Académie des Beaux-Arts, Kinshasa (13 January)
“Glory to Sound: Wolfgang Tillmans”, Somerset House, London (7 December)

“Wolfgang Tillmans in conversation with Stephan Lewandowsky”, Berliner Festspiele, Martin Gropius-Bau, Berlin, Germany (5 December)

“Folding, Refraction, Touch: Modern and Contemporary Art in Dialogue with Wolfgang Tillmans”, Harvard Art Museum, Massachusetts (27 December)

“Wolfgang Tillmans: A Lecture” (with UAL Chair of Visual Communication: Scott King), University of the Arts London, Podium Lecture Theatre, London
College of Communication, London (June 15)
“The Hugh Edwards Lecture”, Rubloff Auditorium, Art Institute of Chicago, USA (June 4)
“Im Dialog VI”, Sammlung Hoffmann, Berlin (March 26)

“Positionen ’14: Wolfgang Tillmans ‘Cladding / Verschalung’”, TU Berlin (November 20)
“Art Basel Talks”, Art Basel, Basel (June 18)

Kunstsammlung Nordrhein-Westfalen, K21 Ständehaus, Dusseldorf (May 16)
Rencontres d’Arles, Symposium, Talk Wolfgang Tillmans und Beatrix Ruf, (July 3)
MAVI Santiago de Chile, Conversation mit Sophie O’ Brien

Städelschule, Frankfurt am Main (November 12)
Kunsthochschule Weißensee, Berlin (November 29)
MAM Sao Paulo (March 28)
lecture im Plaentarium/ mit Unterstützung des Goethe Instituts
Hayward Gallery, London, Open Wide School, The Scientific Fundamentals of Photography Part 1: Optics and lenses, Wolfgang Tillmans in conversation with Peter Török/ The Scientific Fundamentals of Photography Part 2: Digital imaging, Wolfgang Tillmans in conversation with Peter Török (3 & 4 July 2012)
Centre Pompidou, Selon Chris Dercon, DES IMAGES À L’INFINI, WT und Chris Dercon, 16 November 2012

Akademie der bildenden Künste, Munich (October 27)
“BP Artist Talk: Wolfgang Tillmans“, Tate Britain, London (October 3)
Moderna Museet, Stockholm (March 24)
Busch-Resinger Museum, Harvard Art Museums, Cambridge, MA (March 2)
“Royal Academy Schools Annual Lecture”, Royal Academy of Arts, London (February 22)
Serpentine Gallery, Garden Marathon (October 15)

“Frieze Talks”, Frieze Art Fair, London (October 14)
“Park Nights: Wolfgang Tillmans and Dimitar Sasselov”, Serpentine Gallery, London (August 2)
ICP, New York, (October 7)
Slade School of Fine Arts (November 17)