15 – 19 October 2025

Stand B16

The Regents Park
London
NW1 4LL

Open by invitation only:
Wednesday 15 October: 11am - 7pm
Thursday 16 October: 11am - 1pm

Open to the public:
Thursday 16 October: 1pm – 5pm
Friday 17 October: 11am - 7pm
Saturday 18 October: 11am - 7pm
Sunday 19 October: 11am - 6pm

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Frieze Week Extended Hours:

Frieze East End Day
Sunday 12 October, 11am – 6pm

Wolfgang Tillmans
Build From Here

Maureen Paley
4 Herald Street
London E2 6JT

Maureen Paley
60 Three Colts Lane
London E2 6GQ

Studio M
Rochelle School
7 Playground Gardens
London E2 7FA

Plan Your Route: East End Day 2025, Frieze, 1 October 2025

This Autumn, London’s Galleries Are Growing, Matthew McLean, Frieze, 25 September 2025

image: Behrang Karimi, Kosmische Heilung, 2025, oil and pigment on canvas

1 October 2025

Wolfgang Tillmans joins the A Brush With... podcast, talking to Ben Luke about his influences — from writers to musicians, film-makers and, of course, other artists — and the cultural experiences that have shaped his life and work.

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Spotify

Apple Music

26 September - 24 November 2025

Okayama Orient Museum Pre-Entrance
9-31 Tenjin-cho, Kita-ku, Okayama City

The Okayama Art Summit is an international contemporary art exhibition that focuses on conceptual art, held in Okayama City every three years. Curated by Philippe Parreno, Liam Gillick has been selected as one of this year's exhibiting artists.

The theme of this year’s summit is The Parks of Aomame, inspired by Aomame, the mysterious character from Haruki Murakami’s novel 1Q84. As Parreno describes in his statement, a curated group of thirty individuals and groups from twelve countries and regions, including artists, musicians, architects, designers, scientists, writers and thinkers, will use their unique methods of expression to create new forms, transforming Okayama’s public spaces into places where reality and imagination naturally merge.

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Image: Liam Gillick, 2016, Okayama Art Summit Executive Committee, Collection of Ishikawa Foundation, Okayama. Courtesy of the artist and TARO NASU. Photo by Yasushi Ichikawa.

24 September 2025 at 6:30 pm

Dia Chelsea
537 West 22nd Street
New York, New York

Dia will host the launch of Torrington Project, a publication by Tom Burr. Released by Primary Information and edited by Blake Oetting, the book traces Burr’s occupation of a sprawling former manufacturing facility in Torrington, Connecticut, from 2021 to 2024 through a combination of documentation, archival materials, and scholarly essays.

Burr will introduce the book, after which Humberto Moro, Dia’s deputy director of program, will moderate a panel discussion with Oetting and fellow contributors: Dia curator and co–department head Jordan Carter and artist Aria Dean.

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18 September – 4 January 2026

Munch Museum
Postboks 3304 Sørenga,
0140 Oslo, Norway

Today Zifzafa opens at the Munch Museum, Oslo, curated by Tominga O’Donnell. Zifzafa is about the role of sound in the formation of community and the sonics of self determination.

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image: Ove Kvavik, Munchmuseet

20 September – 30 November 2025

Gothenburg Museum of Art
Götaplatsen 6, 412 56 Göteborg

Olivia Plender is included in the 13th Göteborg International Biennial for Contemporary Art, titled A hand that is all our hands combined. The exhibition takes place from September 30, 2025 to November 30, 2025 at the Gothenburg Museum of Art.

This year’s edition, curated by Christina Lehnert, brings together artists whose practices embody a care that extends beyond the personal grounded in solidarity and care, with a focus on the shared responsibility of shaping our present.

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image: Poster for the 13th Biennial © Hossein Sehatlou.

12 September – 13 December 2025

MoMA
11 W 53rd St
New York, NY 10019

Stephen Prina: A Lick and a Promise will be the first in-depth survey to focus on the artist’s long engagement with music and performance, bringing new perspectives to a central factor in Prina’s wider practice: how cultural artifacts find new lives in different contexts.

Four works by Stephen Prina will also be installed in the museum galleries.

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image: Mike Kelley, Anita Pace, Stephen Prina. Beat of the Traps. 1992. Performed in Expanded Art, Wiener Festwochen, The Remise, Vienna, Austria, 1992. Performers (from left): Jonathan “Butch” Norton, Carl Burkley, Alan Abelew, Stephen Prina, Anita Pace, M.B. Gordy. Photo: Karl Krauss.

Selected press

The New York Times, An Artist’s Do-Over in Double Time, 11 September 2025

ArtReview, Stephen Prina’s Self-Haunting, 11 September 2025

Frieze, Between Mozart and Fluxus: The Many Contradictions of Stephen Prina, 16 July 2025

6 September 2025 - 11 January 2026

Ciccillo Matarazzo Pavilion in São Paulo
Ibirapuera Park · Gate 3 · São Paulo, Brazil

Wolfgang Tillmans is included in the 36th Bienal de São Paulo, titled Not All Travellers Walk Roads – Of Humanity as Practice. The exhibition takes place from September 6, 2025 to January 11, 2026 at the Ciccillo Matarazzo Pavilion in São Paulo, with free admission.

Conceptualised by Bonaventure Soh Bejeng Ndikung – alongside co-curators Alya Sebti, Anna Roberta Goetz, Thiago de Paula Souza, co-curator at large Keyna Eleison, and communications and strategy advisor Henriette Gallus – the 36th Bienal is inspired by the poem “Da calma e do silêncio” [Of Calm and Silence] by poet Conceição Evaristo. It is founded on active listening to humanity as a practice of constant displacement, encounter, and negotiation.

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image: Poster for the 36th Bienal © Studio Yukiko / Fundação Bienal de São Paulo.