12 September – 13 December 2025

MoMA
11 W 53rd St
New York, NY 10019

Stephen Prina: A Lick and a Promise will be the first in-depth survey to focus on the artist’s long engagement with music and performance, bringing new perspectives to a central factor in Prina’s wider practice: how cultural artifacts find new lives in different contexts.

Four works by Stephen Prina will also be installed in the museum galleries.

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image: Mike Kelley, Anita Pace, Stephen Prina. Beat of the Traps. 1992. Performed in Expanded Art, Wiener Festwochen, The Remise, Vienna, Austria, 1992. Performers (from left): Jonathan “Butch” Norton, Carl Burkley, Alan Abelew, Stephen Prina, Anita Pace, M.B. Gordy. Photo: Karl Krauss.

Selected press

The New York Times, An Artist’s Do-Over in Double Time, 11 September 2025

ArtReview, Stephen Prina’s Self-Haunting, 11 September 2025

Frieze, Between Mozart and Fluxus: The Many Contradictions of Stephen Prina, 16 July 2025

6 September 2025 - 11 January 2026

Ciccillo Matarazzo Pavilion in São Paulo
Ibirapuera Park · Gate 3 · São Paulo, Brazil

Wolfgang Tillmans is included in the 36th Bienal de São Paulo, titled Not All Travellers Walk Roads – Of Humanity as Practice. The exhibition takes place from September 6, 2025 to January 11, 2026 at the Ciccillo Matarazzo Pavilion in São Paulo, with free admission.

Conceptualised by Bonaventure Soh Bejeng Ndikung – alongside co-curators Alya Sebti, Anna Roberta Goetz, Thiago de Paula Souza, co-curator at large Keyna Eleison, and communications and strategy advisor Henriette Gallus – the 36th Bienal is inspired by the poem “Da calma e do silêncio” [Of Calm and Silence] by poet Conceição Evaristo. It is founded on active listening to humanity as a practice of constant displacement, encounter, and negotiation.

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image: Poster for the 36th Bienal © Studio Yukiko / Fundação Bienal de São Paulo.

5 September 2025 - 11 January 2026

The Bronx Museum
1040 Grand Concourse 
The Bronx, NY 10456

Ministry: Reverend Joyce McDonald is the first museum exhibition devoted to the artist’s work, bringing together her early sculptures in air-dry clay and found materials with recent glazed ceramics. Assembling more than 75 artworks and a variety of archival materials, the exhibition will offer deep insight into McDonald’s remarkable journey as an ordained minister and prolific artist.

Through sculpture, Reverend Joyce McDonald crafts moving testimonies to themes that have shaped her life: hope, grace, and serenity, but also hardship, loss, and devotion. Her work often depicts figures in repose or embrace, embodying the strength, support, and unconditional love that have sustained her life.

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Selected Press

The New Yorker, The Ministry of Joyce McDonald’s Sculptures, 5 September 2025

The Art Newspaper, Reverend Joyce McDonald: ‘Art was like therapy for me’, Torey Akers, 5 September 2025

Cultured, Here Are the 12 New York Museum Shows You Should Look Forward to This Fall, 25 August 2025

image: Reverend Joyce McDonald, Covered with Love, 2003, Acrylic and fabric on air-dry clay, 7 ½ × 6 ½ × 5 ½ inches, Collection of Michael Sherman and Carrie Tivador

With special thanks to Visual AIDS and Gordon Robichaux.

2 September at 6pm AEST

Sydney Sydney
Potts Point, NSW 2011
Australia

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17 July 2025 - 10 January 2026

London Mithraeum Bloomberg SPACE
12 Walbrook 
EC4N 8AA

London Mithraeum Bloomberg SPACE showcases a series of contemporary art commissions, responding and bringing fresh perspective to the site's archaeological history. The newest installation, Performance of Entrapment by Jane and Louise Wilson, opens tomorrow, marking the 15th site specific installation in the space.

Performance of Entrapment centres around 2,000-year-old oak stakes discovered during excavations for Bloomberg’s European headquarters believed to have once supported a crossing over the River Walbrook - an ancient waterway that flowed beside the Temple of Mithras, and still runs beneath the streets of modern London. Using microscopic imagery, the Wilsons draw inspiration from the wood’s structure and DNA sequencing, to create large-scale, visually layered artworks.

Performance of Entrapment investigates parallels between the Roman Temple of Mithras and Ise Jingu shrine in Japan — two sacred places dating to the 1st–3rd century BC. Though geographically and culturally distant, they both feature similarities in iconography and house significant relics: the head of Mithras in London, and the Sacred Mirror of the Emperor at Ise Jingu. A film by the Wilsons, created with shrine authorities within the grounds of Ise Jingu, explores sisterhood, duality and renewal.

The Wilsons explain, “Ise City is the home to the Ise Ondo, a traditional female folk-dance group that dates to the Edo period. The film, made with the group, explores re-enactment of traditions… This creates a feeling of being in two worlds at once - strange, yet familiar - like looking at ourselves through a mirror.”

By weaving together film, archaeology, and contemporary art Jane and Louise Wilson offer a powerful reflection on ancient shrines, memory, and time.

You can explore Performance of Entrapment with a free audio guide from the artists on Bloomberg Connects.

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Selected Press

The Recess: A Recessed Space Newsletter, An Interview with Jane & Louise Wilson, 28 July 2025

The Guardian, Sculpture in the City/Bloomberg Space review, 17 July 2025

The Art Newspaper, Artists travel back in time with work created from ancient wood discovered at site of lost London river, 17 July 2025

The Wick, Viewing Jane and Louise Wilson: Performance of Entrapment at Bloomberg SPACE, 18 July 2025

Heni Art News, Contemporary art from ancient oak, 14 July 2025

Apartman No.26, Jane and Louise Wilson’s “Performance of Entrapment”: Ancient Timbers and a Journey Through Time, 25 July 2025

image: Jane and Louise Wilson, Installation view of Performance of Entrapment at London Mithraeum Bloomberg SPACE, 2025. Photo: Marcus Leith

15 July 2025 - Spring 2026


The Leadenhall Building (Escalators)
122 Leadenhall, London EC3V 4AN


Sculpture in the City is an annual sculpture park that uses the urban realm as a rotating gallery space.

The 14th Edition of Sculpture in the City will be on display from 15 July 2025 to Spring 2026, and includes the artwork, Dendrophiles, by Jane and Louise Wilson.

The ink drawing is based on images of DNA strands and a 3-D eucentric scans of wooden dendro samples which date over 2000 years, AD 60 and which likely formed part of a crossing over the River Walbrook. The microscopic imagery was developed with Phil Ayres Professor of Biohybrid Architecture at the Royal Danish Academy, Copenhagen, thanks to MOLA London.

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image: Jane and Louise Wilson, Dendrophiles, 2025. Photo: © Jane and Louise Wilson RA

26 July at 11am

Banks Violette is Francesca Gavin's guest on Rough Version, NTS Radio.

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image: Banks Violette, No Title (Horse), 2021, graphite on paper, 15 1/4 x 11 1/4 in - 38.7 x 28.6 cm

17 July at 7pm

Le Goethe-Institut de Paris
7 Av. d'Iéna, 75016 Paris

On the occasion of the publication of the Centre Pompidou exhibition catalogue, Wolfgang Tillmans will be in conversation with Peter Szendy at the Goethe-Institut, Paris.

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image: Portrait of Wolfgang Tillmans in the Bibliothèque publique d’information. Courtesy of Centre Pompidou.