EXHIBITIONS

Gardar Eide Einarsson and Oscar Tuazon
downstairs exhibition view
Maureen Paley, London
2017

Gardar Eide Einarsson and Oscar Tuazon
downstairs exhibition view
Maureen Paley, London
2017

Gardar Eide Einarsson
Inventory Control and Material Accounting, 2016
acrylic, gesso and graphite on canvas
180 x 220 cm

General Ledger and Financial Control, 2016
acrylic, gesso and graphite on canvas
180 x 220 cm

Capital Investments, 2016
acrylic, gesso and graphite on canvas
180 x 220 cm

downstairs exhibition view
Maureen Paley, London
2017

Gardar Eide Einarsson
General Ledger and Financial Control, 2016
acrylic, gesso and graphite on canvas
180 x 220 cm

Capital Investments, 2016
acrylic, gesso and graphite on canvas
180 x 220 cm

exhibition view
Maureen Paley, London
2017

Oscar Tuazon
Standing Door (Rules of Tent City), 2017
double pane tinted glass, aluminium
198.5 x 71.5 x 67 cm

Gardar Eide Einarsson
General Ledger and Financial Control, 2016
acrylic, gesso and graphite on canvas
180 x 220 cm

Gardar Eide Einarsson and Oscar Tuazon
downstairs exhibition view
Maureen Paley, London
2017

Gardar Eide Einarsson and Oscar Tuazon
The Pig Will Eat Its Children, 2012
c-print on aluminium
154 x 119 cm

Gardar Eide Einarsson
This is an unlawful assembly disperse at once. / Disperse or we fire., 2017
cotton, thread and wood
240 x 260 cm

Gardar Eide Einarsson and Oscar Tuazon
upstairs exhibition view
Maureen Paley, London
2017

Oscar Tuazon
NIGHT VISION 1, 2012
c-print on alumiunium
118 x 160 cm

NIGHT VISION 2, 2012
c-print on alumiunium
118 x 160 cm

NIGHT VISION 3, 2012
c-print on alumiunium
118 x 160 cm

upstairs exhibition view
Maureen Paley, London
2017

Oscar Tuazon
NIGHT VISION 1, 2012
c-print on alumiunium
118 x 160 cm

Gardar Eide Einarsson
Ein neues Menschenbild? Rundfunkstimmen zur Weltschau von Pierre Teilhard de Chardin, 2017
acrylic, gesso and graphite on canvas
180 x 220 cm

Sie gerieten auf das falsche Gleis (von den Iden des März bis Jalta, 2017
acrylic, gesso and graphite on canvas
180 x 220 cm

Gardar Eide Einarsson and Oscar Tuazon
Sandbag Filler, 2017
aluminium
109 x 40 x 50 cm

upstairs exhibition view
Maureen Paley, London
2017

Gardar Eide Einarsson and Oscar Tuazon
upstairs exhibition view
Maureen Paley, London
2017

Gardar Eide Einarsson
Sie gerieten auf das falsche Gleis (von den Iden des März bis Jalta
acrylic, gesso and graphite on canvas
180 x 220 cm
2017

Gardar Eide Einarsson and Oscar Tuazon
upstairs exhibition view
Maureen Paley, London
2017