26 February – 1 March 2026
Stand B15
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Santa Monica Airport
3027 Airport Avenue
Santa Monica
90405
Open by invitation only:
Thursday 26 February: 10am – 7pm
Friday 27 February: 11am – 1pm
Open to the public:
Friday 27 February: 1pm – 7pm
Saturday 28 February: 11am – 7pm
Sunday 1 March: 11am – 6pm
image: Wolfgang Tillmans, Time Flows All Over 8, 2025
Frieze, First Look at Frieze Los Angeles 2026
Frieze, Los Angeles According to: Maureen Paley
26 February - 23 August 2026
Bundeskunsthalle
Helmut-Kohl-Allee 4
53113 Bonn,
Deutschland
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Following its highly acclaimed run at Raven Row, London, the exhibition travels to the Bundeskunsthalle in Bonn and opens this Friday.
Photographer Peter Hujar (1934–1987) was a central figure in the New York downtown scene of the 1970s and 1980s.
The exhibition focuses on Hujar's work since the 1970s and reflects his exploration of the possibilities of relationships within rigid frameworks. It was curated by Hujar's biographer John Douglas Millar and his friend Gary Schneider, in close collaboration with the photographer's estate.
When Hujar died of AIDS-related pneumonia, his work was largely unknown. Today, however, Peter Hujar is considered one of the most important photographers of the second half of the 20th century.
image: Peter Hujar, Self-Portrait (II), 1975 © The Peter Hujar Archive / VG Bild-Kunst, Bonn, 2026, Courtesy of The Peter Hujar Archive / ARS, New York, Fraenkel Gallery, Ortuzar Projects, Maureen Paley, and Mai36.
11 February – 11 May 2026
7-22-2 Roppongi
Minato-ku
106-8558
Tokyo
Japan
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This exhibition explores the dynamic evolution of British art from the late 1980s to the early 2000s. Many of the newer generation of artists who came to prominence in the 1990s were referred to in the art and popular media under the title Young British Artists (YBAs). Alongside other artists active at the time, these artists explored themes such as popular culture, personal identity, and shifting social structures. Featuring around 100 works by approximately 60 artists, the exhibition traces the radical creativity and groundbreaking approaches that redefined British art in the 1990s.
image: Wolfgang Tillmans, The Cock (kiss), 2022, chromogenic print
and Gillian Wearing, Dancing in Peckham, 1994, colour video with sound, 25 minutes
Curated by Julian Duft
Opening Sunday 8 February 12pm - 5pm
6 February – 16 August 2026
Skulpturenhalle
Lindenweg
41472
Neuss
Germany
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Jane and Louise Wilson have been defining video art as spatial installation since the 1990s. They explore and transform the macro- and microstructures – from architecture to cellular tissue – to offer novel spatial experiences. With the exhibition at the Skulpturenhalle, the moving image takes centre stage for the first time as a sculptural medium.
Their first exhibition in Germany in twenty years takes the Skulpturenhalle – situated on a former NATO and U.S. missile base, now surrounded by fields – as its point of departure. Key video installations from the early 2000s and architectural photographs are shown alongside the most recent body of work, developed since 2018 in Korea and Japan, which also addresses natural structures. The exhibition traces the interrelations between space, body, perception, and power; its works cast light on contemporary technological and geopolitical issues.
5 February – 23 May 2026
Print Center New York
535 West 24th Street
New York
NY 10011
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We are pleased to announce the opening of
Felipe Baeza: Anima, at Print Center, his first monographic institutional exhibition in New York surveying his practice. It brings together over 40 works demonstrating the range of his material experimentation, Anima is the first exhibition to deeply explore his grounding in printmaking, the development of his visual language and studio process which extends beyond this, but has printmaking as a starting point.
A catalogue of his work will be published in April.
image: Felipe Baeza, Beyond the Vessel, 2024, watercolor, monoprint, photolithography, screenprint, pochoir, and collage, 40.6 x 30.5 cm – 16 x 12 in
Opening Saturday 31 January 3pm - 5.30pm
1 February - 10 May 2026
VISUAL Carlow
Old Dublin Road
Carlow Town
Ireland
R93 A3K1
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Anne Hardy’s first exhibition in Ireland comprises a series of figurative sculptures that reflect various states of being; physical, emotional, metaphorical. Set within an immersive installation made of earth and light that suggests an archaeological site or a place of ritual, Interloper engages with the architecture, weather and landscape within and outside the gallery.
image: Poster for Anne Hardy, Interloper, VISUAL Carlow, Ireland, 2026. Work featured (detail) Anne Hardy, 'Being (Slipstream), 2024_2026, Artists clothes, welded steel, cast pewter, inner tubes, tyres, motorbike helmet, casts of the artists arms, shells, rusted steel, found materials, L270 x W70 x H90cm. Courtesy of Anne Hardy and Maureen paley, London. Photo: Angus Mill.
17 January – 14 February 2026
Preview Weekend:
17 – 18 January 2026
12 – 6 pm
Studio M
Rochelle School
7 Playground Gardens
London E2 7FA
Maureen Paley is pleased to host Gordon Robichaux for Condo London 2026 with an exhibition of recent work by Agosto Machado at Studio M. For his London debut he will present a group of his shrines and altars alongside related ephemera and works by Sheyla Baykal, Peter Hujar, and Jack Smith.
Agosto Machado is a Chinese-Spanish-Filipino-American performance artist, activist, archivist, muse, caretaker, and friend to countless celebrated and underground visual and performing artists. He has been a vital participant and witness to cultural and creative life in New York since the early sixties, from art, theater, performance, and film to social and political counterculture and the dawn of the gay liberation movement. As part of a cohort of queer revolutionaries, including Marsha P. Johnson, Thomas Lanigan-Schmidt, and Sylvia Rivera, Machado participated in the Stonewall Rebellion.
Machado has presented two solo exhibitions at Gordon Robichaux in New York (2025 and 2023). His shrine and altar sculptures are held in the collections of The Museum of Modern Art (MoMA), the Whitney Museum of American Art, and the Hessel Museum of Art at Bard College in New York.
More Information: Agosto Machado
More Information: Condo London 2026
The New York Times, Whitney Biennial Names 56 Artists to Unwind These ‘Weird Times’, 15 December 2025
13 November 2025 – 8 March 2026
Fotografiska
No. 127 Guangfu Road
Jing'an District, Shanghai
In this exhibition, Something or Nothing, Andrew Grassie presents a new series of work that originates from an open call made to Fotografiska Museum visitors. Participants were given disposable cameras with the simple instruction to take photographs of 'Something or Nothing'. From over a thousand submissions, Grassie selected eleven photographs to transform into slow paintings using the tactile subtlety of egg tempera.
The exhibition offers a profound meditation on memory, time, and the permeable boundaries between mediums. With meticulous precision, Grassie transforms the stillness of a photograph into the slow, enduring flow of paint, granting each captured moment a renewed sense of permanence.
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image: Poster for Something or Nothing, featuring Andrew Grassie, Switch, 2025, egg tempera on paper on board, 17 x 25.2cm. Photo: Pu Yiwen