An Apparent Brightness
upcycled fabrics, fun fur, fringe, tassels and doll wigs; pegboard, wood, acrylic on panel, spray paint, foil, glitter, mirrors found in a dumpster, metal rods, disco balls from Gold Coast legendary gay bar in West Hollywood , silver pinata, pinata with sensory balls, pom poms, feathers, sunlight, and vinyl stickers.
315 x 350 x 162 cm
Maureen Paley is pleased to present An Apparent Brightness by Esther Pearl Watson at Morena di Luna, Hove. This will be her second exhibition at the gallery and her first to be featured at the Hove space.
The focal point of the exhibition is a bright and colourful immersive walk-in screen structure that is also the source of the show’s title, An Apparent Brightness.
"Many of the paintings in the show include serene moments as children run through fields of dandelions. Metallic objects as well as flattened angels reminiscent of illuminated manuscripts hover in the atmosphere. We find meteors piercing the Earth’s atmosphere, they become shooting stars, burning, and breaking toward their new form. Everyone depicted seems oblivious to what is happening above them.
This work uses folk vernacular and abstraction to make a fragile gesture towards a perhaps hopeful new reality.
The wall of bookcases within the exhibition space contains over twenty melon-sized meteorites made from earthenware (terra cotta and obsidian) like scientific artefacts. They look like otherworldly chunks that fell through a colour splattered atmosphere of glitter, dust and silver leaf. Many have pink or golden tassels resembling some type of invasive species or perhaps ocean life on coral rock.
The largest of the sculptures sits like a testament to an otherworldly experience and is titled after Hildegard of Bingen (1098–1179), the mediaeval visionary who contributed many early writings about the cosmos, drawings, paintings, manuscripts, and music that have inspired me.
In a time where misinformation lives alongside scientific facts, where some are vaccinated and others mistrust vaccines, and safety guidelines constantly shift, everyone constructs their own fragmented rules to navigate. The news is so full of crisis and at some point, panic fatigue sets in.
Living in Los Angeles, I find for myself one constant: I cling to gratitude for the small things I have learned during the pandemic and hope that we can overcome our worst nature to build something brighter for the future."
Esther Pearl Watson
Esther Pearl Watson (b. 1973, Frankfurt, Germany) lives and works in Los Angeles, USA.
Recent solo exhibitions include The Magical Mystery Tour Returns, Los Angeles Municipal Art Gallery, Los Angeles, California, USA (2022); Safer at Home: Pandemic Paintings, The Richmond Center for Visual Arts, Western Michigan University, Kalamazoo, Michigan, USA (2021); Dream Believer, University of Wisconsin, Parkside, Wisconsin, USA (2019); Mothership, Maureen Paley, London (2019).
Additionally, her work has been included in group exhibitions such as Rural Elements, Contemporary Art Museum of Plainview, Plainview, Texas, USA (2019); The Moon: Eternal Pearl, Concord Center for the Visual Arts, Concord, Massachusetts, USA (2019); Atrium, Amon Carter Museum of American Art, Fort Worth, Texas, USA (2015) and Sky, Bedford Gallery, Lesher Center for the Arts, Walnut Creek, California USA (2014).